Klassiker/Ska charts

Review: The hard-digging record fiends at Kalita are back with more brilliance. This one is the first-ever retrospective of work by Jamaican-born artist Desmond Chambers. The first tine is a proudly politically aware tune previously only avialbel on his 1987 album Tiger Born, while the single 'The Morning Show' has before now only been available as the B side of little known single 'I Have Seen Love In Your Eyes.' The two other tracks are mega cult, hugely loved acid-infused dub snakers with boogie-infused rhythms. Original copies will cost you a huge amount so make sure you snap this one up asap.

Review: The Dig This Way label outta Italy continues to build a fine head of steam with its stomping second disco release. 'Spell Bound' comes from PSK, and is taken from their one and only album Disco Season back in 1980. It was the opening track on that album, written by Austine Rigar and Jones Coakly, and is a bright, joyful groove. The big vocals bring exotic international flavours over the funky bass work, trilling drums and afro-tinged rhythms. ON the flip is another tune from that album, 'Revolution (Work Hard In Your Life)' that is all pixelated synth leads, afro-drum patterns and even a hint of ska swagger.

Review: This 12" on Kalita marks first ever official reissue of the highly sought after Michael Paul reggae-soul-disco gem 'Reggae Music.' It is something of a megabit that never was after first coming on the New York-based Revolver Records. Since then it has been hard to find, and even if you do find a copy, many are said to have some real sound quality issues. Either way it is now a bit of a grail for a certain sort of DJ so to have it here, remastered and nice and loud, is big news. As well as the languid and steamy original, there is a killer dub version on the flip.

Review: Stone cold classic alert! First released on Studio One back in the late 1970s and a guaranteed reggae floor-filler ever since, 'Feel Like Jumping' is not only one of Coxsone Dodd's most potent productions, but also one of Marcia Griffiths' greatest moments. Now available again on a heavyweight vinyl pressing with extra bass-weight, the track us built around an infectious rhythm, dancing horn riffs, sweet backing vocals and a life-affirming lead vocal from Griffiths' celebrating the sheer joy of dancing. The flipside Dub Specialist revision is superb too - a genuinely bone-shaking, sub-heavy dancefloor dub that places echoing snippets of Griffiths' lead vocal and reverberating horns at the heart of the action.

Review: Boston's Cultures Of Soul present some edits here of underrated Belizean artist Bredda "David" Obi whose musical style known as "Kungo Muzik" mixes key flavours from his home with reggae and calypso to rock and funk to formulate a modern tropical style. Years later, DJs and record collectors found his music in basements of record stores in Los Angeles and Brooklyn - some of which are featured here. Sol Power All-Stars will get you stoned into the groove with their acid-inflected rework of "Dancin'", L.A.'s DJ Duckcomb works the original's lo-slung dub influence on "Experience" while the ever reliable Justin Van Der Volgen similarly accentuates the reggae swagger of "Sunshine". A tribute to a legend!

Review: Soma sub-label Avoidant Records recently put out a fantastic collection fo electro cuts but it was a digital only release. Now some of the standouts from it get pulled together on this fresh new 12"that joins the dots between Europe and Detroit. DJ Godfather kicks off with some rapid fire 313 electro, squirrelling bass and slick claps then 'One Direct Line' from The Exaltics is more cosmic and blissed out with lush ambient synths. On the flip, Flug goes hard with mad digital patterns and Blaktony layers up jacking drums, corrugated bass and dark hits. Great stuff.

Review: 
The Specials are real UK national treasures, aren't they? And rightly so. Alexis Petridis has even gone so far as to say their standout single 'Ghost Town' is the second greatest UK single to have ever been released. Again, it's hard to really argue with that one. It was a UK chart topper at time of release and speaks eloquently of the urban decay, unemployment and ongoing racial tensions of the period. Sound familiar? Sadly, you once again have to agree. This 40th Anniversary Edition has been mastered and cut at half-speed for extra oomph.

Review: Emotional Rescue can be relied on to dig up obscure, left of centre dance gems and serve them up to newer, wider audiences. Adu's reggae-pop cut 'Burkina Faso' is a great example, re-purposed for the dancefloor without any of its original flavour lost in the overhaul. A
South Saharan/West African emigre to Brixton, Rauf Adu would go on to fairly sizeable European fame with the Eddy Grant-esque 'Human To Human'. This, however, is his 1982 debut for Copasetic Records, another reggae-pop inspired, ludicrously catchy effort with scorched electric guitar and a Compass Point-style drum/bassline providing rhythmic rocksteadiness. As well as the buffed up original, there's a dub mix, which gives his beautiful guitar plenty of room to breathe, and an appearance from the Isle of Jura Sound System boss Kevin Griffiths , whose remix completes the trio of mixes.

Review: Dennis Brown serve dup a real roots classic when he penned 'Milk and Honey.' It is a dub that still does damage and so has had a nice fresh reamster for 2022. It's an enduring anthem with plenty of praise for Jah. The prodigal comes with Clive Hunt's original 'Bitter Sweet' dub which he made under his Azul moniker. It's full of echoing synths and head melting pads as well as cavernous bass depths. On the B side, Jay Glass Dubs tackles the original with a warped sense of space and time as he deconstructs contemporary dub into something all new. This is a limited-edition white label vinyl 12" so snap it up fast.

Review: The Heavy Beat label is almost at the not-so-small milestone of 50 releases. Ahead of that comes a 47th, and this time it is a reissue of a Wayne Wade jam from 1991 that has been reissued a number of times in various formats. The original is a dancehall-tinged sound with those subtle warrior leads and shiny digital synth sounds topped with an old school lover's rock vocal. The flipside version comes from Computer Paul and it slows things down so that sweet bass has more room and space to land and really make a mark.

Review: Here's a killer reissue from the Soul Jazz archives which is finally getting a repress. It's hardly surprising when the reissue becomes as sought after as the holy grail original jam from 1970, a sublime instrumental anthem of soulful, skanking perfection with Cedric Im Brooks flexing his sax in glorious style over a beautifully rough n' ready rhythm. It was shortly after this recording was laid down Brooks went on to form The Mystic Revelation of Rastafari with Count Ossie, which tells you all you need to know about the heritage we're dealing with here.

Review: Studio One have put out plenty of big tunes and this is the latest to get a big reissue on a super loud-cut 12" single for extra devastating impact. It's a well-known classic every self-respecting reggae fan should know and blows up any party, especially when tweaked like these two versions. They were originally produced by Studio One bossman Coxsone Dodd and have been covered by The Clash as well as sampled by The Fugees and hip hop MC KRS One. The snaking lead synth, the rumbling drums and classic ska trumpet are all straight up irresistible.