Review: Upon its release in 1970, Donny Hathaway's latest album was met with critical acclaim but modest commercial success. The LP showcased Hathaway's extraordinary versatility, blending gospel, jazz, blues and soul into a cohesive whole. It was a rich tapestry of influences, marked by Hathaway's stunning vocal prowess and his ability to craft arrangements that felt both intricate and organic. The album also set the stage for his subsequent works, cementing Hathaway as one of the most important voices of his generation. Tracks like 'The Ghetto' and 'Tryin' Times' revealed his commitment to addressing social issues, while songs like 'Thank You Master' and 'Je Vous Aime' showcased his personal and spiritual depth. In the decades since its release, Everything Is Everything has grown in stature, celebrated as a cornerstone of soul music.
Review: Hailing from Norway, Hedvig Mollestad is renowned for her ability to bridge the worlds of jazz and heavy rock with a fierce, improvisational spirit. The trio, which has been at the heart of her sound since its inception, is back with their latest offering after a four-year hiatus, following the release of Ding Dong. This time, there's a palpable sense of urgency and creative freedom. Tracks like 'Bees In The Bonnet' and 'Under The Velvet Sky' highlight their complex interplay, weaving intricate structures with fiery, riff-heavy moments. The trio's chemistry, cultivated over years of touring and writing together, has only deepened, with an infectious energy that resonates throughout the release. Mollestad's sharp, commanding guitar work remains a focal point, as she effortlessly fuses influences from jazz legends to the weighty riffs of metal pioneers.
Review: Originally recorded live at the New York Jazz Museum in 1977, this newly mastered version of a classic form William Hooker captures a vital, previously unheard performance from three titans of free jazz. They are eponymous drummer William Hooker, tenor saxophonist David S. Ware and alto saxophonist Alan Braufman and this session brims with raw, unfiltered energy that taps into a pivotal moment in each artist's career. Hooker's percussive invention, Ware's searing intensity and Braufman's loft-era vision combine in a spellbinding document of New York's avant-garde scene and form what is a crucial artefact from jazz's fearless frontier of the time.
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