Back catalogue: Deep House

Review: Fresh off the heels of their fiery 'African Dubplate 12"', Disco Dub 45 returns with another scorching selection of rare and unheard disco gems. Compiled and re-edited by Black Disco Demo Club, this limited-edition release is a treasure trove for disco aficionados and DJs alike. It's a four-track journey through the diverse sounds of disco, with each cut offering a unique flavour and infectious energy. From the soulful vocals and soaring strings of 'Track 1' to the pulsating rhythms and funky basslines of 'Track 3', this compilation is a masterclass in dancefloor ecstasy. Don't miss out on this opportunity to add a piece of disco history to your collection.

Review: Renowned producer Bodeler makes his mark on the newly emerging Minimal Brooklin label with a masterful display of minimalism on his A1 cut, then respected Argentinian Franco Cinelli remixes and delivers something immersive. On the B-side, Nicola Brusegan and Camilo Gil unite to create a soulful deep house track complete with lush chords and pulsating basslines, and this one is paired with a remix from Jorge Caiado that is sure to electrify dance floors thanks to his knack for crafting statement-making sound and pulsating acid vibes.

Review: IRMA has assembled a trio of top remixers here to add their own spin to some fine originals from Bright Magnus. Up first is the LTJ Xperience remix of 'Jungle Corner' and it is a low slung and steamy funk number with loose shakes of a tambourine and languid bass riffs drawing you in. 'Selim/Miles' (DJ Rocca 606 remix) is a blend of smeared synths and woozy guitar riffs over more lush downtempo beats that make it perfect for the midnight hours. Last but not least is 'A Way' (DJ Rocca Black Satin remix) which is a more psychedelic sound thanks to the drawn-out synth percolations that stretch through the mix.

Review: Kiko Navarro kicks off 2024 with his Afroterraneo label's first release, presenting a fresh rendition of 'Mama Calling', his enduring collaboration with Buika. Originally released in 2004, the track was revitalised during preparations for a November 2023 live show, becoming a standout performance. Retaining its signature horn stabs, this updated version injects new energy into the vibrant, life-affirming anthem. With a remix by Tedd Patterson included, the release promises to ignite dancefloors well into the New Year, offering a perfect blend of nostalgia and contemporary flair.

Review: We're big fans of Byron The Aquarius here at Juno HQ and it is hard to think why anyone wouldn't be. The master keys man and former hip-hop producer has been turning out a steady and quality stream of deep house deliciousness in recent years and that's what he does again here on US label Toucan Sounds. 'Baddest Behavior' (feat Brandon Markell Holmes) kicks off with chord-laced deep house bliss and a magnificent vocal, 'Freed 4 OG's' (with Coto Loco - feat Rasheeda Ali) is a more lively and percussive jam with more rickety beats and nimble chords and 'I Be Like Dat' brings lovely wet claps and low-key soul to a US garage groove. A series of remixes on the flip seals the deal.

Review: Byron The Aquarius has the sort of mad skills on a keyboard that evade all too many house producers. He has also spent years making beats for hip-hop artists so has plenty in his arsenal. His fantastic EP 'Gone Today Here Tomorrow' is a still standout collection of cuts on Kyle Hall's Wild Oats label that now gets reissued on limited orange vinyl 12". It is a superb showcase of his skills that traverse lithe deep house, cosmic grooves, plenty of mellifluous melodies and seductive late-night sounds. 'Moments In Life' is a particular favourite here.

Review: Eight further sonic spirits are conjured on the seventh edition in Damian Lazarus' annual compilation series. Emphasising deep house and techno grooves with a hypnotic flavour, the procurement here is exemplarily brooding; Dino Lenny's 'I Have Sampled Father' marks a sure turn away from the openers' cleaner-cut mesmerisms with a smoky, funk-inflected haze, bringing rhythm guitar and paternal murmurations to a surreal montage. The monologuing mood continues on the equal highlight that is Upercent's 'Where Are You', whilst Enamour's 'Jackpot' rounds out the show with the record's only brightly-lit minimal triller. The record is marked by sensuous, distant, familiar voices throughout.

Review: Black Loops directs a welters' worth of experience into Always Moving, his debut full-length for Freerange. Far beyond club tools, this is a sensitive elusion of watery neo soul instrumentation and distant broken beat jazz, and we're not surprised in this breath to learn of Black Loops' own background as a drummer. Nor is it any wonder either that such auteur's disco house regals such as Harvey Sutherland, Byron The Aquarius and Berlin vocalist Marlena Dae all appear on the record, through 'CDMX' to the ever so eerie, Erie-downstream deep house of 'Detroit Love Letter'. 'Electrical And LSD' takes after such influences as Metro Area's disco house shimmer, while tracks like 'Pleasure Ride' and 'Good Bye Berlin' further locks down the abiding nighttime tension - that least comparable part of his sound.

Review: Prolific Italian maestro Black Loops returns to Freerange with Always Moving, a debut album steeped in high-grade dance heritage. Drawing on over a decade of production, he moves beyond club tools to something more personal and musical, with guest appearances from Harvey Sutherland, Byron the Aquarius and Marlena Dae. Rooted in funk, soul and 90s grooves, these are rich, warm tracks with fully authentic swing i with much of the percussion played live by the artist himself. The result is fluid and human, from the broken beats of 'CDMX' to the shimmering chords of 'Detroit Love Letter'. Marlena Dae adds her touch to several standouts, including the disco-leaning 'Electrical' and hazy deep house of 'Pleasure Ride'. Even at its most downtempo, like the closing 'Good Bye Berlin', the album stays focused and melodic. A confident and expressive full-length that shows how far Black Loops has come while hinting at where he might head next.

Review: ***B-STOCK: Creasing to corner of outer sleeve but otherwise in excellent condition***


The Blessed Madonna riffs on an immensely successful DJ career so far with the announcement of her debut album, Godspeed. So far, the public is only privy to the bonus single 'Happier', featuring singer Clementine Douglas, a pristine bubblegum dance number turbid with the bittersweet taint of melancholy on the part of the latter singer, and a driven, victorious feel in the production by theThe Blessed Madonna, personally known as Marea Stamper, herself. We can happily disclose, however, that the rest of the record is just as infectious and technical in equal parts, with earworming bass movements backed by stark breakbeat breakdowns and nostalgic moods, all cementing the moving story of Stamper's comeup on the international scene.

Review: The Blessed Madonna riffs on an immensely successful DJ career so far with the announcement of her debut album, Godspeed. So far, the public is only privy to the bonus single 'Happier', featuring singer Clementine Douglas, a pristine bubblegum dance number turbid with the bittersweet taint of melancholy on the part of the latter singer, and a driven, victorious feel in the production by theThe Blessed Madonna, personally known as Marea Stamper, herself. We can happily disclose, however, that the rest of the record is just as infectious and technical in equal parts, with earworming bass movements backed by stark breakbeat breakdowns and nostalgic moods, all cementing the moving story of Stamper's comeup on the international scene.

Review: Body Mechanic has been turning out definitive Motor City techno on solid labels like Cryovac, and GASS for several years. This time out he lands-on Detroit Techno and serves up, well, some electro. It's classic 313 tackle though - heavy on the kicks, snappy snares and filthy dirty basslines that make you want to move. Ghoulish vocals add extra grit to the opener and from there 'Dance' gets more playful with jittery drum funk and scratching, 'Beautiful Bum' has a gorgeously tender and reflective vibe thanks to the minor chords and smooth electro rhythms, 'Magic (feat Tay) ' slips into a deep and soulful house groove and 'Househead' is jacked up, loopy and well swung amongst several more timeless cuts. All in all, a killer double 12".

Review: A rare new V/A record from the diggers deific over at Time Capsule - Kay Suzuki and company - whose focus on reissues has thus far formed a dense but not unbraveable thicket of drummy disco, city pop, reggae and international rerubs. Formed out of the East London party scene centring on Brilliant Corners and Beauty & The Beat, this four-track haul of Choice Remixes is a surely credible little curation. Suzuki lends four flips to the record - first of Gaoule Mizik's 'A Ka Titine' from 2022, which reappears with expository force, providing a banging re-bake of the Guadeloupean gwoka original. The theme continues on a version of Broki's 'Es Que Lo Es', which veers Latin minimalia, before slowing to a chuggy pace on 'Sortez Les Filles', before a final, synthy piano duet leaves the proceedings on a piquant hurrah, 'Oyelo'.