Suchergebnisse: Dance Music

Notes: The Korg Monotron Duo is capable of creating even stranger, extreme and diverse sounds. The combination of 2 oscillators in unison provide thick, rich analogue tones, while tuning them to different intervals can create classic solo synth sounds and powerful effects. Korg have utilized their X-Mod (cross modulation taken from their classic Mono/Poly synths) circuitry in the Monontron Duo, enabling you to generate the mildest of sounds, to vibrant vibrato, to sharp, fm style abrasive synth sounds.

The Monotron Duo features Korg's fantastic enhanced ribbon controller keyboard and now features the same scale function as used on the Kaossilator, chromatic, major, minor or off scales are available, allowing your music juices to flow freely over any music. The distinctive tone of an analog filter (VCF) can dramatically alter and enrich the sound. The Monotron Duo uses the same highly acclaimed VCF circuit as Korg's classic MS-10 and MS-20 semi modular synthesizers. Originally released over 30 years ago, these instruments are still coveted today for their aggressive, dynamic filters. The VCF Cutoff knob sets the frequency or tone of the filter; the VCF Peak knob adds emphasis. A powerful filter is an essential aspect of any analog synthesizer, applying dramatic tonal changes to the sound, and projecting an intense personality that will stand out in any live performance.

The input jack (AUX input) built into the Monotron Duo's compact body allow you to place any audio source into the Monotron Duo's signal path, directly before the analog filter. This provides a great way to connect a Kaossilator, a guitar, or a digital audio player to the Monotron and enjoy tone-bending filter effects.

A miniature speaker is built into the Monotron Duo. Along with the battery operation and compact size, this feature allows you to enjoy the share the Monotron Duo's analog synthesis sound with your friends, anywhere, at any time. There's also a headphone output that you can use when practicing in private, creating sounds at home, recording, or for connecting to an amplifier or PA system.

http://www.youtube.com/watch?v=wWLOxRSll5Q

Notes: A good delay was an essential part of the classic analog synthesizer sound. More often than not, that delay came from a tape-style echo machine until affordable digital delays were created. The Monotron Delay is an analog synthesizer optimized for sound effects. In addition to its analog oscillator, filter and LFO, it also provides a space delay that's indispensible for swooping, cosmic sounds. The monotron Delay even reproduces the pitch changes that occur when you vary the delay time, just as though you were using an analog tape echo. This fat and warm delay will add an authentic edge to your analog sounds.

It also features Korg's class VCF filter for full control over your sounds. The distinctive tone of an analog filter (VCF) can dramatically alter and enrich the sound. The Monotron Delay uses the same highly acclaimed VCF circuit as Korg's classic MS-10 and MS-20 semi modular synthesizers. Originally released over 30 years ago, these instruments are still coveted today for their aggressive, dynamic filters. The VCF Cutoff knob sets the frequency or tone of the filter; the VCF Peak knob adds emphasis. A powerful filter is an essential aspect of any analog synthesizer, applying dramatic tonal changes to the sound, and projecting an intense personality that will stand out in any live performance.

Create classic sounding analogue tape delays to add warms and new dimensions to your synth sounds. Also included is Korg's fantastic enhanced ribbon controller keyboard, while a mini jack input also allows you to run any external audio, such as a Kaossilator, digital piano or guitar, through the Monotron Duo. As standard, the Monotron range comes with a powerful built-in speakers and is battery operated for the ultimate portable experience.

The Low Frequency Oscillator (LFO) waveform used to modulate the pitch now offers a choice of waveshapes, which is a new square wave plus the traditional triangle wave. Both the rate (speed) and the intensity (depth) can be adjusted independently. In addition, a trimpot on the back panel can continuously adjust the shape/direction of the triangle wave or the pulse-width of the square wave to deliver even more versatility. Used in conjunction with the delay, the LFO can create dazzling effects and provide unique possibilities for embellishing your songs.

The Monotron Delay's ribbon controller keyboard features a wide, 4-octave range. This design allows the pitch to be controlled even more aggressively and dynamically, making the Monotron Delay a great weapon for a DJ to get the floor moving with irresistible sound. The reversed white keys and body adornments glows under black light illumination, making the monotron Delay ideal for delivering a striking visual impact in nearly any club environment.

The input jack (AUX input) built into the Monotron Delay's compact body allow you to place any audio source into the Monotron Delay's signal path, directly before the analog filter and delay circuit. This provides a great way to connect a Kaossilator, a guitar, or a digital audio player to the Monotron and enjoy tone-bending filter and delay effect.

A miniature speaker is built into the Monotron Delay. Along with the battery operation and compact size, this feature allows you to enjoy the share the Monotron Delay's analog synthesis sound with your friends, anywhere, at any time. There's also a headphone output that you can use when practicing in private, creating sounds at home, recording, or for connecting to an amplifier or PA system.

Notes: The microKEY series are a compact family of USB MIDI keyboards featuring the velocity-sensitive Natural Touch mini-keyboard; acclaimed on instruments such as the microKORG XL and microARRANGER. In addition to the existing 37-key model, the lineup has been expanded with the addition of a supremely portable 25-key model, and a 5-octave 61-key model providing the space to play freely with both hands.

Bundled software and discount coupons are more generous than ever; the 61-key model even comes with a license for the Korg Legacy Collection. The microKEY is the ideal USB MIDI keyboard for the musician who wants to assemble a convenient and compact music production system.

The microKEY25 features excellent portability, allowing you to enjoy playing and producing with a great-feeling keyboard even when you're away from home. It features an expressive Joystick, as traditionally found on larger controllers, and provides simultaneous control of multiple parameters at the same time, along with control of the built-in tempo-synced arpeggiator function. That's not all; the microKEY25 can be powered directly from your iPad via the Camera Connection Kit, and it can be immediately used to control MIDI-capable apps such as Korg's iMS-20. The microKEY25 also includes a download code for FREE Korg M1Le software, giving you all of the preset sounds and all of the PCM waveforms of the original M1, and a browser/search function that makes it easy to find that perfect sound.

Also included are licenses for Applied Acoustics Systems' Strum Acoustic Session, Lounge Lizard Session, and Ultra Analog Session as well as a license for Toontrack's software drum sound module EzDrummer Lite, and a discount coupon for Ableton's Live, Live Suite, and Live LE DAW software, widely popular for its sophisticated functionality.

Notes: It's time to play and have fun

First impressions stay with us. If it's an instrument, the sound of that instrument continues to reverberate in our hearts and minds even when we become adults.

Just because something is called a toy piano, doesn't mean it has to sound like a toy. If the instrument has correct pitch and accurate tone, a child who plays with the instrument will look forward to better instruments as they grow older.

The KORG tinyPIANO is a digital piano made by a musical instrument manufacturer renowned for professional pianos for the children who carry the future.

Notes: It's time to play and have fun

First impressions stay with us. If it's an instrument, the sound of that instrument continues to reverberate in our hearts and minds even when we become adults.

Just because something is called a toy piano, doesn't mean it has to sound like a toy. If the instrument has correct pitch and accurate tone, a child who plays with the instrument will look forward to better instruments as they grow older.

The KORG tinyPIANO is a digital piano made by a musical instrument manufacturer renowned for professional pianos for the children who carry the future.

Notes: Korg's excellent FM synth offers a modern take on those classic 80s digital tones. Second-gen version doubles the number of voices to six, adds new MIDI features and extra effects.

Supplier's Notes:
The next-gen Volca FM is a powerful 6-voice, 6-Operator FM synthesizer with all 32 classic algorithms, a 16-step loop sequencer, effects and a powerful arpeggiator that perfectly reproduces the sound of the classic Yamaha DX7 and is completely compatible with SYS-EX patches for the DX7 as well.

Battery (included) or adapter (optional) operated with built-in speakers and a compact and light chassis, the Volca FM is the ultimate portable FM solution for all musicians.

This new generation - with double the voices of its predecessor, additional effects, expanded MIDI connectivity, and intuitive interface - is poised to bring unprecedented possibilities to your setup, and revolutionize your studio with new musical ideas.
With 6 voices (instead of the 3 of its predecessor) the new Volca FM brings a new world of harmonic possibilities to your production.

Now it is possible to play, sequence or arpeggiate complex chords with up to 6 voices in order to bring a unique flavour to your music production. No more running out of voices when sequencing melody, harmony and bass all in one device!

Moreover, the new Volca FM is now velocity sensitive via MIDI, which coupled with its 6 voice polyphony, provides a much more expressive and nuanced playing experience than ever before.

By popular request, Volca FM includes a lush Reverb effect in addition to the Chorus effect. Each of these two effects can be used and adjusted individually to add the finishing touch to any FM sound you are going for.

In addition to MIDI IN the new Volca FM also includes a MIDI OUT (IN/OUT 3.5 mm TRS), making it possible to use the intuitive Volca internal sequencer to control other devices through MIDI, making it the perfect addition to your standalone setup. Of course, it also works well with your DAW of choice thanks to note, control, and clock receipt via the MIDI IN.

The internal sequencer offers looping up to 16 steps, allowing you to record your performance on the touch panel keyboard as you play. Up to 16 sequence patterns can be stored in the internal memory.

Volca FM also incorporates a motion sequence function to record in real time all the subtle nuances of your playing and knob movements, letting you add time-varying change to the sound. This is a great way to polish your loops, and also lets you generate highly original live performances.
In order to spice things up, the new generation of Volca FM includes a brand new program randomizer, letting you find new inspiration through happy accidents and unexpected patches.

Of course, it still incorporates highly acclaimed functions such as the warp active step, pattern chain and an improved arpeggiator, making it easy to create crazy looping rhythms and patterns.

In addition to the active step function that lets you skip steps during a sequence, the volca fm provides new functions that enable you to generate more irregular rhythms. If the active step is fewer than 16 steps, you can use the warp active step function to compensate so you occupy the same playback time as 16 steps; then by synchronizing the playback with another volca series unit, you can deliberately skew the step timing to generate truly unconventional performances.

Specifications

Keyboard: Multi touch 27 key keypad
Synthesizer:
Type: FM synthesis
Maximum Polyphony: 6 voices
Structure: 6 operators, 32 algorithms
Number of Programs: 64
Edit parameters: Modulator (Attack, Decay), Carrier (Attack, Decay), LFO (Rate, P.Depth), Algrtm, Randomize Available to edit full parameters for each operator in Edit Mode
Controls: Transpose, Velocity, Octave, Arp (Type, Div), Chorus Level, Reverb Level
Arpeggiator Types: 9 (each 3 patterns of "Rise", "Fall", and "Random")
Voice Modes: Poly, Mono, Unison
Effect: Chorus, Reverb
Sequencer:
Number of Parts: 1
Number of Steps: 16
Number of Recording Patterns: 16
Controls: Motion Sequence, Active Step, Warp Active Step, Pattern Chain, Metronome
Audio Output: Headphones (3.5mm stereo mini jack)
Sync: Sync In (3.5mm monaural mini jack, Maximum input level: 20V), Sync Out (3.5mm monaural mini jack, Output level: 5V), When two units of Volca FM, available to export the sound programs and sequence data from a Volca FM to the other one
MIDI: IN/OUT - Note: 3.5mm stereo mini jack connector (type-A MIDI adaptor needed)
Available to convert and load SYS-EX/SYX files from Yamaha DX7
Power Supply: AA alkaline battery x 6 or AA nickel-metal hydride battery x 6, Or AC adapter (DC 9V) (optional)
Battery Life: Approximately 10 hours (using alkaline batteries)
Dimensions (W x D x H): 193 x 115 x 40 mm / 7.60" x 4.53" x 1.57"
Weight: 360 g / 12.70 oz. (Excluding batteries)
Included Items: AA alkaline battery x 6 (for verifying operation), Sync Cable, Edit Parameter List - Accessories: AC adapter (DC 9V) KA-350

Notes: The fourth release in Korg's DIY-focussed Nu:Tekt series is bundled here with a special edition of Kim Bjorn's Patch & Tweak book, including interviews with Korg synth designers and players.

Supplier's Notes:
The ultimate limited-edition bundle for synth fans, comprising the all-new NTS-2 oscilloscope kit alongside a copy of the new "Patch & Tweak with Korg" book. The book explores semi-modular synthesis and features more than 25 new exclusive interviews with Pete Townshend, Jean-Michel Jarre, Richard Devine and more.

The NTS-2 kit and book were conceived and developed to complement each other, providing not only a fascinating insight into synth usage and history, but also the tools to guide and inspire synth lovers at any stage of their musical journey.

The Nu:Tekt NTS-2 is a DIY Swiss army knife for musicians. Building on a 4-channel oscilloscope, it includes a flexible waveform generator, spectrum analyser, and tuner functions that make it the ideal addition to any studio.

Patch & Tweak with Korg is the latest title in the Patch & Tweak series from Bjooks. It's a fascinating guide to semi-modular synthesis and the music it has inspired. With a focus on the MS-20 Mini, Volca Modular, reimagined ARP 2600 M, and the SQ-1 and SQ-64 sequencers, it features dozens of tutorials, tips, and tricks covering everything from synth basics to advanced sound design. A must-have for synth enthusiasts, it includes interviews with legendary and emerging artists, insights from Korg and ARP engineers, and detailed timelines of Korg synthesizers and ARP's legendary keyboards.

Bundle
Included items: NTS-2, "Patch & Tweak with Korg" book, side panels for NTS-2, Stickers
Weight Gross 1.480kg (52.2oz), Net 1.320g (46.56oz)
Dimensions: 3 x 6.5 x 27.3 cm (10.35 x 2.56 x 10.75 inches)

Book
Number of pages: 216
Weight: 8 kg (28.22oz)
Dimensions: 25 x 25 x 1.6 cm (9.84 x 9.84 x .63 inches)
Featured products: MS-20 / volca modular / ARP 2600 m / NTS-2 and many others.
Featured artists: More than 25 artists including Pete Townshend, Jean-Michel Jarre, Richard Devine, Andrew Huang and many others
Featured Korg / ARP members: Fumio Mieda, Tatsuya Takahashi, Dina Pearlman, David Friend, and many others

NTS-2
Dimensions: 9 x 7.8x 3.9 cm ( 5.08 x 3.07 x 1.53 inches)
Weight: 130g (not including batteries) (4.6 oz)
Power: USB type-C (2.0, 500mA max) or 2x AAA batteries (approx 2 hours running time),
Inputs
Input: 3.5mm Stereo x2, i10V max
Through Output: 3.5mm Stereo x2
Output: 3.5mm Mono x2, i5V max
Oscilloscope
Display modes: Single, Stereo (Input1L-INPUT1R, Input1L - Input2L, Input2L - Input2R), 4ch?XY(Lissajous, 2ch)
Vertical: 10mV~5V/div, AC/DC MODE switchable
Horizontal: 50us~1s/div
Trigger: Auto, Rise, Fall, Single(rise), Single(fall)
FFT (Spectrum Analyser)
Input: mono (1L, 1R, 2L, 2R)
Frequency: 20Hz~20kHz
Tone generator
Wave type: sine, square, triangle, saw, noise, pulse, envelope
Frequency: 1Hz~10kHz, Hz/NOTE mode switchable, [1ms~10s,sec/BPM switchable(pulse, envelope mode)]
Output level: 10Vpp max, V/dB mode switchable
Tuner
Display mode: Needle, Meter
Input: Mono, Stereo (Input1L-Input1R, Input1L-Input2L)
Calibration: 410-480Hz

Notes: ***B-STOCK: Box opened, product in perfect working order***


The electribe series lets you play back your carefully constructed patterns while using intuitive operations to add spice and reveal new sonic possibilities. Approximately ten years after the Electribe SX first went on sale, there's now a new sampler in the electribe series that's designed to be simple and easy for the beginner to understand, and even more enjoyable for previous electribe users.

The electribe perfectly fulfills two tasks that both demand speed: live performance and music production

The electribe sampler has been reborn with cutting-edge technology inherited from popular KORG products such as the KingKORG, kaossilator, kaoss pad, and taktile. The internal memory lets you save 250 patterns, including preset patterns which are perfect for today's dance music scene. There's also support for the polyphonic playback that's indispensable for styles that include complex chord progressions, such as House music.

Using the 16 pads placed on the front of the unit, you can create patterns intuitively while actually hearing and seeing the sounds. You can use the pads as a keyboard to realtime-record phrases, and also perform step recording by entering the pitch and rhythmic value one note at a time. The patterns you create can be used in alternate forms as you perform by taking advantage of the "step jump" feature inherited from the volca series, or by changing the "last step" to vary the length of each part.

There's also a "motion sequence" function that lets you record knob and button operations and use them in the pattern that you create.

Either drums or synths can now be assigned to each of the 16 parts (i.e., the 16 pads). For example you could create complex rhythms by assigning drums to all of the 16 parts.

Familiar from the kaossilator is the "touch scale" function that lets anyone perform without wrong notes, just by moving a finger across the touch pad. The trigger pads that were popular on the taktile are also provided, making it easy for anyone to create phrases intuitively. The trigger pads can also be used for drum input. Settings allow you to switch velocity on/off.

KORG created a synth engine for the electribe sampler that's perfectly designed to maximize your creativity.

In addition to a sampler sound engine that lets you use your own unique and original sounds (samples), there are also several types of analog modeling sound engines that are great for creating synth basses and pad sounds. There can be up to a total of 999 preset and user samples, and a maximum of 270 seconds of sampling time (calculated as monaural) can be used. The unit is shipped with numerous drum, rhythm/phrase loops, and hit samples included. (collaborations with Sample Magic, Loopmasters, Prime Loops are included)

Modulation can make sound-creation more complicated, but we've made it easy by condensing it down to three parameters: simply select a template that specifies an effect and its target, and then adjust the speed and depth of the effect to suit your taste.

The "Time Slice" function detects attacks within the phrase and slices it appropriately, allowing you to play the phrase at the desired tempo without significantly affecting the sound. Sounds within a sliced part can also be used separately by assigning them to steps or parts. You can even apply an effect to a sample, and then resample it while using the knobs to vary the pitch or modulation.

The new electribe sampler provides effects such as compression and overdrive for each part, giving you uncompromising control over the nuances of individual sounds that differ subtly between genres. The groove function can be specified for each part, letting you apply a groove to your phrase simply by selecting a template.

The master effects can be controlled from the touch pad just like on the Kaoss pad, and they include not only spatial-type effects that shape the overall acoustics but they also include effects that apply aggressively musical transformations such as the "Vinyl Break" effect inherited from the Kaoss pad series, and the newly developed "Seq Reverse" and "Odd Stepper" that change the playback order of the sequencer. These are also extremely effective for live performance. Insert effects can be assigned for individual parts, opening up even more complex sound-design possibilities.

There's also a "pattern set" function which lets you switch patterns by pressing trigger pads, and an "event recording" function that records that performance. In addition to MIDI IN/OUT, "Sync IN/OUT" is also provided, allowing synchronized performances with the volca series, monotribe, or MS-20 mini. The unit can run on six AA batteries, so you can easily take it along with you and perform anywhere, providing on-the-go inspiration to your musical ideas.

Notes: Specially tuned for bass sounds, the Minilogue returns in this new format. Same great analogue synth architecture, updated to create a low-end monster.

Supplier's Notes:
Minilogue Bass is the evolution of the iconic Korg Minilogue into an all-analogue bass powerhouse.

An expandable poly-synth that retains the hands-on control and immersive playability of the original, Minilogue Bass drops deep, dark, thunderous low-end for cutting production-ready bass.

Production-ready bass

Minilogue Bass includes patches optimized by professional bass and synth programmers, ready to drop into your track or performance. But that's just the beginning - everything can be customised- the analogue possibilities are virtually endless.

All 100 preset patches are exclusive to Minilogue Bass, and can be further expanded with an additional 100 user programs for a total of 200 slots.
Powerfully analogue

The thickness, presence, and immense sonic palette provided by Minilogue Bass is due to an all-analogue signal path. It has two VCOs, a VCF, two EGs, a VCA and an LFO, while retaining the hands on control and unique wave shaping through oscillator harmonics from Minilogue.

Minilogue Bass includes cross modulation, oscillator sync, and a ring modulator, alongside a high pass filter delay to further expand your sound creation possibilities.

Eight voice modes

Minilogue Bass is a four-voice poly synth, with eight voice modes for broad versatility. Alongside POLY and CHORD modes, DUO stacks two voices in unison, UNISON works as a 4 part mono synth, MONO is monophonic but with a sub-oscillator playing an octave lower, DELAY plays 3 voices in sequence after the first, ARP is a 4 voice arpeggiator, and SIDE CHAIN lowers the volume of previously played notes.

16-step sequencing

Minilogue Bass offers powerful and intuitive sequencing possibilities. The 16-step polyphonic sequencer also captures the motion of up to four real-time controls, and can be overdubbed or step-sequenced, alongside the ability to change the root position of the playback by playing a key.

Overview

Sound visualisation

Minilogue Bass has an OLED oscilloscope that shows you the waveform as you sculpt your sound.

Sound librarian

The Minilogue Bass Sound Librarian allows for easy organisation of programs inside your synth, and can also save the entire library to a computer. It even gives the ability to load any existing Minilogue patches alongside factory and bonus libraries from Korg.

Solid looks

The sand-blasted 2mm aluminium front panel on Minilogue Bass features an edgy appearance, which is emphasised by the inverted black and red keys. A red-coloured wood rear panel further adds to a unique appearance.

Minilogue bass is also roadworthy - with metal shaft chassis-mounted potentiometers and rubber coated knobs complementing its powerful and dynamic sound creation possibilities.

In sync

Alongside MIDI and USB, Minilogue Bass has a sync connector for effortless connectivity with Volcas, Electribes and SQ-1 sequencer.

Specifications

Keyboard: 37-keys (Slim-key, velocity sensitive)
Sound Generation: Analog synthesis
Maximum Polyphony: 4 voices
Program

200 programs (100 Presets / 100 Users)
Each program includes voice mode and sequence data settings
Up to eight favorite programs can be registered
Voice Modes: 8 modes (Poly, Duo, Unison, Mono, Chord, Delay, Arp, Side Chain) -
VOICE MODE DEPTH can vary different parameters in each mode

Main Synthesis Parameter
VCO1: Octave, Wave (Saw, Triangle, Square), Pitch, Shape
VCO2: Octave, Wave (Saw, Triangle, Square), Pitch, Shape
VCO2 MODULATION: Cross Mod Depth, Pitch EG Int, Sync, Ring
MIXER: VCO1, VCO2, Noise
FILTER: Cutoff, Resonance, EG Int, Filter Type (2-Pole, 4-Pole), Keytrack, Velocity
AMP EG: Attack, Decay, Sustain, Release
EG: Attack, Decay, Sustain, Release
LFO: Wave (Saw, Triangle, Square), EG Mod (Int, Rate, Off), Rate, Int, Target (Pitch, Shape, Cutoff)
DELAY: Hi Pass Cutoff, Time, Feedback, Output Routing (Post Filter, Pre Filter, Bypass)

Sequencer
16-step polyphonic sequencer
Motion sequence can be used on up to four parameters

Controls
41 dedicated panel controls deliver immediate parameter access
A slider can control different parameters for each program

Display: Real-time OLED oscilloscope provides visual feedback of parameter changes
Connectors: Headphones (6.3mm stereo phone jack), Output (6.3mm monaural phone jack), Audio In (6.3mm monaural phone jack), Sync In (3.5mm monaural mini jack), Sync Out (3.5mm monaural mini jack), MIDI In, MIDI Out, USB Type B
Power Supply: AC adapter (DC9V)
Power Consumption: 8 W
Dimensions (W x D x H): 500 x 300 x 85 mm / 19.69" x 11.81" x 3.35"
Weight: 2.8 kg / 6.17 lbs.
Included Items: AC adapter

Notes: *** B-STOCK: Box opened, but product is in excellent condition and in perfect working order ***

Korg's excellent FM synth offers a modern take on those classic 80s digital tones. Second-gen version doubles the number of voices to six, adds new MIDI features and extra effects.

Supplier's Notes:
The next-gen Volca FM is a powerful 6-voice, 6-Operator FM synthesizer with all 32 classic algorithms, a 16-step loop sequencer, effects and a powerful arpeggiator that perfectly reproduces the sound of the classic Yamaha DX7 and is completely compatible with SYS-EX patches for the DX7 as well.

Battery (included) or adapter (optional) operated with built-in speakers and a compact and light chassis, the Volca FM is the ultimate portable FM solution for all musicians.

This new generation - with double the voices of its predecessor, additional effects, expanded MIDI connectivity, and intuitive interface - is poised to bring unprecedented possibilities to your setup, and revolutionize your studio with new musical ideas.
With 6 voices (instead of the 3 of its predecessor) the new Volca FM brings a new world of harmonic possibilities to your production.

Now it is possible to play, sequence or arpeggiate complex chords with up to 6 voices in order to bring a unique flavour to your music production. No more running out of voices when sequencing melody, harmony and bass all in one device!

Moreover, the new Volca FM is now velocity sensitive via MIDI, which coupled with its 6 voice polyphony, provides a much more expressive and nuanced playing experience than ever before.

By popular request, Volca FM includes a lush Reverb effect in addition to the Chorus effect. Each of these two effects can be used and adjusted individually to add the finishing touch to any FM sound you are going for.

In addition to MIDI IN the new Volca FM also includes a MIDI OUT (IN/OUT 3.5 mm TRS), making it possible to use the intuitive Volca internal sequencer to control other devices through MIDI, making it the perfect addition to your standalone setup. Of course, it also works well with your DAW of choice thanks to note, control, and clock receipt via the MIDI IN.

The internal sequencer offers looping up to 16 steps, allowing you to record your performance on the touch panel keyboard as you play. Up to 16 sequence patterns can be stored in the internal memory.

Volca FM also incorporates a motion sequence function to record in real time all the subtle nuances of your playing and knob movements, letting you add time-varying change to the sound. This is a great way to polish your loops, and also lets you generate highly original live performances.
In order to spice things up, the new generation of Volca FM includes a brand new program randomizer, letting you find new inspiration through happy accidents and unexpected patches.

Of course, it still incorporates highly acclaimed functions such as the warp active step, pattern chain and an improved arpeggiator, making it easy to create crazy looping rhythms and patterns.

In addition to the active step function that lets you skip steps during a sequence, the volca fm provides new functions that enable you to generate more irregular rhythms. If the active step is fewer than 16 steps, you can use the warp active step function to compensate so you occupy the same playback time as 16 steps; then by synchronizing the playback with another volca series unit, you can deliberately skew the step timing to generate truly unconventional performances.

Specifications

Keyboard: Multi touch 27 key keypad
Synthesizer:
Type: FM synthesis
Maximum Polyphony: 6 voices
Structure: 6 operators, 32 algorithms
Number of Programs: 64
Edit parameters: Modulator (Attack, Decay), Carrier (Attack, Decay), LFO (Rate, P.Depth), Algrtm, Randomize Available to edit full parameters for each operator in Edit Mode
Controls: Transpose, Velocity, Octave, Arp (Type, Div), Chorus Level, Reverb Level
Arpeggiator Types: 9 (each 3 patterns of "Rise", "Fall", and "Random")
Voice Modes: Poly, Mono, Unison
Effect: Chorus, Reverb
Sequencer:
Number of Parts: 1
Number of Steps: 16
Number of Recording Patterns: 16
Controls: Motion Sequence, Active Step, Warp Active Step, Pattern Chain, Metronome
Audio Output: Headphones (3.5mm stereo mini jack)
Sync: Sync In (3.5mm monaural mini jack, Maximum input level: 20V), Sync Out (3.5mm monaural mini jack, Output level: 5V), When two units of Volca FM, available to export the sound programs and sequence data from a Volca FM to the other one
MIDI: IN/OUT - Note: 3.5mm stereo mini jack connector (type-A MIDI adaptor needed)
Available to convert and load SYS-EX/SYX files from Yamaha DX7
Power Supply: AA alkaline battery x 6 or AA nickel-metal hydride battery x 6, Or AC adapter (DC 9V) (optional)
Battery Life: Approximately 10 hours (using alkaline batteries)
Dimensions (W x D x H): 193 x 115 x 40 mm / 7.60" x 4.53" x 1.57"
Weight: 360 g / 12.70 oz. (Excluding batteries)
Included Items: AA alkaline battery x 6 (for verifying operation), Sync Cable, Edit Parameter List - Accessories: AC adapter (DC 9V) KA-350

Notes: ***B-STOCK: Box damaged, product in perfect working order***


Strictly limited-edition full-scale reissue of an underrated analogue classic from 1973. The miniKORG 700FS is a classy monophonic instrument with aftertouch and spring reverb.

Supplier's Notes:
Back To The Future: a limited edition authentic revival of the miniKORG 700.

The miniKORG 700 was KORG's first mass-produced monophonic synthesizer released in 1973 at a time when the form of synthesizers as musical instruments had not been fully established. After a lot of experimentation, the miniKORG 700 arrived bringing the world of synthesizers to a wide group of users by offering simple operations that could producing extreme changes in sound, and was championed by a strong base of admiring musicians.

The miniKORG 700FS is an authentic revival of the miniKORG 700S, (an improved version of the miniKORG 700) that was released the following year. The revised miniKORG 700FS offers added functionality such as an arpeggiator, spring reverb and aftertouch. The miniKORG 700FS is a fully-realized analog synthesizer that was developed in conjunction with the original designer, Fumio Mieda.

(Note: To avoid confusion in the following text, both the original miniKORG 700 and the miniKORG 700S are listed as "miniKORG 700" for the most part.)

Why revive the miniKORG 700 now?

The real beauty and awesomeness of the sounds produced by the miniKORG 700 could not be realized through analog modeling technology that uses computational integrated circuitry such as DSPs and other devices to model analog circuitry. And although KORG continues to produce analog synthesizers such as the prologue, the minilogue and many others, we recognize that these instruments owe their existence to the miniKORG 700.

While theoretical know how is important when designing analog circuitry, deep experience is also required to understand what the results will actually be once the circuitry is completed. Ten years have passed since the monotron, a next-generation analog product from 2010 was developed by young KORG engineers and analog enthusiasts. It took some time for the full vision of these engineers to be explored and delivered but at last we've finally arrived - at the start.

KORG's wish is for customers to experience the beauty and awesomeness of the authentic analog sound through the miniKORG 700FS designed by the KORG analog engineers under the supervision of Fumio Mieda, who designed the original circuitry, ensuring that the elements that go beyond the circuit schematics would be faithfully represented.

While the miniKORG 700 was KORG's first synthesizer, it also produced some of the fattest and most dense sounds of all of our synthesizers. The miniKORG 700FS, features oscillators with a penetrating sound and an authentic recreation of the Traveler controller, one of the key features of the miniKORG 700.

The volca keys and volca bass use the filter circuit from the miniKORG 700, because the clear and penetrating characteristics of this filter were a perfect match for products that specialize in lead and bass synth sounds with a strong presence. The miniKORG 700 sound sits easily in today's music, particularly with its lead and bass synth sounds.

The miniKORG 700 came about as a sub keyboard that players would set atop their organs (frequently used in the 1970s) to augment the organ's sound palette. Nowadays, the beautiful lead synth sound of the miniKORG 700FS works well with stage keyboards such as or electric pianos, organs and so on.

The controls on the miniKORG 700 were laid out below its keys in a row, so that players who set the instrument on top of their organ would find them easy to access. Even today, this layout is intuitive and easy to understand, with a unique look that no other instrument offers.

When the miniKORG 700 was originally released, electronic components were larger in size, limiting its functionality due to the small space inside. Thanks to changes in technology, there's now have more space to add a spring reverb effect as well as a joystick for pitch bend and modulation. The new version also features aftertouch for added expressiveness, as well as important features an arpeggiator, USB port, MIDI IN connector and a CV/GATE IN jack.

Dimensions (W x D x H): 744 x 280 x 122 mm/29.29" x 11.02" x 4.80"
Weight: 8.5 kg/18.74 lbs.
Power supply: AC adapter (DC 12V)
Power consumption: 9W

Notes: ***B-STOCK: Box damaged, product in perfect working order***


A synthesizer that lets you perform and create multi layered music in any style, with just the touch of a finger.

The Kaossilator series was the forerunner of unique instruments that made it easy for anyone to play musical melodies and phrases. The Kaossilator Pro was a highly evolved model featuring a rich variety of sounds and loop recording functionality that made it not merely a live performance instrument, but also a track making tool.

2013 brings us to the upgraded Kaossilator Pro+. With additional new sound programs and drum sounds Kaossilator Pro+ has been supercharged to offer even more variety and exploration.

The Kaossilator Pro+ offers 250 programs, based on intuitive control of multiple parameters by moving a finger across the X-Y touchpad.

Notes: ***B-STOCK: Box damaged, product unused & in perfect condition***


Shape your sound, bring it anywhere: The microKORG S continues to build on the success of the original.

With a serious sound, ubiquitous design, and superior build quality, the microKORG analog modeling synthesizer became an instant world standard when it was released in 2002. Since then, the microKORG has found its way into the hands of musicians far and wide, and now, receives an update to ensure it will remain one of the world's most beloved synthesizers for years to come.

The new microKORG S features a built-in 2+1 speaker system with power that far exceeds its size. Its body sports an elegant white motif, and features new presets that represent the sounds of a new generation. Beneath the microKORG S's sophisticated exterior hides a sound engine both brutal in strength and universal in application.

Built-in 2+1 speaker system ensures a rich and full sound at any volume:

Inside that compact body of the microKORG, we've included a carefully constructed speaker system consisting of stereo speakers with clear imaging, plus a woofer that emanates a startling amount of low frequency. The chassis uses a new box structure, and the combination of ample box volume and a bass reflex port takes full advantage of the speakers, thereby delivering a rich sense of volume that exceeds the size of the speakers, a clear sense of positioning, and a rich low-frequency range. In addition to the battery-powered operation of the existing model, the inclusion of the built-in speakers allows an easy yet full-fledged performance experience even in an environment where there is no power supply or PA.

Since the speaker box is contained within the chassis of the instrument, the vibrations from the speaker can be felt through your fingertips. This tactile feedback allows you to experience the same subtle and dynamic response as when playing an acoustic instrument or electric piano.

Increased memory, new programs, and additional user programs:

The memory capacity has been increased from the original microKORG. Mainly centered on simple and present sounds that shine on stage, we've added 64 powerful preset programs that meet the needs of the changing music scene, including clearly defined and punchy leads, electric pianos that sound great in an ensemble, and powerful and solid basses. In addition, we've also newly provided 64 additional slots for user programs, so you can save your own original sounds without overwriting the presets. This encourages a sound design process that's ideal for this instrument: select a sound that you like, and edit it.

Elegant new design retains the spirit of the original:

The microKORG's distinctive form has been beloved worldwide for more than ten years. The microKORG S adds speakers, yet carries on the looks and compactness of the original. In addition, the front panel features an elegant white reboot, updated with maple wood for the side panels.

Favorite Select function:

There's a new Favorite Select function that lets you assign up to eight of your favorite programs. Since this lets you instantly recall the sound you need, it makes live performance even more convenient.

All of the functionality of the original microKORG, plus so much more:

This new instrument carries on all of the original microKORG's functionality, including the ease of selecting a program of a desired musical genre and then editing the selected sound, a vocoder with an included miniature microphone, and battery operation that allows you to perform anywhere. As a beginner's first synthesizer that's easy to use, as a supplementary live synth for the stage, or as a sound module for production, the microKORG S will continue to play a role in every music scene around for many years to come.

Notes: ***B-STOCK: Box damaged, product in perfect working order***


Killer value for money here. Korg's budget synth brings proper analogue polyphony to a crazy price point. Amazingly versatile with sound to match synths two or three times the price.

Supplier's notes:
Meet minilogue; the stylish, innovative, 37 slim-key fully programmable analog polyphonic synthesizer:
minilogue's newly developed analog synthesizer circuit delivers polyphony and full programmability at a great price --- exactly what today's musician needs. With the minilogue, you can get your hands on the powerful sound that's only possible with real analog, and find inspiration with features including a polyphonic step and motion sequencer, on board tape-style delay, multiple sound shaping and filter options, and an oscilloscope display. All of these seamlessly integrated features make minilogue as fun and easy to use as it is powerful. It's the next-generation analog synthesizer for musicians of all types.

True analog sound:
The synth circuits for minilogue are all new ground up designs, delivering a synthesizer experience like no other. Unprecedented in this class, it's a four-voice polyphonic true-analog synth with an interface that's designed for accessibility. Whether you're performing live or producing in the studio, the minilogue is the fastest way for the user to explore and implement real analog synthesis in any situation.
The structure consists of 2VCO, 1VCF, 2EG, 1VCA, and 1LFO. The minilogue's unique wave shape capability lets you fine tune the oscillators' harmonics, creating the most divine sounds and compositions. The minilogue is also equipped with a variety of powerful types of modulation including cross modulation, oscillator sync, and ring modulator, as well as a delay with a high-pass filter. Powerful sound creation and rich variety are the true hallmarks of an analog synthesizer.

Polyphony and Presets - Perfect:
minilogue goes beyond analog synths in its price range by adding 200 preset locations. Select a program for instant access to great sounds - - ranging from thick basses to deep pads to brilliant polyphonic leads and atmospheric sounds. No need to have deep synthesis knowledge; just choose a sound and tweak - a workflow that is very familiar with musicians today. For those who want to dive deeper into the heart and soul of minilogue's engine, the minilogue hold 200 programs; with 100 editable factory programs included, and 100 locations serving as blank canvases on which to create your next analog masterpiece. Each preset can also hold a step sequence and delay settings along with the sounds you create.

Voice modes:
Selectable voice modes let you freely configure the four voices for performance. The voices can be set to four note polyphony for chords or layered for thick basses and leads. Other modes cover a range of sounds from octave shifted bass explosions to delicately staggered layered triggering.

Eight voice modes:
- POLY - operates as a four-voice polyphonic synthesizer
- DUO - operates as a unison two-voice polyphonic synthesizer
- UNISON - operates as an all-unison mono synthesizer
- MONO - operates as a mono synth with sub-oscillator
- CHORD - produces chords
- DELAY - voices 2--4 sound consecutively at a delay following voice 1
- ARP - an arpeggiator operates with up to four voices
- SIDE CHAIN - when a note sounds, the volume of the preceding voice is lowered

16-step sequencer:
Get creative with the intuitive 16-step sequencer with motion sequence recording capabilities, and make your sound truly come to life. The minilogue provides real-time recording with overdubbing, and step recording that lets you record simply by consecutively specifying notes, giving you a great way to create phrases and performances.

Oscilloscope visualizes the sound:
The OLED display will show the waveform as you sculpt your sound. Visual feedback is both educational and entertaining, and represents a first on a hardware synthesizer.

Build quality:
The uniquely curved, sand-blasted 2mm aluminum front panel, metal shaft potentiometers, solid, chassis-mounted metal shaft potentiometers and rubber-coated knobs give the roadworthy minilogue a standout look and feel to complement its powerful and dynamic sound creation capabilities.

Sync with groove machine:
In addition to the standard MIDI connectors, the minilogue provides a sync connector that can be easily connected to Korg's groove machines. Connect this to a volca series unit, an electribe, or the SQ-1, and experience a session with synchronized sequencer playback.

Notes: Strictly limited-edition full-scale reissue of an underrated analogue classic from 1973. The miniKORG 700FS is a classy monophonic instrument with aftertouch and spring reverb.

Supplier's Notes:
Back To The Future: a limited edition authentic revival of the miniKORG 700.

The miniKORG 700 was KORG's first mass-produced monophonic synthesizer released in 1973 at a time when the form of synthesizers as musical instruments had not been fully established. After a lot of experimentation, the miniKORG 700 arrived bringing the world of synthesizers to a wide group of users by offering simple operations that could producing extreme changes in sound, and was championed by a strong base of admiring musicians.

The miniKORG 700FS is an authentic revival of the miniKORG 700S, (an improved version of the miniKORG 700) that was released the following year. The revised miniKORG 700FS offers added functionality such as an arpeggiator, spring reverb and aftertouch. The miniKORG 700FS is a fully-realized analog synthesizer that was developed in conjunction with the original designer, Fumio Mieda.

(Note: To avoid confusion in the following text, both the original miniKORG 700 and the miniKORG 700S are listed as "miniKORG 700" for the most part.)

Why revive the miniKORG 700 now?

The real beauty and awesomeness of the sounds produced by the miniKORG 700 could not be realized through analog modeling technology that uses computational integrated circuitry such as DSPs and other devices to model analog circuitry. And although KORG continues to produce analog synthesizers such as the prologue, the minilogue and many others, we recognize that these instruments owe their existence to the miniKORG 700.

While theoretical know how is important when designing analog circuitry, deep experience is also required to understand what the results will actually be once the circuitry is completed. Ten years have passed since the monotron, a next-generation analog product from 2010 was developed by young KORG engineers and analog enthusiasts. It took some time for the full vision of these engineers to be explored and delivered but at last we've finally arrived - at the start.

KORG's wish is for customers to experience the beauty and awesomeness of the authentic analog sound through the miniKORG 700FS designed by the KORG analog engineers under the supervision of Fumio Mieda, who designed the original circuitry, ensuring that the elements that go beyond the circuit schematics would be faithfully represented.

While the miniKORG 700 was KORG's first synthesizer, it also produced some of the fattest and most dense sounds of all of our synthesizers. The miniKORG 700FS, features oscillators with a penetrating sound and an authentic recreation of the Traveler controller, one of the key features of the miniKORG 700.

The volca keys and volca bass use the filter circuit from the miniKORG 700, because the clear and penetrating characteristics of this filter were a perfect match for products that specialize in lead and bass synth sounds with a strong presence. The miniKORG 700 sound sits easily in today's music, particularly with its lead and bass synth sounds.

The miniKORG 700 came about as a sub keyboard that players would set atop their organs (frequently used in the 1970s) to augment the organ's sound palette. Nowadays, the beautiful lead synth sound of the miniKORG 700FS works well with stage keyboards such as or electric pianos, organs and so on.

The controls on the miniKORG 700 were laid out below its keys in a row, so that players who set the instrument on top of their organ would find them easy to access. Even today, this layout is intuitive and easy to understand, with a unique look that no other instrument offers.

When the miniKORG 700 was originally released, electronic components were larger in size, limiting its functionality due to the small space inside. Thanks to changes in technology, there's now have more space to add a spring reverb effect as well as a joystick for pitch bend and modulation. The new version also features aftertouch for added expressiveness, as well as important features an arpeggiator, USB port, MIDI IN connector and a CV/GATE IN jack.

Dimensions (W x D x H): 744 x 280 x 122 mm/29.29" x 11.02" x 4.80"
Weight: 8.5 kg/18.74 lbs.
Power supply: AC adapter (DC 12V)
Power consumption: 9W

Notes: The best of both worlds, combining analogue drum circuits with samples and Korg's Multi Engine. Versatile step sequencing, built-in effects and seamless connectivity.

Supplier's Notes:
The introduction of Drumlogue marks a paradigm shift for drum machines. It combines the rich and raw power of analogue, the flexibility and convenience of digital, and the deep customisation of a unique SDK. A heavy-duty dynamic sequencer, powerful effects, and intuitive controls make Drumlogue a must-have in any setup.

The power of analogue

Drumlogue features completely new analogue circuitry from legendary Korg engineer: Junichi Ikeuchi (ARP 2600 M, MS-20 Mini, ARP Odyssey). The depth and richness of its sound is on a whole new level. New analogue circuits for bass drum, snare drum, low tom and high tom provide a solid foundation, and elevate tracks with harmonic richness and a thick low end.

The versaility of digital

Drumlogue has 7 digital parts: 6 sample-based and 1 Multi Engine based. The sample-based parts can play a wide selection of pre-loaded PCM samples alongside imported user samples. These can be easily loaded into Drumlogue by connecting to a computer via USB and simply dragging and dropping into its main memory.

Endless creative potential

The wildly popular Multi Engine from Minilogue XD is made even more powerful: in addition to Variable Phase Modulation (VPM) and Noise generator engines, the Multi Engine in Drumlogue features a new user slot able to play fully-fledged synth voices - providing vast sonic possibilities never before heard on a drum machine.

Custom Synths

Synth voices in Drumlogue are so much more than static waveforms. Custom synths can be built to not only generate sound, but can also draw on built-in filters, LFOs, MIDI controlled polyphony

Exclusive "Nano" plugin

Korg has collaborated with popular plugin developer "Sinevibes" to create a brand new synth plugin for Drumlogue: Nano. This exclusive plugin explores the power behind the newly expanded Multi Engine and gives an incredible first taste of the platform.

"Nano" is a full-fledged virtual analogue synth with a broad array of features and customisable parameters. The synth engine has dual oscillators with optional ring modulation, a 4-pole state-variable filter with soft clipping distortion, built-in EG and built-in multi-waveform LFO.

Sequencing powerhouse

At the heart of Drumlogue is a flexible, easy-to-use, and extremely powerful 64-step sequencer. This makes it easy to create complex patterns and polyrhythms that elevates the music creation process. Innovative features are available including per-step probability, per-step alternate trigger patterns, per-step micro offsets, per-track groove patterns and much more. With the clear OLED display, it's also easy to follow and edit your sequences visually.

Chain mode makes creating long and interesting patterns simple. In loop mode you can switch between several variations to play sequences in new and interesting ways. The Motion and Accent recording functions are fast and intuitive, and if you want to try new things on your track, the randomisation function is there to help you.

Effects and customisation

Drumlogue has high-quality effects across three categories that can be used simultaneously: delay, reverb and master effects. The send amounts for delay and reverb effects are set independently, with multiple return points also available. Master effects add that final polish to the sound and can be bypassed on a per-part basis, meaning it's possible to send the effect to specific audio parts. A sidechain bus is also available to the master effects section.

Drumlogue has an audio input, so you can process other instruments through Drumlogue's effect chain, making it an ideal companion for your studio setup.

Connectivity

With a wide range of I/O, Drumlogue can be integrated seamlessly with your rig. A USB-A port supports connectivity with USB MIDI class-compliant devices, meaning volumes can be controlled with the faders on a nanoKONTROL 2, or sounds triggered by the pads on a nanoPAD 2.
It almost goes without saying that Drumlogue easily syncs with other gear via the MIDI in/out, sync in/out, or via USB MIDI.

Four individual outputs are available, in addition to headphone and main L/R. Any part can be assigned to any output, allowing for expanded routing versatility with external processing and multi-track integration.

Ease of use

Drumlogue is incredibly easy to use - having been designed with simplicity and accessibility in mind. The most important parameters for the main drum parts have dedicated knobs on the front panel for on-the-fly adjustments, as well as dedicated volume pots for each part to speed up the mixing process.

A wide and clear OLED screen coupled with a simple UI and 4 dedicated encoder knobs makes the navigation process fast and smooth.

Design

Unlike other drum machines, Drumlogue's main panel is slanted. This offers superior ergonomics and visibility, while a brushed aluminium body and wooden side panels add to the premium look and feel.

Specifications

Polyphony: 11 voices (*)
(*) User synths may be played polyphonically via MIDI, the actual voice count will depend on the synth's implementation

Sound Engine
Analogue:4
PCM / User samples: 6
Multi-engine(NOISE, VPM, User Synthesizer): 1

Number of Programs (including rhythm patterns): 128 (64 preset programs by factory default)
Effects: Reverb, delay, master

Inputs / Outputs
Headphones
OUTPUT, (L/Mono, R/Audio, Out 1-4)
Sync In/Out
Audio In, MIDI In/Out
USB A (To Device) (Only for MIDI controllers)
USB B (To Host)

Power supply: AC adapter (DC9V)
Dimensions (W × D × H): 317 × 189 × 73 mm/12.48" × 7.44" × 2.87"
Weight: 1.4 kg/3.09 lbs.
Included items: AC adapter, Precautions, Quick Start Guide

Notes: Korg's next-generation, pedal tuner featuring the new ULTRA BUFFER is even more powerful and easy to use.

Switch between true bypass or the newly-developed ULTRA BUFFER.

The Pitchblack X not only features a true bypass for outputting the sound exactly as it was input, but now includes a built-in ULTRA BUFFER Why is this important?

The majority of electric guitars use passive pickups with a high impedance output. When you are using a cable there is a loss of tone, usually high frequencies, after about 6 m (around 18 feet) and this problem gets worse the longer your cable. A buffer boosts the signal over long cables to avoid loss of tone, keeping it clean and clear - even when your pedal is off.

The ULTRA BUFFER enhances the sound quality in bypass mode, so that you can still maintain audio quality even when using a long cable to connect to the tuner, or when inserting the tuner into a complex effects board.

On the Pitchblack X, you can switch between true bypass and the ULTRA BUFFER, according to your tastes and performance environment.

Meter LED also offers bright mode settings for high visibility.

Besides the enlarged display, more meter LEDs have been added for superior visibility.

The bright mode (brightness) can be set at one of two levels, so that you can be sure to see the tuner display even better in situations where visibility is difficult, such as brightly lit stages and bright outdoor environments.

Ultra-high tuning accuracy down to 0.1 cents.

The Pitchblack X offers highly precise and accurate tuning within a precision of i0.1 cents when in Strobe mode,making it ideal for situations where the tuning must be absolutely right whether performing or recording.

Four meter display modes.

Select from four types of meter display to match your requirements.

Aside from the typical "Regular" mode, you can use "Strobe" and "Half Strobe" mode to indicate changes in pitch by the direction and speed that the meter is flowing in to distinguish even the finest differences in pitch; and you can use "Mirror" mode to see two LEDs on the left and right crossing together towards the center as you tune your instrument.

Features a built-in "just-right tuning" display.

The Pitchblack X features a new "just-right tuning" display function, which makes the triangular LEDs on both sides blink when the tuning is correct, helping tuning be a stress-free experience.

Sturdy housing; also works on battery power

The Pitchblack X is housed in a robust aluminum case with a strong scratch-resistant coating. It works on 9 V batteries, which is perfect for players who don't carry around an effects board, and there is an optional AC adaptor if required.

Specifications
Scale: 12 note equal temperament
Detection Range: E0 (20.60Hz)~C8(4,186Hz)
Calibration RangeA4=436-445Hz(1Hz steps)
Detection Accuracy+/- 0.1 cent (display mode: Strobe)
Input Impedance1 M-ohm (tuner on)
Display Modes: Regular, Strobe, Half-strobe, Mirror
Connectors: INPUT (mono 1/4" jack), BYPASS (mono 1/4" jack), DC 9V IN, DC 9V OUT
Power Supply: 9V type battery(6LF22/6LR61/6F22)×1 or AC adaptor (9V)
Battery Life: Approximately 24 hours (6LF22/6LR61, A4 continuous input, tuner on, display mode: Regular mode) / Approximately 5 hours (6F22, A4 continuous input, tuner on, display mode: Regular mode)
Power Consumption: Maximum 28 mA
Dimensions (W x D x H): 69 x 110 x 49 mm (including protrusions)
Weight: 248 g
Included Items: Notices, Rubber feet, 9V battery x 1AccessoriesAC adaptor (9V)

Notes: Korg's next-generation pedal tuner featuring the powerful new ULTRA BUFFER is even more compact and easy to use.

Featuring the newly-developed ULTRA BUFFER.

The Pitchblack X mini not only features a true bypass for outputting the sound exactly as it was input, but now includes a built-in ULTRA BUFFER.

Why is this important?

The majority of electric guitars use passive pickups with a high impedance output. When you are using a cable there is a loss of tone, usually high frequencies, after about 6 m (around 18 feet) and this problem gets worse the longer your cable. A buffer boosts the signal over long cables to avoid loss of tone, keeping it clean and clear - even when your pedal is off.

The ULTRA BUFFER enhances the sound quality in bypass mode, so that you can still maintain audio quality even when using a long cable to connect to the tuner, or when inserting the tuner into a complex effects board.

On the Pitchblack X mini, you can switch between true bypass and the ULTRA BUFFER, according to your tastes and performance environment.

Compact housing that's packed with powerful functionality

The Pitchblack X mini is the smallest tuner in the Pitchblack X series, and offers stress-free insertion into your gear-packed effects board. Weighing just 124 grams, this tuner features a powdered finish with a strong and durable housing.

Meter LED also offers bright mode settings for high visibility.

Besides the enlarged display, more meter LEDs have been added for superior visibility.

The bright mode (brightness) can be set at one of two levels, so that you can be sure to see the tuner display even better in situations where visibility is difficult, such as brightly lit stages and bright outdoor environments.

Ultra-high tuning accuracy down to +/- 0.1 cents.

The Pitchblack X mini offers highly precise and accurate tuning within a precision of i0.1 cents when in Strobe mode, making it ideal for situations where the tuning must be absolutely right whether performing or recording.

Four meter display modes.

Select from four types of meter display to match your requirements. Aside from the typical "Regular" mode, you can use "Strobe" and "Half Strobe" mode to indicate changes in pitch by the direction and speed that the meter is flowing in to distinguish even the finest differences in pitch; and you can use "Mirror" mode to see two LEDs on the left and right crossing together towards the center as you tune your instrument.

Features a built-in "just-right tuning" display.

The Pitchblack X features a new "just-right tuning" display function, which makes the triangular LEDs on both sides blink when the tuning is correct, helping tuning be a stress-free experience.

Specifications:
Scale: 12 note equal temperament
Detection Range: E0 (20.60Hz)~C8(4,186Hz)
Calibration Range: A4=436?445Hz(1Hz steps)
Detection Accuracy+/- 0.1 cent (display mode: Strobe)
Input Impedance1 M-ohm (tuner on)
Display Modes: Regular, Strobe, Half-strobe, Mirror
Connectors: INPUT (mono 1/4" jack), BYPASS (mono 1/4" jack), DC 9V IN
Power Supply: AC adaptor (9V)
Power Consumption: Maximum 30 mA
Dimensions: (W x D x H)45 x 93 x 43 mm (including protrusions)
Weight: 124 g
Included Items: Notices, Rubber feet
Accessories: AC adaptor (9V)

Notes: A new kind of pedal tuner, featuring an integrated display and footswitch.

Switch between true bypass or the newly-developed ULTRA BUFFER.

The Pitchblack XS not only features a true bypass for outputting the sound exactly as it was input, but now includes a built-in ULTRA BUFFER.

Why is this important?

The majority of electric guitars use passive pickups with a high impedance output. When you are using a cable there is a loss of tone, usually high frequencies, after about 6 m (around 18 feet) and this problem gets worse the longer your cable. A buffer boosts the signal over long cables to avoid loss of tone, keeping it clean and clear - even when your pedal is off.

The ULTRA BUFFER enhances the sound quality in bypass mode, so that you can still maintain audio quality even when using a long cable to connect to the tuner, or when inserting the tuner into a complex effects board.
On the Pitchblack XS, you can switch between true bypass and the ULTRA BUFFER, according to your tastes and environment.

Unique design with a large display in a compact design

With the footswitch integrated into the display, this unique design of the Pitchblack XS tuner offers a compact yet robust form factor with a display that's as large as possible. Featuring a powdered finish on a durable housing, the switch responds wherever you press it, so you don't have to worry about how your foot is placed or what angle the pedal is facing.

Meter LED also offers bright mode settings for high visibility.

Besides the enlarged display, more meter LEDs have been added for superior visibility. The bright mode (brightness) can be set at one of two levels, so that you can be sure to see the tuner display even better in situations where visibility is difficult, such as brightly lit stages and bright outdoor environments.

Ultra-high tuning accuracy down to +/-0.1 cents.

The Pitchblack XS offers highly precise and accurate tuning within a precision of i0.1 cents when in Strobe mode, making it ideal for situations where the tuning must be absolutely right whether performing or recording.

Four meter display modes.

Select from four types of meter display to match your requirements. Aside from the typical "Regular" mode, you can use "Strobe" and "Half Strobe" mode to indicate changes in pitch by the direction and speed that the meter is flowing in to distinguish even the finest differences in pitch; and you can use "Mirror" mode to see two LEDs on the left and right crossing together towards the center as you tune your instrument.

Features a built-in "just-right tuning" display.

The Pitchblack X features a new "just-right tuning" display function, which makes the triangular LEDs on both sides blink when the tuning is correct, helping tuning be a stress-free experience.

Specifications:
Scale: 12 note equal temperament
Detection Range: E0 (20.60Hz)~C8(4,186Hz)
Calibration Range: A4=436-445Hz(1Hz steps)
Detection Accuracy+/- 0.1 cent (display mode: Strobe)
Input Impedance: 1 M-ohm (tuner on)
Display Modes: Regular, Strobe, Half-strobe, Mirror
Connectors: INPUT (mono 1/4" jack), BYPASS (mono 1/4" jack), DC 9V IN
Power Supply: AC adaptor (9V)
Power Consumption: Maximum 40 mA
Dimensions (W x D x H)70 x 80 x 47 mm (including protrusions)
Weight: 198 g
Included Items: Notices, Rubber feet
Accessories: AC adaptor (9V)

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Drawing on Korg's impressive wavetable history, the Modwave is a distinctly contemporary take on a classic idea, with a focus on motion sequencing and modulation. Deep, complex and powerful sound.

Supplier's Notes:
Synthesis powerhouse with distinctive wavetable timbres, Kaoss Physics, and Motion Sequencing 2.0.

In 1985, Korg's DW-8000 combined digital wavetables with rich analog filters to give users sounds which were impossible to create with analog oscillators. It's still a cult favorite today.

modwave builds on the DW legacy and transforms it into a modern monster synth, featuring incredibly deep wavetable oscillators, gorgeous filters, wildly flexible modulation, unmatched polyphony, comprehensive pattern sequencing, and immediately satisfying hands-on control.

modwave also introduces two unique new tools for creating dynamic motion: Kaoss Physics and Motion Sequencing 2.0. Kaoss Physics combines an x/y Kaoss pad with modulatable game physics to create a responsive, interactive controller that isibesides being powerfuli a lot of fun. Motion Sequencing 2.0 brings the organic, continuously evolving patterns of the wavestate's Wave Sequencing 2.0 into the world of motion sequencing, including multiple lanes and real-time recording.

Like Wave Sequencing 2.0 (wavestate) and altered FM (opsix), modwave's evolved wavetable synthesis delivers its own brand of completely unique sounds and a knob-per-function layout that makes customizing those sounds fast and easy. To start, there are hundreds of preset sounds empowered by this new architecture, organized by front-panel category buttons, and all instantly customizable via the four Modulation Knobs. modwave's distinctive wavetable timbres deliver aggressive basses & leads, and lush ambient pads will add a new dimension to your tracks. Those who want to dig deeper will find an endless source of discovery; you'll be finding new things in this synth for a long, long time. Save as many new sounds as you like; there's room for thousands more.

Start with over 200 wavetables, each containing up to 64 waveforms- from thousands of individual waves. Use the 30+ Modifiers to change their basic character, and the 13 Morph Types to process them in real-time. Create new hybrids from any two wavetables using the unique, realtime A/B Blend. Quick math: that's over 230 million wavetable variations out of the box, before you even add modulation. No need to stop there, though! Load your own custom wavetables in Serum or WaveEdit formats; there's room for thousands more. Or, layer wavetables with samples from the built-in, multi-gigabyte PCM library.

Each Program has two full-featured wavetable oscillators, plus a sub oscillator/noise generator and any of a dozen stereo filter types, including the aggressive MS-20, sweet Polysix, and the newly enhanced Multi Filter. Animate almost any parameter using the massively flexible modulation system, with four triggerable envelopes, five LFOs, dual mod processors and two key-track generators- plus multi-lane Motion Sequencing and Kaoss Physics.

Even with all that synthesis power, playing up to four simultaneous wavetables per voice in a single Program, the modwave still achieves 32-voice polyphony, incredible for a wavetable synth. Layer two Programs together for double the possibilities.

Notes: HD-S Harmonic distortion

Reimagine the distortion pedal

Created by legendary product visionary: Fumio Mieda, the Nu:Tekt HD-S is a build-it-yourself pedal that combines three different distortion circuits to deliver never-before heard harmonic distortion.

Overview

Created by legendary product visionary: Fumio Mieda, the Nu:Tekt HD-S is a build-it-yourself pedal that combines three different distortion circuits to deliver never-before heard harmonic distortion.

Make new and as-yet undiscovered sounds - from traditional fuzz, to out-of-this world distorted sounds - by mixing the different distortion circuits. A wide range of sonic possibilities means you can use HD-S with guitars, bass guitars, synths, and more - anywhere you're looking for new and unique sounds.

One of the hallmarks of the Nu:Tekt series is that they're assembled by you! The HD-S kit doesn't require soldering, and the necessary tools are included - making it easy to have the enjoyment and satisfaction of creating your own sound, from scratch.

The power of three

The HD-S reimagines the distortion pedal, with modulation and filter-like control over your sound. In addition to four control knobs on the panel, you can use three additional trimmer knobs to adjust the balance between each of the distortion circuits for sonic results as tame or as wild as you can imagine.

Easy assembly

Assemble the HD-S with ease, just like a model kit - no soldering required. All necessary tools are included, along with a circuit diagram in the owner's manual. Perfect for those who love building their own effect units with top-notch performance and sound.

The brainchild of Fumio Mieda

Fumio Mieda is a legend of the electronic music world. After creating the Uni-Vibe (probably most famously used by Jimi Hentrix) Mieda-san was employed by Korg Founder Tsutomu Katoh in 1976, and has been responsible for countless innovations since.

In his own words...

"As of 2023, sixty-one years have passed since the first compact effects unit, the Maestro Fuzz-Tone, was released. Even nowadays, distortion-based effects including overdrive and distortion are the mainstay for guitar effects units, and the vast majority of these effects units are simply rehashing the sounds of the past. For this reason, we've developed a new kind of distortion based on harmonic synthesis that covers both traditional and all new sounds."

Specifications

Inputs Mono 14" Jack
Outputs Mono 14" Jack
Power 9v battery, or DC9V AC adapter (both sold separately)
Approx. 10 hours battery life
Consumption 45mA
Dimensions 122 x 96 x 55mm
Weight 340g (without battery)

Notes: TR-S

Power Tube Reactor

The feel and response of a tube amp, in a pedal. Meet a build-it-yourself pedal that delivers the warmth and response of a tube amp. The Nu:Tekt TR-S uses a Nutube to deliver previously unachievable compression thanks to exclusive patent-pending technology - meaning you get the feel of a tube amp even when recording or playing through a transistor amp.


What is a Nutube?
Developed by Korg; a Nutube - similar to a conventional vacuum tube/valve - has an anode grid filament structure, and operates exactly as a triode vacuum tube. It provides the same rich overtones and response that are distinctive of conventional vacuum tubes.

Overview

Meet a build-it-yourself pedal that delivers the warmth and response of a tube amp. The Nu:Tekt TR-S uses a Nutube to deliver previously unachievable compression thanks to exclusive patent-pending technology - meaning you get the feel of a tube amp even when recording or playing through a transistor amp.
Alongside amazing tone, one of the hallmarks of the Nu:Tekt series is that they're assembled by you! The TR-S kit doesn't require soldering, and the necessary tools are included - in fact, it's the easiest and fastest unit to assemble in the entire Nu:Tekt series!
Recreate the tube experience

The TR-S features an exclusive patent-pending circuit design, for compression that mimics the sag of a vacuum tube power amp - only possible with Nutube. Achieve this sought-after sound in any setting, even when playing through a transistor amp or recording into a DAW. The TR-S features four knobs on the panel, as well as three trimmer knobs hidden inside the top cover, allowing for even greater control over your sound. Go beyond the guitar and experience what the TR-S can do when you connect other instruments as well!

Easy assembly

Assemble the Nutube-driven TR-S with ease, just like a model kit - no soldering required. All necessary tools are included, along with a circuit diagram in the owner's manual. Perfect for those who love building their own effect units with top-notch performance and sound.

Specifications

Vacuum tube Nutube.6P1.
Inputs Mono 14" Jack
Outputs Mono 14" Jack
Power 9v battery, or DC9V AC adapter (both sold separately)
Approx. 5 hours battery life
Consumption 85mA
Dimensions 122 x 96 x 55mm
Weight 340g (without battery)

Notes: ***B-STOCK: Product has light surface marks/scratches, but otherwise in perfect working condition***


An analog kick generator that delivers powerful sounds from kick drum to kick bass.

The volca series has consistently brought renewed attention to classic groove machines and historical synthesis. It now has a new focus. This time, it's the most important sound in dance music: the kick.

The volca kick is an analog kick generator that's made for sound design. An analog circuit based on the powerful resonant sound of the original MS-20 filter, it lets you create a wide range of kick sounds only possible through analog circuitry, ranging from solid kick drums to crisp kick basses. The 16-step sequencer, a distinctive feature of the volca, now has a new Touch FX feature that lets you control an effect instantly, giving you even more live performance potential. Experience the stunning power of an analog kick that cannot be obtained from a plug-in or a sample.

Analog kick sounds generated by MS-20 filter oscillation:

The volca kick generates powerfully present kick sounds using a completely analog circuit. To create those sounds, it uses not a typical sine wave, but the sound of an oscillating filter from the original MS-20. The powerful Rev.1 filter of the MS-20 self-oscillates when resonance is increased to the maximum, and this is used to produce powerful kick sounds with complex overtones.

Simple and effective parameters are provided, allowing you to freely design a wide range of kick sounds to your taste. Start the sound design process by using MS-20 RESONATOR (PITCH/BEND/TIME) to control the sense of pitch that generates the "body resonance" of the kick sound. Then use PULSE COLOUR/LEVEL to adjust the clip components to control the sense of attack, and AMP ATTACK/DECAY to intuitively control the decay of the sound. From tight kicks to fat, slow-decaying kicks, and pitched kick bass, it's possible to create kick sounds that are appropriate for every type of dance music.

Aggressively control the sound using DRIVE and TONE:

In addition to the analog kick generator circuit based on the MS-20 filter, there's an analog drive that includes multiple stages of distortion. The distortion level and type can be varied by a single knob, increasing the variety and power of the kick sounds. You can use the tone control to transform the character of the sound by adjusting the high-frequency range.

Powerful kick bass that rules the beat:

The volca kick is not just a kick drum machine. You can use the 16-key touch-panel keyboard to perform dynamic kick bass, and take advantage of the volca kick's powerful analog circuitry to generate the sub bass sound that's indispensable to dance music styles such as grime or trap.

Since the volca kick covers a wide pitch range from low- to mid-frequencies, your sequences can include a variety of sounds including low tom, high tom, and sound effects.

16-step sequencer allows automation of all parameters:

The volca kick features a 16-step sequencer that gives you plenty of improvisatory freedom. You can use it to quickly lay out a kick drum pattern, and it also supports realtime recording, which is an ideal way to perform kick bass phrases. And the pattern chain function lets you connect multiple sequence patterns for successive playback, making it possible to construct large-scale developments of 32, 64, or even 256 steps by joining up to 16 sequences.

The volca kick's motion sequence function records your knob movements, letting you add time-varying change to the sound. This is great way to polish your loops, and also lets you generate highly original live performances. Up to 16 sequence patterns and sounds can be stored in internal memory.

TOUCH FX controls realtime sequence effects with for instant cuts, breaks and fills:

The new Touch FX function further strengthens the performance potential of the volca kick. You can instantly trigger a sequence effect simply by touching a step key, transforming your realtime performance in kaleidoscopic ways.

Sequence effects include the roll function that plays a sound repeatedly, the octave function that raises the pitch by one or two octaves, and the sustain function that immediately maximizes the amp decay. These are great ways to create punchy and powerful breaks.

Playback can be synchronized with another unit:

The volca kick provides a sync connector that can be easily connected to many of KORG's other synths and groove machines. Connect to other volca units, minilogue, electribe or SQ-1, and experience a session with synchronized sequencer playback. The MIDI IN jack lets you use the volca kick as a sound module for DAW and MIDI controller.

Notes: ***B-STOCK: Product has light surface marks/scratches, but otherwise in perfect working condition***


The Korg Volca Keys is an ideal introductory synthesizer, with a simple, yet powerful polyphonic analog sound engine and loop sequencer.

The Volca Keys is a long awaited synthesizer that adds a new chapter to the long and storied history of Korg's analog synthesizers. This 27 key analog lead synth delivers unbelievably powerful sound in a compact body. Starting with a filter section that uses the circuitry of the legendary miniKORG700S (1974), it delivers astonishing sound that takes full advantage of Korg's half-century of know-how in circuit design.

With a simple structure that includes delay effect and a sequencer, it's also an ideal choice for a first analog synth. It offers the richly expressive sounds that are distinctive of analog, providing the enjoyment of simple yet deep sound-creation. The possibilities are endless; you can use the three oscillators to play chords, use them in unison with detune to produce solid lead lines, or apply ring modulation to create far-out metallic sounds.

The Voicing function makes it easy to specify how the three oscillators will be combined. Choose between poly, unison, octave, fifth, unison ring or poly ring simply by turning a dial. Easy for those taking thier first steps into synthesisers, the Volca's simple design makes it easy to obtain a wide variety of sounds.

Record phrases as you play them with the Volca Keys using the loop sequencer. With up to 16 steps, it's easy to create phrases as they come to mind. Use the overdub recording function to produce complex loops, with up to 8 sequence patterns able to be stored in internal memory. Craft your loops with the motion seqence function, apply time varying changes to your sound to enhance loops and add originality to your life performances.

Skip a step during sequence playback with active step, a function that creates effects similar to a short loop or unexpectedly irregular rhythms. This allows you to create a dynamic performance just as though you were performing the sequence itself. Flux function lets you play back the phrase without quantizing the steps, producing a loop with a distinctive sense of groove.

A useful self-tuning function constantly tunes the oscillators, so you never need to tune during a performance or wait for the pitch to stabilise after turning the power on.

Connect the Volca Keys with the rest of the Volca Series or a Monotribe using the sync jack. A MIDI in connector lets you synchronise with other devices, play the Volca from any MIDI keyboard and send note messages from your DAW.

The Volca Keys analogue loop synth has a compact size and a built-in speaker, easily playable anytime, anywhere. The ideal starter-synth.

http://www.youtube.com/watch?feature=player_embedded&v=7rbcYJ326EI

Notes: ***B-STOCK: Product has light surface marks/scratches, but otherwise in perfect working condition***


Peerless beats generated by solid analog drum sounds and an Electribe-style sequencer.

A vintage-style analog drum machine from Korg's recently announced Volca series. The Volca Beats includes a 16-step sequencer and 6 x editable analog parts including kick, snare, Hi/Lo toms and open & closed Hi-Hats designed to provide sounds reminiscent of classic 80s drum machines. It also has an additional PCM engine which is said to produce 4 x Lo-Fi percussion sounds including clap, claves, agogo and crash sounds.

There is one-knob-per-function parameter control for crafting each of the six analog sounds including click, snappy, pitch, decay and grain. The PCM sounds have control over pitch and speed. There is also a Level knob allowing volume adjustment of each part.

The 16-step LED-lit sequencer has 8 x memory locations for saving patterns. It includes a recordable stutter function for generating repeated triggers (or drum rolls) and delay effects, an active step feature for quickly adding or removing individual steps, and a step jump function that will instantly play any step. Notes can be entered live as the sequencer is running.

You can also wirelessly synchronise playback of all of the units in the Volca series with any iOS music app that support Korg's Wireless Sync-Start Technology (WIST) using their SyncKontrol iPhone app. This also allows control of the swing settings and fine control of the tempo (including tap tempo).

The Volca Beats is battery powered (with optional AC power) and includes a built-in speaker. It weighs in at only 372g with dimensions of 193 × 115 × 45 mm (W x D x H).

The Volca Beats editable controls include:

Kick (click, pitch, decay, level)
Snare (snappy, pitch, decay, level)
Hi/Lo toms (hi pitch, low pitch, decay, level)
Open/closed Hi-Hat (closed decay, open decay, level)
PCM sounds (pitch, speed, level)

Notes: ***B-STOCK: Box opened, product in perfect working order***


The electribe series lets you play back your carefully constructed patterns while using intuitive operations to add spice and reveal new sonic possibilities. Approximately ten years after the Electribe SX first went on sale, there's now a new sampler in the electribe series that's designed to be simple and easy for the beginner to understand, and even more enjoyable for previous electribe users.

The electribe perfectly fulfills two tasks that both demand speed: live performance and music production

The electribe sampler has been reborn with cutting-edge technology inherited from popular KORG products such as the KingKORG, kaossilator, kaoss pad, and taktile. The internal memory lets you save 250 patterns, including preset patterns which are perfect for today's dance music scene. There's also support for the polyphonic playback that's indispensable for styles that include complex chord progressions, such as House music.

Using the 16 pads placed on the front of the unit, you can create patterns intuitively while actually hearing and seeing the sounds. You can use the pads as a keyboard to realtime-record phrases, and also perform step recording by entering the pitch and rhythmic value one note at a time. The patterns you create can be used in alternate forms as you perform by taking advantage of the "step jump" feature inherited from the volca series, or by changing the "last step" to vary the length of each part.

There's also a "motion sequence" function that lets you record knob and button operations and use them in the pattern that you create.

Either drums or synths can now be assigned to each of the 16 parts (i.e., the 16 pads). For example you could create complex rhythms by assigning drums to all of the 16 parts.

Familiar from the kaossilator is the "touch scale" function that lets anyone perform without wrong notes, just by moving a finger across the touch pad. The trigger pads that were popular on the taktile are also provided, making it easy for anyone to create phrases intuitively. The trigger pads can also be used for drum input. Settings allow you to switch velocity on/off.

KORG created a synth engine for the electribe sampler that's perfectly designed to maximize your creativity.

In addition to a sampler sound engine that lets you use your own unique and original sounds (samples), there are also several types of analog modeling sound engines that are great for creating synth basses and pad sounds. There can be up to a total of 999 preset and user samples, and a maximum of 270 seconds of sampling time (calculated as monaural) can be used. The unit is shipped with numerous drum, rhythm/phrase loops, and hit samples included. (collaborations with Sample Magic, Loopmasters, Prime Loops are included)

Modulation can make sound-creation more complicated, but we've made it easy by condensing it down to three parameters: simply select a template that specifies an effect and its target, and then adjust the speed and depth of the effect to suit your taste.

The "Time Slice" function detects attacks within the phrase and slices it appropriately, allowing you to play the phrase at the desired tempo without significantly affecting the sound. Sounds within a sliced part can also be used separately by assigning them to steps or parts. You can even apply an effect to a sample, and then resample it while using the knobs to vary the pitch or modulation.

The new electribe sampler provides effects such as compression and overdrive for each part, giving you uncompromising control over the nuances of individual sounds that differ subtly between genres. The groove function can be specified for each part, letting you apply a groove to your phrase simply by selecting a template.

The master effects can be controlled from the touch pad just like on the Kaoss pad, and they include not only spatial-type effects that shape the overall acoustics but they also include effects that apply aggressively musical transformations such as the "Vinyl Break" effect inherited from the Kaoss pad series, and the newly developed "Seq Reverse" and "Odd Stepper" that change the playback order of the sequencer. These are also extremely effective for live performance. Insert effects can be assigned for individual parts, opening up even more complex sound-design possibilities.

There's also a "pattern set" function which lets you switch patterns by pressing trigger pads, and an "event recording" function that records that performance. In addition to MIDI IN/OUT, "Sync IN/OUT" is also provided, allowing synchronized performances with the volca series, monotribe, or MS-20 mini. The unit can run on six AA batteries, so you can easily take it along with you and perform anywhere, providing on-the-go inspiration to your musical ideas.

Notes: ***B-STOCK: Box opened, product in perfect working order***


The Kaoss Pad series of effects units is famed for its intuitive touch-pad interface. The flagship model KP3 that appeared in 2006 continues to be highly acclaimed by musicians and DJs around the world for its powerful, instantaneous effect programs and its wealth of sampling functionality.

The sounds that drive the dance and EDM music movements, and the effects used to create them, have evolved significantly over these past seven years. Enter the KP3+, the effects combinations that have become a staple in numerous genres and applications have been taken to a new and cutting-edge level. The KP3+ is a complete update for an effects unit that will generate the sounds of 2013 and beyond.The sounds that drive the dance and EDM music movements, and the effects used to create them, have evolved significantly over these past seven years. Enter the KP3+, the effects combinations that have become a staple in numerous genres and applications have been taken to a new and cutting-edge level. The KP3+ is a complete update for an effects unit that will generate the sounds of 2013 and beyond.

The intuitive design and amazing flexibility of the touchpad allows the Kaoss Pad 3+ users to easily control multiple effects and parameters by simply stroking, tapping, or rubbing the Kaoss touch pad with their finger. Using this remarkable design, you can easily control effects in complex ways that would be impossible on a conventional effect unit.

The KP3+ provides new effect programs that are worthy of its status as the flagship model of the Kaoss Pad series. The KP3+ contains a total of 150 programs. In addition to the 108 x effects carried over from the KP3, which include filters, spatial-type effects such as delay and reverb, a grain shifter that freezes tiny pieces of sound and repeats them, and a vocoder, there are 42 new or improved effects that represent today's dance music scene, including effects that were newly developed for the Kaoss Pad Quad, such as the Looper, Vinyl Break, and Ducking Compressor.

It's easy to obtain the scratch sound that's heard when you scratch a turntable, or use a record-stop effect. In addition to the basic Mod.1 Vinyl Break, the KP3+ also provides the new Mod.2 Break Reverb which adds reverb to the effect, and the LoP.2 Break Looper and LoP.8 Loop Breaker effects which combine the effect with a Looper.

You can use a side-chain effect to emphasize the backbeats of the kick. In addition to Mod.8 Ducking Compressor, there's a new rEV.1 Pump Reverb that adds a reverb effect. You can add a sense of breathing to your music by dynamically varying the reverberation in synchronization with the BPM.

For greater usability, the Looper effect has been modified to let you loop the sound starting from the instant you touch the touchpad. The existing programs have been significantly updated; for example, if you move your finger to change the number of beats in the loop, the timing of that change will automatically be quantized. There are also many new programs such as LoP.4 Freeze Looper, LoP.6 Shuttle Looper, and the LoP.7 Slice Looper that finely slices a phrase and loops the location that you choose.

New effects include dLY.2 Echo Break and rEV.3 Reverb Break, which mute the input sound and generate delay or reverb. These are ideal ways to create breaks in your DJ play. We've also enhanced the synth sound effects that are effective when used during a break, bringing them up to date for the evolving dance music scene. Newly added sounds include Syn.3 Pump Noise (noise without resonance, processed by a side-chain effect) as well as Syn.4 Lofi Synth and Syn.9 Resonator.

Other added effects include FL.16 Center Canceler for partial vocal cancellation, LFO.1 Jag Filter which uses a non-resonant filter to chop the sound, dLY.5 One Delay which shines on styles such as hip-hop, and Grn.6 Stutter Grain which alternately applies a grain shifter and a Looper. We completely rethought the X-axis and Y-axis parameter assignments and their polarity, and included flashy and glittering synth sounds as well as many more effects that will enhance the latest sounds of today's scene.

The KP3+ features enhanced sampling functionality that lets you perform using multiple effects and samples. Each of the 4 x sample banks can record a sample up to 13 seconds long, and play it either as a one-shot or loop. The KP3+ also has functions such as a start point adjustment that lets you create a half-beat shift to create doubled effects, a new slice function that edits the structure of a loop sample to instantly create completely new phrases, and a resampling function that lets you apply an effect to a sample and then re-sample the result.

Notes: ***B-STOCK: Box damaged, product in perfect working order***


Fresh take on digital synthesis from Korg, featuring 'altered FM' sound engine with vintage filter modes based on Korg classics. Huge 32-voice polyphony with excellent performance options and effects.

Supplier's Notes:
Rethink everything you know about FM synthesis.

The opsix represents a new and expansive reimagination of classic digital synthesis. Much like KORG did when bringing wave sequencing back in a more powerful, more musical, and more immediately accessible way with wavestate, so was the approach to FM sound generation of the opsix, resulting in another incredibly flexible and unique synth.

The opsix is an "altered" six-operator FM synthesizer. With its astoundingly accessible operator mixer and flexible sound engine that goes well beyond traditional FM, this instrument widens the potential of digital synthesizers to their utmost.

The opsix is an instrument for players of all generations- modern in every way, getting back to the basics to offer you a glimpse of the future. Whether you are new to synths, looking for a completely unique addition to your sound palate, or an original FM purist, opsix will deliver on all expectations and more.

Keyboard: 37 keys (velocity and release-velocity sensitive)

Maximum Polyphony: 32 voices (or a max. of 24 voices, depending on the settings)

Sound generating system: Altered FM sound generator

Structure: 6 operators, 1 filter, 3 EGs, 3 LFOs, 3 effects, step sequencer, arpeggiator

Algorithm: 40 presets + user algorithm (unique to each program)

Operator: 5 modes (FM, Ring Mod., Filter, Filter FM, Wave Folder)

Oscillator waveform: 21 waveforms (Sine, Sine 12bit, Sine 8bit, Triangle, Saw, Saw HD, Square, Square HD, Additive Saw3, Additive Sqr3, Additive Tri3, Additive 12345, Additive 1+2, Additive 1+3, Additive 1+4, Additive 1+5, Additive 1+6, Additive 1+7, Additive 1+8, Noise S/H, Noise White)

Filter: 11 types (LPF 12, LPF 24, LPF MS-20, LPF POLY6, HPF 12, HPF 24, HPF MS-20, BPF 6, BPF 12, BRF 6, BRF 12)

EG: ADSR

LFO: 23 waveforms (Triangle, Saw Down, Saw Up, Square, Sine, Sample&Hold, Guitar, Exp. Triangle, Exp. Saw Down, Exp. Saw Up, Step4 Triangle, Step6 Triangle, Step4 Saw Down, Step6 Saw Down, StepRnd:Time, StepRnd:Lvl&Time, StepRnd:Level, Random:Time, Random:Lvl&Time, Triangle + , Saw Down + , Saw Up + , Square +)

V.Patch: 12 routings

Effect: 30 types (Chorus, Unison Ensemble, Phaser, Phaser (BPM) , Auto Pan, Auto Pan (BPM), Flanger, Flanger (BPM) , Rotary Speaker, Auto Wah, Exciter, Enhancer, LFO Filter, 3-Band EQ, Distortion, Guitar Amp, Decimator, Grain Shifter, Master Limiter, Compressor, Delay, Delay (BPM) , Autopan Dly, Autopan Dly (BPM), Tape Echo, Tape Echo (BPM) , Early Reflection, Reverb, Shimmer Reverb, Spring Reverb)

Sequencer: Step Sequencer (up to 16 steps, up to 6 notes per step) , Motion Sequencer (up to 6 lanes)

Arpeggiator: 7 patterns (MANUAL, UP, DOWN, ALT1, ALT2, RANDOM, TRIGGER) fault)

Number of programs: 500 (250 preset programs and 250 user programs as the factory-set de

FAVORITE: 64 (16 Slots × 4 Banks)

Controllers: MODULATION wheel, PITCH wheel, RATIO OP 1-6 knobs, LEVEL OP 1-6 sliders, DATA ENTRY A-F knobs

Inputs/outputs: Headphone (6.3 mm stereo phone jack), OUTPUT L/MONO and R (impedance-balanced 6.3 mm TRS phone jacks), DAMPER (6.3 mm phone jack, half-damper not supported), MIDI IN and OUT connectors, USB B port

Power supply: AC adapter (DC12V)

Power consumption: 5 W

Dimensions (W × D × H): 565 × 338 × 90 mm / 22.24" × 13.31" × 3.54"

Weight: 2.9 kg / 6.93 lbs.

Included items: AC adapter, Precautions, Quick Start Guide

Accessories (sold separately): DS-1H damper pedal, PS-1 pedal switch, PS-3 pedal switch



***Introducing the Opsix Sound Librarian***

The Opsix Sound Librarian lets you view and organize data on a Opsix connected to a computer via USB, and transfer sound data back and forth between the Opsix and the computer.

To use the Opsix Sound Librarian, you need an Opsix running software version 1.0.1 or later, a USB cable, and a USB-capable Windows / Mac computer.

For macOS 11.0 (Big Sur) or later, you will need an Opsix running software version 1.0.3, which will be released soon. Thank you for your patience.

How to install:
Download the Sound Librarian, which can be reached at https://www.korg.com/us/support/download/product/0/874/#software, and open the package.

Notes: ***B-STOCK: Box damaged, product in perfect working order***


One of the most inspiring Volca instruments gets an upgrade. Second generation version offers more memory and easier transfer of samples via USB. A Juno favourite just got even better.

Supplier's Notes:
A new generation volca sample with more memory, features, and connectivity to take your music production further than ever before.

The volca sample is the compact and powerful sample-based drum machine that has captured the attention of countless creative players around the world.

This 2nd generation version retains all of the features which made the original so popular, and adds a micro USB port for better connectivity, increased sample memory, a new up to date sound library and additional functions for an improved workflow.

The new volca sample has everything that you need to advance your music creation in a compact form that works in the studio or anywhere you take it.

On its own, it is an advanced sample machine with a powerful engine capable of 8 voice polyphony, digital reverb and a dual band analogue isolator. Totally hands on, this new volca sample provides an amazing array of knobs for sample manipulation and performance sound-shaping. Plus, for added convenience, it runs on 6 AA batteries, has an integrated speaker and at only 372g/13oz (without batteries) is perfect for stand-alone use!

Furthermore, with its USB, SYNC IN-OUT and MIDI connections, volca sample can integrate seamlessly with your live rig, production studio and of course any other volca!

The new micro USB port provides a convenient connection between the volca sample and a computer for streamlined integration and sample management, allowing you to easily control, sync, and play your volca sample from any DAW. With newly added individual MIDI channels assignment per part, it is now easier to perform when using an external device such as a sequencer or keyboard.

With the volca sample's dedicated Librarian software (available for Mac and PC) utilising the USB port managing and sending your samples and patterns back and forth is now an instantaneous and pain-free process.

You can also use the dedicated app AudioPocket manager for iOS to record new samples on the fly and transfer them to your volca sample instantly.

Two new features have been added to this new volca sample that will help in your music making process:
Pattern chain mode with 2 different STEP JUMP modes
Start delay function: Go "off the grid" with the new delay feature that lets you slightly delay the start of any part to achieve different kinds of grooves or a swing feel.
More Memory, Pattern Locations, Samples, and Bonus Packs!

Volca Sample 2 has an increased memory of 200 memory slots; double its predecessor. 50 are left empty so you can load either your own original or pre-made libraries. Pattern locations have also have been increased from 10 to 16.

The new generation of volca sample comes with a brand-new sound library that has been carefully crafted to fit the needs of all music producers and beat makers everywhere.

This great selection of 150 samples will take your production to the next level, making it possible to make tracks on the fly with sounds that will fit every genre, including recent ones such as Future bass, Trap, Lo-Fi hip hop, and many others!

Notes: ***B-STOCK: Box damaged, product in perfect working order***


A new generation in hardware sequencing.

Create - perform - control- Step up to an unparalleled level of connectivity and control.

The SQ-64 is an incredibly powerful and compact Polyphonic Step Sequencer with amazing hands-on intuitive controls and deep editing options to give you all the flexibility and sequencing power needed for all your musical projects.

With its 64 step pad Matrix, Crystal clear OLED display, sturdy and elegant aluminium body, a wealth of connections and a variety of modes and features, the SQ-64 will become the central piece of your music studio providing total and seamless control over all your instruments so you can focus on what matters most; your music!

Despite its compact size, the SQ-64 has unparalleled connectivity and will allow you to easily control, connect and make the most of all your analog and digital gear. MIDI IN (x1) and OUT (x2), micro USB type B, Sync IN & OUT, 3 Melody tracks each with MODULATION, PITCH and GATE outputs and a DRUM track with 8 individual trigger outputs for controlling analog synths, Eurorack, and drum machines.

Each of the Melody tracks (x3) has 16 Patterns of up to 64 steps each, and the Drum track (x1) has 16 Subtracks also with up to 64 steps each, that can be played, chained and edited in a variety of ways. Melody tracks and patterns can be edited in several modes (GATE, PITCH and MODULATION) so you can alter the information sent by your sequencer on each of these steps in many interesting ways. The DRUM track outputs can be fine-tuned to match the polarity and voltage of your connected device(s).

Its audio Sync In & Out connections will allow you to seamlessly control all your other KORG gear such as the volca synthesizer series, minilogue, monologue, minilogue xd, prologue and many others!

Whether you are into Analog synths, Eurorack semi-modular synths, Digital drum machines, or do everything on your DAW with digital plugins, the SQ-64 will give you instant and precise hands-on control of each and all of these.

The SQ-64 has 64 beautifully LED-lit Step button pads that not only let you see the whole picture at once, but also allow for super-fast and satisfactory editing with its encoder knobs and dedicated mode buttons that will simplify and speed up your workflow. Each step has graduated lighting; the higher the modulation value, the stronger the button lights up to give you a clear visual on what's going on in the sequence.

The OLED Display is crystal clear, bright and visible from any angle, so you can have access to all the information you need no matter whether you are making music at home, in the studio or playing live!

The 3 melody tracks include a MODULATION output, so every step on your sequence can be creating complex modulations on your gear of choice, greatly expanding your options and possibilities for sound creation.

It has never been easier to create polyphonic chords patterns, melodies, complex poly-rhythms and modulations on the fly and record them as data on each of the 64 project slots available.

The SQ-64 won't just allow you to create incredible sequences; it packs several features and modes that will let you edit on the fly and play any of your gear real-time.

The 64 pad Matrix can be also be used as a Keyboard, allowing for several layouts to be used for maximum flexibility (several scales can be assigned to any of these and a number of other parameters can be easily changed)

Keys: Your traditional piano layout.
Isomorphic: the notes are displayed symmetrically in rows, you can easily transpose the same chord pattern up and down without changing its shape
Octaves: one scale displayed in 3 different octaves on each row

Sequencer: 64 step sequencer with 3 melodic tracks with up to 8 note polyphony, and 16 monophonic rhythmic tracks

Tempo: BPM30.0 - 300.0

Inputs: MIDI IN connector (3.5mm stereo mini-phone jack, use a type-A MIDI converter cable), SYNC IN jack (3.5mm monaural mini-phone jack, 20V maximum input level)

Outputs: MIDI OUT1, 2 connector (3.5mm stereo mini-phone jack, use a type-A MIDI converter cable), SYNC OUT jack (3.5mm monaural mini-phone jack, 10V maximum input level), CV GATE output A/B/C jack (3.5mm monaural mini-phone jack, 10V maximum output level), CV PITCH output A/B/C jack (3.5mm monaural mini-phone jack, 10V maximum output level), CV MOD output A/B/C jack (3.5mm monaural mini-phone jack, 10V maximum output level), TRIG output 1~8 jack (?3.5mm monaural mini-phone jack, 10V maximum output level)

Power: USB bus power, or DC 9V AC Adapter ([- o +], separately sold)

Dimensions (W x D x H): 368 x 144 x74 mm / 14.49 x 5.67 x 2.91 inches

Weight: 1.0 kg / 2.20 lbs

Included items: Owner's Manual, USB cable

Accessories (separately sold): KA350 AC Adaptor, Patch cables MS-CABLE-18

Notes: ***B-STOCK: Box damaged, product unused & in perfect condition***


One of our favourite synths of 2019 and still amazing value. Analogue meets digital, offering hugely versatile sound in the same compact, user-friendly format as the original Minilogue.

Supplier's notes:
An evolved next-generation analogue synthesizer with huge potential for sound design and performance. We wanted to deliver a next-generation analogue synthesizer for a new generation of musicians new to analogue synthesis. That dream was realized in the development of the minilogue, which instantly made the analogue synthesizer approachable.

In addition to emphasizing the same real analogue sound and joy of controlling an electronic musical instrument offered by the original minilogue, the minilogue xd newly adds a digital multi-engine, effects, a powered-up sequencer, and micro tuning functionality, further expanding the possibilities for sound design and performance potential. Minilogue xd is a fitting addition to the original groundbreaking minilogue.

Four-voice polyphonic analogue synthesis. The analogue synthesizer circuit of the minilogue, whose genuine analogue sound had a huge impact on the synth world, has been further developed for the minilogue xd.

Voice structure of minilogue xd is 2VCO + MULTI ENGINE, 1VCF, 2EG, 1VCA, and 1LFO. In addition to the distinctive circuits found in the series, such as wave shaping to shape the overtones of the oscillator and a sync/ring switch, there's also cross modulation, a sharp two-pole filter, and a drive switch that adds thickness and drives signal into minilogue xd's filter. Every parameter has been tuned in detail based on what musicians want out of their synth. The sounds range from the warm pads typical of analogue to fat basses and crisp lead sounds, covering every situation.

Of course, programs that you create can also be saved in the unit. Out of the box, minilogue xd comes loaded with 200 presets, and a total of 500 programs can be saved.

Equipped with a digital multi-engine:

The additional sound design possibilities of digital sound are delivered by the multi-engine that's provided as a third oscillator in addition to the two analogue VCOs. This engine, which is equipped with three different types of sound generator (noise, VPM, and user slot) lets you take advantage of a sonic character that's different than analogue, and use it at the same time as the analogue engine, infinitely expanding the potential of hybrid sound design.
Noise generator

The noise generator provides four types of noise that are indispensable for percussive sounds or for sound effects. You can use the digital filter to directly change the colour of the noise.

VPM oscillator:

minilogue xd's multi-engine features a VPM (Variable Phase Modulation)/FM oscillator with a two-operator structure. It can produce sharp, metallic sounds with complex overtones beyond the possibilities offered by analogue systems. With 16 types of oscillator and a SHAPE knob control, you'll be able to create complex sounds intuitively.

User oscillators:

User oscillators allow you to load your own oscillator programs that you created or obtained via the internet. There are 16 user slots, as well as one type of morphing wavetable oscillator provided as a preset.

High-quality digital effects:

minilogue xd's high-quality digital effects use 32-bit floating point DSP processing, adding a finishing touch to its deep sound design platform. The three types (modulation effects, reverb, and delay) can be used simultaneously, letting you choose from a wide range of variations including chorus, ensemble, warm tape delay, and a diverse variety of reverb. The user effect slots allow you to load your own effect programs that you've created.

User customization brings out infinite potential:

The minilogue xd features a customizable open environment. The unit comes with 16 user oscillator slots and 16 user effect slots that you can customize. Oscillators and user programs that you've created with the SDK (Software Development Kit) can be loaded into the minilogue xd via the dedicated librarian software.

Polyphonic step sequencer controlled by 16 buttons:

The step sequencer provides 16 steps, and supports both realtime recording and step recording. You can use the 16 step buttons to select a step directly, allowing quick editing to replace the pitch of a step or to mute it, or even improvisatory performances. Motion sequence lets you record the movements of up to four knobs, adding time-varying change to the sound, and you can record not only smooth changes in value but also values that change precisely at each step. You can use this to design the sound differently at each step; for example, you might create a drum pattern or sound effect from just a single program. This allows countless ideas to be unleashed.

Notes: ***B-STOCK: Product has light surface marks/scratches, but otherwise in perfect working condition***


Fresh take on digital synthesis from Korg, featuring 'altered FM' sound engine with vintage filter modes based on Korg classics. Huge 32-voice polyphony with excellent performance options and effects.

Supplier's Notes:
Rethink everything you know about FM synthesis.

The opsix represents a new and expansive reimagination of classic digital synthesis. Much like KORG did when bringing wave sequencing back in a more powerful, more musical, and more immediately accessible way with wavestate, so was the approach to FM sound generation of the opsix, resulting in another incredibly flexible and unique synth.

The opsix is an "altered" six-operator FM synthesizer. With its astoundingly accessible operator mixer and flexible sound engine that goes well beyond traditional FM, this instrument widens the potential of digital synthesizers to their utmost.

The opsix is an instrument for players of all generations- modern in every way, getting back to the basics to offer you a glimpse of the future. Whether you are new to synths, looking for a completely unique addition to your sound palate, or an original FM purist, opsix will deliver on all expectations and more.

Keyboard: 37 keys (velocity and release-velocity sensitive)

Maximum Polyphony: 32 voices (or a max. of 24 voices, depending on the settings)

Sound generating system: Altered FM sound generator

Structure: 6 operators, 1 filter, 3 EGs, 3 LFOs, 3 effects, step sequencer, arpeggiator

Algorithm: 40 presets + user algorithm (unique to each program)

Operator: 5 modes (FM, Ring Mod., Filter, Filter FM, Wave Folder)

Oscillator waveform: 21 waveforms (Sine, Sine 12bit, Sine 8bit, Triangle, Saw, Saw HD, Square, Square HD, Additive Saw3, Additive Sqr3, Additive Tri3, Additive 12345, Additive 1+2, Additive 1+3, Additive 1+4, Additive 1+5, Additive 1+6, Additive 1+7, Additive 1+8, Noise S/H, Noise White)

Filter: 11 types (LPF 12, LPF 24, LPF MS-20, LPF POLY6, HPF 12, HPF 24, HPF MS-20, BPF 6, BPF 12, BRF 6, BRF 12)

EG: ADSR

LFO: 23 waveforms (Triangle, Saw Down, Saw Up, Square, Sine, Sample&Hold, Guitar, Exp. Triangle, Exp. Saw Down, Exp. Saw Up, Step4 Triangle, Step6 Triangle, Step4 Saw Down, Step6 Saw Down, StepRnd:Time, StepRnd:Lvl&Time, StepRnd:Level, Random:Time, Random:Lvl&Time, Triangle + , Saw Down + , Saw Up + , Square +)

V.Patch: 12 routings

Effect: 30 types (Chorus, Unison Ensemble, Phaser, Phaser (BPM) , Auto Pan, Auto Pan (BPM), Flanger, Flanger (BPM) , Rotary Speaker, Auto Wah, Exciter, Enhancer, LFO Filter, 3-Band EQ, Distortion, Guitar Amp, Decimator, Grain Shifter, Master Limiter, Compressor, Delay, Delay (BPM) , Autopan Dly, Autopan Dly (BPM), Tape Echo, Tape Echo (BPM) , Early Reflection, Reverb, Shimmer Reverb, Spring Reverb)

Sequencer: Step Sequencer (up to 16 steps, up to 6 notes per step) , Motion Sequencer (up to 6 lanes)

Arpeggiator: 7 patterns (MANUAL, UP, DOWN, ALT1, ALT2, RANDOM, TRIGGER) fault)

Number of programs: 500 (250 preset programs and 250 user programs as the factory-set de

FAVORITE: 64 (16 Slots × 4 Banks)

Controllers: MODULATION wheel, PITCH wheel, RATIO OP 1-6 knobs, LEVEL OP 1-6 sliders, DATA ENTRY A-F knobs

Inputs/outputs: Headphone (6.3 mm stereo phone jack), OUTPUT L/MONO and R (impedance-balanced 6.3 mm TRS phone jacks), DAMPER (6.3 mm phone jack, half-damper not supported), MIDI IN and OUT connectors, USB B port

Power supply: AC adapter (DC12V)

Power consumption: 5 W

Dimensions (W × D × H): 565 × 338 × 90 mm / 22.24" × 13.31" × 3.54"

Weight: 2.9 kg / 6.93 lbs.

Included items: AC adapter, Precautions, Quick Start Guide

Accessories (sold separately): DS-1H damper pedal, PS-1 pedal switch, PS-3 pedal switch



***Introducing the Opsix Sound Librarian***

The Opsix Sound Librarian lets you view and organize data on a Opsix connected to a computer via USB, and transfer sound data back and forth between the Opsix and the computer.

To use the Opsix Sound Librarian, you need an Opsix running software version 1.0.1 or later, a USB cable, and a USB-capable Windows / Mac computer.

For macOS 11.0 (Big Sur) or later, you will need an Opsix running software version 1.0.3, which will be released soon. Thank you for your patience.

How to install:
Download the Sound Librarian, which can be reached at https://www.korg.com/us/support/download/product/0/874/#software, and open the package.

Notes: Fresh take on digital synthesis from Korg, featuring 'altered FM' sound engine with vintage filter modes based on Korg classics. Huge 32-voice polyphony with excellent performance options and effects.

Supplier's Notes:
Rethink everything you know about FM synthesis.

The opsix represents a new and expansive reimagination of classic digital synthesis. Much like KORG did when bringing wave sequencing back in a more powerful, more musical, and more immediately accessible way with wavestate, so was the approach to FM sound generation of the opsix, resulting in another incredibly flexible and unique synth.

The opsix is an "altered" six-operator FM synthesizer. With its astoundingly accessible operator mixer and flexible sound engine that goes well beyond traditional FM, this instrument widens the potential of digital synthesizers to their utmost.

The opsix is an instrument for players of all generations- modern in every way, getting back to the basics to offer you a glimpse of the future. Whether you are new to synths, looking for a completely unique addition to your sound palate, or an original FM purist, opsix will deliver on all expectations and more.

Keyboard: 37 keys (velocity and release-velocity sensitive)

Maximum Polyphony: 32 voices (or a max. of 24 voices, depending on the settings)

Sound generating system: Altered FM sound generator

Structure: 6 operators, 1 filter, 3 EGs, 3 LFOs, 3 effects, step sequencer, arpeggiator

Algorithm: 40 presets + user algorithm (unique to each program)

Operator: 5 modes (FM, Ring Mod., Filter, Filter FM, Wave Folder)

Oscillator waveform: 21 waveforms (Sine, Sine 12bit, Sine 8bit, Triangle, Saw, Saw HD, Square, Square HD, Additive Saw3, Additive Sqr3, Additive Tri3, Additive 12345, Additive 1+2, Additive 1+3, Additive 1+4, Additive 1+5, Additive 1+6, Additive 1+7, Additive 1+8, Noise S/H, Noise White)

Filter: 11 types (LPF 12, LPF 24, LPF MS-20, LPF POLY6, HPF 12, HPF 24, HPF MS-20, BPF 6, BPF 12, BRF 6, BRF 12)

EG: ADSR

LFO: 23 waveforms (Triangle, Saw Down, Saw Up, Square, Sine, Sample&Hold, Guitar, Exp. Triangle, Exp. Saw Down, Exp. Saw Up, Step4 Triangle, Step6 Triangle, Step4 Saw Down, Step6 Saw Down, StepRnd:Time, StepRnd:Lvl&Time, StepRnd:Level, Random:Time, Random:Lvl&Time, Triangle + , Saw Down + , Saw Up + , Square +)

V.Patch: 12 routings

Effect: 30 types (Chorus, Unison Ensemble, Phaser, Phaser (BPM) , Auto Pan, Auto Pan (BPM), Flanger, Flanger (BPM) , Rotary Speaker, Auto Wah, Exciter, Enhancer, LFO Filter, 3-Band EQ, Distortion, Guitar Amp, Decimator, Grain Shifter, Master Limiter, Compressor, Delay, Delay (BPM) , Autopan Dly, Autopan Dly (BPM), Tape Echo, Tape Echo (BPM) , Early Reflection, Reverb, Shimmer Reverb, Spring Reverb)

Sequencer: Step Sequencer (up to 16 steps, up to 6 notes per step) , Motion Sequencer (up to 6 lanes)

Arpeggiator: 7 patterns (MANUAL, UP, DOWN, ALT1, ALT2, RANDOM, TRIGGER) fault)

Number of programs: 500 (250 preset programs and 250 user programs as the factory-set de

FAVORITE: 64 (16 Slots × 4 Banks)

Controllers: MODULATION wheel, PITCH wheel, RATIO OP 1-6 knobs, LEVEL OP 1-6 sliders, DATA ENTRY A-F knobs

Inputs/outputs: Headphone (6.3 mm stereo phone jack), OUTPUT L/MONO and R (impedance-balanced 6.3 mm TRS phone jacks), DAMPER (6.3 mm phone jack, half-damper not supported), MIDI IN and OUT connectors, USB B port

Power supply: AC adapter (DC12V)

Power consumption: 5 W

Dimensions (W × D × H): 565 × 338 × 90 mm / 22.24" × 13.31" × 3.54"

Weight: 2.9 kg / 6.93 lbs.

Included items: AC adapter, Precautions, Quick Start Guide

Accessories (sold separately): DS-1H damper pedal, PS-1 pedal switch, PS-3 pedal switch



***Introducing the Opsix Sound Librarian***

The Opsix Sound Librarian lets you view and organize data on a Opsix connected to a computer via USB, and transfer sound data back and forth between the Opsix and the computer.

To use the Opsix Sound Librarian, you need an Opsix running software version 1.0.1 or later, a USB cable, and a USB-capable Windows / Mac computer.

For macOS 11.0 (Big Sur) or later, you will need an Opsix running software version 1.0.3, which will be released soon. Thank you for your patience.

How to install:
Download the Sound Librarian, which can be reached at https://www.korg.com/us/support/download/product/0/874/#software, and open the package.

Notes: A new generation in hardware sequencing.

Create - perform - control- Step up to an unparalleled level of connectivity and control.

The SQ-64 is an incredibly powerful and compact Polyphonic Step Sequencer with amazing hands-on intuitive controls and deep editing options to give you all the flexibility and sequencing power needed for all your musical projects.

With its 64 step pad Matrix, Crystal clear OLED display, sturdy and elegant aluminium body, a wealth of connections and a variety of modes and features, the SQ-64 will become the central piece of your music studio providing total and seamless control over all your instruments so you can focus on what matters most; your music!

Despite its compact size, the SQ-64 has unparalleled connectivity and will allow you to easily control, connect and make the most of all your analog and digital gear. MIDI IN (x1) and OUT (x2), micro USB type B, Sync IN & OUT, 3 Melody tracks each with MODULATION, PITCH and GATE outputs and a DRUM track with 8 individual trigger outputs for controlling analog synths, Eurorack, and drum machines.

Each of the Melody tracks (x3) has 16 Patterns of up to 64 steps each, and the Drum track (x1) has 16 Subtracks also with up to 64 steps each, that can be played, chained and edited in a variety of ways. Melody tracks and patterns can be edited in several modes (GATE, PITCH and MODULATION) so you can alter the information sent by your sequencer on each of these steps in many interesting ways. The DRUM track outputs can be fine-tuned to match the polarity and voltage of your connected device(s).

Its audio Sync In & Out connections will allow you to seamlessly control all your other KORG gear such as the volca synthesizer series, minilogue, monologue, minilogue xd, prologue and many others!

Whether you are into Analog synths, Eurorack semi-modular synths, Digital drum machines, or do everything on your DAW with digital plugins, the SQ-64 will give you instant and precise hands-on control of each and all of these.

The SQ-64 has 64 beautifully LED-lit Step button pads that not only let you see the whole picture at once, but also allow for super-fast and satisfactory editing with its encoder knobs and dedicated mode buttons that will simplify and speed up your workflow. Each step has graduated lighting; the higher the modulation value, the stronger the button lights up to give you a clear visual on what's going on in the sequence.

The OLED Display is crystal clear, bright and visible from any angle, so you can have access to all the information you need no matter whether you are making music at home, in the studio or playing live!

The 3 melody tracks include a MODULATION output, so every step on your sequence can be creating complex modulations on your gear of choice, greatly expanding your options and possibilities for sound creation.

It has never been easier to create polyphonic chords patterns, melodies, complex poly-rhythms and modulations on the fly and record them as data on each of the 64 project slots available.

The SQ-64 won't just allow you to create incredible sequences; it packs several features and modes that will let you edit on the fly and play any of your gear real-time.

The 64 pad Matrix can be also be used as a Keyboard, allowing for several layouts to be used for maximum flexibility (several scales can be assigned to any of these and a number of other parameters can be easily changed)

Keys: Your traditional piano layout.
Isomorphic: the notes are displayed symmetrically in rows, you can easily transpose the same chord pattern up and down without changing its shape
Octaves: one scale displayed in 3 different octaves on each row

Sequencer: 64 step sequencer with 3 melodic tracks with up to 8 note polyphony, and 16 monophonic rhythmic tracks

Tempo: BPM30.0 - 300.0

Inputs: MIDI IN connector (3.5mm stereo mini-phone jack, use a type-A MIDI converter cable), SYNC IN jack (3.5mm monaural mini-phone jack, 20V maximum input level)

Outputs: MIDI OUT1, 2 connector (3.5mm stereo mini-phone jack, use a type-A MIDI converter cable), SYNC OUT jack (3.5mm monaural mini-phone jack, 10V maximum input level), CV GATE output A/B/C jack (3.5mm monaural mini-phone jack, 10V maximum output level), CV PITCH output A/B/C jack (3.5mm monaural mini-phone jack, 10V maximum output level), CV MOD output A/B/C jack (3.5mm monaural mini-phone jack, 10V maximum output level), TRIG output 1~8 jack (?3.5mm monaural mini-phone jack, 10V maximum output level)

Power: USB bus power, or DC 9V AC Adapter ([- o +], separately sold)

Dimensions (W x D x H): 368 x 144 x74 mm / 14.49 x 5.67 x 2.91 inches

Weight: 1.0 kg / 2.20 lbs

Included items: Owner's Manual, USB cable

Accessories (separately sold): KA350 AC Adaptor, Patch cables MS-CABLE-18

Notes: Drawing on Korg's impressive wavetable history, the Modwave is a distinctly contemporary take on a classic idea, with a focus on motion sequencing and modulation. Deep, complex and powerful sound.

Supplier's Notes:
Synthesis powerhouse with distinctive wavetable timbres, Kaoss Physics, and Motion Sequencing 2.0.

In 1985, Korg's DW-8000 combined digital wavetables with rich analog filters to give users sounds which were impossible to create with analog oscillators. It's still a cult favorite today.

modwave builds on the DW legacy and transforms it into a modern monster synth, featuring incredibly deep wavetable oscillators, gorgeous filters, wildly flexible modulation, unmatched polyphony, comprehensive pattern sequencing, and immediately satisfying hands-on control.

modwave also introduces two unique new tools for creating dynamic motion: Kaoss Physics and Motion Sequencing 2.0. Kaoss Physics combines an x/y Kaoss pad with modulatable game physics to create a responsive, interactive controller that isibesides being powerfuli a lot of fun. Motion Sequencing 2.0 brings the organic, continuously evolving patterns of the wavestate's Wave Sequencing 2.0 into the world of motion sequencing, including multiple lanes and real-time recording.

Like Wave Sequencing 2.0 (wavestate) and altered FM (opsix), modwave's evolved wavetable synthesis delivers its own brand of completely unique sounds and a knob-per-function layout that makes customizing those sounds fast and easy. To start, there are hundreds of preset sounds empowered by this new architecture, organized by front-panel category buttons, and all instantly customizable via the four Modulation Knobs. modwave's distinctive wavetable timbres deliver aggressive basses & leads, and lush ambient pads will add a new dimension to your tracks. Those who want to dig deeper will find an endless source of discovery; you'll be finding new things in this synth for a long, long time. Save as many new sounds as you like; there's room for thousands more.

Start with over 200 wavetables, each containing up to 64 waveforms- from thousands of individual waves. Use the 30+ Modifiers to change their basic character, and the 13 Morph Types to process them in real-time. Create new hybrids from any two wavetables using the unique, realtime A/B Blend. Quick math: that's over 230 million wavetable variations out of the box, before you even add modulation. No need to stop there, though! Load your own custom wavetables in Serum or WaveEdit formats; there's room for thousands more. Or, layer wavetables with samples from the built-in, multi-gigabyte PCM library.

Each Program has two full-featured wavetable oscillators, plus a sub oscillator/noise generator and any of a dozen stereo filter types, including the aggressive MS-20, sweet Polysix, and the newly enhanced Multi Filter. Animate almost any parameter using the massively flexible modulation system, with four triggerable envelopes, five LFOs, dual mod processors and two key-track generators- plus multi-lane Motion Sequencing and Kaoss Physics.

Even with all that synthesis power, playing up to four simultaneous wavetables per voice in a single Program, the modwave still achieves 32-voice polyphony, incredible for a wavetable synth. Layer two Programs together for double the possibilities.

Notes: Strictly limited-edition full-scale reissue of an underrated analogue classic from 1973. The miniKORG 700FS is a classy monophonic instrument with aftertouch and spring reverb.

Supplier's Notes:
Back To The Future: a limited edition authentic revival of the miniKORG 700.

The miniKORG 700 was KORG's first mass-produced monophonic synthesizer released in 1973 at a time when the form of synthesizers as musical instruments had not been fully established. After a lot of experimentation, the miniKORG 700 arrived bringing the world of synthesizers to a wide group of users by offering simple operations that could producing extreme changes in sound, and was championed by a strong base of admiring musicians.

The miniKORG 700FS is an authentic revival of the miniKORG 700S, (an improved version of the miniKORG 700) that was released the following year. The revised miniKORG 700FS offers added functionality such as an arpeggiator, spring reverb and aftertouch. The miniKORG 700FS is a fully-realized analog synthesizer that was developed in conjunction with the original designer, Fumio Mieda.

(Note: To avoid confusion in the following text, both the original miniKORG 700 and the miniKORG 700S are listed as "miniKORG 700" for the most part.)

Why revive the miniKORG 700 now?

The real beauty and awesomeness of the sounds produced by the miniKORG 700 could not be realized through analog modeling technology that uses computational integrated circuitry such as DSPs and other devices to model analog circuitry. And although KORG continues to produce analog synthesizers such as the prologue, the minilogue and many others, we recognize that these instruments owe their existence to the miniKORG 700.

While theoretical know how is important when designing analog circuitry, deep experience is also required to understand what the results will actually be once the circuitry is completed. Ten years have passed since the monotron, a next-generation analog product from 2010 was developed by young KORG engineers and analog enthusiasts. It took some time for the full vision of these engineers to be explored and delivered but at last we've finally arrived - at the start.

KORG's wish is for customers to experience the beauty and awesomeness of the authentic analog sound through the miniKORG 700FS designed by the KORG analog engineers under the supervision of Fumio Mieda, who designed the original circuitry, ensuring that the elements that go beyond the circuit schematics would be faithfully represented.

While the miniKORG 700 was KORG's first synthesizer, it also produced some of the fattest and most dense sounds of all of our synthesizers. The miniKORG 700FS, features oscillators with a penetrating sound and an authentic recreation of the Traveler controller, one of the key features of the miniKORG 700.

The volca keys and volca bass use the filter circuit from the miniKORG 700, because the clear and penetrating characteristics of this filter were a perfect match for products that specialize in lead and bass synth sounds with a strong presence. The miniKORG 700 sound sits easily in today's music, particularly with its lead and bass synth sounds.

The miniKORG 700 came about as a sub keyboard that players would set atop their organs (frequently used in the 1970s) to augment the organ's sound palette. Nowadays, the beautiful lead synth sound of the miniKORG 700FS works well with stage keyboards such as or electric pianos, organs and so on.

The controls on the miniKORG 700 were laid out below its keys in a row, so that players who set the instrument on top of their organ would find them easy to access. Even today, this layout is intuitive and easy to understand, with a unique look that no other instrument offers.

When the miniKORG 700 was originally released, electronic components were larger in size, limiting its functionality due to the small space inside. Thanks to changes in technology, there's now have more space to add a spring reverb effect as well as a joystick for pitch bend and modulation. The new version also features aftertouch for added expressiveness, as well as important features an arpeggiator, USB port, MIDI IN connector and a CV/GATE IN jack.

Dimensions (W x D x H): 744 x 280 x 122 mm/29.29" x 11.02" x 4.80"
Weight: 8.5 kg/18.74 lbs.
Power supply: AC adapter (DC 12V)
Power consumption: 9W

Notes: One of the most inspiring Volca instruments gets an upgrade. Second generation version offers more memory and easier transfer of samples via USB. A Juno favourite just got even better.

Supplier's Notes:
A new generation volca sample with more memory, features, and connectivity to take your music production further than ever before.

The volca sample is the compact and powerful sample-based drum machine that has captured the attention of countless creative players around the world.

This 2nd generation version retains all of the features which made the original so popular, and adds a micro USB port for better connectivity, increased sample memory, a new up to date sound library and additional functions for an improved workflow.

The new volca sample has everything that you need to advance your music creation in a compact form that works in the studio or anywhere you take it.

On its own, it is an advanced sample machine with a powerful engine capable of 8 voice polyphony, digital reverb and a dual band analogue isolator. Totally hands on, this new volca sample provides an amazing array of knobs for sample manipulation and performance sound-shaping. Plus, for added convenience, it runs on 6 AA batteries, has an integrated speaker and at only 372g/13oz (without batteries) is perfect for stand-alone use!

Furthermore, with its USB, SYNC IN-OUT and MIDI connections, volca sample can integrate seamlessly with your live rig, production studio and of course any other volca!

The new micro USB port provides a convenient connection between the volca sample and a computer for streamlined integration and sample management, allowing you to easily control, sync, and play your volca sample from any DAW. With newly added individual MIDI channels assignment per part, it is now easier to perform when using an external device such as a sequencer or keyboard.

With the volca sample's dedicated Librarian software (available for Mac and PC) utilising the USB port managing and sending your samples and patterns back and forth is now an instantaneous and pain-free process.

You can also use the dedicated app AudioPocket manager for iOS to record new samples on the fly and transfer them to your volca sample instantly.

Two new features have been added to this new volca sample that will help in your music making process:
Pattern chain mode with 2 different STEP JUMP modes
Start delay function: Go "off the grid" with the new delay feature that lets you slightly delay the start of any part to achieve different kinds of grooves or a swing feel.
More Memory, Pattern Locations, Samples, and Bonus Packs!

Volca Sample 2 has an increased memory of 200 memory slots; double its predecessor. 50 are left empty so you can load either your own original or pre-made libraries. Pattern locations have also have been increased from 10 to 16.

The new generation of volca sample comes with a brand-new sound library that has been carefully crafted to fit the needs of all music producers and beat makers everywhere.

This great selection of 150 samples will take your production to the next level, making it possible to make tracks on the fly with sounds that will fit every genre, including recent ones such as Future bass, Trap, Lo-Fi hip hop, and many others!

Notes: Loosely inspired by the brand's classic Wavestation synth, the Wavestate updates the sound with a new approach to Wave Sequencing. Classy sound, powerful modulation and good hands-on performance options.

Supplier's notes:

KORG's legendary Wavestation introduced the world to Wave Sequencing, transforming raw samples into sounds that no-one had ever heard before. The flagship OASYS and KRONOS keyboards developed Wave Sequencing even further, expanding on its unique palette of lush, evolving pads and driving rhythms.

Now, KORG is proud to announce the next step in digital synthesis: the wavestate. Featuring the radically re-imagined Wave Sequencing 2.0, the wavestate delivers astonishing, ever-changing sounds with extensive hands-on control.

Far from a nostalgic reissue, the wavestate is designed from the ground up for a new generation of musicians, producers, and composers, taking cues from sources as diverse as modular synths, groove boxes, and algorithmic composition. The compact form-factor, with 37 full-size keys, transports easily and fits neatly into any stage, studio, or desktop setup.

With the Wavestation, each step of a Wave Sequence had a duration, a sample, and a pitch. This created ear-catching patterns-but the patterns repeated the same way, over and over. What if they could evolve in organic, unexpected ways, instead of just repeating?

Wave Sequencing 2.0 splits apart the timing, the sequence of samples, and the melody, so that each can be manipulated independently. Also added are new characteristics including shapes, gate times, and step sequencer values. Each of these is a "Lane," and each Lane can have a different number of steps and its own start, end, and loop points.

Every time the sequence moves forward, the individual Lanes are combined to create the output. For instance, a sample may be matched with a different duration, pitch, shape, gate length, and step sequence value every time that it plays. You can modulate each Lane's start, end, and loop points separately for every note, using velocity, LFOs, envelopes, Mod Knobs, or other controllers. Each note in a chord can be playing something different!

Lanes can also randomize the step order every time they play, with realtime control over the range of included steps. Finally, individual steps can be randomly skipped, with a modulatable probability from 0 to 100%. The result is organic, ever-changing sounds that respond to your control. The four onboard arpeggiators can interact with Wave Sequences for even more possibilities.

With all of that synthesis power, you might think the wavestate would play only one sound at a time. Not a chance. For even more rich and complex results, layer up to four Programs together in a Performance-each with their own effects and arpeggiator. The Vector Envelope and Joystick mix the individual voices of the four Layers, and can also modulate any other parameters.

Bursting with knobs and controllers, the wavestate invites you to explore. All of the basics-filter, envelopes, LFOs, effects-are at your fingertips with dedicated front-panel controls. Eight programmable Mod Knobs are customized to bring out the most in every sound, often taking them in entirely new directions. Use the knobs in realtime performance, and also save the results as new sounds. Add in the Pitch Bend and Modulation Wheels and the unique Vector Joystick, and you'll always have multiple dimensions of realtime expression.

Want to dig deeper? Almost all front-panel knobs, and most on-screen parameters, can be modulated. You can even modulate settings for individual Wave Sequence Steps! Mod Processors let you transform modulation signals using quantization, smoothing, curvature, and more.

Looking for even more inspiration? A dedicated front-panel button, marked by a "dice" icon, generates new sounds via intelligent randomization. Randomize the entire sound or just a part of it, such as the filter, the Sample Lane, or the effects. Use the results directly, or as a jumping-off point for your own creations.

The wavestate's superb effects deliver production-ready sounds. Each Layer has three dedicated effects; additionally, the Performance has a master reverb and parametric EQ. Along with standards such as compressors, EQs, choruses, flangers, phasers, and stereo delays, you'll find distinctive processors such as the Wave Shaper, Talking Modulator, Reverse Delay, Multiband Mod Delay, and Overb (from the OASYS), plus modeled effects including VOX guitar amps, VOX wah, multi-head tape echo, and a collection of classic guitar pedals.

Set Lists offer effortless organization of your wavestate Performances, and deliver instant access at the gig or in rehearsal. Smooth Sound Transitions allow previously-played voices and effects to continue to ring out naturally, even once a new sound has been selected.

Notes: Building your own custom effects pedal from scratch is now possible with the OD-S Overdrive kit. Experience the fun of DIY by easily building and customizing your own overdrive pedal; no soldering required! Furthermore, the OD-S is equipped with a powerful Nu:tube fully analog triode vacuum tube for a warm sound and rich harmonic response that will delight all guitarists. Build your own FX pedal Creating your own pedal can seem like a daunting task and the results aren't guaranteed. The OD-S offers a solderless, easy-to-build kit that is also customizable to help you shape the overdrive tone that's as individual as you. Authentic tube sound Nutube is a new and revolutionary fully analog triode vacuum tube developed by KORG INC. and Noritake Itron Corporation. The same as a conventional vacuum tube, Nutube is constructed with an anode, grid and filament, and operates as a complete triode tube, effectively generates the same performance response and rich harmonic characteristics of conventional vacuum tubes in a more compact, stable and energy-efficient way. Plenty of sonic possibilities The OD-S has 2 GAIN knobs. In addition to adjusting the input level to the vacuum tube (GAIN), the anode load of the vacuum tube amplification circuit can be changed using the TUBE GAIN. This allows you to accurately adjust the sound from the vacuum tube to your liking. The OD-S also incorporates a switch that lets you choose between 2 different overdrive types (with different Low - High ranges) along with True Bypass; making it an ideal pedal for live performances. For advanced users who want to customize their tone further, the modification-friendly layout allows you to change out discrete components to create your own unique pedal to match your desired tone and performance. The possibilities are endless.

Specifications:
Vacuum Tube: Nutube 6P1
Connections: INPUT/OUTPUT (monaural stereo jack), DC 9V stereo minijack
Power: Single 9V alkaline battery(6LF22/6LR61) (sold separately) or a DC9V AV adapter (sold separately) KA181(DC9V)
Battery life: Approx. 10 hours
Power Consumption: 46mADimension
(W x D x H):122.×.96.×.55mm.
Weight: 340g (without batteries)
Options: KORG AC adapter KA181 (DV9V)

Notes: Clever little valve-based headphone amp from Korg's NuTekt DIY range. Some basic assembly required but no soldering. Fully customisable for advanced users.

Supplier's notes:
The HA-S is a Nutube-equipped DIY Headphone amp kit that will let you enjoy the highest quality audio anywhere. No soldering is required, so even if you are new to the world of DIY, you will be able to assemble the HA-S to add a warm, analog tube-driven signal boost to any sound source in no time! Build your own Headphone amplifier This DIY HA-S kit allows you to build your very own Headphone amplifier in an easy and fun way, without any soldering needed. Not only that, it provides the authentic vacuum tube sound that audiophiles know and love. Built-in Nutube Nutube is a new and revolutionary fully analog vacuum tube developed by KORG INC. and Noritake Itron Corporation. The same as a conventional vacuum tube, Nutube is constructed with an anode, grid and filament, and operates as a complete triode tube, effectively generating the response and same rich harmonic characteristics of conventional vacuum tubes in a more compact, stable and energy-efficient way. The transparent case of the HA-S delivers a glimpse into this technology; allowing the glow of the tube to be visible at all times. Energy efficiency The filament of the Nutube is powered by a DC to DC converter, which consumes less electric current and thus allows for a longer battery life than other vacuum tube equipped amplifiers. The design is so efficient that the HA-S can drive the Nutube with a line voltage of 26 V using only two A4 batteries., for a rich and authentic vacuum tube sound. Sound possibilities The HA-S has a special NFB (Negative Feedback) switch, that allows you to choose from a high fidelity clean and pristine sound, or a warmer, more harmonically rich sound as expected from a vacuum tube. When the NFB switch is OFF, the harmonics present in the Nutube (triode tube) will be amplified to create a sound rich in harmonics, warmth and textures. When the NFB switch is ON, the distortion ratio and frequency characteristics will be modified, creating a really detailed and clean sound. For further sound modification, we have included two OP amp options for the output: the premium audio oriented "MUSES01" and the industry standard NJM4580, both from JRC. These can be easily replaced so even the most purist audiophiles will be able to customize and adapt the sound of their HA-S to heir heart's content. For advanced users who want to customize their amplifier even more, the circuit diagrams are readily available, making it really easy to change discrete components and make your own and unique headphone amp matching your desired tone and performance -, the possibilities are endless!

Notes: 24-channel flagship version of Korg's hybrid mixer, combining analogue and digital features designed by mixer royalty Greg Mackie and Peter Watts. Supremely flexible with great sound.

Supplier notes:
A mixer should not only sound good. It should be very easy to use.

Korg has collaborated with the legendary mixer design team of Greg Mackie and Peter Watts to create hybrid/analog mixing consoles that make creative mixing easy. Both the 24- and 16-channel models give you instant analog control for live mixing with stunning sound quality and more musician-friendly features than the competition - paired with the power of high-quality digital where it counts.

Use a SoundLink and you discover all the typical Greg Mackie features that are unique to SoundLInk; hear your first live mix and discover why Peter Watts helped design legendary Trident consoles and then hundreds of high-end studio processors and preamps. Besides designing mixers, Greg Mackie has been mixing on them for over 40 years.

When you listen to the "White Album", Rhianna's "Rated R" and "Loud", "Goodbye Yellow Brick Road" and literally hundreds of other familiar albums, you're listening to the legendary Trident mixing console sound. Peter Watts had an important role in Trident technology; he brings the same rich, warm preamp, EQ and dynamics quality to the products he designs today. HiVolt mic preamps give you the most headroom of any comparably-priced analog or digital mixer (16.5V internal voltage, even on stereo channels where other mixers skimp). They sound warm and musical.

It is the only small mixer that has Mute Groups. They let you instantly call up different combinations of channels for various groups on stage, different songs, sound checks, a solo acoustic number, a drum solo or different parts of a church service (choir, praise band, pastor. You get four Group options, each easily programmable and recallable.

Some musicians want to hear more of their own instrument or voice in their in-ear or floor monitor, a process that is complicated to change on other mixers. SoundLink's Musician's Phone feature provides one-knob boost of the complete left/right mix into the musician's individual track. Instead of having to change main mix settings or take up a bus, you have dedicated knobs for two musician's "more me" monitor mixes.

Instead of a generic digital effects processor chip, SoundLink mixers use a high-quality proprietary Korg custom chip that builds on all of Korg's multi-decade expertise: twenty four ultra-realistic digital effects. For example, all six reverb effects include an alternate "WARM" version - a touch veteran Korg users will tell you is very useful. Parameters of all effects can be tweaked, saved and recalled, and activated by an optional footswitch. Plus, you get test tone generators for use with the built-in 24-band Spectrum Analyzer that's another SoundLink exclusive in a mixer in this price range.

Digital processing and effects are frustrating if they're buried in some long, scrolling menu inside a menu. For EQ and other control features, and a row of individual L/R, AUX 1 and Aux 2 assign buttons for both Equalization and Dynamics makes mixing easier. SoundLink's Limiter, Compressor, Noise Gate are both effective without being harsh or exaggerated. Each has tweakable, recallable parameters. Coupled with a 31-band Spectrum Analyzer, our super-practical 31-band/9-band ParaGraphic EQ solves acoustical problems other small mixers can't handle.

Notes: 16-channel version of Korg's excellent hybrid mixer, designed in collaboration with Greg Mackie and Trident designer Peter Watts. Eight mono channels and four stereo pairs, each with single-knob compressor and musical EQ.

Supplier notes:
A mixer should not only sound good. It should be very easy to use.

Korg has collaborated with the legendary mixer design team of Greg Mackie and Peter Watts to create hybrid/analog mixing consoles that make creative mixing easy. Both the 24- and 16-channel models give you instant analog control for live mixing with stunning sound quality and more musician-friendly features than the competition - paired with the power of high-quality digital where it counts.

Use a SoundLink and you discover all the typical Greg Mackie features and ideas that are unique to SoundLink; hear your first live mix and discover why Peter Watts helped design legendary Trident consoles and then hundreds of high-end studio processors and preamps. Besides designing mixers, Greg Mackie has been mixing on them for over 40 years.

When you listen to the "White Album", Rhianna's "Rated R" and "Loud", "Goodbye Yellow Brick Road" and literally hundreds of other familiar albums, you're listening to the legendary Trident mixing console sound. Peter Watts had an important role in Trident technology; he brings the same rich, warm preamp, EQ and dynamics quality to the products he designs today. HiVolt mic preamps give you the most headroom of any comparably-priced analog or digital mixer (16.5V internal voltage, even on stereo channels where other mixers skimp). They sound warm and musical.

It is the only small mixer that has Mute Groups. They let you instantly call up different combinations of channels for various groups on stage, different songs, sound checks, a solo acoustic number, a drum solo or different parts of a church service (choir, praise band, pastor. You get four Group options, each easily programmable and recallable.

Some musicians want to hear more of their own instrument or voice in their in-ear or floor monitor, a process that is complicated to change on other mixers. SoundLink's Musician's Phone feature provides one-knob boost of the complete left/right mix into the musician's individual track. Instead of having to change main mix settings or take up a bus, you have dedicated knobs for two musician's "more me" monitor mixes.

Instead of a generic digital effects processor chip, SoundLink mixers use a high-quality proprietary Korg custom chip that builds on all of Korg's multi-decade expertise: twenty four ultra-realistic digital effects. For example, all six reverb effects include an alternate "WARM" version- a touch veteran Korg users will tell you is very useful. Parameters of all effects can be tweaked, saved and recalled, and activated by an optional footswitch. Plus, you get test tone generators for use with the built-in 24-band Spectrum Analyzer that's another SoundLink exclusive in a mixer in this price range.

Digital processing and effects are frustrating if they're buried in some long, scrolling menu inside a menu. For EQ and other control features, and a row of individual L/R, AUX 1 and Aux 2 assign buttons for both Equalization and Dynamics makes mixing easier. SoundLink's Limiter, Compressor, Noise Gate are both effective without being harsh or exaggerated. Each has tweakable, recallable parameters. Coupled with a 31-band Spectrum Analyzer, the super-practical 31-band/9-band ParaGraphic EQ solves acoustical problems other small mixers can't handle.

Notes: The Pitchblack mini, popular for its slim space-saving design and reliable tuning, is now available in three new colors.

Your clothes and shoes are fashionable, so why should your tuner be a boring color? To match the flashy design of your effect units, you can now choose a Pitchblack mini in vivid color. Create a setup that will be inspiring, even when you just stand there holding your favorite guitar!

Specifications other than body color are the same as the conventional model of the Pitchblack mini.

Korg's Pitchblack pedal tuners have earned the trust of guitarists and bassists worldwide for their quality, design and durability. The Pitchblack mini is the latest addition to the renowned tuner series, now available in a smaller, sleek size.

The Pitchblack mini appears smaller in size, yet embodies all of its superior tuner functionality. Featuring a large LED display with excellent visibility, it supports battery operation in spite of its compact size. The unit is also equipped with stabilizers to prevent it from overturning. Small but powerful, this is a high-quality pedal tuner that will meet the needs of any player.

The compact size of the popular Pitchblack mini pedal tuner is available in a newcolor! The Pitchblack mini lineup has been supplemented by a stylish white model that joins the existing model in bold black, allowing you to choose a Pitchblack mini in the color that suits you.

The Pitchblack mini is a size smaller than the previous Pitchblack, allowing for easy installment, even with a full effect board. The weight is also minimal at 129 grams, so handling is easy.

Despite its small size, the display is large and easy to read. Equipped with a large 7-segment color LED, the large note indication and the smooth moving meter indicator deliver excellent visibility even on a dark stage.

The Pitchblack mini supports battery operation that has been a long-awaited feature for miniature pedal tuners. In conjunction with the high mobility provided by its compact form, battery operation allows you to use this unit smoothly in any situation, whether in your effect board or on the floor. Additionally, you can also use DC9V power designed for effect units.

Compactness, light weight, and convenience are important, but they're a trade-off with stability. Other units tend to turn over more easily when placed on the floor, however, the Pitchblack mini is equipped with slide-type stabilizers on the underside of the body, eliminating this concern.

Choose from three meter display modes to suit your playing style. In addition to the standard "Regular mode", you can choose "Strobe mode" or "Half-strobe mode" in which the direction and speed of meter movement indicate the pitch change for easy visualization of even minute differences.

When using strobe mode, the Pitchblack mini allows ultra-high-precision tuning with i0.1 cent accuracy. It's a great choice for exacting situations where even slight errors cannot be tolerated, such as in professional recordings or stage performances.

In spite of its compact size, the Pitchblack mini has the same high-quality design as the other units of the Pitchblack series. It inherits the accuracy and amazing ease of use that you expect from Korg tuners, and also allows the calibration to be adjusted to a variety of concert pitches.

The true bypass design allows for the input sound to become output with absolutely no change (when the tuner is off). In other words, the tuner circuit does not change, degrade, or modify your sound in any way. Since the input sound is completely muted when the tuner is on, this unit is ideal for use on stage.

Notes: The Pitchblack mini, popular for its slim space-saving design and reliable tuning, is now available in three new colors.

Your clothes and shoes are fashionable, so why should your tuner be a boring color? To match the flashy design of your effect units, you can now choose a Pitchblack mini in vivid color. Create a setup that will be inspiring, even when you just stand there holding your favorite guitar!

Specifications other than body color are the same as the conventional model of the Pitchblack mini.

Korg's Pitchblack pedal tuners have earned the trust of guitarists and bassists worldwide for their quality, design and durability. The Pitchblack mini is the latest addition to the renowned tuner series, now available in a smaller, sleek size.

The Pitchblack mini appears smaller in size, yet embodies all of its superior tuner functionality. Featuring a large LED display with excellent visibility, it supports battery operation in spite of its compact size. The unit is also equipped with stabilizers to prevent it from overturning. Small but powerful, this is a high-quality pedal tuner that will meet the needs of any player.

The compact size of the popular Pitchblack mini pedal tuner is available in a newcolor! The Pitchblack mini lineup has been supplemented by a stylish white model that joins the existing model in bold black, allowing you to choose a Pitchblack mini in the color that suits you.

The Pitchblack mini is a size smaller than the previous Pitchblack, allowing for easy installment, even with a full effect board. The weight is also minimal at 129 grams, so handling is easy.

Despite its small size, the display is large and easy to read. Equipped with a large 7-segment color LED, the large note indication and the smooth moving meter indicator deliver excellent visibility even on a dark stage.

The Pitchblack mini supports battery operation that has been a long-awaited feature for miniature pedal tuners. In conjunction with the high mobility provided by its compact form, battery operation allows you to use this unit smoothly in any situation, whether in your effect board or on the floor. Additionally, you can also use DC9V power designed for effect units.

Compactness, light weight, and convenience are important, but they're a trade-off with stability. Other units tend to turn over more easily when placed on the floor, however, the Pitchblack mini is equipped with slide-type stabilizers on the underside of the body, eliminating this concern.

Choose from three meter display modes to suit your playing style. In addition to the standard "Regular mode", you can choose "Strobe mode" or "Half-strobe mode" in which the direction and speed of meter movement indicate the pitch change for easy visualization of even minute differences.

When using strobe mode, the Pitchblack mini allows ultra-high-precision tuning with i0.1 cent accuracy. It's a great choice for exacting situations where even slight errors cannot be tolerated, such as in professional recordings or stage performances.

In spite of its compact size, the Pitchblack mini has the same high-quality design as the other units of the Pitchblack series. It inherits the accuracy and amazing ease of use that you expect from Korg tuners, and also allows the calibration to be adjusted to a variety of concert pitches.

The true bypass design allows for the input sound to become output with absolutely no change (when the tuner is off). In other words, the tuner circuit does not change, degrade, or modify your sound in any way. Since the input sound is completely muted when the tuner is on, this unit is ideal for use on stage.

Notes: Three new colors have been added to this standard pedal tuner. These are the first KORG tuners to use a powder coating. With its brilliance and depth, this beautiful finish is also extremely durable.

The lineup consists of three colors: sparkle blue (BL), sparkle red (RD), and sparkle white (WH). The color of each unit's sound name indicator LED has also been varied to match the differing body color.

Don't miss this chance to enhance your system with a Pitchblack Advance tuner in a distinctive color that sets it apart from other tuners.

Specifications other than body color and LED color are the same as the usual model of the Pitchblack Advance.

Featuring a slanted design that hints at a new age, the Pitchblack Advance retains the toughness that is characteristic of the series, in spite of becoming even lighter in weight. The display features high-brightness color LEDs, nearly doubling the size of the note name display and providing amazing visibility. Whether you're on a dimly lit stage or outdoors in bright sunlight, this display will always be easy to read.

When using strobe mode, the Pitchblack Advance allows ultra-high-precision tuning with i0.1 cent accuracy. It's a great choice for exacting situations where even slight errors cannot be tolerated, such as in professional recordings or stage performances.

Choose from four meter display modes to suit your playing style. In addition to the standard "Regular mode", you can use "Strobe mode" or "Half-strobe mode" in which the direction and speed of meter movement indicate the pitch change for easy visualization of even minute differences, as well as "Mirror mode" in which two LEDs move from left and right to coincide in the center as you tune.

The true bypass design allows the input sound to be output with absolutely no change (when the tuner is off). In other words, the tuner circuit does not change, degrade, or color your sound in any way. Since the input sound is completely muted when the tuner is on, this unit is ideal for use on stage.

If a separately sold AC adaptor is used, the DC OUT jack can supply power to another effect unit. Since a dedicated power supply circuit is provided for DC OUT, it can provide stable and noiseless 9V 200 mA power.

The Pitchblack Advance provides a stable playing environment for all players. When using a power supply, for example, noise can be caused by interference between different pedals using the same power supply. The Pitchblack Advance is equipped with a circuit that suppresses sudden changes in current, and also applies software control, thereby completely avoiding the occurrence of such noise.

The eight-year journey of the Pitchblack series has brought its high efficiency and long-life design to an even higher pinnacle. With approximately 30 hours on zinc-carbon batteries and approximately 60 hours on alkaline batteries, this new unit achieves ultra-long-life operation that is six times greater than the Pitchblack. Even on a long tour or an extended recording session, it will continue to fulfill its role as your faithful partner.

Notes: Three new colors have been added to this standard pedal tuner. These are the first KORG tuners to use a powder coating. With its brilliance and depth, this beautiful finish is also extremely durable.

The lineup consists of three colors: sparkle blue (BL), sparkle red (RD), and sparkle white (WH). The color of each unit's sound name indicator LED has also been varied to match the differing body color.

Don't miss this chance to enhance your system with a Pitchblack Advance tuner in a distinctive color that sets it apart from other tuners.

Specifications other than body color and LED color are the same as the usual model of the Pitchblack Advance.

Featuring a slanted design that hints at a new age, the Pitchblack Advance retains the toughness that is characteristic of the series, in spite of becoming even lighter in weight. The display features high-brightness color LEDs, nearly doubling the size of the note name display and providing amazing visibility. Whether you're on a dimly lit stage or outdoors in bright sunlight, this display will always be easy to read.

When using strobe mode, the Pitchblack Advance allows ultra-high-precision tuning with i0.1 cent accuracy. It's a great choice for exacting situations where even slight errors cannot be tolerated, such as in professional recordings or stage performances.

Choose from four meter display modes to suit your playing style. In addition to the standard "Regular mode", you can use "Strobe mode" or "Half-strobe mode" in which the direction and speed of meter movement indicate the pitch change for easy visualization of even minute differences, as well as "Mirror mode" in which two LEDs move from left and right to coincide in the center as you tune.

The true bypass design allows the input sound to be output with absolutely no change (when the tuner is off). In other words, the tuner circuit does not change, degrade, or color your sound in any way. Since the input sound is completely muted when the tuner is on, this unit is ideal for use on stage.

If a separately sold AC adaptor is used, the DC OUT jack can supply power to another effect unit. Since a dedicated power supply circuit is provided for DC OUT, it can provide stable and noiseless 9V 200 mA power.

The Pitchblack Advance provides a stable playing environment for all players. When using a power supply, for example, noise can be caused by interference between different pedals using the same power supply. The Pitchblack Advance is equipped with a circuit that suppresses sudden changes in current, and also applies software control, thereby completely avoiding the occurrence of such noise.

The eight-year journey of the Pitchblack series has brought its high efficiency and long-life design to an even higher pinnacle. With approximately 30 hours on zinc-carbon batteries and approximately 60 hours on alkaline batteries, this new unit achieves ultra-long-life operation that is six times greater than the Pitchblack. Even on a long tour or an extended recording session, it will continue to fulfill its role as your faithful partner.

Notes: Three new colors have been added to this standard pedal tuner. These are the first KORG tuners to use a powder coating. With its brilliance and depth, this beautiful finish is also extremely durable.

The lineup consists of three colors: sparkle blue (BL), sparkle red (RD), and sparkle white (WH). The color of each unit's sound name indicator LED has also been varied to match the differing body color.

Don't miss this chance to enhance your system with a Pitchblack Advance tuner in a distinctive color that sets it apart from other tuners.

Specifications other than body color and LED color are the same as the usual model of the Pitchblack Advance.

Featuring a slanted design that hints at a new age, the Pitchblack Advance retains the toughness that is characteristic of the series, in spite of becoming even lighter in weight. The display features high-brightness color LEDs, nearly doubling the size of the note name display and providing amazing visibility. Whether you're on a dimly lit stage or outdoors in bright sunlight, this display will always be easy to read.

When using strobe mode, the Pitchblack Advance allows ultra-high-precision tuning with i0.1 cent accuracy. It's a great choice for exacting situations where even slight errors cannot be tolerated, such as in professional recordings or stage performances.

Choose from four meter display modes to suit your playing style. In addition to the standard "Regular mode", you can use "Strobe mode" or "Half-strobe mode" in which the direction and speed of meter movement indicate the pitch change for easy visualization of even minute differences, as well as "Mirror mode" in which two LEDs move from left and right to coincide in the center as you tune.

The true bypass design allows the input sound to be output with absolutely no change (when the tuner is off). In other words, the tuner circuit does not change, degrade, or color your sound in any way. Since the input sound is completely muted when the tuner is on, this unit is ideal for use on stage.

If a separately sold AC adaptor is used, the DC OUT jack can supply power to another effect unit. Since a dedicated power supply circuit is provided for DC OUT, it can provide stable and noiseless 9V 200 mA power.

The Pitchblack Advance provides a stable playing environment for all players. When using a power supply, for example, noise can be caused by interference between different pedals using the same power supply. The Pitchblack Advance is equipped with a circuit that suppresses sudden changes in current, and also applies software control, thereby completely avoiding the occurrence of such noise.

The eight-year journey of the Pitchblack series has brought its high efficiency and long-life design to an even higher pinnacle. With approximately 30 hours on zinc-carbon batteries and approximately 60 hours on alkaline batteries, this new unit achieves ultra-long-life operation that is six times greater than the Pitchblack. Even on a long tour or an extended recording session, it will continue to fulfill its role as your faithful partner.

Notes: The human voice is also a type of instrument. Let's begin by tuning it correctly. The quickest path to a beautiful performance is to start being conscious of whether you're singing at the correct pitch.

With a vertical layout that's easy to operate when held in the left hand, a five-line musical staff display to show the notes for intuitive pitch checking, and a sound back function that outputs the reference tone closest to the input vocal, this dedicated vocal lesson unit is packed with unique functions.

By giving you the confidence that you can sing the correct pitch, the VPT-1 vocal pitch trainer will help take your vocal ability to the next level.

A recording made of your voice sounds different than the voice that you yourself hear. That's because the sound travels a different route, and it's likely that you are naturally conscious of this difference when you sing. In this case, you feel that your pitch is correct, but is it actually correct?

It's important to be conscious not only of the difference in how the sound is heard but also of the pitch, and to train your senses by using a tuner to check the pitch. The importance of this is taken for granted for many instruments, so now let's introduce it for vocal lessons as well. The VPT-1 is a pitch trainer created specifically for vocals, taking full advantage of the know-how developed by Korg during its more than 40 years of producing tuners that have earned the complete trust of musicians.

When you sing into the internal mic of the VPT-1, the note you sing is shown on the five-line staff marked with the familiar G-clef or F-clef. The red LEDs at left show whether the pitch is high or low, so adjust your voice until only the blue LED in the center is lit. Individual differences in vocal pitch range can be accommodated by using the octave shift function to adjust the detected range up or down in one-octave steps, keeping the note display within the five-line staff.

The strictness of tuning can be adjusted in three steps. Start with EASY, and when you've gained more skill, increase the difficulty to MEDIUM and then HARD for further improvements to your pitch accuracy.

A must-have item for those without a sense of absolute pitch, the sound out function generates a specified reference tone. This is convenient when practicing songs that begin with the vocal, and you can also use this to improve your relative pitch on your own by repeatedly listening to a reference tone and then singing the same pitch.

Like the sound out function, the sound back function helps you improve your sense of pitch on your own by outputting (from the headphone jack) the reference tone that's closest to the pitch of your vocal input. The reference tone together with the tuning guide LEDs let you train using all three senses: eyes, ears, and mouth.

Notes: Soft Case for MS-20 mini.

Also fits AC adopter, patch cables and manuals.

Notes: This is a multi-purpose case that's perfect for holding the microKORG, electribe series (x2 units), volca series (x6 units), or SQ-1.

The fasteners allow the upper case to be completely removed, allowing access while leaving your equipment in the lower case, as if it were installed in an effect pedal board. It also includes straps for backpack-style or hand-carry.

If placing thin items such as an electribe in this bag, use the included Velcro tape to fasten the product securely to the lower case.