There Ain't No Santa Claus On The Evenin' Stage (3:12)
Glider (4:38)
The Witch Doctor Life (instrumental) (5:20)
Semi-Multicolored Caucasian (instrumental) (4:33)
Your Love Brought Me To Life (instrumental) (3:10)
Two Rips In A Haystack/Kiss Me My Love (2:43)
Harry Irene (3:14)
Best Batch Yet (version 1) (2:20)
I Can't Do This Unless I Can Do This/Seam Crooked Sam (2:05)
I'm Gonna Booglarize You Baby (8:51)
Pompadour Swamp (13:55)
Review: The Spotlight Kid was Captain Beefheart's sixth studio album and one, landing a mere three years after the legendary Trout Mask Replica classic, sees him continuing his avant-garde brilliance. Initially released in 1972, it stands out as the only album credited solely to Captain Beefheart, even though it does feature much of his Magic Band prominently. The material, integral to the band's repertoire, highlights Beefheart's eclectic musical vision and experimental spirit, taking raw blues as its starting point but then twisting into it hithertoo unrecognisable shapes and psychedelic distortions. Reissued for Record Store Day 2024 as a deluxe double LP set in a gatefold jacket with milky clear vinyl, this edition revitalises the album's enigmatic charm for contemporary audiences and reminds us all of its magnificent blend of blues, rock and avant-garde elements.
Review: On their latest release, Crippled Black Phoenix takes their signature mix of atmospheric rock and melancholy to new heights. The band's blend of brooding, cinematic soundscapes and haunting melodies draws you in, but it's the emotional intensity that really grips. 'We Forgotten Who We Are' pulses with a raw energy, while 'Song for the Unloved' taps into a quiet despair that lingers long after the track fades. There's a sense of reinvention on this releaseifamiliar elements are reworked with fresh perspective, making it feel like both a reflection and a bold step forward for the band.
Review: With 2021's Infinite Granite taking a sharp left turn into the realms of hazy, luscious dream-pop, eyes have been pointedly fixed on San Francisco blackgaze heroes Deafheaven ever since, with many of their fanbase pondering where to next? The answer is their highly anticipated sixth full-length, Lonely People With Power, which finally showcases the band freed from all creative restraint and audience expectation, marrying their equal and effortless understanding of black metal malevolence and shoegaze ethereality, even allowing frontman George Clarke to make full use of his recently discovered vocal range. Howling shrieks and delicate crooning weave around one another on the euphoric heft of 'Heathen', whereas 'Magnolia' offers up one of their most succinctly black metal cuts to date, radiating with the caustic aura of Emperor's more proggy latter-day output. Forgoing their usual post-rock penchant for a small number of tracks all clocking in at approximately ten minutes, the numerous cuts (12 in all, marking the most of any Deafheaven album to date) prioritise instantaneous delivery on their most sprawling and musically diverse collection yet, fusing their harshest and most accessible sonics into one monumental victory lap touching upon everything from black metal to shoegaze, dream-pop, thrash, post-rock, emo, screamo and post-punk.
Review: Fred Frith is simultaneously a singular musical figure and a collection of musical lifetimes. He's the composer who wrote fragile avant-garde music in the tradition of John Cage and Earle Brown, the innovator who created new concepts of underground rock with his colleagues in the band Henry Cow, and the improviser who developed his very own language on the guitar. The many facets of Frith's musical oeuvre shimmer in vibrant and unique colors, but stand as one rainbow monolith of musical creation, never disintegrating into esoteric eclecticism. Always musically curious and unbiased, he develops his ideas in the moment, demonstrating in real time how his creative process, while free of old hat conventions and tricks, creates an immediate yet unrandom and committed music. At the core is his unique guitar playing, which is on full display across these two records. His debut, Guitar Solos (1974), opened up a space beyond rock and improvised music and now, 50 years later comes Fift (2024), a new solo guitar album that sounds completely different and yet familiar, adding to his monolith of musical creation with another new vibrant color.
Review: Gastr del Sol might have gone their separate ways some 25 years ago, but they have recently taken the time to dig back into their fine archives. As a result they now serve up an alternate view of their superb, boundary breaking and genre busting run between 1993 and 1998 with a title box set, We Have Dozens Of Titles, on Drag City. Returning like a reverberating bolt from the blue, this album reignites the essence of the group and immerses listeners back into the whirlwind of their transformative era. It comprises previously uncaptured studio recordings and meticulously preserved unreleased live performances that all offer a captivating glimpse into the band's journey.
Review: The collaboration between Chihei Hatakeyama and Shun Ishiwaka on their latest ambient release represents a convergence of diverse musical backgrounds. With over 70 albums under his belt since his debut in 2006, Hatakeyama brings a wealth of experience in ambient and experimental music, while Ishiwaka, known for his prolificacy in modern jazz, adds a dynamic rhythmic dimension. Their encounter, sparked by a radio appearance and cemented through live gigs, led to the creation of this two-volume epic recorded in March 2023. Drawing inspiration from a spectrum of genres including ambient, experimental, jazz and metal, the duo's sonic exploration is enriched by references ranging from My Bloody Valentine to Alice Coltrane. The album reflects their shared love for free jazz and spiritual jazz, evoking the improvisational spirit of Sun Ra and Coltrane's later works. Guided by psycho-acoustic considerations and embracing spontaneity, the musicians engage in a dialogue of sound where responses unfold in the heat of the moment. The result is a remarkable project brimming with creativity and mutual understanding.
Review: To mark their 40th anniversary, Hugo Largo is releasing a comprehensive collection that takes in their entire studio output, namely the albums Drum from 1988 and Mettle from 1989, as well as a full album of previously unreleased and live recordings titled Hugo Largo Unreleased and Live 1984-1991. These albums, which have long been out of print, are now being reissued with special essays from R.E.M.'s Michael Stipe, who produced Drum, as well as contributions from Brian Eno and band member Tim Sommer. This complete collection celebrates the band's influential experimental sound and shows why they had such a lasting impact on the alternative scene.
B-STOCK: Sleeve damaged but otherwise in excellent condition
Diamond Jubilee
Glitz
Baby Blue
Dreams Of You
All I Want Is You
Dallas
Olive Drab
Always Dreaming
Wild One
Flesh & Blood
Le Machiniste Fantome
Kingdom Come
Demon Bitch
I Have My Doubts
Til Polaritys End
Realistik Heaven
Stone Faces
Gayblevision
Dracula
Lockstepp
Government Cheque
Deepest Blue
To Heal This Wounded Heart
Golden Microphone
If You Hear Me Crying
Darling Of The Diskoteque
Don't Tell Me I'm Wrong
What's It Going To Take
Wild Rose
Durham City Limit
Crime Of Passion
24/7 Heaven
Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***
Superior Viaduct and W.25TH present Diamond Jubilee by Cindy Lee, now available in a deluxe 3xLP format with a collectible poster. Lauded across the board and shortlisted for the 2024 Polaris Music Prize, Diamond Jubilee showcases Patrick Flegel's unique blend of haunting melodies and raw emotion. Crafted over years in studios from Toronto to Montreal, this album delivers timeless reflections on love and longing, backed by sticky hooks and immersive soundscapes that cement Cindy Lee's reputation as a standout in experimental pop.
B-STOCK: Sleeve damaged but otherwise in excellent condition
Mind (100Hz Gamma Waves) (9:50)
Magic (10:46)
Space (8Hz Theta Binaural) (5:24)
Seed (5:52)
Yes (5:57)
Spirit (15Hz Beta Binaural) (5:26)
Love (0.5Hz Delta Binaural) (12:14)
Surrender (23:36)
Peace (23:17)
Mantra One
Mantra Two
Mantra Three
Mantra Four
Mantra Five
Mantra Six
Mantra Seven
Mantra Eight
Mantra Nine
Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***
Newly, radically reimagined remixes created from John Lennon's classic song, Mind Games. These nine Meditation Mixes craft their own space while maintaining firm and authentic roots in John Lennon's original recording. Each have been radically altered, slowed down and extended, ranging from five to ten to over 33 minutes, allowing the soundtrack to wash over the listener and provide a relaxing deep listening experience. Four tracks are presented as binaural versions which each focus on different types of brain waves: Beta, Delta, Gamma and Theta. Named 'Mind', 'Space', 'Spirit' and 'Love', these exploit the response of the ear to left and right frequencies, which constructively combine to produce a new frequency, which in turn, as they say, activates beneficial brain patterns. Produced by Sean Lennon, these contemporary Lennon versions aim to positively impact the contemporary anxiety-racked listener, whose appetite for deep listening has only understandably increased in recent years.
Review: Newly, radically reimagined remixes created from John Lennon's classic song, Mind Games. These nine Meditation Mixes craft their own space while maintaining firm and authentic roots in John Lennon's original recording. Each have been radically altered, slowed down and extended, ranging from five to ten to over 33 minutes, allowing the soundtrack to wash over the listener and provide a relaxing deep listening experience. Four tracks are presented as binaural versions which each focus on different types of brain waves: Beta, Delta, Gamma and Theta. Named 'Mind', 'Space', 'Spirit' and 'Love', these exploit the response of the ear to left and right frequencies, which constructively combine to produce a new frequency, which in turn, as they say, activates beneficial brain patterns. Produced by Sean Lennon, these contemporary Lennon versions aim to positively impact the contemporary anxiety-racked listener, whose appetite for deep listening has only understandably increased in recent years.
Review: Les Rallizes Denudes' Yaneura Oct 80 is an almost ritualistic performance that blends dark, nocturnal atmospheres with raw, passionate energy. The addition of guitarist Fujio Yamaguchi brought a bluesy edge, creating a dense, dissonant soundscape that feels both lethargic and hypnotic. This release marks a significant moment in the band's history, showcasing a unique lineup that left a lasting impact on fans. The tight rhythm section provides a solid foundation for the intense interplay between Mizutani and Fujio, resulting in a surreal and ethereal sonic experience. Makoto Kubota's meticulous mixing and mastering ensure that this performance is preserved in its raw, psychedelic glory, making the world of Les Rallizes Denudes an intriguing piece of Japanese music history.
Review: Temporal Drift drop the never-before-heard master tapes from Japanese cult legends Les Rallizes Denudes' legendary second comeback gig in 1993, after an unexpected slew of CD albums dropped in 1991. The band hadn't performed since the 80s, and came back for blood. Eyewitness accounts of the gig said that the abrasive squall of Takashi Mizutani and Katsuhiko Ishii's guitars that night had concertgoers pacing for the lobby to seek respite from the sonic furnace. After 30 years in storage, the multi-tracked recordings from the performance fell into the hands of former band member Makoto Kubota, who lovingly remastered them to give listeners a sense of the transcendental roar which The Rallizes unleashed that night. Highlights include the braindead rockabilly shuffle of 'Eternally now', and the steady, diesel-powered chug of 'Darkness Returns 2', which, like all other tracks on the album, is eventually pierced by the screeching peal of Mizutani's telecaster, which eats the whole mix up in true Rallizes style. A much mythologised live performance by a much mythologised band. Essential!
Romance Of The Black Pain Otherwise Fallin' Love With (12:29)
Reapers Of The Night (1993) (16:31)
Darkness Returns (part 1) (15:00)
Darkness Returns (part 2) (15:24)
Review: Japanese psych rock icons Les Rallizes Denudes originally formed in 1967, led by enigmatic frontman Takashi Mizutani and famed for their fearless embrace of distortion as a vital component of their sound. Through the decades the band went through many iterations and pauses, but they made a vital comeback in 1993 after five years of silence. Baus '93 captures the band in full flight at Baus Theatre in Tokyo, with Mizutani joined by Katsuhiko Ishii on guitar, Kiyohiro Takada on bass and Toshiro Mimaki on drums. Restored from original multitrack tapes and audience sources, it's a visceral document of the band's abrasive, hard-rocking sound captured here on red velvet double vinyl.
Review: The "guitar loop" is not just a staple of modern indie and psychedelic music. It is also an access point to a timeless human necessity: the combo of dexterity and repetition. Without repeatedly using our hands to press notes and catenate chains, we would be nothing but fumbly savages. Loop knew this remarkably well, manually twisting a tight coil around the South London music scene in the late 1970s. This was at the height of the motorik rock scene, which was otherwise largely going on thousands of miles away in Germany: as critics enthused at the time, Loop were the sound of Suicide jamming with the Stooges aboard a spaceship built by Hawkwind and piloted by Can. Described by Reactor as "post-psych, pre-shoegaze" figureheads, 'Twelves' is a priceless rediscovery for electronic rock heads across the (fret, mother)board: compiling across a span of five years, '16 Dreams' and 'Spinning' originate from 1986, while 'Collision' marks their Chapter 22 phase from 1988, and 'Primsma Uber Europa 12' closes the loop in 1991. An early case of sonic cybernetic feedback; viscerally loud, intensive circulations of sound.
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