Review: Rabih Abou-Khalil's Arabian Waltz is a masterful fusion of jazz, Middle Eastern traditional music, and Western classical. Featuring Abou-Khalil on oud, Michel Godard on tuba and serpent, Nabil Khaiat on frame drums, and the Balanescu String Quartet, the album achieves a unique blend of sounds. Abou-Khalil creatively uses the string quartet, which is traditionally harmony-focused, to play in unison or octaves, integrating them seamlessly into the Middle Eastern musical framework. The album's highlight, 'Dreams of a Dying City,' evokes a cinematic atmosphere with its brooding tuba and cello motifs. 'The Pain After' starts with an impressive tuba solo that transitions into a poignant interlude with the string quartet, reminiscent of Beethoven's late quartets, before Abou-Khalil's oud adds a touch of wistfulness. The title track, 'Arabian Waltz,' and 'Ornette Never Sleeps' provide dynamic and quirky contrasts. Arabian Waltz showcases Abou-Khalil's ability to innovate with guest musicians, creating a new and compelling musical style. It's a splendid album for fans of world music, jazz, classical, or anyone who appreciates exceptional music.
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