Review: It could have all been so different when you think about it. One of the UK's most critically acclaimed, celebrated and mourned bands, Joy Division, were originally toying with the idea of calling themselves Stiff Kittens after first getting together. This then changed to Warsaw, after David Bowie's track, 'Warsawa', and it's under this guise they broke into the common conscious, supporting The Buzzcocks, Penetration and John Cooper Clarke at Electric Circus in 1977. Reviews from that show - by music journalist leg-ends Paul Morley and Ian Wood - would ignite the hype. A debut album was planned for RCA Records, 11 tracks that would go on to be known simply as The RCA Sessions. Here they are now, as originally intended, some of which eventually made it onto Joy Division records, others didn't, but all clearly showing musicians defining their sound and place in the scene.
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There's absolutely no doubt in our mind Blue Weekend is a record Wolf Alice feel a sense of enormous personal satisfaction from. Of course time will tell if it can bag them another Top 5 position, or even a Mercury Prize nomination, but for all intents and purposes there's a real feeling of catharsis here. And it goes well beyond famously reserved singer Ellie Rowsell telling listeners she doesn't give a fuck if they like her.
The band's latest punches, bangs and has absolutely no time for dishonestly. In many ways, this is where they are fully realising influences that have always been present - grunge, punk, some of that 1990s British indie-garage-with-bite crossover stuff. But it's also a record that sees them realising just where they've got to, and now reaching for a louder and more prominent position on the main stage.
Review: 25 years have now passed since Liverpool legend Pete Wylie and his long-term backing band released Songs of Strength & Heartbreak, which marked the post-punk era combo's return to action after 16 long years. Something of a triumphant return, the set flits between raucous punk energy ('Never Loved as a Child'), Oasis-ish riffs on mid-late period Beatles ('Sing All The Saddest Songs', 'Disneyland Forever'), riff-heavy post-Britpop indie-rock ('I Still Love You', post-punk headiness ('Loverboy') and all manner of orchestrated, reach-for-the-ceiling sing-alongs ('Hey! Mona Lisa'). To mark the album's birthday, Chrysalis has served up this expanded 'deluxe' edition. Unusually, this time round CD1 boasts the album as it was originally demo'd and produced in 1998 - including a slew of songs that were subsequently shelved - with the 'released' version (2000) nestled on CD2.
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