Review: There is lots to love about this one, from the tongue-in-cheek BBC moniker assumed by Bovell Brown and Cobby, to the unapologetic title, and of course on to the music. "Quality Weed" is a deep cut, heavy rolling rhythm with pitched down vocals that perfectly match the stoner mood. A noodling top line invites you to follow it to a higher state of consciousness and the warmth of the bass is truly irresistible. The remix on the flip is more upbeat and funkier thanks to the tight bass riff that rumbles away under the more house leaning drums.
Review: Mukatsuku struck gold again on this latest first time on a "45" issue. It boasts a couple of lesser-known jazz-funk fusion jams which originally featured on Argentine musician Jorge Navarro's 1977 album "Navarro Con Polenta", an LP that has never been issued outside of South America. A-side "Funk Yourself" is a bustling, high-octane jazz-funk Hammond licks and spiralling horns jumping above a Blaxploitation style backing track. "Repartamos El Funky" is a more laid back but no less musically intricate affair, with a variety of high-grade electric piano and guitar solos riding seemingly endless jazz style drum solos and rubbery bass. Juno hand-numbered copies come in exclusive sleeves and this 45 not be repressed. DJ Support comes from Ge-ology, Dom Servini, DJ Koco (Japan), DJ Food,The Allergies,45LIVE.net ,Dr Bob Jones,Rob Luis, Smoov and more
Review: For the first volume in their brand new Toxic Funk 45s series, the Breakbeat Paradise crew has turned to two stalwarts of the breaks scene, Easy Now Recordings co-founder Tom Showtime and long-serving DJ/producer Badboe. They hit the ground running with A-side "We Funk Tings", a cut-and-paste workout that peppers a head-nodding, bass-heavy hip-hop groove with funk licks, hazy horns and sneaky vocal samples from a variety of ragga and rap records. They continue in a similar vein over on side B, where the horn and piano-heavy hip-hop-funk of "We Have It Hot" is followed by the boom-bap booty business of "The Time Has Come".
Flying Fantasy (exclusive instrumental version) (4:35)
Rhodes E Serenidade (3:37)
Review: Small repress of the Modern Sun Records founder and experienced jazz-wise producer Marc Friedli AKA Skymark. A-side "Flying Fantasy" originally appeared on the Spanish producer's 2016 album "Resistance Sonore", but is here featured in instrumental form for the first time. If anything, it's better than the original version, largely because we get to revel in Friedli's mazy Fender Rhodes solos, rubbery jazz-funk synth bass and loose-limbed, West London style broken beats. You'll find plenty more jaunty jazz-funk vibes and liquid electric piano solos on B-side cut "Rhodes E Serenidade", which first slipped out way back in 2015. DJ Support so far from Dom Servini, Emanative,Red Greg,Kevin Beadle, Mike Chadwick,Dynamite Cuts & Rocafort Records so far
Review: If you're a talented soul vocalist who wants an authentically fuzzy late 1960s sound, you could do worse than join forces with Timmion Records' in-house backing band, Cold Diamond & Mink. They're in fine form here providing admirable backing to rising star Carlton Jumel Smith. "Love Our Love Affair" is undeniably attractive, with Smith's confident and emotion-rich vocal rising above the band's hazy horns, languid trumpet solos, sun-bright guitar licks and lolloping, hip-hop style funk-soul beats. As is customary, the band's tidy instrumental version can be found - and enjoyed - on the flip.
Review: Although well known on the funk circuit for their incendiary live performances, the Soul Grenades have yet to translate their hard-hitting, horn-heavy sound to wax. It's for this reason that "A Blast Of Funk!", their debut single, has caused such a commotion. It boasts fresh recordings of two of the most popular cover versions in their armoury. The pick of the pair is undoubtedly their riotous rendition of "Get Lucky", which is re-imagined as a tasty funk-soul work out smothered in headline-grabbing, New Orleans style brass. That said, their version of "Louie Louie" is rather good, too, especially the addition of Meters style Hammond organ licks. As played by Craig Charles on BBC 6,The Allergies, Snowboy, Smoov,Boca 45 , Voodoo Cuts, Aldo Vanucci, Daytoner,Dom Servini, Jack & Wayne Hemingway. Don't sleep!
Review: Stefano Tirone has been a stalwart of the Italian scene since making his debut on legendary Italian house label Calypso Records way back in 1992. Since then, his productions have become increasingly more jazz and soul focused, with a sizeable side order of groovy downtempo beats. His latest seven-inch single begins with "Try My Love", a hazy chunk of head-nodding jazz-funk/soul fusion rich in languid synthesizer solos, lazy grooves, hazy horns and soulful vocals. It's really good all told, though we'd argue that flipside "Odoya" - a wiggling chunk of Afro-tinged mid-tempo funk - is even better. Either way, it's another rock solid release from the effervescent Tirone.
Review: Resurgent Welsh techno wizard DJ Guy launches his own label with a fresh batch of deep diving jams that put the soul back in the machine. From the twinkling, starry-eyed delights of "Music Is Life" to the horizontal meditation of "Interplanetary," this is immaculately executed electronica in the fine tradition of UK trailblazers like B12 that sounds as fresh as it did in the 90s. "Warmth In Rhythm" sports a nagging house groove to suck you in with ease, while "Propulsion State" fires off a dazzling arpeggio that heads skywards with a twitchy electro backbone for company. Top shelf tackle from a seriously talented cat.
Review: Long running dub dons Nice Up! unveil a brand new talent on their latest: that man is Escape Roots, a Glaswegian producer and Mungo's HiFi's Walk n Skank resident who calls upon vocalist Dandelion to muse on the many different joys of ganga. Riding on classic dancehall rhythms with hooky guitar riffs and tumbling claps, Dandelion touches on toothpaste, butter, soap and the titular Ganga Socks. It's tongue in cheek, head in the clouds stuff that will have you skanking for days. For those who like it more stripped back, flipside "Version" is where it's at.
Review: Metalheadz might be celebrating 25 years in the game in 2019, but they are not spending too much time looking back. Instead, Goldie's vital label continues to serve up forward looking drum & bass, this time from Jem One. A year after his debut on the label he's back with another varied three tracker. Form the swirling pads of liquid roller "Lotus" to the more angsty, tightly coiled drums of old school jungle cut "Transpose" and on to darkened minimal stepper "The Hardcore", there is a lot to love here.
Review: Transparent Sound label boss Orson Bramley steps up to his long-standing imprint with a new guise, Empty Orchestra, which showcases yet more of his crafty, delicately executed take on electro. "Nervouse Smile" is an impeccable study of the style, loaded with intricate machine funk elements from twitchy drum programming to ethereal pads, and of course a healthy dose of funk for good measure. As well as the original version, there are additional remixes courtesy of rising stars Acidulant and Alero May, the latter of which has an especially infectious bassline ripple and some smart key change moments for a dynamic end result.
Review: "Father Of The Bride", Vampire Weekend's first album for six long years, has been receiving praise across the board from critics. It's been variously described as a "modern California pop masterpiece", a "scrapbook of brilliant ideas" and "the band's magnum opus". To our ears, it's certainly joyous and celebratory, with the acclaimed New York band wrapping their usual punchy-indie pop in subtle and not so subtle nods towards everything from Flamenco and Country music, to mournful piano ballads, excitable electronic indie-dance and 1960s baroque pop. In other words, it's a giddy collection of inventive, enjoyable songs that boasts the same eclectic, anything-goes swagger as the Beatles "White Album" or other similar wide-ranging sets.
Review: Marta Ren has made us wait for a follow-up to her superb 2016 debut album "Stop, Look, Listen". The good news is that a belated sequel is in the works, with this limited seven-inch single offering a first taster of the studio sessions. "Worth It" was certainly worth the wait (sorry). Based around a lolloping deep funk groove rich in heavy bass, hip-hop style drum breaks, crunchy guitars and rising horns, the track sounds like a long lost original 1960s recording rather than something made earlier this year. That's no criticism, though, because Ren's powerful, forthright vocals - available on the killer A-side version - suit that kind of fuzzy, retro-futurist production. Don't sleep on this one - it's one of the strongest soul records of the month without doubt.