Back catalogue: Blues

Review: This project stems from the mutual admiration between Daru Jones and Devonne "DJ" Harrison who, upon discovering their collaborations with Jack White, had the idea of blending rock with jazz. DJ Harrison's vintage keyboard skills and Daru's versatility made them perfect for such a rock-influenced project. Legendary guitarist Doyle Bramhall II, a longtime friend of Mr. Mandel, was ideal for the guitar role and after several years they finally got together to record this album in 2022. The result is a first 12" single, mastered at 45 rpm for exceptional sound. Here's hoping there will be more to come.

Review: This wonderful album delivers a tight, vibing collection of traditional old-time Appalachian music. Featuring Liam Grant on guitar, Grayson McGuire on fiddle and Devon Flaherty on banjo and guitar, this debut recording brims with raw, authentic talent. It was recorded straight to cassette with no overdubs and despite the carefree atmosphere, the trio expertly channels the spirit of old-time music. Tracks like 'Dry and Dusty' and 'Taner's Farm' reflect their playful yet poignant approach by blending upbeat melodies with deeper themes of rural life and hard times. This one is a real charmer.

Review: Danielle Nicole shares her debut album on Forty Below: The Love You Bleed. From its earliest recording sessions, Nicole knew this one would be different; for the first time, the whole twelve-track repertoire is about falling in love, not the fallout of it. Produced by Tony Braunagel (Taj Mahal, Eric Burdon, Robert Cray) and mixed by John Porter (B.B. King, Buddy Guy, Bryan Ferry), The Love You Bleed is an album-length sentimental ballad; full of love, loss, will, determination, and every residual ingredient of love. But that's not to say the album doesn't get sour with it; while lead single 'Make Love' is about consciously pushing past pain - choosing love, family, and community in life's difficult moments - 'How Did We Get To Goodbye' hits the listener quicker with its raw and twinging lyrics, documenting a soured love that bears no hero or villain, and asking how one might reach such a place of disrepair without even knowing it.

Review: The 1960 Harlem Street Singer LP by South Carolinian blues and gospel singer Blind Gary Davis comes reissued by Concord Jazz. Met with critical acclaim at the moment of its release, this forty-minute window into Davis' lonesome world is perhaps best known for its prime haunter, 'Death Don't Have No Mercy', a great, morbid song, and Davis' most popular. "He'll come to your house and he won't stay long / he'll look in your bed and somebody'll be gone / death don't have no mercy..." Such moribund topics never did deter the best of Blues artists, and of course, Davis might be said to have had "seen death" or at least known death personally, having been blind since infancy. Further raw and rusty blues numbers like 'Tryin' To Get Home' and 'Great Change' further extend Davis' image as a Harlem veteran crooner, who's seen a lot and knows many people - pitiless scythed spectres included.

Review: A multifaceted personality, 24-year-old breakout folk star Maya Delilah shares The Long Way Round on Decca Records, fresh off the back of a Spotify "One To Watch" award. "I get so influenced by different genres, people, places, and experiences that it's always felt hard for me to fit my music into a consistent sound or mood," the singer said in a statement. Forerun by the likes 'Squeeze' and 'Necklace', Delilah's vocals are breathy and her backing instrumentals smooth, tinged with the torrid strokes of Ayers-esque sunshine funk. Recorded between LA and London, the record flags up themes from cyclical relationships to predestination, with Delilah feeling that the record expresses a future nostalgia for someone she's never met before.

Review: Americana trio The Devil Makes Three bring us their first album since the 2018 release, Chains are Broken. And good things come to those who wait as the saying goes. The California natives have traded the more electrified sound of the previous album and returned to their stripped-down roots, whilst still pushing sonic boundaries with a lush atmospheric feel throughout. A big stand out is 'Hard Times', which is a banjo-flecked banger that feels like a nod to Woody Guthrie thanks to its empathy with people who are struggling and it takes aim at neoliberalism: "It's hard, hard, hard times / They'll charge you dollars / While they're paying you in dimes/ When they said it was going to trickle down / You know that they were lying." What a likeable bunch.

Review: 'The Montreux Years' was a period of time in which legendary American singer, songwriter and pianist Dr. John - who blended blues, jazz, funk, rock and roll and New Orleans music - held wide renown as a staple of the Swiss Montreux Jazz Festival for a solid two-decade juncture, between 1973 and 1995. This album captures his tenure at the festival over the years, and features live recordings from his performances, as well as two previously unreleased tracks. Both a celebration of the work of Dr. John and the European jazz festival, it's certainly not one to be missed.

Review: Malcolm John Rebennack, Jr., better known as Dr. John, left an indelible mark on the music world with his unique blend of New Orleans R&B, blues, jazz, funk and rock. As a teenage prodigy, he cut his teeth as a songwriter, arranger, and producer for Ace Records before becoming a sought-after studio musician in Los Angeles during the 1960s. His debut album Gris Gris in 1968 catapulted him into the spotlight as Dr. John The Night Tripper, captivating audiences with its mystical allure. Hits like 'Iko Iko' and 'Right Place Wrong Time' solidified his place in music history, earning him six Grammy awards and induction into the Rock and Roll Hall of Fame. Now, Gris Gris Gumbo Ya Ya: Singles 1968-1974 collects his early singles from his influential years with Atco/Atlantic, offering 26 tracks of pure musical medicine. The iconic 'Such A Night,' alone makes this compilation is essential for both seasoned fans and newcomers alike. With liner notes from Gene Sculatti, it serves as a perfect entry point into the timeless world of Dr. John's music and a nostalgic journey through his classic Atco/Atlantic albums.

Review: The 180-gram vinyl reissue of Dr. John's Gris-Gris by Music Direct is a meticulously remastered version of the classic 1968 album, using pure analogue components from the master tapes to the cutting head. This reissue highlights the album's intricate soundscapes, balancing catchy choruses with Afro-Caribbean percussion, swampy grooves, and haunting vocals. Dr. John's unique blend of voodoo mystique and psychedelic atmospheres transports listeners deep into the heart of New Orleans' spiritual underworld. Tracks like 'Gris-Gris Gumbo Ya Ya' and 'I Walk On Gilded Splinters' evoke a timeless, hypnotic quality, making the album as revolutionary now as when it debuted.