THE UPSETTERS Schallplatten & CDs

Review: Bobby Ellis is behind 'Ska Baby', which was produced and directed by the Upsetter and now comes backed with a lush dub and a custom bag. It's actually one of the more subtle instrumentals to come from the famous Black Ark studio founded by Lee "Scratch" Perry and epitomises a warm day, beer in hand, dusty dry earth beneath your feet as you saunter though downtown Jamaica. Well, we assume this is how it must feel, never having been there during the 70s or 80s ourselves. Whatever, it's a perfectly organic and authentic vibe that is perfectly transportative.

Review: Is there a more celebrated combination in all of reggae than Lee Perry & The Upsetters? The master producer and his iconic backing band laid down many of the genre's most vital sounds and helped subtly evolve it across the seventies and beyond. This single 'Jungle Lion' came right in the midst of that in 1974. An original 7" will cost you upwards of 500 quid, and that's if you can find one. Here it gets reissued on the young but already well-formed Skank & Groove label and is backed with a version by The Upsetters named 'Freak Out Skank' that gets even more warm, cavernous and dubby.

Review: The reissue of Let It Be/Big Dog by The Soulettes and The Upsetters revives a sought-after gem from 1970, originally on the Upsetter label. This double-sided classic showcases Lee Perry's exceptional production skills. On Side-1, The Soulettes deliver a mesmerising reggae twist on The Beatles' 'Let It Be,' infusing the track with a catchy rhythm and soulful charm. Flip it over to Side-2 for 'Big Dog Bloxie,' an even more eccentric take on the same theme, brimming with Perry's signature experimental flair. This reissue celebrates a distinctive moment in reggae history.

Review: Two rare instrumental covers of the 1969 classic 'Spinning Wheel' by Blood, Sweat & Tears. Produced by the legendary Lee "Scratch" Perry in 1970, these were first released on the highly exclusive Spinning Wheel label, and, as the label name suggests, both tracks are fortuitous roulettes encircling dusty instrumental dub. It also happens to be the first ever release on Harlem Shuffle, marking the start of a small, pantherine catalogue. For the rather fast brachiations of 'Haunted House' - a poltergeist of a track, fettered to the weathered-down needle nib on our own turntable, causing psychokinetic rotary reactions - and the bicyclic, two tone dub reinvention 'Double Wheel', these tracks showcase Perry's technologising approach to dubbing, prioritising energy above all. Fitting for Perry's lifelong kinghood over dub music at large, the subgeneric name was, of course, baptised "boss reggae".

Review: Originally released in 1981 on the Clocktower label, this killer compilation does a fine job of harnessing the raw magic of Lee "Scratch" Perry's legendary Black Ark era. Although the sounds are mostly drawn from mid-70s sessions, it also features two standout early cuts from the late 60s, namely Perry's gritty versions of 'Tighten Up' and 'Serious Joke'. Elsewhere, highlights include Johnny Lover's deep DJ take over Devon Irons' 'When Jah Come' and the rootsy energy of Ricky and Bunny's 'Bush Weed Corn Trash.' This reissue is a crucial document of Perry's genre-defining production, masterful take on vintage dub, toasting and spiritual reggae heat.