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Review: Dense, brooding riffs, macro-melodic tidal waves... Pelican's signature blend of post-metal-sludge is a piscine gulping of tsnuami-sound. Formed in the proverbially thalassic sonic expanse of Chicago, this band flocked together in 2000 at the core whim of guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec. Radically, Pelican initially described their approach to music creation as "rule-free", mirroring the perception of 1990s Chicago as a barbaric "free-for-all" in which an empty beaker of potential was confronted, and partially refilled, by the oceanic outpouring that was experimental post-rock. Long after their debut Australasia (2003) and career-migrations such as City Of Echoes and Arktika, came Flickering Resonance (2022), a record which was deemed to reflect a more "humanistic side of the band." The bleak landscapes evoked on 'Cascading Crescent' and 'Indelible' are no discourager for this band; they still maintain cavalcades of riffing stridencies and amphibious drumming.