Review: Vocalist, composer, lecturer, performance artist. And we can throw visionary into the mix, too. Katya Shirshkova wears a number of different hats, each as innovative and creative as the next. However, few sound as good as when she's matched with celebrated musical architect David Maranha for a two-track single that's nigh-on impossible to describe. Let alone find much information about. We'll do our best to articulate, though. Le Heron and A Reuniono are polar opposites attracted by their overall impact. On the first, we have vocalisation taking on many forms and sounds, each as strange and beguiling as the next, and really showing the range human voices are capable of. Sometimes soothing, sometimes shrill. The second replaces this with an electric guitar, running through tune-ups, tune-downs, distorted crescendos, muffled breakdowns, and other out-of-this-world effects.
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