Back catalogue: All genres

Review: After two decades entertaining dancers in Santiago, Chile, the Rock Tha House crew have decided to launch their own label. With local legend Camilo Gil and Mexico City-based Mario Flores at the helm, the imprint aims to showcase Chilean talent - though this compilation style debut EP features cuts from artists based all over the world. Nima Gorji sets the tone with 'Get Me Out Of Here', a hypnotic and mind-altering fusion of minimal house sparsity and deliciously psychedelic electronics, before Quenum delivers a typically Chilean blend of oddball house drums, weird noises and Villalobos style effects. Over on side B, Carlo Gambino's 'The Goddess' is a tech-tinged chunk of deep house haziness, while Mihai Popovicu's 'Nimph' is a classical-sounding chunk of ultra-spacey tech-house deepness.

Review: Straight from the heart of Italy in 1991, Q-Base's Atmosphere EP remains a deep house masterpiece, and a prototype for modern day coinage "downtempo" at that. Made by Andrea Gemolotto and Claudio Zennaro, 'Atmospheres' provides not just atmospheres but geospheres, lithospheres, exospheres, and stratospheres of sound, arresting the full potential of the frequency spectrum between its languorous and unhurried beats. The pioneering DFC label saw to its claim in deep house history, and now it's back in a newly repackaged edition, featuring the three timeless tracks from the original 1991 release alongside a powerful bonus: the Idjut Boys' electrifying 1999 remix.

Review: Now busy running a popular studio in Brooklyn, Will Holland has less time to devote to his popular Quantic project. While that is very much our loss, he does at least reappear occasionally to remind us of his talents. 'Tropics', his first release for well over a year, is therefore a rare treat - with the emphasis on treat. The A-side title track does a good job in combining his often-explored Cuban and South American musical influences with the bass-heavy shuffle of Prins Thomas style dub disco. Over on side B, 'Born Again', featuring Laura Roy on vocals, doffs a cap to his formative releases of the 2000s on Tru Thoughts, while 'Japanese Knives' is a chunky, string-laden workout reminiscent of some of the Quantic Soul Orchestra's most picturesque instrumentals.

Review: Fad-free French house label Skylax has always done its own thing, and always to a great reception amongst serious heads. This new one from Quasar is an impossibly perfect mix of physical drums and heart-aching vocal hooks. The pitched up female vocal conveys such bittersweet pain it doesn't matter the words she sings as you're immediately drawn in for the ride. 'For Your Love' is another hugely emotional cut with floating breakbeats and nagging vocals that really get you where it hurts. 'Morning Bells' is a deep house cut with a spritely groove and blissed out vocal, and 'Inside My Love' closes with more heavy analogue drums but no less of a heartfelt sound thanks to the melancholic pads.

Review: PIV Limited is one of those white-hot labels that has its own universe of artists, dedicated fans, and even parties soul in places like Ibiza. The vibes are rooted in house with a slick future feel. Dennis Quinn is behind this new one which has a serious nod to the deep house don Kerri Chandler on opener 'Treat You Right (feat Cheshy)' with its bulky kicks, chord vamps and diva vocal. 'Impressions' has a more heady and blissed out feel with sunny chords and Roy Ayers style vibes. 'Touched' brings some raw, heavy house sounds for the warehouse and a Classy dub mix of the opera brings things to a sweaty close.

Review: Beeyou Records proudly presents False Promises, a captivating EP from Dennis Quin, a renowned artist known for his timeless, soul-moving house music. The A-side kicks off with 'Reactivate,' a high-energy garage track that immediately captures the listener's attention with its punchy basslines and crisp percussion. Following closely is 'Diamond Hunting,' a bumpy 4x4 track that is guaranteed to get any dancefloor moving. On the B-side, Quin offers a more introspective sound with 'Accidentally,' a track that blends classic house grooves with playful modern production. The EP's title track, 'False Promises (Original Mix),' is a standout, featuring a lovely vocal and vibrant house energy. Finally, 'Well Conducted' showcases Quin's versatility with its downtempo, chilled vibe. False Promises is a must-listen for fans of house music. Quin's talent for creating timeless tracks is evident on every track on this EP.

Review: Last year, Quiroga (real name Walter Del Vecchio) returned to Hell Yeah! Recordings with an impressive dose of TB-303-laden dancefloor psychedelia, the superb 'Acid Dropout EP'. 'French Kiss', the title track from his latest EP for the popular Italian imprint, is a more immersive, warm and hazy affair, where sweet female vocal snippets, warming Rhodes riffs and dreamy electronics rise above a shuffling, mid-temp deep house beat and organic-sounding bassline. His trademark acid lines naturally feature on the accompanying 'Baia Club Ambient Version', a shuffling breakbeat affair that takes cues from Italian 'ambient house' (IE dream house) rather than beat-free soundscapes. It is, though, genuinely superb. Turn to the flip for two bonus cuts: the vintage Jazzanova-esque broken house brilliance of 'Ask Coppede' and the deep, Balearic-fired electro shuffle of 'Cala Ventosa'.

Review: ***B-STOCK: Creasing to corner of outer sleeve but otherwise in excellent condition***


The new album by Quantic - aka. multi instrumentalist, DJ, composer and producer Will Holland - is in many ways an evolution. Now twenty years into his career, Dancing While Falling is the British-born, New York-based artist's most live sounding, euphoric and, in his own words, grown-up release to date. Capturing the beginnings of every good person's revelatory movement from an individual to a collective spirit, Holland originally began the album in his Brooklyn studio, before realising that he didn't just want to make a record that reflected his 'singular pandemic wormhole', but rather one that tapped into the essential togetherness of the human condition. So too does this record explore themes of connection felt through, and made more intense by, the antagonistic bouts of loneliness that characterised COVID-19. Influenced by legendary artists in the scene like Bohannon and Larry Levan, Quantic wanted to make a disco -eaning album at first; "I'm really interested in Latin music and Afro Caribbean rhythms and I think there's a really amazing point in history where the emergence of those rhythms and its combination with American soul sparked what we now know as disco," he says. This PIAS extended edition comes one year on from its initial 2023 release, Quantic here expands on his work by adding a ream of extended versions.

Review: The new album by Quantic - aka. multi instrumentalist, DJ, composer and producer Will Holland - is in many ways an evolution. Now twenty years into his career, Dancing While Falling is the British-born, New York-based artist's most live sounding, euphoric and, in his own words, grown-up release to date. Capturing the beginnings of every good person's revelatory movement from an individual to a collective spirit, Holland originally began the album in his Brooklyn studio, before realising that he didn't just want to make a record that reflected his 'singular pandemic wormhole', but rather one that tapped into the essential togetherness of the human condition. So too does this record explore themes of connection felt through, and made more intense by, the antagonistic bouts of loneliness that characterised COVID-19. Influenced by legendary artists in the scene like Bohannon and Larry Levan, Quantic wanted to make a disco -eaning album at first; "I'm really interested in Latin music and Afro Caribbean rhythms and I think there's a really amazing point in history where the emergence of those rhythms and its combination with American soul sparked what we now know as disco," he says. This PIAS extended edition comes one year on from its initial 2023 release, Quantic here expands on his work by adding a ream of extended versions.