Blue Crystal Schallplatten & CDs

Review: Greg Foat is something of a musical polymath, with his various solo and collaborative albums touching on everything from spiritual jazz, library music and soundtrack sounds, to Balearic beats, jazz-funk and deep house. On Psychosynthesis, his first solo set for two years, he largely keeps things warm, chilled and dreamy, joining the dots between horizontal jazz-funk, exotica, Balearica, and sensuous sun-down sounds with the aid of a vast battery of analogue and modular synthesizers. The results are predictably impressive, with the album's many highlights including the spacey, slo-mo shuffle of 'Underwater Fantasy', the throbbing, Sun Palace-esque starry jazz-funk of 'Psychosynthesis (Part 1)', the gaseous ambient drift of 'The Green Odyssey' and the Wally Badarou style warmth of 'The Investigation'.

Review: Greg Foat's The Glass Frog, released on Blue Crystal Records, is a sublime blend of smooth jazz and spacey, euphoric atmospheres. Foat shines as the lead at times, while the band complements him perfectly, setting a relaxing mood throughout the album. Highlights include 'Sea Of Tranquility,' a moody horn lullaby that embodies space jazz at its finest. 'Foals Of Epona' features a soothing jazz band with a funky drummer, creating a delightful groove. 'Clusters' brings a nostalgic 60s jazz ambiance, enveloping listeners in its rich soundscape. The standout track, 'My Love Has Green Eyes,' showcases magnificent sax work with beautiful keys, enhancing the band's intricate mixture. The Glass Frog is a fantastic album for both casual and hardcore jazz fans, offering a perfect blend of smooth, funky, and atmospheric jazz elements. Greg continues to impress.

Review: Since first joining forces in 2017, Warren Hampshire and Greg Foat have released some of the most magical albums of recent times - sets that cannily combine their mutual love of pastoral music, jazz-funk, library jazz, soundtracks and heady downtempo grooves. The Upturned Glass, the pair's sixth collaborative full-length, is another genuine gem. Highlights come thick and fast, from the skewed, lo-fi jazz-funk warmth of 'Pool In The Rose' and the string-drenched beauty of opener '6,000 Drunks Clinging to a Landslip' (an amusing title for a genuinely moving track), to the chiming, low-slung brilliance of the two-part title track and the emotive, slow-motion ambient-folk beauty of 'Evening Song'.