Review: Midwife's fourth studio album, No Depression In Heaven, emerged from the relentless motion of touring, with much of its material written in the back of vans over several years. The record delves into themes of grief, memory, and the tension between dreams and reality, all while maintaining a contemplative rock 'n' roll spirit. Madeline Johnston, the creative force behind Midwife, strips back the tough exterior of the heavy music scene, revealing a tender, transcendent core. Recorded at home in New Mexico between 2021 and 2023, Johnston embraced a raw, imperfect approach, prioritising the emotional essence of the music over polished production. The album includes collaborations with artists like Chris Adolf, Michael Stein, Ben Schurr, Tim Jordan, Angel Diaz, and Allison Lorenzen, adding depth to the project. No Depression In Heaven is heavily inspired by the transient moments of life on the road and the gritty reality of America's underbelly. Tracks like 'Vanessa,' a love song to Johnston's dying van, and 'Killdozer,' which tells the story of Marvin Heemeyer's infamous rampage, embody the album's themes. The project reflects Johnston's existential journey as she navigates loss and the fleeting nature of life, all while solidifying her role as a voice within the underground music community.
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