JEAN MICHEL JARRE Schallplatten & CDs

Review: This is surely one of the most classic electronic albums of all time and an oft-referenced inspiration for countless new generations of electronic music producers. It remains a pioneering masterpiece almost 50 years after its original release in 1976 which is why it now gets reissued once more. The album's six interconnected tracks evoke themes of space, nature and environmental fragility which make it as emotionally stirring as it is sonically innovative. Highlights like 'Oxygene Part IV' showcase Jarre's ability to create timeless, hypnotic rhythms that transcend genres and make this a visionary work demonstrating the enduring power of minimalistic yet deeply atmospheric composition. A true landmark in the history of sound design.

Review: Arriving five years after his seminal Oxygene long player, Jean-Michel Jarre's Les Chants Magnetiques again showcases his mastery of synths and his innovative approach to electronic composition. The album's five tracks weave a tapestry of pulsating rhythms, shimmering melodies and experimental textures that reflect Jarre's fascination with the interplay of nature and technology. 'Magnetic Fields Part II' and its infectious sequencer-driven groove became a standout hit while other parts explore ambient and avant-garde realms. Looking back now, the album bridges the gap between the cosmic explorations of Oxygene and Equinoxe and the emerging digital soundscapes of the 80s.

Review: The original soundtrack composed and performed by Jean Michel Jarre for the 1973 French movie 'Les Granges Brulees' (The Burned Barns), directed by Jean Chapot, hears a reissue. The soundtrack was originally released in 1973 by Eden Roc and features experimental electronic music influenced by Jarre's work at the G.R.M (Groupe de Recherches Musicales). Now re-released by Transversales Disques, its various concrete meanderings and mysterious polyrhythmic resonances continue to beguile.

Review: Pivotal electronic musician Jean Michel Jarre is venerated for his massive live shows, which incorporate projections onto the sides of big buildings, fireworks, and the like. According to Sony, Jarre was also the first 'western' musician to perform in post-Mao China, which led to a longstandingly solid relationship between him, his management team, and the tourism and events industries of Beijing and Shanghai, which led to him continually performing in those cities over many years. 'The Concerts In China', originally released in 2014, collects the live audio of all of these performances, and is once again set for a re-release.