New releases last eight weeks:

Review: Italian house didn't need the glitz of Ibiza or the muscle of Chicago and Detroit. It carved out its own spaceismoky, dreamlike, and effortlessly cool. This collection captures the full spectrum of that golden era, from the hypnotic tribal rhythms of Progetto Tribale's 'The Sweep' to the shimmering, euphoric synths of Onirico's 'Echo'. There's the deep, rolling pulse of Don Carlos' 'Boy', the jazz-infused elegance of Lady Bird's 'Jazzy Doll (Odyssey Dub)', and the raw energy of Green Baize's 'Synthetic Rhythm'. Elsewhere, 'Titanic' by Mato Grosso offers an atmospheric voyage, while 'The True Underground Sound of Rome' delivers deep, sophisticated grooves. These weren't just club tracks; they were portals to another world. Whether it was the funky shuffle of Alex Neri's 'The Wizard', the soulful pianos of Carol Bailey's 'Understand Me (Free Your Mind)', or the after-hours pulse of MCJ's 'Sexitivity', this was music made by studio obsessives who understood that house wasn't just a soundiit was a feeling. Underground, inventive, and deeply emotional, this collection is a snapshot of an era where the Italian touch brought warmth, sensuality and an undeniable groove to dancefloors worldwide.

Review: Much missed Detroit techno legend Mike Huckaby created The Down Under Kit for the Australian leg of the Red Bull Music Academy's world tour and it's so much more than a simple sample pack, as Huckaby gives a narrated tutorial on creating templates and generating ideas, a fascinating glimpse into his philosophy and techniques. Obviously, there are lots of thumping kicks, distinctively trademark pianos and pads and more to load up, but this pack not only gives you the means of production, it also gives you a guide to how to put it to its most effective use.

Review: Prolfic producer Neiro 'Papik' Poggi founded the Soultrend Orchestra almost 15 years ago as a vehicle for his acid jazz, funk, soul, disco and jazz-funk fantasies. The project has been 'on ice' for a while, with Now Imagine, officially the band's second studio set, appearing a decade after its predecessor. It's a typically musically rich affair with a string of guest vocalists joining the expansive 'orchestra' to run through happy, sun-splashed tracks. Highlights come thick and fast throughout, from a lightly Latin-tinged cover of Sister Sledge disco classic 'Lost In Music' and the Jamiroquai-esque warmth and soul of 'Wiser' (featuring Wendy D Lewis), to the vibraphone-wielding smooth grooves of 'Touched By Your Love' and the glossy jazz-funk-goes-house rainbows of 'You Came Along' (featuring Steve Biondi).

Review: Prince Buster, born Cecil Bustamente Campbell in 1938, was a key figure in the birth of ska and rocksteady, and infamously embodied the term "rude boy"; he'd come to enshrine a symbol of rebellious youth culture in Jamaica. A leading conspirator in early soundsystem culture, Buster's story stretches as far back as the days of systems such as Tom The Great Sebastian as well as variou Kingston-bound stacks operated by Coxsone Dodd. Now this eagerly awaited third volume from Rock A Shaka continues to compile Buster's best works, the standouts among them being 'A Tribute to The Toughest' from 1967 - believed to be a precursor to the long-loved 'Ghost Dance' - and his cover of James Carr's 'Dark End of the Street,' Ernest Ranglin's 'Come Get Me,' and Winston Samuels' 'I'm Still Here.'

Review: British producer Joe Thornalley aka Vegyn brings forward-facing, abrupt and clippy stylishness to Air's 1998 debut album Moon Safari, in a daring reimagining crossing both audio and English Channels. Vegyn's desultory dynamics prove a toothy match for Air's comparatively amniotic French downtempo pop sound, though we *can* hear the ways in which Vegyn might've always somewhat taken after Air's production, his dream-rap sound lent well John Glacier's album released not long ago. Of course, 'Sexy Boy', 'All I Need', and 'La Femme d'Argent' are synonymous with the vibe of an era, and Vegyn's LP-remix (an increasingly popular format in 2015) honours Air's e-steamed essence, reconditioning their turn-of-the-digital vibe in jerkier retrospective tones.