Berg Audio France Schallplatten & CDs

Review: Selected Pieces from Berg Audio is a fantastic EP that features four standout tracks, each offering a distinct flavor of deep house, perfect for the dancefloor. On Side-1, Kolter kicks things off with 'What A Day,' a track that embodies deep house with its soulful build, warm atmosphere, and uplifting vibes. The clever use of a vocal sample adds an extra layer of emotion, making it an instant crowd-pleaser. Traumer follows with 'Don't Stahp,' a classy, more techy cut that still maintains deep house roots. The dubby chords inject extra depth, turning it into a smooth, dancefloor groover. Side-2 opens with Mihai Popoviciu's 'Waitin,' which features rich, soulful chords that envelop the listener, creating a laid-back yet engaging vibe. Moor closes the EP with 'Kashif,' an uptempo track that stands out with its energetic keys and undeniable party feel. Selected Pieces is a versatile EP that offers something for every deep house enthusiast.

Review: "There are a lot of DJs now, I call them horses...", goes the open-ended narrative exposition of Andre Kronert's 'Open Our Eyes'. Even though the track refuses to erogate any further its musings on other DJs, there is an implied sense of oneupmanship and largesse. Said lay DJs are meant to be jockeys, but they end up defaulting to acting like the "horses" they ride; and here we can be sure that something's gone wrong; that some impinging force, be it economics, be it sheer want of will, has stolen from them their agency, their creativity, resulting in bland, with-the-grain selections. Kronert betrays his stated antagonism - to archetypal lapsing into unthinking fanservice on the part of the DJ - via four turbid, low-slung mini-tech weight heaters, each of which grow increasingly dubby and stabby as the EP progresses; we're asked to 'Close Our Eyes' again by the time of the B1, suggesting an immanent limit to our aspirations as DJs, and those long-tailed piano chords on the 'Revelation mix' also carry serious transcendental implications.

Review: Amsterdam's Berg Audio label returns with their seventh limited compilation with their a brilliant snapshot of the label's spirited minimal and tech house sensibility. Side-A opens with M-High's 'Soulseeker', a classy, classic-sounding cut that dips into Euro house influences but feels much deeper and smoother, full of rich, timeless vibes. Janeret's 'Scape' follows with an upbeat, slickly produced tech house tune, its crisp drums and shimmering textures making it instantly infectious and ready for peak-time movement. On Side-B, Luna Ludmila's 'Vibe Thang' brings a heavy, rolling bassline paired with a bouncy, irresistibly fun beat. It strikes a sweet balance between groove and drive, offering something both DJs and dancers will love. Rounding out the record, Lola Palmer's 'Stranger' leans into a more nocturnal, late-night atmosphere, seamlessly blending elements of house and techno into a deep, hypnotic flow. Throughout the release, Berg Audio proves their ability to keep things lively and high-quality, while subtly shifting styles within their distinct framework. Each track feels perfect for home listeners and the floor.

Review: The Berg Audio label grows ever more vital with a second edition of their Horizon series. Like the first it is high class tech and dub for those who like to get lost at 5 am in cosy back room spaces.
Per Hammar opens things up with a fulsome dub techno roller with hi hats peeling off the flabby groove. Ada Kaleh & Jay Bliss lift their heads a little more with some dreamy but dynamic deep house and Brawther & Traumer combo for the brilliantly silky and stylish dub house cut that is 'Melted' (feat Prince Morella). Altitude closes down with the impossibly smooth and frictionless 'At The End Of Isolation.' Great stuff.

Review: Premade heavyweight Obscure Shape and classically trained musician Conrad team up; Berg Audio proudly welcome them as a new duo addition to their roster, together under the name Urban CC. Throwing back to real-deal minimal-ambient techno of a steezy kind, something between Maurizio, Move D and Ghost, 'Pegasus' and 'Marly' cycle through fluttering dub techno and 1-2-step garage respectively, the latter bringing an eyebrow raising combo of yearnsome garge vocal science and pulsewidth techno shots, post-drop. 'Hadban' sneaks a cheeky drum & bass bullet train onto an otherwise techno-centric platform, marking Sleepnet-style vocal etherics and sold-on-us liquid. 'Shagya' finally restricts the mix, with a dubtech-house full of beeping, filtered vocal shouts; a Strictly Rhythm-meets-Chain Reaction contraction.