Suchergebnisse: Dance Music

Review: The ZYX label always deals in timeless disco sounds from across the ages whether commercial or underground. It has done for years and now it assembles some of what it calls its finest Italo Disco Dub Versions across an unmixed double CD compilation. All of these are instrumentals and things kick off with the glistening 80s chords of Paul Paul's 'Good Version' then take in delights such as Felli's hot-stepping 'Diamond In The Night', Raggio Di Luna's chugging and steamy slow motion work out 'Comanchero' and Duke Lake's soul-drenched 'Dance Tonight' (Do It Yourself Verison). A great collection.

Review: Obscure Shape's Zukunft is a dark, high-tech techno experience that delves deep into the realms of futuristic soundscapes. Released on Planet X Records from Iceland, this album is packed with intense, brooding tracks that keep the energy relentless. Side-1 opens with 'Die Ruckkehr,' setting a powerful tone with its pulsating rhythms, followed by 'Zuruck In Die Zukunft,' which continues the dark, driving atmosphere. 'Children Of Men' closes the side with haunting, cinematic vibes. Side-2 introduces 'Verblendung,' a track that builds tension with its deep, swirling bass, while 'Inception' and 'Der Poet' push the boundaries of techno with intricate, layered beats. Side-3's 'City Of God' and 'Imagination' explore more experimental territory, with 'Genetic Bliss' offering a pulsating conclusion. On the last side. it all comes to conclusion at a high note with 'Easy For Ecstasy' and 'Wandervogel,' both tracks blending intensity and atmospheric depth.

Review: Cluster's Zuckerzeit stands as a landmark in electronic music, showing the duo's innovative approach to ambient electronic soundscapes. Unlike their self-aware avant-garde contemporaries, Cluster's music emerges as a pure expression of their passion for electronic gadgetry and songwriting. The album's subtle shift in sound from their previous work heralds a more intriguing style characterized by bubbling ideas and electronic manipulation. Tracks like 'Hollywood' and 'Caramel' paint vivid pictures with gloriously chunky synthesizers and jerky drumbeats, evoking reflective and playful tones respectively. 'Rote Riki' ventures into experimental territory with alien-like synths and throbbing bass, while 'Rosa,' "Fotschi Tong,' and 'Marzipan' conjure images of ambient space exploration with colorful synthesizers and relaxed drumbeats. 'Caramba' and 'James' delve deeper into experimentation, showcasing Cluster's versatility. Closing with 'Rotor' and 'HeiBe Lippen,' the album maintains its pace, with motorik beats and droning sounds adding to the overall spacey atmosphere. Clocking in at under 40 minutes, Zuckerzeit is a dynamic journey through Cluster's boundless creativity, setting a new standard for electronic music.

Review: On April 17, 1994, Led Zeppelin's main songwriters reunited for the Alexis Korner Memorial Concert in Buxton, England. In August, they recorded performances in London, Wales, and Morocco featuring Egyptian and Moroccan orchestration of classic Led Zeppelin tracks along with four new songs. These performances were broadcast as a 90-minute MTV special UnLedded which led to a successful tour starting in February 1995. This newly reissued release captures an exceptional performance from that tour and includes both new material and Middle Eastern-influenced renditions of Zeppelin classics like 'Bring It On Home,' 'Ramble On,' 'The Song Remains the Same,' 'Black Dog' and 'Kashmir.'

Review: Not to be confused with Zoot Allures, the 22nd studio album by American rock enigma Frank Zappa - released in 1976 - but purposefully confusable with that record, Zoot Alloors is just one artefact from the artist's critically acclaimed and technically astounding broadcast from New York City in November 1981. Like everything else Zappa, this mini-LP is part of a wider universe he constructed for himself before inviting fans to exist in it with him, and his inimitable performances style is captured here beautifully. Even the recording does its best to suck us right in there and leave us to explore. Tracks aren't so much tracks, but jumping off points for intense rock & roll, jazz, blues, glam and psyche jam movements that are invigorating, captivating and disorientating. A true original.

Notes: The Zoom MS-90LP+ is a versatile stereo looper. With the tap of your foot you can add loops, layers, effects and rhythm patterns. And with 32-bit float processing, the MS-90LP+ gives creators flawless audio quality every time.

Notes: The H2essential is the only Handy Recorder with three internal microphones. With the ability to select different mic patterns, it gives creators more options than ever before. With two cardioid mics facing front and rear and a bi-directional mic facing side to side, the H2essential allows you to choose the perfect pick-up pattern for every recording.

Set your pickup pattern to 90O or 120O stereo, or choose mono for a hyper directional pickup, reducing background noise. Then choose to record from the front, rear, or activate both sides for surround sound pickup. Record in 32-bit float up to 96kHz ensuring high-quality audio without ever having to set gain.

When connected to a PC, Mac, iOS, or Android device using the USB-C port, the H2essential can be used as a USB microphone while simultaneously recording to the SD card. Connect the H2essential to your mobile device via USB and record professional audio directly onto your phone's video. Perfect for video podcasts and live streams.

Record in MS Raw and adjust the width of the stereo image in post production. This is helpful when you want to control ambient noise. The H2essential has advanced features such as a low cut filter, pre-record, auto record, and playback speed adjustment.

Using the BTA-1* Bluetooth Adapter, pair one or more H2essentials with your iOS device to remotely hit record and sync timecode. The H2essential is designed with Accessibility for the blind and visually impaired. Navigate the menu with audible descriptions through the built-in speaker or headphones. Creators can choose English, Spanish, French, Japanese, German, Italian or Chinese.

The specially designed windscreen for the H2essential provides wind protection when recording outdoors. The custom fit gives access to controls while the windscreen is attached. The 3.5mm input can accommodate audio players, keyboards, and lav mics with plug-in power. You can record with the front mic and the 3.5mm input simultaneously.

Use the mixer to easily adjust each track's audio level. The color LCD screen makes it easy to navigate through the H2essential's simple interface.The real-time waveform display lets you see your audio as it records.

Use the 3.5mm headphone output for headphones or connect directly to a camera. The onboard speaker allows you to listen to your recordings for quick reference as well as utilize the Accessibility functions. The H2essential supports SDXC cards up to 1TB.

The H2essential has a dedicated Marker button to instantly set reference points while recording. The H2essential can be powered by two AA batteries or via the USB-C port. This includes bus-power as well as external USB battery pa

Notes: Exceptional value from one of Zoom's entry-level recorders. Quick and easy to set up and use, the H1essential offers excellent stereo sound quality. Records to microSD card, with option to transfer files via USB.

Supplier's Notes:
Zoom H1essential - 32-Bit Float Recording for All

The World's Easiest Recorder, Just Got Easier

With the push of a button the H1essential captures perfect audio for musicians, podcasters, filmmakers, and content creators. Simply hit record and discover the power of 32-bit float.

32-Bit Float Magic

With 32-bit float recording, you never have to adjust levels. The H1essential captures every nuance of your sound ensuring high-quality audio with every take

The First Handy Recorders with Accessibility

The Essential Series was designed with Accessibility for the blind and visually impaired. Navigate the menu with audible descriptions through the built-in speaker or headphones. Creators can choose English, Spanish, French, Japanese, German, Italian or Chinese.

Loud and Clear

The onboard X/Y microphones capture clean audio up to 120 dB SPL, equivalent to the sound of a high-performance engine.

The Perfect Practice Companion for Musicians

Musicians can use the H1essential to record every rehearsal, a great way to improve your playing. Features like overdubbing and playback-speed-adjustment are great for writing and practicing.

Sound Makes the Scene

The H1essential is great for filmmakers. Record and send audio directly to your camera or use it to record sound effects to complete your scene.

For Storytellers

Podcasters can mount the H1essential on a tripod for sit down conversations or use 'mono mode' for on-the-go interviews.

Big Features, Small Package

The H1essential has advanced features such as overdubbing, pre-record, auto record, and playback speed adjustment.

Features

32-bit float recording: perfect audio with no need to set gain
120 dB SPL 90 degree XY Mics
Records up to 96kHZ sample rate
New OLED Display
Overdubbing, auto record, pre-record and timer functions
USB Microphone Function
Audio guidance function for the blind and visually impaired
10 hours of battery life on 2 AAA Batteries or USB-C Bus power

Specs

Inputs

Built-in mic: 90 degree XY stereo format
Directionality: Unidirectional
Sensitivity: -37 dB/1 Pa at 1 kHz
Maximum sound pressure input: 120 dB SPL

MIC/LINE IN jack

Connector: Stereo mini jack
Input impedance: 2 kO or more
Plug-in power: 2.5 V

Built-in mic
90 degree XY stereo format
Directionality: Unidirectional

Outputs

PHONE / LINE OUT jack
Connector: Stereo mini jack
Maximum output level: 20 mW + 20 mW(into 32O load)
Output impedance: 10 O or less
Built-in speaker Type: 20 x 30mm oval dynamic speaker
Practical maximum output: 250mW

Recorder
Recording formats:
WAV
44.1/48/96 kHz, 32-bit Float
Stereo / Mono
BWF and iXML formats supported

Recording media
4-32GB cards compatible with the microSDHC specification
64GB-1TB cards compatible with the microSDXC specification

Display
OLED: 128 x 64

USB
Connector: USB Type-C (Use a USB cable that supports data transfer.)
USB Mic: USB 2.0 High Speed
48 kHz, 24-bit
File transfer: USB 2.0 High Speed

Power

2 AAA batteries Alkaline, Lithium, or Rechargeable NiMH
AC adapter: ZOOM AD-17: DC 5 V/1 A
USB bus power is supported.

Estimated continuous operation time using batteries

Alkaline batteries: About 10 hours
NiMH batteries (800 mAh): About 9 hours
Lithium batteries: About 18 hours
Stereo recording, 48kHz/32-bit float, no headphones, Power Save 1min
These values are approximate.
Continuous battery operation times were determined using in-house testing methods.
They will vary greatly according to use conditions.

Power consumption: 5 W maximum
Dimensions: 53.9 mm (W) × 136.6 mm (D) × 29.0 mm (H)
Weight (including batteries): 92 g
Note: 0 dBu = 0.775 Vrms

Review: Allegedly one of the first ever records to make use of sampling, Jean-Michel Jarre's seventh album Zoolook brought with it a unique vibe, one well worth looking back on in light of its latest Sony reissue. In terms of notoriety, Zoolook pales in comparison to the electronic music crackerjack's 1976-8 heyday, which saw to both Oxygene and Equinoxe; but this is understandable, as Zoolook came much later, and sacrificed the grandiose mood of otherworldly space-awe for an eerier menage of playful factory hits and cacophonous dance hubbubery. Perhaps this sound - a jankier one that grew in popularity in the mid 80s - was driven by Jarre's use of the Fairlight CMI workstation and sampler, an example of a piece of gear that had the power to define an entire sound. We'd venture to say that the titular "Zoolook" is a kind of gaze that, by virtue of us living in a machine society, makes animals of us all.

Review: Originally released in 1984, this album remains one of the most experimental and groundbreaking albums in electronic music with Jarre's fans including everyone from Jeff Mills to Eno and Depeche Mode's Martin Gore. With its fusion of cutting-edge sampling techniques and rich, multicultural vocal work, the album stands out as a pivotal moment in both Jarre's career and in the history of music production. For its 40th anniversary, the album has been reissued in a remastered edition, with a bonus track, 'Moon Machine', making it an ideal time to revisit its timeless innovation. The album utilizes the Fairlight CMI sampler to manipulate vocal samples from over 25 languages, creating a truly unique soundscape. Tracks like 'Ethnicolor' and 'Diva' exhibit Jarre's use of avant-garde techniques, blending musique concrete influences with electronic textures and vivid, expressive vocals from artists like Laurie Anderson. The album's surreal qualities are further enriched by its diverse use of genres and influencesifrom the haunting 'Ethnicolor 1' to the funky, upbeat groove of 'Zoolookologie'. Though Zoolook diverges from the atmospheric, space-themed sound of Oxygene and Equinoxe, its experimental nature and complex structure push boundaries and make it an essential listen. While some tracks, like 'Woolloomooloo' and 'Blah Blah Kafe', slow the pace, they provide a contrast to the more intense moments, rounding out the album's broad, eclectic emotional range. Ultimately, Zoolook is a landmark in blending technology, culture and sound, and this anniversary edition is a fitting tribute to an album that helped shape the future of electronic music.

Review: This limited edition neon-yellow LP captures the power of U2's historic performance at the RDS Arena, Dublin in August 1993, a highlight of their groundbreaking ZOO TV Tour. Pressed on vinyl for the first time, this release should be a coveted collectible for both fans and collectors. Opening with the dramatic 'Zoo Station,' the track sets a powerful tone, showcasing U2's innovative approach to live performance at the time. The energetic 'Mysterious Ways' follows, a standout hit from the Achtung Baby album, its infectious rhythm exemplifying the band's dynamic range. 'Tryin' To Throw Your Arms Around The World' adds depth to the EP with its reflective and expansive feel, highlighting the band's ability to blend introspection with grandeur. 'Stay (Faraway, So Close!)' offers a poignant and often underrated ballad from the era, providing a softer contrast to the more intense tracks. Finally, 'Love Is Blindness,' a cult favorite also from Achtung Baby, brings a haunting and intense conclusion to the set. The 12" heavyweight vinyl is adorned with a gloss UV varnish on the outer sleeve, enhancing its visual appeal and making this release a striking addition to any collection.

Notes: The thirteenth issue of We Jazz Magazine, "Zoning" for Mary Lou Williams. 128 pages, 170 x 240 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers.

All articles printed in English.

All articles presented in English. Includes Mary Lou Williams by Anton Spice, Tomeka Reid by Michael Mikesell, Horace Silver by Seymour Wright, Wind Up & Julius Eastman by Marc Medwin, Esmond Edwars at Prestige by Francis Gooding, Contemporary Ethio-Jazz by Nathan Hamelberg, Ivo Perelman & Matthew Shipp by Phil Freeman, Arooj Aftab by Rob Garratt, John Surman by Bret Sjerven, Punk Jazz with Benjamin Herman by Danny Veekens, Discaholic Column by Mats Gustafsson, Odysseus Festival 2024 photo report, reviews and more.

Review: CYBERMISSION is back on INDEX:Records with a collection of tunes that were written in Berlin between 2021 and 2022. They all offer up signature styles that fuse the delights of luminous IDM-pop with uplifting electro rhythms. We're told that themes of self-discovery, deep romance and the bittersweet memories of what we've lost all inspired the creation of these cuts and that shows in their inescapable emotions and storytelling undertones. Both introspective yet designed to get you to show outward energy, these are five fresh and original cuts to get your new year off to a flyer.

Notes: ***B-STOCK: Box opened, product in perfect working order***


The Zomo Earpad set made of velour in many colours is suitable for the headphones Technics RP-DJ1200 and RP-DJ1210. With these pads you can leave a creative note on your headphones and you can give an old headphone a new look within seconds.

Also, you can save the stable value and the great look of your professional Technics DJ headphones. Velour Earpads are very comfortable to wear even if it's getting hotter and the normal earpads are full of sweat.

Features:

Perfect fit
Simple mounting
Comfortable velour material
Comfortable to wear for hours

Technical data

Material: Velour (100% Polyester)
Weight: 18 g
Suitable for
Technics RP-DJ1200
Technics RP-DJ1210

** The illustrated or mentioned headphones are not included in delivery.

Notes: Rugged Audio Technica pickup AT 3600 L mounted on a ZOMO headshell in black and ready to use.

Features

Great sound
Sturdy structure
Favourable price
Good quality

Technical Specifications

Needle: grinding spherical
Frequency response: 20Hz - 20kHz
Output voltage: 5.3mV (5cm/s)
Contact force range: 1,5g - 3g

Contents

1x Zomo Headshell - Black
1x Audio Technica 3600 L

Notes: With the Defender, Zomo has created a cool cotton bag that not only looks good, but is also functional. It’s cool stone washed look in trendy earth tones, makes it an irresistible accessory for the club, beach, cafe or office.

Various outer pockets offer a lot of room for all your important things. The inside pocket features a zipper to protect all your things from falling out or rolling away, even if you´re putting the bag on your front passengers seat or if you have to do a sprint. The comfortable shoulder strap is adjustable and is attatched with a strong and solid metal carabiner clasp to the bag.

Sheer genius and totally cool! It´s Zomo!

Material: 100% Cotton
Capacity: approx. 40 LPs or 1 Leitz folder
Outside pockets: 5; 2 of them lockable with zipper
Dimensions: 390 x 350 x 120 mm
Weight: 980 gram

Review: Over the past decade, saxophonist Makoto Kawashima has cemented his reputation as a brilliant improviser. Zoe, his first studio album and second release with Black Editions, recorded at Tokyo's renowned GOK Sound, stands out as a powerful and clear expression of his artistry. The album's two extended tracks capture Kawashima's music in its purest form, preserving its raw, spiritual essence. Unlike typical studio recordings, Zoe remains unpolished, with only the faint pre-echo of the reel-to-reel adding a ghostly touch. Kawashima's solo practice aligns him with iconoclastic Japanese saxophonists like Kaoru Abe, Tamio Shiraishi, and Masayushi Urabe. His work, situated at the fringes of improvised music, emphasises silence and subtle sounds as much as intense bursts of tone and texture. His approach is deeply intimate and vulnerable, steering clear of the bravado often seen in solo improvisation, effortlessly blending searing melodies with heavily textured passages.

Review: Over the past decade, saxophonist Makoto Kawashima has established himself as an improvisational great. Zoe, his first studio album and second with Black Editions was recorded at Tokyo's iconic GOK Sound and captures his music with great clarity. Spanning five long tracks, it balances raw power and spiritual depth while retaining an unvarnished, intimate quality enhanced only by faint reel-to-reel pre-echoes. His sound is rooted in the lineage of iconoclastic Japanese saxophonists and blends silence, fragile hesitations and ecstatic bursts of sound into a spiritual, bluesy soundtrack that transcends boundaries.

Review: A rare gem resurfaces with this intriguing reissue of Gates Of Zion, courtesy of the original producer Dubmaster. Originally released on Greensleeves, this repress delves deeper into the history, showcasing the very first cut recorded at the legendary Channel One in the 70s, which has never seen the light of day until now. The tapes were later taken to Tuff Gong, where the iconic rhythm duo Sly and Robbie added their magic, turning it into the version fans know today. This is more than just a reissueiit's a piece of serious music history that captures the essence of reggae's golden era.

Review: High school band Kashmere Stage Band was formed in Texas by students from Kashmere High School's elite music division under the guidance of leader Conrad O. Johnson. They recorded plenty of albums but they only got sold locally and made in small numbers so now P-VIBE is embarking on a much-needed reissue run. Zero Point came in 1972, right in the middle of the band's activities which ran from the early 60s to the late 70s. It's a funky jazz fusion workout with great echoed vocals and fuzz-tone guitar.