Back catalogue: Leftfield

Review: Remarkably surreal club reconstructions from Uruguayan ur-producer Lechuga Zafiro. 'Desde los oidos de un sapo' ('From The Ears Of A Toad') is a truly elastic entanglement of designed sound refit for the floor, though we'd not be surprised if a private laboratory set aside for the safe containment and study of sonic bio-anomalies would hope to acquire this one too. Zafiro flexes his hylid hamstrings on this wriggling wet lurch through post-Baile sonics and field recorded club jamborees, emphasising the naturalistically percussive and fretfully textured. Basing his musical identity on field recordings of hard materials - metal, wood, rock, glass - as well as, somehow, animal tissue - from toads, birds, sea lions and pigs (let's hope they were at least taxidermied first) - these seven cochlear leapfrogs make for a highly exploratory sonic escape; Zafiro dares to define the next applicative generation of sound design for the dance.

Review: There's an undeniably far-out feel to the Zenker Brothers' second album, Cosmic Transmission, which adds further layers of trippy textures, hallucinatory sounds and smoky intensity to the aural blueprint first explored on their 2015 debut full-length Immersion. There's much to admire throughout, from the mind-bending ambient weirdness of opener 'When Nothing is Safe', and the slipped dub haze of 'Whose In Control', to the drug-addled IDM of 'Natural Connection', and the polyrhythmic techno trip of 'Divided Society'. Most striking of all is the trio of tracks that close the album, all of which are powered forwards not by heavy techno beats (or even their usual crunchy, off-kilter breakbeats) but rather a series of ear-catching, fuzz-soaked synthesizer arpeggio lines.

Review: The generous run of Zero 7 reissues continues with the welcome return of their 2006 LP "The Garden". While it received something of a frosty reception on release, this album has refined with age to become a fan favourite and an all-round wonderfully accomplished work that highlights all the best qualities of Henry Binns and Sam Hardaker. From lush, starry-eyed and '60s tinged psychedelia to bittersweet pop and plenty of lounge-ready moods, it's incredibly easy to sink into like all the Zero 7 material, but shot through with depth to keep you listening attentively. Sia also makes some standout appearances, not least "Throw It All Away" and "Waiting To Die", while Jose Gonzalez is on stunning form too. Fans have been waiting a long time for this, and no doubt there will be plenty more converts to the Zero 7 sound too.