Back catalogue: All genres

Review: The SACD version of one of the most important progressive rock albums, which catapulted progressive rock from a experimental and avante garde genre into a well-respected style of rock music, while forging a path for symphonic rock pieces of longer expression to become commonplace. The enhanced clarity and depth highlight every intricate detail of the band's ambitious arrangements, making this the definitive digital edition. The album's tracks shine brighter than ever. 'Roundabout' bursts with energy, its iconic guitar intro and driving rhythm section sounding crisp and vivid. 'South Side of the Sky' reveals its layered complexity, with the interplay between piano, vocals and searing guitar more dynamic than ever. The atmospheric 'Heart of the Sunrise' benefits from the SACD's superior soundstage, emphasising its sweeping contrasts between serene melodies and thunderous intensity. Each member's contribution feels distinct yet perfectly integrated, with the enhanced fidelity highlighting the virtuosity of their performances.

Review: A landmark progressive rock album that showcases each band member's unique talents and their synergy as a group. The album opens with 'Roundabout', a dynamic piece featuring Steve Howe's classical guitar, Chris Squire's powerful bass, and Rick Wakeman's masterful keyboard work, drawing listeners into its complex structure and vivid musical landscape. Tracks like 'We Have Heaven' and 'Cans and Brahms' highlight individual members' creativity, while 'South Side of the Sky' and 'Heart of the Sunrise' feature full-band performances with intricate arrangements and memorable melodies. Wakeman, the band's new keyboardist at the time, brought a fresh, vibrant sound that complements Bill Bruford's precise drumming and Jon Anderson's ethereal vocals. Squire's bass is particularly prominent throughout, adding depth and inventiveness to the album's sound. The album marked Yes's rise to international fame and became one of their best-selling albums, cementing their reputation as pioneers of the genre. This new gatefold vinyl properly presents it as the legendary album it is.

Review: Steven Wilson's remix job injects new clarity into this iconic 1971 album, enhancing its already intricate compositions. The dynamic interplay of soaring vocals, textured guitar and Chris Squire's unmistakable bass lines feels revitalised, while Bill Bruford's drumming gains a sharp, articulate edge. The production balances the band's sprawling progressive rock vision with a modern, polished presentation, amplifying the complexity of the arrangements without losing their original charm. It's an experience that allows listeners to rediscover familiar layers while uncovering details previously buried in the mix.