Back catalogue: Reggae

Review: The Ethiopians were a big part of the 70s roots and reggae scene. Their catalogue has been pillaged here by the always-on-point Belgian label Roots Vibration, and they have come up with their 'Obeah Book' tune for reissue on this 45rpm. It was produced by Niney The Observer and is a deep steady and rolling rhythm that has some nice and playful piano up top, but the icing on the cake is the heartfelt vocals. On the back, Observer goes it alone with 'Back Weh', a nice head-twisting dub.

Review: Slave Call by The Ethiopians is a majestic exploration of the spiritual roots of reggae, led by deep Nyabinghi drumming and chanting. Leonard Dillon's Rastafarian beliefs are at the album's core, evident in every track, including a profound rendition of the Ethiopian national anthem. Max Edwards' Nyabingi drumming infuses the album with authenticity and is skillfully showcased by producer Niney Holness, who delivers a rhythm-heavy production while giving equal attention to vocals.The album blends traditional Nyabinghi elements with guitars, bass, keyboards, and horns, creating a rich reggae sound that maintains a dignified restraint. Holness' arrangements ingeniously reinforce the album's themes, exemplified by the title track's evocative depiction of slaving field hands. Other highlights include the driving urgency of 'Hurry On' and the soulful blend of blues in 'Culture.' Leonard Dillon's exceptional performance imbues each song with power and devotion, making 'Slave Call' one of his greatest achievements. With its cultural depth and musical excellence, the album stands as a testament to the enduring legacy of reggae's spiritual roots.