New releases last eight weeks: All genres

Review: Charif Megarbane, the Beirut-based multi-instrumentalist and composer, stretches his sonic vocabulary on this sprawling new full-length, a genre-hopping journey that draws as much from the Lebanese coast as it does from the wider diaspora. Where his earlier work painted intimate portraits of local life, this one looks outwarditoward cultural entanglement, exile, and exchange. 'Hanadi' kicks things off with a sax-led, Somali-inspired groove, while 'Dreams of an Insomniac' drifts through hazy keys and fluttering violin. 'Al Dollarji' recalls his signature Mediterranean funk, full of ornate strings, but 'Al Bahriye' disrupts the flow with hip-hop motifs and vocal samples. Collaborations feel purposeful: 'Helia', with Swedish composer Sven Wunder and the Stockholm Studio Orchestra, layers lush cinematic strings into Megarbane's idiosyncratic palette. Even miniature pieces like 'Sfiha' or 'Preamble to the Conclusion' feel essential, punctuating the record's narrative of displacement with clarity and warmth. It's a collection that resists linearity, folding nostalgia and innovation into a rich, borderless soundian informal transmission between traditions, cities and moods.

Review: Dating back to the 1920s, rai music emerged in Algeria as a synthetic hodgepodge of Islamic regional and religious musical styles with Western harmony and electronic instrumentation. Located in the major coastal city of Oran, rai music bisected a nighttime economy that emphasised bawdy nightclubs and cabaret, resulting in a distinctive Andalusian-Arabian style. This new compilation from Wewantsounds, joined with curating musician and rare vinyl record exponent Cheb Gero, documents the very cream of the rai scene from the time of the late 80s and early 90s. Cheb Zahouani, Chaba Zohra and Abderrahmane Djalti all epitomise the dashing verve of this mostly tape-bound scene.

Review: This remarkable compilation revives the raw, defiant sound of Bourini Records, which was a short-lived but vital Libyan label active from 1968 to 1975. Far from Cairo's polished pop mainstream, these recordings capture a gritty shaabi hybrid sound that emerged from Egypt's more marginalised regions. Featuring 15 mostly Egyptian artists, including standouts like Sheikh Amin Abdel Qader and Abu Abab, this essential collection showcases striking contrasts such as growling vocal theatrics, haunting laments and minimalist instrumentation that come with an outsider energy that found Bourini's artists voicing the struggles and spirit of the everyday. Over 50 years later, this music is still brilliantly urgent and honest.