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Review: George and Glen Miller are undoubtedly best known for their West End Records released 1982 boogie-soul classic "Touch Your Life". They released plenty of other records that flitted between soca, reggae, disco, and - in the latter stages of their career - electrofunk. "Easing", which appeared at some point at the turn of the '80s on London label Third World, remains one of their most potent releases - and, in its original form at least, formidably hard to find. This Soundway reissue wisely replicates the track list of the original release, beginning with the title track - a deliciously percussive, musically intricate chunk of peak-time disco smothered in sharp, Afro-funk style horns and George and Glen Miller's lilting reggae-soul style vocals. The flipside "Version" strips out the vocals, allowing listeners to hear in greater detail the pair's impeccable arrangements and instrumentations (particularly the fine orchestration and rich groove).

Review: Mongo Santamaria's 'Green Onions' here (a cover of the iconic Booker T standard) is a classic cut that showcases the legendary Cuban percussionist's mastery on the drums. First released in 1969 alongside the nighttime swayer 'In The Midnight Hour' , the single hears a funking reissue here that once more shines a blinding light on Santamaria's deft ability to blend originally American compositions with Latin rhythms and soul-jazz structures.

Review: Supersound Latinayres Orkestra's 'Froasted Or Fried' is a barbarian track and one for the breakbeats-diggers out there. Not normally noted for its drumming, the track nevertheless contains a distinctively crisp drum recording courtesy of an unnamed orchestra member. Something between jazz, salsa and funk, the B-side is equally soul-clutching, with the lead vocals on the track 'Hot Pants I'm Cumin' going criminally uncredited, yet aweing the listener with its jaw-dropping performance.

Review: Tropical Pop serve up their latest two-sided selection of edits as metaphors for the illicit joys of sugary drinks and/or mocktails; though despite the comparisons drawn between 'Volume 1' and a drink packed with E-numbers, we actually find these to be quite natural in sound, with just the right amount of polish finessing them. 'Lilt' and 'Rubicon' lend functional but buzzing sugar-intromissions to the floor; this is a well-balanced sugar rush, one that burns brightly and shortly. Best suited for peak times, in our view!