Effects units

Notes: BOUM is a full analog stereo warming unit, combining an easy-to-use compressor, a versatile distortion generator and a smooth low-pass filter. BOUM is the perfect tool when you need to add warmth, thickness, and character to your sounds, but also apply severe distortion and extreme compression treatments.

BOUM is based on an original and unique circuit, including the following stages :

INPUT GAIN : boost your signal up to +18db to adapt BOUM to various signal levels, and also improve the distortion content and the compression sensitivity.

COMPRESSOR : with a single knob, control the 3 essential parameters of a compressor, threshold, ratio and makeup gain, without thinking about how a compressor works ! The ratio ranges from 1:1 (no compression) to inf. :1 (limiter), but also negative compression up to 1: -1 !
6 different Attack and release times are available for fine tuning.

LO CUT FILTER : attenuate the distortion content of the bass frequencies with this 6 dB/Octave lo cut filter, making your distorted sound easier to mix with the original one.

DISTORTION GENERATOR : choose one of the 4 different distortion circuits :
BOOST : soft clipping amplifier, perfect for subtle harmonic enhancement.
TUBE : asymmetrical tube distortion emulator based on MOSFET technology. Generate mostly a second harmonic distortion.
FUZZ : symmetrical hard clipping amplifier, similar to an overdriven mixer preamp.
SQUARE : pure square wave generator based on a comparator. The ultimate fuzz !

HI CUT FILTER : soften the high frequencies with this smooth and musical 12 db / octave low pass filter.

NOISE GATE : remove the noise coming from the different treatments, or use it for interesting chopping effects.
All these analog effects are packaged in a compact format, with 36 user presets and full MIDI control.

BOUM will give you a wide range of compression, distortion and filtering effects, ranging from subtle harmonic enhancement to an insane square distortion, and everything in between!

Notes: *** NO POWER SUPPLY INCLUDED - USES GENERIC 12VAC ADAPTER ***

Basically, the Ekdahl Moisturizer is a spring reverb where the springs are exposed so they can be played/hit/fiddled with. As well as being capable of creating sound in itself, you can of course also play sound through the springs like a regular spring reverb - this makes for happy-fun-time finger-modulation of the reverb on whatever audio that's going through it. On top of this there's an analog multimode filter that can be used to attenuate or exaggerate certain frequencies in the sound, this is real handy while playing the springs as you can - for instance - cut all the highs and just make thunderous doomy sounds or do the opposite; cut all the lows and make that ear piercing high frequency special love. Also, it incorporates an LFO that's internally routable to the filter and that also has some external routing-stuff. The Ekdahl Moisturizer has tons of CV / Expression pedal options on the back for even more hillarious moments. The Moisturizer is a mono unit.

The Moisturizer was developed with the help of Jason Willett (Half Japanese, Leperchaun Catering), Martin Schmidt (Matmos, Instant Coffee), Joshua Atkins (Polygons, Major Powers), mom & dad and many more.

The Ekdahl Moisturizer contains exactly:
Preamp (up to 10 times gain)
Reverb
Reverb / Preamp wet/dry crossfader (Knob & CV/EP controllable)
State variable filter with
Lowpass/Bandpass/Highpass seamless crossover (Knob, CV/EP & LFO controllable)
Cutoff (Knob, CV/EP & LFO controllable)
Resonance (WITHOUT resonance limiter)
LFO with
Speed control (Knob & CV/EP controllable)
Square / Triangle crossover
External output with output amplitude knob
Filter / No filter wet/dry crossfader (Knob & CV/EP controllable)

The preamp section is designed for a max of 10 times gain, this to accomodate for low level output instruments such as guitars etc. The reverb tank has normal reverb signal gain on it, meaning that if you hit the springs hard they'll distort like crap which is real nice, if you hit them softly the sound won't be distorted.

The filter in the Ekdahl Moisturizer is abrasive, the fact that it doesn't have any resonance limiting makes it possible to get the filter to sound *really* bubbly & metallic (way more then any filter i've ever heard), but it's also of course capable of sounding completely "normal" - it all depends on the amount of resonance and/or gain. The fact that you can seamlessly fade inbetween lowpass, bandpass or highpass filter (or lowpass+bandpass and highpass+bandpass) makes the unit pretty damn versatile and by using the wet/dry filter/no filter crossfader there's some neat shit that can be done too. Now it should be said that due to the fact that there's no resonance limiter, if using very high gain, with high resonance and turning the cutoff frequency very high the filter might cut out - not to worry, just turn the cutoff back a bit and the filter pops in again. This happens because the filter gets overloaded and can be avoided with a resonance limiter, however if i had one of those all the super-awesome bounce would be gone and it'd sound like all the other filter out there.

The Ekdahl moisturizer has six CV/Expression pedal related jacks on the back, one of them is a LFO output so you can control other shit with The Moisturizer's LFO. All the other jacks are inputs and takes either CV or Expression pedal, they are: Reverb Mixture, VCF Cutoff, VCF Filter Mode (LP/BP/HP), Filter Mixture and LFO Speed.

Notes: Developed in conjunction with Dutch software masters 112dB, Erica's stereo reverb is the best of both worlds: deep DSP power with plenty of hands-on control. Designed for musicality, ideal for synths, drum machines and more.

Supplier's Notes:
A stereo reverb with a unique and musical algorithms developed by 112db, save/recall functions for all parameters, all in sleek aluminum case to aesthetically match our lineup of compact desktop units.

Erica Synths focused on the musical aspect of the effect - extremely long decay tails are possible without losing harmonic integrity and since multiple parameters can be adjusted at once, notes can be played individually and held in chords, pitch-shifted at a whim or used to create massive, ambient textures.

Notes: A quirky new offering from Moog, this unusual analogue spectral processor is based around a bank of 10 filters, capable of being used as an instrument in its own right or processing other signals for vocoder effects and much more.

Supplier's Notes:
Spectravox, the newest member of the Moog semi-modular family, is a groundbreaking tool for sculpting sound. An analog spectral processor based around a 10-band filter bank, Spectravox creates lively drones and colorful tonal sweeps on its own and adds resonant depth and psychedelic spectral movement to any external sound. Hook up a microphone and Spectravox becomes a 10-band analog vocoder with innovative integrated modulation of all of its filters. An exploration and expansion of the topology of the vocoder and filter bank, Spectravox is a highly flexible instrument and signal processor with a comprehensive patch bay for integration into studios of all sizes.

Synthesists have delighted in playing with the spectrum of sound since the Moog 907 Fixed Filter Bank appeared in the 1960s, creating lush vowel tones and multicolored timbral animation with hands-on level control of each frequency band of a sound. Unlike earlier fixed filter banks, however, the unique filters of Spectravox are no longer fixed in place and will jointly shift around the frequency space, allowing for the creation of otherworldly voltage-controlled spectral animation and vibrant phaser-like sweeps. With 10 filters whose variable resonance can morph from soft precision to shimmering choral effects, Spectravox reshapes the sounds you love into surprising new forms and brings a new world of sonic possibilities to your studio.

Spectravox is a fascinating standalone sculptable synthesizer voice thanks to its built-in carrier sound source of a thick analog Moog oscillator and white noise generator. With its combo XLR/jack program input, Spectravox becomes a fully featured 10-band vocoder with a secondary filter bank for analyzing the spectral makeup of incoming sounds. In VOCODER mode its 10 analysis filters map the timbral characteristics of any external sound onto any other sound you can imagine. Shape the warm analog oscillator of Spectravox with the dynamics of your voice, or use a drum machine to animate guitar chords in a mesmerizing broadband percussive space.

Spectravox uses the pioneering vocoding work of Bob Moog and Wendy Carlos in the late 1960s as its inspiration-work which was based on Homer Dudley's original designs from the 1930s and which was used to prominent effect in Stanley Kubrick's 1972 film A Clockwork Orange. Innovating further from these early designs, Spectravox uses 10 state-variable filters for its filter bank, all 10 of which are capable of being shifted with its internal triangle wave LFO or external control voltage. With the ability to emphasize vowel sounds via the Hiss and Buzz functionality of the Moog 16 Channel Vocoder, Spectravox is both a major step forward for analog filter banks and a loving exploration of early music technology history.

Scramble the frequency spectrum and create wonderfully unpredictable textures with patch points for each filter in the filter bank and included patch cables. Add analog warmth and subtle phasing to digital synthesizers and sound sources. Integrate Spectravox with other Moog semi-modular instruments or Eurorack modules with an extensive patch bay providing control over almost all of its parameters. Spectravox is a boundary-pushing instrument that invites you to explore creative new ways of shaping and sculpting sound.

Specifications

Analogue Sound Engine

Sound Source: VCO, White Noise Generator
Filter: 10x variable resonance voltage-controlled filters: 1 Low-Pass Filter, 8 Bandpass Filters, 1 High-pass Filters
Envelope: VCA EG (Decay)

Analysis Engine Sources

Sources: Ext. Input via 1/4" / XLR combo jack or 3.5mm jack with preamplifier.
XLR input supports dynamic mics. Condenser mics may require external 48V power.

Patchbay

Jacks: 36 x 3.5mm
Inputs: 19 Input Jacks
Outputs: 17 Output Jacks

Rear Panel

Audio: 1?4" TRS Headphone or 1?4" TS Instrument
Power: Power supply connection
Security: Kensington lock slot

Power Supply (Included)

Power Supply: Style: wall adapter; barrel connection; centre-pin positive
Input: 100 - 240VAC; 50 Hz - 60 Hz
Output: +12VDC; 2.0A

Power Consumption

Typical: 4.8 Watts

Eurorack Specs

Current Draw: 450mA (maximum) from +12VDC (10-pin header)
Mounting Dims: 60HP (1.5" Module Depth)

In the box

Spectravox Analogue Synthesizer
Power Supply
Quickstart Guide
Product Poster
Preset Overlays
Patch Cables (5x 12")

Weights & dimensions

Product only
Weight (lbs): 3.1 lbs
Weight (kg): 1.5 kg
Imperial (in): 12.84" W x 5.64" D x 4.2" H
Metric (cm): 32.61 W x 14.33 D x 10.67 H

Product in box
Weight (lbs): 5.29 lbs
Weight (kg): 2.4 kg
Imperial (in): 14.16" W x 8.16" D x 6.6" H
Metric (cm): 35.97 W x 20.73 D x 16.76 H

Notes: *** Software update- April 2024 ***

Korg are thrilled to announce the release of the KAOSS Replay Version 2.0, a substantial upgrade designed to unleash your full creative potential in music production. This latest update brings an extensive suite of enhancements that will transform your experience with the KAOSS Replay.

What's New in Version 2.0?

Expanded Effects Library:

The update includes more than 200 effect programs, nearly doubling the sonic possibilities available to users.

Advanced Sampling and Looping Features:

Version 2.0 introduces extended loop ranges and expanded quantization settings, alongside new sample editing tools such as Trim, Normalize, Reverse, and Pitch Shift, empowering users with even greater control over their music creation.

Enhanced User Workflow:

The new firmware minimizes the need for menu navigation, enabling quicker access to functionalities and smoother integration into your sessions.

A new generation of creative KAOSS

KAOSS Replay rewrites the rules of live performance and music creation. Immerse yourself in the fusion of Korg's iconic KAOSS XY pad with unparalleled effects, advanced sampling, playback and powerful controls.

Whether setting the stage alight, weaving sonic magic in the studio, or captivating global audiences via live-stream, KAOSS Replay is your passport to a realm where creativity knows no bounds.

Standalone KAOSS

KAOSS Replay is a self-contained performance tool - an all-in-one solution for musicians, performers, and producers. It features unparalleled KAOSS Pad effects, immersive sample playback and sampling capabilities, and intuitive DJ controls. Powered by USB-C and equipped with broad connectivity, KAOSS Replay offers an effortless and swift setup for stress-free performances without the hassle of intricate rigs.

Building on the iconic legacy of its predecessors, KAOSS Replay introduces an advanced sample playback and sampling system, boasting 128 sample slots (16 pads x 8 banks) for each of up to 100 projects, ensuring uninterrupted hours of KAOSS-fuelled live sets. Housed in a robust aluminium body, its sleek and minimalist design strikes the perfect balance between performance-ready size and backpack-friendly portability.

Unique KAOSS FX

KAOSS Replay has a rich palette of 128 new KAOSS FX; from filters, delays, and reverbs to imaginative and exhilarating modulation effects, loopers, vocoders, and synth effects. Replay offers top-tier vocal effects that effortlessly complement any genre and performance, ranging from subtle vocal correction to precise pitch tuning, marking a ground-breaking first in the KAOSS series.

Automating your effects is effortless with the PAD MOTION function, or by holding the desired position using TOUCH HOLD mode. The FX Release function ensures smooth transitions, seamlessly integrating your effects into your musical composition.

With a dedicated MIC Input, KAOSS Replay simplifies the process of playing and performing tracks and allows for engaging improvisation with exhilarating effects like never before.

Beyond effects

KAOSS Replay simplifies and streamlines the process of playing, sampling, or re-sampling. 16 high quality velocity-sensitive pads accommodate 128 slots divided across 8 banks per project. Replay supports up to 100 projects, which can be stored on a microSD card for effortless data management.

Enhanced by a dual group assign system and dedicated faders, along with BPM detection, sync, and quantization capabilities, KAOSS Replay provides a comprehensive toolkit for a seamless performance experience. What's more, the onboard sample trimming functionality, coupled with the 12-point Hot Cue triggering system, enables samples to be truly "played" during live performances, opening up a world of dynamic possibilities.

Creativity at your fingertips

At the heart of KAOSS Replay sits a stunning 5-inch full-colour OLED touchscreen. Whether manipulating effects, editing samples, or navigating menus, its tactile display offers a seamless and satisfying experience.

Combined with its function-dedicated buttons, knobs, faders, and sample pads, KAOSS Replay is an immersive and engaging performance tool for all musicians.

Live performance creativity

Sampling and resampling have always been core features of the KAOSS Pad series, and KAOSS Replay takes this capability to new heights. Choose a target pad, set the desired number of measures, and start capturing your samples effortlessly. Whether you're connecting external instruments via the AUDIO IN or recording your voice through the dedicated MIC Input, Replay provides a versatile canvas for your creativity.

Edit your samples, apply effects, assign hot cues, resample... the options are limited only by your imagination. Moreover, KAOSS Replay supports real-time recording of your performances, ensuring that those moments of real-time magic are captured.

The ultimate portable performance rig

KAOSS Replay simplifies the art of performance. Ultra-portable and ready to go within seconds, Replay eliminates the need for external gear. Precise beat-matching, playback quantization, hot cues, monitoring, and dual faders, are all complemented by the formidable KAOSS FX, making KAOSS Replay a performance powerhouse.

Controller and interface

KAOSS Replay excels both inside and outside the studio. Its remarkably flexible MIDI Surface mode offers complete customisation, transforming it into a highly adaptable MIDI controller. It can even serve as a USB plug-and-play audio interface, seamlessly integrating into your production studio setup.

Specifications

KAOSS Pad effects: 128 types. Tone, delay, reverb exclusive for microphone.
Trigger pads: 16 velocity sensitive x 8 banks
Projects: 100
Hot cue: Max 12 (per trigger pad)
Simultaneous plays: 16 Audio Linear PCM (48 kHz/16 bits)
Recording Sampling, resampling (30 mins); Live rec (100 min)

Audio input
LINE/PHONO IN jack: RCA pin jack (Select LINE or PHONO.)
PHONO GAIN switch (LO/HI)
MIC IN jack: Standard phone jack (6.3 mm, monaural TS)
AUX IN jack: Stereo mini jack (? 3.5 mm)

Audio output
LINE OUT jack: RCA pin jack
HEADPHONES jack: Standard stereo phone jack (6.3 mm)
Controller input: Standard phone jack 6.3 mm, TS)
USB / MIDI USB microB (MIDI, Audio (IN x 2ch, OUT x 34ch (48 kHz/16 bits)); MIDI IN/OUT (DIN 5pin)

External storage: microSD card, microSDHC card (32GB Max)
* Class10 or higher, UHS-I (U1) recommended
Dimensions: 185 (W) x 284 (D) x 56 (H) mm
Weight: 2kg
Power supply: DC 5V/3A
Included accessories: AC adapter, USB cable (Type A to microB, 1m) microSDHC card