CHARLOTTE DE WITTE Schallplatten & CDs

Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***


On Rave On Time, her third EP of 2020, Charlotte De Witte giddily pays tribute to the throbbing, warehouse-ready techno sound of her home city of Ghent - and particularly the intense, mind-bending brand particularly associated with R&S Records in the early 1990s. De Witte sets the tone via the razor-sharp and insanely heavy title track, where ragged acid lines and spiky synth stabs leap above a stomping techno groove, before opting for drums, drums and more drums on the restless 'There's No One Left To Trust'. Acid techno is the order of the day on 'The World Inside' and 'Common Era', while triple-time closing cut 'Wahr Ist Sie Dann' is an odd, alien-sounding treat.

Review: Charlotte de Witte's latest single, Roar, released through her KNTXT label, is a high-octane techno anthem that sets the stage for her epic performances at Coachella ’24. 'Roar' pulses with explosive energy, driven by relentless tempo, powerful beats, and infectious hooks. This track showcases de Witte’s ability to blend genres seamlessly, creating a propelling energetic experience. 'Roar' embodies power, action, and adrenaline, with a visceral energy that commands attention. It's already become a highlight in her sets, promising to energise audiences and solidify her meteoric rise from Belgium’s underground scene to global dance music stardom. For those into her main floor sound, you will not be disappointed here.

Review: Charlotte De Witte has long been a leader of the new school of techno. Her sound is tough an uncompromising and borrows from trance, hard techno and ambient often all at once. Her own KNTXT label is where she releases it and that is where she appears once more now with another fierce peak time EP. 'Power Of Thought' has big unrelenting drums, guying acid and some subtle smoked words for maximum anthemic effect. 'Pria' then brings some Middle Eastern melodic and vocal exoticness to her tightly clipped techno grooves and 'Abada' is a dramatic and cinematic ambient closer.

Review: Charlotte De Witte is, in no uncertain terms, one of the leaders of techno's new school. The Belgian powerhouse is busy on all fronts from epic live streams at Formula 1 circuits to dropping her own clothing ranges, running her KNTXT label to dropping red-hot records like this one. It finds her once again bringing trance and 90s video game sounds track influences to her driving techno template. 'Missing Channel' is chunky and hard-hitting with mind-melting synths burrowing deep, then as the name suggests Apollo gets more celestial with heavenly vocal sounds layered up over spacecraft sound effects and linear techno drums. The flipside brings acid and then otherworldly ambience.

Review: Following up some great releases recently by ONYVAA and Alignment, Belgian techno heroine Charlotte De Witte is back with a vengeance this week on her beloved KNTXT imprint. The Formula EP features three ferocious cuts, all aimed squarely at the main room dancefloor at peak time. From the strict, heads-down shuffle of 'Doppler' and its ravey, infectious chord progression playing centre stage, to the cerebral stomper 'RPM' taking you aboard a wild ride on the acid express. It ends with the adrenalised energy flash of the title track, which goes out all guns blazing.

Review: Charlotte de Witte takes care of the sixth outing on her ever more prominent KNTXT label, and does so with her usual sense of techno power. "Sgadi Li Mi" opens in hard hitting fashion, with laser-link synths shooting across the face of the cantering drums and distant vocal cries adding a churchy feel to the arrangement. "Return To Nowhere" dials it back to a more shuffling techno groove and "Ensemble" offers perfectly transcendental techno for late night reveries. Enchanting ambient vocal "What's In The Past" closes out a forceful EP.

Review: On Rave On Time, her third EP of 2020, Charlotte De Witte giddily pays tribute to the throbbing, warehouse-ready techno sound of her home city of Ghent - and particularly the intense, mind-bending brand particularly associated with R&S Records in the early 1990s. De Witte sets the tone via the razor-sharp and insanely heavy title track, where ragged acid lines and spiky synth stabs leap above a stomping techno groove, before opting for drums, drums and more drums on the restless 'There's No One Left To Trust'. Acid techno is the order of the day on 'The World Inside' and 'Common Era', while triple-time closing cut 'Wahr Ist Sie Dann' is an odd, alien-sounding treat.

Review: Charlotte de Witte returns with the 'Sanctum' EP, featuring vocals from Marion Di Napoli. Dropping just after Amsterdam Dance Event and before her all-night set at LA's City Market, the EP showcases de Witte's unique sound. Known for her dark, hard-hitting beats and trance-infused synths, she's reshaped the techno landscape, headlining global stages and earning millions of streams. The EP's title track, Sanctum, brings pulsating drums and acid-tinged synths, enhanced by Marion's ethereal vocals. Fourth Dimension blends hypnotic rhythms with soulful vocal loops, while Fugato offers a cinematic, ambient closer. Another standout release from this techno heavyweight.

Review: Buckle up for some no-nonsense techno thrills from a powerhouse collaboration, as Enrico Sangiuliano and Charlotte De Witte mint the third entry in Sangiuliano's self-styled 'transient record label' NINETOZERO. 'Reflection' has all the thunderous low end thrust a big room techno record requires, while the scattered hoover stabs and edgy vocal mantra bring the playful charm to the track - hold tight for the head-nagging acid drop. Meanwhile the 'Intro Mix' of the track gives DJs something to play with when kicking off one of those epic aircraft hangar sets. For something different on the B-side, Sangiuliano goes it alone and presents a tool of sorts featuring a stilted voice defining the titular 'Sources Of Propagation' in cold, clinical fashion - something we imagine will become fun to play through ample FX when getting creative in the mix.