Suchergebnisse: Dance Music

Notes: The 2OSC R2 is a dual 1V/octave oscillator module. Another successor of a classic AE module, the 2OSC/d. The 2OSC is a dual oscillator module, digitally based, with a great feature set:

Oscillator 1:

- Sawtooth
- Multi-Sawtooth, detuned
- Pulse Wave
- Triangle waveform with wavefolder
- Sinewave
- Suboscillator output
- Mix output (primary wave plus suboscillator)


Oscillator 2 , Noise:

This oscillator is focused on square waves; additionally to a pulse width controlled and CV-controllable square wave, it offers also a "synced square wave" (sounds really nasty!) and synced to oscillator 1. A separate suboscillator out is here available too. Additionally, a separate noise output is included, whose sound depends of the frequency setting of oscilaltor 2. The octave range switches are the same like in 2OSC/d. On top of the usual 1V/octave pitch control, the module can be controlled also via IMDI, the internal, patchable MIDI! Oscillators 1 and 2 are separate via different MIDI channels.

Notes: The FADRMIX JACKOUT is an extension for the FADRMIX6 with two 1/4" (6.5mm) jack sockets for master left/right output and 4 stereo minijack sockets for the FX send and returns.

The module is connected via a small internal connection cable to the right of the FADRMIX6.

Notes: The MASTER module is the base of an AE modular system if MIDI control has to be possible; it contains

- The voltage regulation (5V) for the power supply of the modules

- A MIDI input (minijack; Breakout cable to DIN-5 socket is available separately); the MIDI channel can be selected between 1, 14, 15,16 or OMNI

- In/out-sockets (3.5mm minijack) for audio out and/or interfacing with a Eurorack system

- All bus signals (CV, GATE, CTRL, MIDI clock/start/stop) as patch sockets

- IMDI output

Notes: This module is best if you want a classic, analogue oscillator and prefer fully analogue sound generation. It offers:

- two CV inputs 1V/octave

- Modulation input with Level-knob, switchable to frequency or pulsewidth

- PWM input

- Coarse / Fine knob for frequency

- Pulsewidth knob for square wave

- Square / Triangle / Sawtooth output

The VCO R2 supersedes the VCO module which was part of the AE modular Kickstarter campaign in 2017; with the overall development of AE modular, the old one doesn't really meet the current quality level of AE any more. So Tangible Waves are happy to offer this completely redesigned module, that offers a really good volt/octave tracking over 5-6 octaves (using both CV inputs) and an amazing temperature stability.

Notes: The SEQ8 R2 s an 8-step sequencer for controlling oscillator pitch and triggering envelopes.

Compared to "classic" analogue sequencers it works a bit different: Instead of setting the CV for each step independently (which means in fact "tuning" each step which can be a bit tedious), the SEQ8 has 4 knobs for presetting different CV's (= notes); each of the 8 step knobs selects one of these CVs, plus 0V (=base note) plus Pause (no trigger output). So some CVs have to be fine-tuned once; with the step knobs you can focus entirely on the sequence itself and you can even modify it on the fly, still remaining in tune.

The IMDI input allows timing and start/stop control via IMDI, e.g. from teh IMDI HEART module or from the MASTER R6 and newer. The module can be configured to different time signatures, scaling the notes (minor, major, pentatonic, chromatic) and adding an octave offset. The IMDI out provides the notes as IMDI, parallel to the CV/GATE output.

Additionally to the selected CV presets, the "raw" value of the step knobs is also accessible at an extra output.

Notes: FMOS R2 is a FM oscillator, and the successor of the discontinued FMOS module with a lot of new features!

FMOS R2 is basically a 2-operator FM synthesis sound generator, with the classic parameters MULTIPLIER for the modulating operator and MOD DEPTH for controlling the amount of FMing of the carrier operator.

Beyond this basic functionality, FMOS R2 offers following extra features:

- Additionally to the basic sinewave operator waveform, FMOS R2 has five additional waveform combinations for the carrier/modulator waveform, resulting in a more rich overtone spectrum

- The FEEDBACK control adds feedback the carrier/modulator chain, adding more variety to the sound spectrum

- The modulator can optionally be set to fixed frequency, especially useful for synthesizing metallic, inharmonic sounds

- A sub-oscillator output provides a square wave one octave lower

- The MIX output provides a mix between the FM sound and the sub-oscillator.

- Pitch is either controlled by a 1V/octave CV or IMDI, the "modular MIDI" introduced by tangible waves

- Modulation depth can be modulated by CV

- All parameters can also be controlled via IMDI, with a number of MIDI controllers.

All this with a nice portion of 8-bit charm!

Notes: The uDISTORTION creates diode based distortion in different modes and adjustable drive.

Please note: These micro modules need a carrier, like the uBASE module. The cannot be mounted directly into an AE case.

Notes: The SELECTOR module is an electronic switch for any kind of signals to select one of up to eight sources or sending a signal to a specific destination (it's bidirectional). It is also known as "Sequential switch" in former modular synths. The SELECTOR has 8 inputs for any kind of signals, no matter if audio CV or gate, and one of them can be routed to an output in different ways: Either by a knob, or by a CV, or by clock pulses to advance by 1 plus a reset trigger input. By a switch it can be set to operate as a dual unit with 4 inputs each.

It's a quite useful tool for more complex patches, e.g. for selecting between different sequencers, or sending a modulation source to varying "receivers".

Notes: The 1-row QUICKSWAP CASE for AE modular is the high-end case for AE modular. It is based on a sturdy metal chassis with a beautiful matte black powder coating and - the key feature of this case - allows to plug in AE modules without any screws! The design makes sure that the modules sit really firm in the case and the bus connection is established automatically by the integrated bus board, so need for the separate bus cable known from the standard AE cases. This means, rearranging your modular system can't be easier!

This case is developed by Kyaa, a great 3rd party AE module developer; tangible waves is producing the case. We are happy about this great cooperation and this marvellous addition to our product range!

With a connector kit, another QUICKSWAP CASE of same width can be attached at certain angles, depending on the connector - and the power supply is linked between the cases also via the connector.

Other utilities, like a handle for carrying a folded case, are coming soon.


Please note: This rack does not include the Master or Power module. To connect the case to power you have the following options:
Install the Master Module
Install the Power Module
Connect to another, already powered QUICKSWAP CASE
Connect to another AE case via the RACKLINK module kit

Notes: The VSYSTEM-1 is a complete synth in a case of exactly the size of the Korg Volca synths. It contains the following AE modules:

2OSC/d (dual oscillator)
The 2OSC/d module contains two 1V/octave hybrid oscillators.
Each of them has:
one frequency knob plus a range switch +2 octaves
CV input (1V / octave)
PWM input
SYNC input
Sawtooth / Square / Sub-octave output

The pulse width knob controls either the pulse width of the first oscillator (with the second one having a fixed pulse width), or via a switch the second oscillator is also controlled by the pulse width knob. Both oscillators can be pulse width-modulated independently by their PWM inputs.
The module is designed as a hybrid digital/analogue module; the oscillator frequencies are determined digitally and are therefore quite stable and have a good tracking; the output waveform itself is created analogue. It's a new idea/concept that I have implemented here; the design causes the waveform to gets a bit gritty at higher frequencies (but not "digital noise") - it's the character of this thing!

WASP FILTER
This filter module is a variant of the Wasp filter, a quite strange circuit used first in the EDP Wasp synth end of the seventies, which abuses digital chips in an analogue way leading to the characteristic sound of this filter type. In this module, vactrols are used for controlling the filter frequency.

MODULATORS (containing LFO, envelope, random voltage, VCA)
MODULATORS is a multifunctional module offering different kinds of modulation sources in a 1U module. It is designed especially with very small AE systems in mind.
You get:
An AD envelope generator
an LFO with adjustable rate, square wave and triangle/sawtooth output, pulse width knob and CV control
a random CV source working in different modes (stepped, smoothed, quantized) and a VCA

4ATTMIX
A versatile mixer / quadattenuator.
4ATTMIX offers four input channels which can be level controlled / attenuated by the corresponding knobs. The attenuated signals are sent to four outputs.
Additionally, each channel can be sent to an internal mixer by the switches beside the knobs. The mix signal is then sent to the mix output.
An additional switch selects the general operation mode for the mixer, for DC/CV signals or for audio signals.

SEQ8 (8-step sequencer)
The SEQ8 is an 8-step sequencer for controlling oscillator pitch and triggering envelopes.
Compared to "classic" analogue sequencers it works a bit different: Instead of setting the CV for each step independently (which means in fact "tuning" each step which can be a bit tedious), the SEQ8 has 4 knobs for presetting different CV's (= notes); each of the 8 step knobs selects one of these CVs, plus 0V (=base note) plus Pause (no trigger output). So some CVs have to be fine-tuned once; with the step knobs you can focus entirely on the sequence itself and you can even modify it on the fly, still remaining in tune.
Additionally, to the selected CV presets, the "raw" value of the step knobs is also accessible at an extra output.

DELAY
This module is a standard mono delay with the usual parameters
delay time
feedback
dry/wet mix.
It sounds not as clean and polished as a usual digital delay, but has quite a character on its own. High feedback settings allow endless and distorting loops.
(For the techies: It is based on the well-known PT2399 chip.)

Stereo Headphone amplifier, 2 IN/OUT sockets via a stereo minijack

It is delivered completely with power wall adapter and patchwires; everything needed to get the modular system started!

This is a REAL modular synth system; all modules can be rearranged and swapped as you like!