Review: It's hard to keep up with superhero movie franchises, at least in terms of timeline, but those who have seen the 2002 Spider-Man, which arrived early on in the comic book-screen explosion, will attest to the fact it's a great blockbuster deserving of the attention it received at the time. And box office results. No big screen bonanza is ever complete without an accompanying score, of course, and Elfman's offering more than sets to mood.
Known for his regular work with the likes of Tim Burton, Sam Raimi, and Gus Van Sant, the US muso - who, incidentally, earned his stripes as part of the 1980s new wavers Oingo Boingo - marries relatively traditional bombast orchestral arrangements with slightly leftfield compositions, drawing electronic elements into the mix while never forgetting the power of a huge string crescendo.
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