Back catalogue: All genres

Review: The fables around this one are strong. To say the least. Corker & Conboy's album, In Leith of that Learnt Later was apparently recorded in a converted carpark in Battersea. Melding together cinematic post-rock, adult lullabies, dub-by folk, and new age, it's a marvel of escapist listening that transports you far from the brutality of the concrete London it was born into, out to some field in England or other, and then onwards to plains we are yet to become familiar with. On this two-tracker that sense of adventure remains very much in tact. Purelink steps up with a remix that could be the soundtrack to your next sensory depravation tank prep or cacao ceremony. All earthy bubbles and light, loose, tribalistic percussion. On the flip, find one of the originals from the LP - the lackadaisical guitar motifs of 'On The Dust and The Haze'.

Review: Perila returns with a reflective spiritual successor to her 2022 album that comes on Vaagner's sister label A Sunken Mall. The album takes in eight tracks produced between 2021 and 2023 and they all do a fine job of conveying a serene vulnerability with its drifting, ethereal soundscapes smeared with echoing voices, droning guitars and resonant textures. It's like a whispered conversation during quiet moments and once again makes for a world that doesn't need to be understood, only felt. The Air Outside Feels Crazy Right Now reminds us that finding inner peace through music can counter the chaos of the external world and help turn fragility into strength.

Review: No-one could accuse the London-based duo Public Service Broadcasting of lacking ambition-after the runaway success of their debut 'Inform - Educate - Entertain', this second album, whilst still utilising their trademark mixture of archive audio recordings, krautrock and post-rock. focuses conceptually on the '60s space race, and summons up a suitably widescreen and emotionally resonant backdrop for these stirring tales of voyages into the unknown. Both playful and respectful, it's a heartfelt record whose experimental elan matches the ground-breaking nature and sense of wonder of the subject matter, with these soundscapes and grooves sounding forceful and engaging even whilst they're figuratively staring at the stars.

Review: Public Service Broadcasting's fifth studio album, The Last Flight, four years on from their 2021 concept album, Bright Magic, taking inspiration from the life and final voyage of pioneering aviator Amelia Earhart. Frontman J. Willgoose Esq. explained the choice of Earhart's story, noting a desire to highlight a female-focused narrative amid an archive dominated by male figures. He was initially drawn to Earhart's final flight but became increasingly fascinated by her extraordinary achievements and dignified philosophy. The album's first single, 'Electra,' shows what to expect - a pulsating, funk-inspired track capturing the vibrancy and excitement of Earhart's Lockheed Model 10-E Electra aircraft. With interlocking percussive melodies and driving electronics, 'Electra' embodies the same determination and force as Earhart's daring spirit. The Last Flight promises a rich, life-affirming exploration of adventure, speed, and freedom, featuring guest appearances by Carl Broemel (My Morning Jacket) on pedal steel and Berlin voices Andreya Casablanca and EERA, both of whom contributed to Bright Magic.