Ozzy Osbourne & Lemmy From Motorhead - "Hellraiser Mashup" (4:59)
Ozzy Osbourne - "Hellraiser" (4:54)
Motorhead - "Hellraiser" (4:33)
Review: "This 10" single reissue comes in celebration of the upcoming 30th anniversary of Ozzy Osbourne's 'No More Tears'. A new mashup sure to inspire only the best moshpitting and hair-flicking skills from every true hard rock head, this new track hears a the original Ozzy song mashed up with Motorhread's version. Never before released, it sounds like an alternate Dante eagerly cruising through the many layers of hell, as new drum reversings, stereo effects and soundscapes are peppered into this masterful musical jigsaw. The B-side also contains the two original, unremixed versions.
Review: If you've seen Metallica live and in the flesh you'll appreciate how ferocious their shows are. It's not just the music that's loud, all aspects of the performance seems to hit like wrecking ball, raising the volume and intensity on each chord of every riff, drum-packed crescendo, and disorientating outro. And it's always been that way, as this reissued recording from one of their legendary shows proves. Captured in 1994, when the thrash metal pioneers played Woodstock, USA, Justice For All certainly lives up to the name of the outfit's classic 1988 LP, And Justice For All, which earned them their first Grammy nomination. It's pretty powerful, potent stuff, running through a number of the group's strongest tracks in a live context, which goes some way towards transporting us to the gig itself.
Review: "It rained like a cow pissing on a flat rock" Aerosmith's Steven Tyler apparently once said about Woodstock 94. His band's set, in the middle of the night, followed a monumental firework display at the end of Metallica's typically juggernaut show. A cataclysmic halt, picturing the scene in your mind now is almost biblical, moody storms setting in across a dangerously oversold, woefully organised weekender headlined by some of the most lightning-worthy rock bands on the planet. Short Cuts: The Best of Woodstock 94 is more than a concert recording, then. An abridged version of a marathon set, it's also a declaration of intent from metal titans who refused to be upstaged by the events unfolding around them. If there's ever an excuse to revisit Metallica on stage during the Black Album period, then surely it's with a backdrop of chaos and rage?
Review: An essential collection of Motorhead's singles from 1995 to 2006, now available as an expanded double CD set. Featuring iconic tracks like 'Sacrifice', 'Love for Sale', and their electrifying cover of 'God Save The Queen', the compilation shows the band's relentless energy and songwriting talent during this era. Disc one highlights live versions of fan favourites such as 'Over Your Shoulder' and 'Overnight Sensation', while disc two continues with the gritty rock anthems 'Shut Your Mouth' and 'Whorehouse Blues'. The collection includes rare radio edits, live cuts like "R.A.M.O.N.E.S.," and an insightful 2004 promo interview with Lemmy and Mikkey Dee. The album exemplifies Motorhead's versatility, proving they never lost their edge. This double CD version boasts not only their hardest-hitting tracks as well as plenty of rare moments.
Review: With the iconic Montreux Jazz Festival constantly working to offer the most dynamic respites from their jazz-centric billing, and showcasing their tastes for the best in outsider (anything other than jazz) music, it shouldn't come as too much of a shock that the legendary Motorhead ripped a mammoth set apart back in 2007. Featuring a plethora of tracks from their catalogue such as 'Killed By Death', and 'Ace Of Spades', while also serving as the first official release to feature the trio's much loved cover of Thin Lizzy's 'Rosalie', it's delightful and absurd in equal measure to hear Lemmy and his cohorts embracing an entirely different type of audience to deliver one of the most unique sets of their latter days.
Review: 1977 was a pivotal year for Motorhead, seeing as it saw the release of their debut, self-titled album and also the hiring of Fast Eddie Clarke, forging what is invariably seen as the classic line up of this seminal band. The year may be closely associated with the height of punk rock, but the ultra heavy metal stylings of Lemmy and co always crossed the divide and appealled to punk and metal fans alike. The 11 tracks here straddle the tracks written for that debut LP ('Iron Horse/Born To Lose', 'Vibrator' and 'White Line Fever') and older material such as 'Motorhead', originally penned by Lemmy's previous employers Hawkwind, their cover of Eddie Holland's Motown classic 'Leaving Here' and 'On Parole', first recorded with Clarke's predecessor Larry Wallis in 1976 then shelved. The sound of one of the finest bands ever just beginning to hit their stride.
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