Review: In 1977, singer Dhaima recorded some lovely and uplifting rockers with The Professionals at Joe Gibbs's studio, and now one of them is reissued here on the Joe Gibbs Music label, complete with a dub version from The Mighty Two. First up, Dhaima's original 'Ina Jah Children' is one of those sweet rhythms that has a breezy feel and lovely sunny melodies next to a lush and soulful female vocal, all of which pay great tribute to the one and only Jah. The dub-wise flip on the B-side is 'Save The Children' and it has some more snaking bass, hissing hi-hats and a nice unhurried vibe for lazy and loud sessions.
Review: The Liquidator Music crew have been putting out classic Jamaican rhythms ice the mid-cities and still goes strong. This is an all new one from Jamaican act Roy Ellis who sings over his backing band, Cosmic Shuffing, from Switzerland. They are acclaimed in ska and rock steady circles for good reason and help bring these tunes to life. 'Shine Your Light On Me' is an easy going roller with lo-fi drums and dusty riffs that hook you in while Ellis does his work up top. 'Merry-Go-Round' then cuts loose on a summery and swirling vibe with conversational lead trumpets and natty chords.
Paul Maiden & Manwel T - "Unconditional Style" (3:46)
Review: Yi Mas Gan is back with a new and timeless roots 7" that will keep the summer vibes alive even as Autumn begins to bite. On the a-side, this one features J.A. singer Clive Hylton who was recorded by French producer Manwel T as he did his thing on 'Show Some Love.' Empowering warrior leads rise up out of the mix as the trad reggae rhythms roll down low and his impassioned vocals ring out. Flip this one over and you will find Paul Maiden & Manwel T flipping it into a version they call 'Unconditional Style.'
Review: A fascinating, previously unreleased collaborative dub effort from Richie Mac with Augustus Pablo. The introductory melodic twinkles are generated using god-knows-how synth trickery, whilst Mac's full-bodied stage vocals address the pressing issues that may never leave us, and yet which may never fail to affect us. "Tired of living in poverty, seems there's still chains around me... we're going all out, all out, making a sacrifice..." Note that Pablo's dub version is known as 'Lightning And Thunder' and is well-known already - it's Mac's vocal version that's the rarity we were waiting for.
Review: Mad Professor's 'In The Name of Love' is a compelling fusion of dub and reggae, showcasing his signature production style. The track opens with a deep, resonant bassline that anchors the composition, while subtle percussion elements add rhythmic complexity. The dub version on the B-side further enhances the track's atmospheric depth, offering a more stripped-back interpretation that allows the intricate soundscapes to emerge more prominently. This release underscores Mad Professor's adeptness at blending traditional dub elements with contemporary production techniques, resulting in a track that is both rooted in the genre's history and forward-thinking in its execution.
Prince Mohammed, Joe Gibbs & The Professionals - "Backway" (2:51)
Review: The fruitful relationship between Town & Country and Studio 16 continues once more here with a brilliant 7" packed with real reggae royalty. This double-sided dancehall release from the legendary 70s producer Joe Gibbs features vocals from the one and only Madoo. He is in singjay style on a-side jam 'Backway Mr Landlord' with deep drums and psyched-out guitars that bring the rhythm to life in a vibrant fashion. On the flip, it is the trio of Prince Mohammed, Joe Gibbs & The Professionals who step up and offer their own melon-twisting dub in the form of 'Backway Mr Landlord'.
Review: Sofia Manari and Inokasira Rangers are not strangers to working together on their own unique covers of some classic sounds, all reworked into fresh dub grooves. This time they turn their focus to 'First Love, which is a lush listen with Manari's soothing and sultry vocal delivery. On the flip is another laid-back dub sound with a constant rhythmic pulse, natty chords and more clean and soulful vocals from Manari making this a sweet little 7" from Japan's finest, Parktone.
Review: Oi oi, some red hot roots here in the form of a powerful collaboration between Tuff Scout and Alex Marley. Produced and mixed by Vinney Satta at Ellis Studios in Spain and featuring backing vocals by Adriana Rogan, plus big horns by Leroy Horns, Tommy Peach, and Sam Dorrell, some fat bass by Amando Gottafunker, and nice earthy guitar by Vinney Ellis, this heavyweight track is ready to shake your nearest and loudest sound system with its dynamic energy and top-notch production. Flip it over for a nice and weighty dub version.
Freddy McGregor & One Vibe Band - "No Competition" (3:32)
Joe Gibbs & The Professionals - "Don't Try It" (3:14)
Review: Freddie McGregor's 'No Competition', originally released in 1981, is a rare gem from the roots and lovers rock scene that has been gaining renewed attention in the underground. Now here reissued, this track showcases McGregor's smooth and timeless reggae style, reminiscent of Bob Marley's classic sound. Backed by the One Vibe Band, McGregor delivers a classy, uplifting reggae tune that radiates warmth and authenticity, marking it as a standout in his extensive catalogue. On the flip side, Joe Gibbs & The Professionals provide 'Don't Try It', an instrumental counterpart that offers a stripped-down version of the original. Their rendition is a deep, mostly instrumental dub version that emphasises rhythm and bass, allowing the groove to take center stage.
Seargent Pepper - "Dub & Rub Ina Imitation Way" (7:44)
Review: Mellow Rose and Seargent Pepper's 'Imitation Love' proved a big-hitting reggae 45rpm when it first dropped and so now it has been reissued on this sweet, limited edition red vinyl 12". It first came on Studio 16 back in August of last year and is already worth a pretty penny on second hand markets. The A-side is a super sweet lover's rock sound with falsetto vocals up top, acoustic guitars and fleshy low ends sinking you into a romantic rhythm. On the flip, Seargent Pepper gets to work on 'Dub And Rub Ina Imitation Way' which is more sci-fi and futuristic in its sound designs, all with a hazy and stoner edge.
Joe Gibbs & The Professionals - "Cooling Out" (3:44)
Review: The Joe Gibbs label is busy reissuing some classic and often fairly sought-after roots tunes from back in the day and next up is this one which comes on a limited run of 45rpms. It kicks off with Junior Murvin who is of course best known for his iconic 'Police & Thieves' tune used in Lock Stock and Two Smoking Barrels. Her hit is his tough vocal cut 'Cool Out Son' from the late 70s gets served up and is sure to get put through its paces on plenty of big systems this summer. On the flip is a fine dub from The Mighty Two.
Review: Messengers is a young label already doing great work and this second outing comes from Spanish artist Message and takes the form of a superb new instrumental roots rocker. What makes it really pop is the fine featured guest Gorka 'Junior G' Fernandez who bring some magic on lead trombone. Behind him we're treated to the full and unstoppable force of the A-Lone Ark players who master their instruments once more and make this one another schooling tune. It comes as a nice heady dub on the flip-side too, of course.
Review: The 'Gates Of Zion (Dub)' is a time-honoured fixture of the catalogue of Yabby You (real name Vivian Neville Jackson), the reggae vocalist and producer whose largely autodidactic and self-released work lent him a special credo during dub's 1970s heyday. With the original first appearing as a collaboration with Scientist and Michael Prophet on the album At The Dub Station in 1981, under the name 'Free Up Your Heart', the versions featured here on this imprint is far colder and less forgiving, skilfully working in snake-rattly curios and percussive oddities into a backbeat that effortlessly complements You's ghostly vocal delivery. Not one to be missed, 'Gates Of Zion' truly produces the feeling of approaching utopia's vine-leaved entrance; you, too, might get a pass, provided you add this one to your collection.
Review: A rare gem resurfaces with this intriguing reissue of Gates Of Zion, courtesy of the original producer Dubmaster. Originally released on Greensleeves, this repress delves deeper into the history, showcasing the very first cut recorded at the legendary Channel One in the 70s, which has never seen the light of day until now. The tapes were later taken to Tuff Gong, where the iconic rhythm duo Sly and Robbie added their magic, turning it into the version fans know today. This is more than just a reissueiit's a piece of serious music history that captures the essence of reggae's golden era.
Review: This is a new and rootsy cut from the accomplished singer Echo Minott who has linked up with producer Vinney Satta for Sir Coxsone Outernational. 'Take My Hand' is a natty cut with yearning vocals that are full of poison and emotion as the earth beats and organic percussion flesh out the sound. It's a sunny sound with plenty of dubby weight, then on the flipside is a version that ups the headiness and layers in toons of signature echo and reverb.
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