Review: Some six years after debuting via a deliciously angular and energetic EP from Jaquarius and Mono-Enzyme 307, the Acid Avengers imprint notches up release number 20. Like most of the label's EPs, it's a multi-artist affair. Sometime Balkan Vinyl and Bass Assault artist Acidulant handles side A, bouncing between rushing, piano-sporting 1992 hardcore revivalism ('Super Rave'), sub-heavy deep electro haziness ('Save The Last Rave') and throbbing, arpeggio driven trance/breakbeat techno fusion ('Hauz Trax'). Voiron, who last graced the label back in 2016, takes over on the flip. The Paris-based producer first fuses glistening, spacey melodies, twisted acid lines, post-electro beats and dirty bass on 'Bon Kick Voiron', before opting for deep acid house on 'Digital Voiron Workstation' and atmospheric, Orbital-meets-'90s tech-house on 'Sugar Voiron'.
Review: Basel-based experimental labels Amenthia Recordings and A Walking Contradiction join forces for their first collaborative release here in the form of the Flash Crash/Hack Crash EP. Both labels are known for pushing boundaries within their close-knit creative circles and this one features Agonis' heavy stepper and Konduku's whirlpool of low frequencies on the Amenthia side, while Lemont continues the low-end, tripped-out vibe. Varuna represents A Walking Contradiction and delivers swampy, slow-motion sounds in their signature style. This release embodies both labels' commitment to daring, unconventional electronic sounds.
Review: OHM is quickly becoming a quality imprint you can count on for techno and dub techno. The ninth addition in the series, it calls for an excellent blend of composers to balance this EP out. Veteran Jamie Anderson collabs with the brilliant Owain K on opener. The 'Aqua Dub' builds a euphoria for late night smiles. Smooth is an understatement on this linear gem. One artist on here that's been making strong appearances on many dub techno labels is the ever-talented Francisco Aguado. 'Balance' is a great tribal transition track for any DJ who can it creatively to build the means to an end. On the second side, Star Dub offers the very addictive and techy 'Forst'. Ending on a high note, the brisk and flighty 'Ever Growing' by Volpe completes the ninth edition in a rapturous mood. If you like deep techno, the OHM series is a must to collect.
Review: Deeper shades of a finely sifted pedigree. Irish label Appian Sounds, helmed up by Al Blayney, champion only winnowed techno sounds, not threshed. A welcome international team huddle in, with these six artists from locales as far-flung as Amsterdam and Valencia contributing the likes of 'Tsuneo' and 'Persist'. The tunes verge melodic as they move through and beyond jankiness, distending die-cut acids and subtly synthetic humanisations, especially in the percussion department. 'Fuego' is the zen roshi's choice, its gaffered, glass-smithed pads topping off a naturalistic percussive surging forward, one best experienced with your eyes closed.
Review: Adam Beyer shares his first collaboration with Vintage Culture, 'Lift Me Up' featuring Kyozo. A suspenseful covenant formed between three huge-room techno striators, 'Lift Me Up' was born from a fruitful back-and-forth shared on the road to Sonus Festival in Croatia. Packing a clenched sawtooth lead - one that hardly requires the development that the track nonetheless indulges by way of tuned impacts and chord transitions - this one ends up a dramatic build, as a vaunted vocal lines abjures us to "lift me up", as we listeners end up, paradoxically, the ones uplifted.
Review: Statica's debut release, 'M2-9: Wings of a Butterfly', showcases the label's dedication to serving up diverse techno sounds. This split EP, STATICA001, opens with two intense and dancefloor-ready bangers by the prolific Central Intelligence on the A-side, and both are packed with visceral drum energy and synth unpredictability. The B0side features Madrid-based Victor Reyes, who delivers two reflective but also emotionally charged 4/4 workouts that create a compelling contrast that embodies Statica's "Forces in Equilibrium" ethos. Inspired by the unique butterfly-shaped nebula Minkowski 2-9, this release is a fresh and impactful fusion of power and sensitivity.
Review: Once again, Malor Records purvey the groove with, yes, 'Purveyors Of The Groove', enlisting the help of four of the foremost techno artists out today for help on this latest 12" EP comp. Weighty Berlin techno makes up its core concept, with Cravo's 'Sem Chance' opening up the thing with its sudden vocal shouts, huge kick womps and cantankerous melodic bubblings, before Chontane's 'Septario' and Regent's 'Satin' elevate the listener to a continually wafting stasis. Finally, Vil's 'Bret' closes things off with an intense kick-led wompy-chord-sidechainer, seeming to emphasise the madness of it all.
Review: Finnish underground icon Sasu Ripatti returns under his most frequently used pseudonym, Vladislav Delay, for another bout of Dancefloor Classics. The series has already established a loyal following, and the fourth episode is enough to explain why, even if you've not encountered any of the preceding instalments. Music for imagined dancefloors is how the official release information puts it, it quickly becomes clear just how vivid that imagination is. Throwing down a string of footwork inspired cuts, the four tracks here are frantically upbeat and packed with filthy, jacking potential. But they're also deep, at times ghostly - or at least a little eerie - and ground in a desire not just to make people move, but also push sounds forward into new territories. Never an easy line to tread, the overall results hit as hard as the beats themselves.
Review: The cultured ESHU label has pulled other some more tasteful talents for this four track 'Conrexture' EP. It opens up with Julien Fuentes's 'Jah Justice' (Klaridub Ambient mix) which is a nice atmospheric opener with some conscious dub mutterings and sci-fi pads. Jocelyn & Yasin Engwer then kick on with some watery, sub-aquatic minimal dub tech bliss in the form of 'Sticks & Stones', Voal gets even more dark and dirty with some grubby dub basslines on 'Eight Ball' and Ivano Tetelepta/Christine Benz layer up watery droplets, melodic whistles, static electricity and rubbery rhythms to mind-melting perfection on 'Supreme.'
Review: A label's first release is always a big one which hints at what to expect in the long term and for that reason Introspective debuts with this new five track compilation. They say that "Instinctive Senses is a compilation focusing on precise and cutting sonorities." We say it is a fresh techno offering with plenty of interesting details. Grafin drops 'Vespers' which is tightly looped and quick as hell then SDB & B2 get more dark, heavy and gritty on the twisted 'Reunite.' The flip side kick off with more rough and ready hard edged techno from Specific Objects, sleek tribal loops from Versus on 'Those Things' and Nano Rinnegato gets paranoid and revs up the sirens on 'Ghetto K.'
Review: Luschn and Roman Khropko seamlessly blend their styles on 'Rozchyn', a bouncing, elastic groove that pulsates with energy, its hypnotic rhythms and infectious melodies drawing the listener into a world of sonic intrigue. 'High Hopes' takes a different approach, its smooth, tech-infused textures creating a hypnotic atmosphere, like a journey through a neon-lit cityscape at night. On the flipside, Luschn's 'Never Defeat Me' emerges as an anthem for the resilient, its driving rhythm and soaring melodies inspiring perseverance and determination.
Review: Ambient Classics From Japan on Mukatsuku features two lush filled classics from the label Form@ Record label from the land of the rising sun....First up, Shuichiro Nakazawa under the guise of Modern Living from 1998 - initially taken from the CD only Art Form 2 compilation although it also popped up on Music From Memory's excellent Virtual Dreams collection - now gets a whole side on loud cut 180 gram vinyl to itself. On the flipside comes Virgo aka Yasutaka Sato with his gorgeous deep techno ambient gem 'System For Zodiac piece, taken from the Landform Code CD, of which only 30 copies were ever made and has never seen light of day to vinyl until now. No repress hand numbered to 300 copies and first 100 come with Japanese Origami paper crane + sticker.
Review: For the seventh V/A EP to be released by the label, End Of Perception welcome four new artists aboard their fleet; Orbe, dc11, Viels and Peryl. Each artist bringing a respective techno cogjammer to the record, the sound laid out throughout is nonetheless thoroughly misty and wayward; 'Raster' and 'Caduta Nel Vuoto' both sound like probing rovers navigating the treacherous topsoils of some far-off darkened exoplanet without breathable air; the B-side moves more subterranean, its grooves toothier and clearer-headed, as though we'd found a pocket of oxygen under a rock, yet also unfortunately the the object of predation by a wriggling, scuttling alien that's made said rock its home.
Review: There's no stopping Possession when they get on a roll, and so their second various artists series reaches release number four with another grip of devastating techno bombs for the harder floors of the world. Randomer is up first, throwing down the hard trance-licked thumper 'Shiver' before Somniac One's subtly dreamy beast 'Midnight Intruder' comes marching into earshot. Charlie Sparks kicks off the flip with an unrelenting hard techno assault before Vizionn brings some hard house sass to bear on 'Dream'. It's a fun and feisty selection which tells you everything you need to know about the current wave of hard dance.
Review: Two years ago, Italy's Balearic Gabba Soundsystem switched from remixing and re-editing their favourite cuts to curating compilation style EPs of similarly minded fare. They're in that mode again here, presenting a trio of cuts that combine the saucer-eyed warmth and loved-up musicality of Balearic music culture with grooves and rhythms firmly focused on the dancefloor. They begin by showcasing Wallace's sublime remix of Sewell & The Gong's 'Better Worlds', a locked-in, hypnotising fusion of semi-organic deep house grooves, new age melodic motifs and the dreamiest of ambient chords. Over on the flip they dip into slo-mo Italo-disco/acid house fusion via SIRS fine revision of My Friend Dario's 'Tell Aro', before treating us to a Pedro Bertho remix of Verdo's 'Belvourdier' in which sparkling Balearic house piano riffs, undulating acid lines and mid-80s "chorus" synth sounds rise above a fluctuating synthesiser bassline and hustling beats.
Review: The Blue Hour crew have put together this classy four-track various artists EP to round out their year in style. Spekki Webu's 'Cycleon' is the busy opener with silky, punchy breaks and melon-twisting pads up top. DJ Ibon's 'Slug Knife' is more hard techno in vibe with flat, unrelenting drums. LDS's 'Ere Audio' (vinyl edit) keeps that hard style coming with drilling bass and glitchy synths over looped drums that lock you into a hypnotic rhythm. Vel's 'Tunnel' then brings a punishing techno sound to close with all sorts of freaky sounds scurrying throughout the arrangement.
Review: Paling Trax 5 is a new record by TAFKAMP and Vromo, two techno artists from Rotterdam and Amsterdam respectively1. Paling Trax, meanwhile, comes as a new sublabel of renowned club pushers Self Reflektion, focusing on the comparatively rawer and groovier. Four tracks appear: 'Trakpad #1' and 'Ghett-hoes', courtesy of TAFKAMP, establish dub-tecchy and retro, MPC-style NRG respectively. Vromo's 'Clarity' and 'Pump The Rhythm' , meanwhile, both puslate in different ways, one locking in a serious respiratory mood, and the other sounding like a Bop-It jailbroken for the club.
Review: Six dance tracks skillfully blending old-school vibes with contemporary sounds, spanning acid, breakbeat, electro and house, inviting listeners to dream of underground raves and enigmatic gatherings where ethereal battles against soulless algorithms unfold amid nocturnal dance. Highlights include Trabuco's 'Happy Spliff, a vibrant mix of New York house and early 90s-inspired techno, setting a nostalgic yet fresh tone. Trabuco's 'Signals' follows, delivering a spacey techno experience that feels both futuristic and retro. Yepecc's 'UFO Camp' seamlessly combines electro and acid for a sci-fi romp that transports listeners to otherworldly dimensions. Kevin Kendall's 'Volca Three' stands out with its rich analogue bass, adding depth and warmth to the compilation. The album closes with Victor Reyes' 'Inspired By Nature,' which offers a cool, bouncy finale that leaves a lasting impression. Overall, The Sciences of the Artificial is a refreshing take on retro styled techno and it is perfect for those seeking a blend of nostalgic and fun.
Works Of Intent & Voltaire - "Cascade Rips" (6:38)
Marco Bailey - "Arcane" (4:30)
Tom Hades & Soren Aalberg - "Perditae" (6:08)
Review: This four-track compilation draws a tight line between warehouse muscle and emotional lift, delivering techno that's as moving as it is functional. Each cut brings a distinct perspective, yet they all share a sense of cinematic build and focused production. Gregor Tresher starts with 'Bonegrinder', a slow-burn builder that creeps forward before erupting into a peak-time workout. The groove is tight, the progression deliberate and when it hits full stride, it lands with impact. 'Cascade Rips', a collaboration between Works Of Intent and Voltaire, brings a different mood entirely. Its rolling bassline sits beneath a futuristic synth lead that feels both suspenseful and strangely touching. There's emotion under the surface and it simmers just right. On the Side-B, Marco Bailey drops 'Arcane', built around raw drum machine sequences and electro pulses. It grooves hard with a throwback vibe, nodding to early rave with metallic melodies and vocodered snippets that recall Kraftwerk without mimicking. The closer, 'Perditae' by Tom Hades and Soren Aalberg, floats into a more euphoric space. Its rising melody and ghostly vocals feel like they're beamed down from the heavens. A smartly curated collection of peak and soul.
Review: A quick piping of ultrafast space-techno comes as a six-track aural electro-techno drip, courtesy of Berlin's Mechatronica Music. The second in their 'Constellations' series of V/A EPs, this is an exodic exultation, charting top farings from the likes of Umwelt, Ben Pest and Viikatory. Umwelt's opening charge 'Stellar Oscillations' is a warpsped drive back to the retrofuture, with punctured stabs and fractal chord efferents propelling a lengthy trance crissing 'cross the milky way. Pest's 'Shodan' takes a detour, recharging at an interstellar traction substation specialising in sputtery, kilowatted electro. And 'Be Scared Of Clowns' is the titular highlight by Prz & Ori bringing a different spaceship to the same docking bay; it is the comparative Borg cube to the A3's Romulan craft, lessening any residual humanity for a shocking laserdesign B cut.
Felicie - "Shadow Works" (Cleric 3/10 Years remix) (5:56)
Review: The Clergy label celebrates ten years in the game by serving up another of its vital techno sermons. This one comes with the sub-head 'Charlie' and sure is a charged-up various artists affair that kicks off with the anxious synth designs and nimble drum funk of USAW's 'Kokedama'. Red Rooms coats his beats in dusty and scruffy hi-hats on 'Imaginary Pleasures' while Bidoben gets more deep and eerie with the melodic howls of 'Mimic.' SLV's 'Ohne Sonne' keeps the tension levels high with paranoid synths peeling off an unrelenting groove and two further offerings explore more paired back sounds that tunnel deep into the future.
Review: V2A is a brand new alias from one of electronic music's most storied studio sorts, '90s progressive house producer turned in-demand mastering engineer Gordon Pohl. The "Rodarte EP" is typical of his 21st century releases, sitting as it does somewhere between lo-fi slowed-down techno, off-kilter IDM and hazy ambient techno bliss. While some of the tracks could entrance the right dancefloors - see the sparse, hypnotic minimalism of spaced-out opener "Eins" and the slow acid pulse of "Drei", which includes a rhythmic element so distant you'll think one of your neighbours is doing DIY - it seems designed primarily for maximum immersive impact in a home listening setting. That's particularly true of closing cut "Vier", where rhythmical pulses underpin long, drawn out chords.
Review: Van Boom shows a talent for blending dark, atmospheric tones with experimental soundscapes here while working with artists like whiterose, Safety Trance and Evita Manji on an album that explores themes of emotional vulnerability and transformation. The opening track 'Nuborne' sets the tone with its haunting, immersive sound, followed by 'Untethered' with the ethereal vocals of whiterose. 'Polished Wounds' and 'Object Mapping' delve deeper into intricate textures and layered compositions. It sounds great and looks good too on limited edition smokey clear vinyl.
Review: Niels Van Gogh's Pulverturm (ANNA Rework) on Belgium's Epoque Records is a powerhouse techno ready for the mainstage. Side-1 features the ANNA rework, transforming the original into a heavy club anthem with a rolling bassline and catchy vocal. This deeper, heavier version reinvents 'Pulverturm' into a techno monster. Side-2 offers the more vintage-sounding original, characterised by its melodic and trance-inducing qualities. A great builder in its own right, this version will fit great into any trance or techno set. This release showcases two distinct yet compelling takes on a classic, making it a versatile addition to any techno collection.
Review: Belgian-born, Vietnam-based innovator Peter Van Hoesen returns to the fore here with a daring four-track EP that dives deep into experimental techno. Known for his precision and intensity, Van Hoesen lives up to that as he crafts a cerebral yet visceral journey through chaotic structures and abstract rhythm. From the hypnotic disarray of 'Definition by Absence' to the stormy turbulence of 'Variables Edit 1,' each track embraces unpredictability without forgetting the floor. 'Prime Directive' disorients with anti-club energy, while 'Morphology' offers a slightly more grounded groove that gives form to his conceptual explorations. Fearless stuff as ever from big Pete.
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