Back catalogue: Drum And Bass

Review: With the Waveforms series, spacefaring drum & bass titan ASC moves away from the pure cosmic thematics for a much more formal take on his craft. Having released these tracks in wavy serial form since at least the end of 2023, specially on 10", these 'Waveforms' could be said to track a tidal movement in ASC's psyche, with the releases therein following his many capricious oscillatory whims i.e. as he sees fit, whether in response to lunar cycles or otherwise. Still, that hasn't stopped him from releasing over three additions to the series, though: now, waveforms 11 and 12 emerge. Both tracks extirpate ASC's sound as something purely formal - without the usual metaphysical or outer-spatial fetishisms - yet still take up huge amounts of bandwidth (though not to the point of sounding undynamic) and stir up a primal rancour in us by way of militant techstep on the A, and string-baked Arcadian amens on the B.

Review: There's seemingly no end to ASC's offerings to the drum & bass world and so it continues on this beautifully packaged black splattered yellow 10" from the Waveforms series. 'Waveform 03' is an airy jungle excursion with explosive amens set off against vast expanses of pads, while 'Waveform 04' locks into a sleeker, techier approach where the icy atmospherics have more space to stretch out. No one is even close to the quality and quantity of ASC, and this is yet another essential addition to his huge legacy.

Review: Adrian Sherwood lends a generous remixing hand to the label Dubmission and their flagship productions duo come solo artist Pitch Black (Mike Hodgson), producing an effects-laden leap through four dub drastics all based on original music first recorded by Mike. This is an exemplary case of "don't meet your heroes" being disproven, as 'Echoes Of The Night' and its filial sonic friends all worked as source material for an anything but disappointing remix bundle by Sherwood. The opening 'Transient Transmission' version is lilting enough, but the gears really get meshing on 'Third Light', which brings a turntablist's whistle, a wet yet naked guitar, and a dubstep flavour to things; finally, B-siders 'A Doubtful Sound' and '1000 Mile Drift' deconstruct things to complemetary effect, effecting dually electric Lee Perry vocals and halved trumpet importunes, the latter of which is heard set against a conspiratorial vocal sample.