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Startseite  Back Catalogue  Jazz
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Back catalogue: Jazz

Juno's full catalogue of Jazz
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Alben
Side By Side (Acoustic Sounds Series)
Side By Side (Acoustic Sounds Series) (gatefold 180 gram audiophile vinyl LP)
Cat: 757360 6. Rel: 17 Apr 25
Stompy Jones (6:36)
Squeeze Me (4:36)
Big Shoe (5:36)
Going Up (4:49)
Just A Memory (5:53)
Let's Fall In Love (6:47)
Ruint (2:34)
Bend One (3:00)
You Need To Rock (5:53)
Review: A standout 1958-1959 recording by Johnny Hodges, Side by Side marked his continued solo work after taking the bold decision to leave the legendary Duke Ellington Orchestra. This album harks back to the small-group sessions of the 1930s but with a twist as Ellington's absence on several tracks meant Billy Strayhorn stepped in on piano. Joining Hodges are jazz legends like Jo Jones, Roy Eldridge and Harry 'Sweets' Edison, who all add colour to the varied collection, which has been newly remastered for Verve's Acoustic Sounds Series. As a follow-up to 1959's Back to Back: Duke Ellington and Johnny Hodges Play the Blues, it is another gem from the noted alto saxophonist.
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 in stock $39.77
All Or Nothing At All (Acoustic Sounds Series)
All Or Nothing At All (Acoustic Sounds Series) (gatefold 180 gram audiophile vinyl LP)
Cat: 758081 6. Rel: 22 May 25
Do Nothin' Till You Hear From Me (4:14)
Cheek To Cheek (3:37)
Ill Wind (6:15)
Speak Low (4:26)
I Wished On The Moon (3:26)
But Not For Me (3:50)
All Or Nothing At All (5:41)
We'll Be Together Again (4:25)
Sophisticated Lady (4:49)
April In Paris (3:02)
Say It Isn't So (3:18)
Love Is Here To Stay (3:43)
Review: Billie Holiday's late career 1958 LP through Verve Records caught the legendary singer at a relatively intimate stage: substance abuse compounded financial difficulties, which imposed a toll on her already turbulent personal life, and Holiday's once-pure, all-powerful voice was showing signs of wear. A title like All Or Nothing At All would certainly seem to express the captive intensity of an industry that "breaks" artists in more ways than one, and despite the mixed reviews on release, this small combo-backed record is of one artist's broken but still functioning sensitivity. With Harry "Sweets" Edison and saxophonist Ben Webster, Holiday croons over 12 tracks, recorded over five sessions in 1956 and 1957, showcasing a more restrained vocal style that pierces clearly through and despite pharyngeal ills.
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 in stock $40.32
We Free Kings (Acoustic Sounds Series)
We Free Kings (Acoustic Sounds Series) (gatefold 180 gram audiophile vinyl LP)
Cat: 758130 0. Rel: 12 Jun 25
Three For The Festival (3:09)
Moon Song (4:21)
A Sack Full Of Soul (4:38)
The Haunted Melody (3:38)
Blues For Alice (4:08)
We Free Kings (4:42)
You Dit It, You Did It (2:28)
Some Kind Of Love (6:11)
My Delight (4:30)
Review: A standout in Rahsaan Roland Kirk's early recordings rep, We Free Kings (1962) snaps the young multi-instrumentalist from Columbus, Ohio in sharp and fitted suited form, striking a confident balance between bop-rooted sophistication and latent warm expression. The album has two rhythm sections - Hank Jones and Wendell Marshall on one, Richard Wyands and Art Davis on the other - with Charlie Persip anchoring on drums throughout. While the majority evidences Kirk's prowess as composer and arranger, his interpretation of Charlie Parker's 'Blues for Alice' curves the ball with a fierce, swinging homage; clearly, there's no peace for this mouthpiece. Part of Verve's Acoustic Sounds Series, this one comes again with all-analog remastering from the original tapes, pressed on 180-gram vinyl and housed in a deluxe gatefold sleeve.
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 in stock $40.32
Slow Traffic To The Right (Verve By Request)
Slow Traffic To The Right (Verve By Request) (limited 180 gram audiophile vinyl LP)
Cat: 752005 9. Rel: 17 Apr 25
It Remains To Be Seen (8:04)
Eternal Flame (4:34)
Water Torture (4:51)
You Know The Deal (7:00)
Lament (1:52)
Quasar (5:42)
Review: 1997's Slow Traffic to the Right found Bennie Maupin navigating between cerebral jazz and deep funk with style and ease. Though generally known for his abstract leanings and serious musical demeanour, here he showed a lighter side - not least because he is actually smiling on the album cover - while diving into grooves shaped by his time with Herbie Hancock's Headhunters. With help from rhythm masters like Mike Clark and Paul Jackson, Maupin swaps out ECM austerity for signature Oakland bounce, so tracks like 'It Remains to Be Seen' and 'You Know the Deal' excel with newfound swagger without abandoning his jazz roots. It's a compelling pivot into accessible, funky and smart jazz soul.
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 in stock $36.14
Love In Us All (Verve By Request)
Love In Us All (Verve By Request) (gatefold 180 gram audiophile vinyl LP)
Cat: 752005 0. Rel: 17 Apr 25
Love Is Everywhere (19:39)
To John (20:35)
Review: Finally reissued for its 50th anniversary, Love In Us All is a cosmic, uncompromising statement from legendary jazz cat Pharoah Sanders. This vital piece of the free jazz canon was released as his final Impulse! album and starts with 'Love Is Everywhere' which radiates transcendent beauty with layered horns, cascading piano and a repeated vocal mantra evoking the spirit of Coltrane's seminal 'A Love Supreme'. The flip, For John' is raw, chaotic and a furious outpouring of free jazz energy. Long out of print but here remastered, this essential release showcases Sanders' vision in its most fearless, spiritual form.
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 in stock $37.54
Ben Webster & Associates (Acoustic Sounds Series)
Cat: 757360 7. Rel: 09 May 25
In A Mellow Tone (20:26)
Young Bean (4:42)
Budd Johnson (6:04)
Time After Time (4:35)
De-dar (9:09)
Review: Ben Webster and Associates marked the final collaboration between tenor saxophone legends Ben Webster and Coleman Hawkins, with veteran Budd Johnson joining them. The album was originally released in 1959 and featured a lineup including trumpeter Roy Eldridge, guitarist Les Spann, pianist Jimmy Jones, bassist Ray Brown and drummer Jo Jones. It has many timeless standards like 'Time After Time' and Ellington's 'In a Mellow Tone' along with three original Webster compositions, all of which have been transferred from the original analogue tapes and remastered. The album served somewhat as a tribute to Lester Young, a tenor master from the same era who had died under a month before the session.
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Gespielt von: Juno Recommends Jazz
 in stock $40.32
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