Back catalogue: All genres

Review: The Distorsion camp offers up its first sampler as a way of teasing you with the sort of quality sounds and artists it has on its roster. First up is a three-way collab between Citybox, Hankook & Orebeat whose 'Dangerous Changes' is an intense breakbeat workout for the peak time. Orebeat & Alex Clubbers keep the energy levels high and inject early 00s video-game style synths, Orebeat & Citybox keep it dark and raw with 'Gangsta' and Orebeat & JottaFrank laced up their thrilling breaks with acid lines and sleazy vocals on "Noche De Paris.' This is potent stuff for strobe-lit floors.

Review: The second part of the Remember The Future series from the Greek label To Pikap is another 12" packed with electro goodness form an array of exciting artists. LEGACY opens up with 'Nom De Guerre' with its magnificently lithe and chrome plated rhythms dancing about over crunchy analogue drums. Future Draft rides a more zoned out and celestial electro vibe on 'All That Remains' and The Jaffa Kid gets into some intricate synth programming and off-grid beat work. Three further cuts on the B-side bring funky, dark and joyous tweaks to the electro format.

Review: O! Kult was a post-punk and industrial band from Yugoslavia that was active in the 1980s. Like many of their peers at the time, they were censored by the communist party that was in charge but that didn't stop them from making music and gaining a cult following. Their cut 'Zvestoba' has been found in old Radio student archives and brought back to life here and then remixed by modern luminaries Silent Servant, Christian Kroupa (who is one half of Black Dot) and 198319831983. They add weighty tech, EBM and moody electro vibes to make for a strong package.

Review: This is some serious electro that really packs a punch. It is both physical and cerebral, with as much to keep the old noggin entertained as there is for the feet and body. The EP marks a fine return to Gunfinger Food for Obzerv who offers up his first solo vinyl release with tracks taken from some of his previous live set performances. They make for pure machine funk, with tough and robotic bass and lithe synth designs from the future. This is a one-time-only press on wax, so do not sleep.

Review: Celestial Voyage on White Lunar delivers four distinct tracks that fuse futuristic techno and trance for a cosmic journey. Side-1 opens with Oho's 'Endless Coordination', a mysterious, futuristic techno track with a touch of psy-trance, creating an otherworldly vibe. Ffrvnco follows with 'Late Day', a high-energy 90s-inspired techno-trance hybrid. Its acid line meshes perfectly with melodic elements, offering a sci-fi-tinged experience. Side-2 kicks off with Stefano Andriezzi's 'Dos En Uno', a fast-paced, fun techno track designed to move the dancefloor with its addictive energy. 'Anti Entertainment' by Jucid closes the EP, bringing the tempo down with a moody, low-tempo trance cut. Mysterious and alien in tone, it's a perfect end to this celestial voyage. A futuristic and diverse selection for techno and trance fans that have a minimal techno production technique.

Review: GNC’s first release, Ritmo De Escape, brings Ivan Olson to the forefront with a five-track EP steeped in late 80s and early 90s nostalgia, capturing the spirit of the Belgian and German new beat and EBM scenes. Each track, produced with Bikatronika and a remix by DJ Noche, is crafted for high-intensity club sets that blend deep, gritty basslines with hypnotic leads. The EP’s standout moments bridge classic synthpop warmth with today’s electro-techno edge—great for turning up the energy mid-set or closing out a long night with just the right dose of throwback groove.

Review: FXHE maintain their monthly heat emission for 2012, with label boss Omar S displaying all aspects of his production prowess (as well as skill for a humorous track titles) across four productions - one of which features the button bashing assistance of one Patrik Sjeren. There's something icily brilliant about the restrained "Income Tax Refund Dance" melding a dark piano riff with snapping 808 kicks and rippling lo fi rhythms which only further justifies the title of Omar S's killer 2011 LP. It's complemented by the far rowdier box jam "The White Castle Song" which jackhammers a simple yet highly flammable key riff over low rent percussion for FXHE's most potent ode to the perfect warehouse moment since the all conquering "Here's Your Trance..." Given the lack of additional info, we presume the Patrik Sjeren that produces the B Side "Untitled" track is the same Patrik Sjeren that released in the mid 90s under a multiplicity of aliases, and his contribution is every bit as incendiary as the track preceding it, whilst "3c 273" sees Omar S slip into pensive utopian electro mode with aplomb.

Review: It has been a rather remarkable three years since Yuko dropped its first release, but finally, they are back with more. It is co-founder Emo Omar who features both solo and in collaboration with Luje from Club Pizza while two exciting new French talents Chud and Vivant also make their mark. 'Pollen' is a bright and hooky melodic electro sound then 'You & Me' gets more percussive, with old school cow bells staying busy next to all sorts of wonky synth work. 'Tomorrow's Made Of Breaks' is built on rigid funk and trippy synth bleeps and 'Zeus' shuts down with some retro-future vocoder vocals. This is a great return from a label we hope now pushes on.

Review: SIKU's various artists offerings always result in a nice and varied sound across two sides of vinyl and the sixth such drop is another one worth of attention for techno heads. Onoffon opens with 'Matter What' which rides on raw drums with slapping hits and stark synths, while Sebastian's 'Dreams Metaphors' has a ghoulish energy and dark, twisted synth menace. Rufo brings some cosmic wonder and bleeping melodic sequences to 'Mr Wonderful' and Brian Topham's 'Expressive Dimension' is a straight up tool with burrowing leads.

Review: This compilation is a sonic tapestry woven from the threads of diverse electronic soundscapes, each track carefully crafted to evoke the liminal space between dreams and reality. It's an invitation to immerse oneself in a world of intricate textures, hypnotic rhythms, and evocative melodies, where the boundaries between genres blur and the music takes on a life of its own. Jonny Rock's 'Legenda' sets the tone with its purposeful groove, its driving energy balanced by a sense of introspective depth. Thanksmate's 'Take A Chance' adds a meditative touch, its gentle melodies and atmospheric textures inviting contemplation and reflection. Dobao's 'Oceano' plunges into a deep, liquid dimension, its swirling synths and hypnotic rhythms creating a sense of weightless immersion. Giammarco Orsini's 'Whirlwind' picks up the pace, its pulsating energy and infectious groove propelling the listener forward. Hiver's 'The Frontier' explores the tension and release of electronic landscapes, its dynamic shifts and evolving textures keeping the listener on the edge of their seat. Sam Goku's 'Lucid Oscillation' closes the compilation with a sense of ethereal beauty, its airy melodies and floating notes leaving a lingering sense of wonder.

Review: Giammarco Orsini and Intheismah join forces on a release that melds hypnotic techno with progressive and electro-EBM influences. Shadowy textures and haunting rhythms lay the groundwork, while immersive melodies thread through each track, creating a deeply atmospheric listening experience. The fusion of genres feels deliberate and powerful, with a clear intent to captivate the dancefloor. This is a soundtrack for the season's darker moods, where subtle shifts in rhythm and texture keep the energy simmering while hinting at the after-hours spirit that defines the best of contemporary techno.

Review: Ovatow is but one outlet for Wilco Klen van Bennekom, the man running the Frustrated Funk family of labels from Rotterdam. It's not so often we get treated to a drop of fresh productions from someone normally releasing other people's music, so 10 years on from the last Ovatow outing, it's time to sit up and take notice of this new drop on Frustrated sub label Harbour City Sorrow. There's an echo chamber veneer hanging over this two-tracker which finds the worlds of electro and dub techno colliding with stunning results. If you value deep-diving electronics with expansive atmospheres, this record is for you.

Review: Ovatow is one of several aliases from the DJ, producer, graphic designer and Frustrated Funk label head also known as Klen. It is one he saves for dubbed out solo experiments and this EP first dropped back in 2007. It stands up now though as a tasteful Collins of electro, dub and techno. 'Flame' kicks off with wobbly synth hooks and ice-cold analogue beats. 'Visitation Dub III' then sinks down into a moody, grainy and lo-fi world of deepest dub and 'A Thought' flips the vibe again with a bright and busy electro workout. It pairs the coldness of machine hits with the liquid soul of some lush synth melodies. Classy stuff, for sure.

Review: Hilltown Disco have been nurturing their own micro scene up in Dundee, bringing a punchy, gnarly strain of electro to the Scottish city and creating a strong community around it. Now that community comes out in force to celebrate five years of the label and club night, presenting a cast of underground operators singing from the same hymn sheet. Whatever stripe of electro you're into, you're sure to find something to sink your gnashers into here. Keep an extra attentive ear out for the opening track from W1BO, the sadly departed Wibo Lammerts, who the five-track release is dedicated to.

Review: This is the third full-length album by veteran Swedish producer Ola Obergman who has been producing since the turn of the millennium on respected imprints such as Skam, Borft and Futhur Electronix. A heavy collection of 808-based fusion in classic Pariter style, Mirror Counterpart is a cohesive effort featuring some truly impressive productions; from the early proto-house sound of the title track, to the Detroit influenced hi-tech soul cuts on the second disc - 'Indeterminacy' and 'Stellar Triangulation' respectively - going into 4/4 robot funk on the second disc with 'Alice Matter' and 'Uncertiny Principle' being the highlights. Superb.