Back catalogue: Dubstep

Review: Dubstep longtimer Rednote presents his very first LP, also marking a first for the New Zealand label Iron Shirt. The story goes that only after a fecund period touring the Leeds underground scene, followed by a period of respite clawed out during lockdown, did Rednote catch the breath in which to hone his craft in LP form. With a title like Sanctum, we catch glimpses of the producer in a sanctified enclave, away from the deathly intrusions and bustles of the relatively Babylonian scene, all too easily seen to be a haven for musical responsibility shirking. There's something ever so ineffable or subtle about Rednote's sound, a sound that is mostly seen on display here. It persists in the drums and atmospheric tensions as a softened but no less hard-hitting mise-en-scene; the emphasis isn't on just bassweight or incitements to dance, but more on realising the otherwise unwrought possibility of crafting highly visual scenes - shady back-alleys, unscrupulous markets, nighttime wastes - out of the dubstep form.