Back catalogue: All genres

Review: Front 242's re-release of their timeless classics on crystal clear vinyl is a true gift to electronic music aficionados. Originally unleashed in 1983, the Endless Riddance EP, following their debut album Geography, remains a pivotal moment in the genre's history. This release served as the bedrock for the group's influential sound, shaping industrial and EBM music for decades to come. Front 242's dedication to their craft and relentless innovation is evident in their ongoing influence on electronic music. As they embark on their final tour in 2024, it's a fitting tribute to their enduring legacy. With their mantra, "always ahead," Front 242 continues to pave the way for future generations of electronic artists.

Review: Among the figureheads of French disco, Bernard Fevre, better known as Black Devil, probably had the shortest-lived career, but was among the brightest minds of them all. Although his first album Disco Club, released in 1978, went unnoticed at first, it has since become a must-have, a collector's item which has led a lot of listeners to further investigate his extensive work. Fevre experimented with such a wide gamut of styles that it has been hard not to lose track; though perhaps one such aide l'equilibre is this newest compilation/lookback record, Space Oddities 1976-1985. Spanning a huge swathe of Fevre's records, some more touted and others more waylaid, this compilation can only begin to help us firmly grasp the cosmic breadth of the artist's work, some of which is indubitably club-bound, some of which is comparatively cinematic and scenic. Here's hoping Giordano Bruno was wrong about the open universe - Fevre's explorations are so expansive that they verge on boundlessness.

Review: Wolfgang Flur is of course the former electronic percussionist of Kraftwerk during their classic era from 1974 to 1986. He's now set to release a new studio album featuring collaborations with several synth-pop and dance music icons. They include German techno duo U96, Yello's Boris Blank, Thomas Vangarde - better known as former Daft Punk mainman Thomas Bangalter - Juan Atkins, Antony Rother, Emil Schult and New Order legend Peter Hook. Flur has since become a celebrated solo artist whose music blends retro-futurism, melody and narrative while always maintaining an optimistic vision for humanity.

Review: The third volume in the Future Sounds Of Kraut series delves deeper into the experimental realms of krautrock, blending its hypnotic rhythms with modern sensibilities. On this release, Fred und Luna lead the charge with their distinctive sound, drawing from the genre's rich history while infusing it with fresh, forward-thinking elements. The album's varied tracks are a journey through intricate loops, motorik beats and atmospheric textures, offering a dynamic exploration of electronic and psychedelic landscapes. A collection that pays homage to Krautrock's pioneers while shaping its own space in the genre, this release is a must-listen for both old and new fans alike.

Review: ***B-STOCK: Creasing to corner of outer sleeve but otherwise in excellent condition***


The third volume in the Future Sounds Of Kraut series delves deeper into the experimental realms of krautrock, blending its hypnotic rhythms with modern sensibilities. On this release, Fred und Luna lead the charge with their distinctive sound, drawing from the genre's rich history while infusing it with fresh, forward-thinking elements. The album's varied tracks are a journey through intricate loops, motorik beats and atmospheric textures, offering a dynamic exploration of electronic and psychedelic landscapes. A collection that pays homage to Krautrock's pioneers while shaping its own space in the genre, this release is a must-listen for both old and new fans alike.

Review: Gavin Friday's Ecce Homo marks his return with a bold, sonorous expression after a 13-year hiatus. The album, produced by Dave Ball (Soft Cell), Michael Heffernan, and Riccardo Mulhall, showcases Friday's evolution as an artist, blending rebellion, anger, and introspection into a deeply personal exploration of identity and societal disillusionment. Known as the former frontman of the Irish post-punk band Virgin Prunes, Friday crafts Ecce Homo with a striking mix of emotional vulnerability and defiance, tackling themes like religion, power, and self-liberation. The title track's haunting yet euphoric sound, paired with an AI-generated video, sets the tone for an album that breaks genre conventions while maintaining a sense of triumph. Ecce Homo is a work of fearless self-expression, building on the reflective grief of 2011's Catholic while celebrating the strength found in independence. This album affirms Gavin Friday's enduring artistic presence.

Review: F.M. (Francois Marche) and Fa_Fane (Stephane Bodin) say they "perform live with an acid-tinged electro-dub set, a danceable balance between the organic and the digital, the hot and the cold." When it comes to the studio, the fine line they tread between machine and human, accessible and experimental is equally evident, making them sure fire winners in the world of movie soundtracks. Not least when the film is on the avant garde side of things, as Fotogenico is. Directed by Marcia Romano and Benoit Sabatier, the movie is a visually arresting, high tempo collage of a chase-mystery in which a father attempts to piece his dead daughter's story together using only the music she recorded. Glitchy, digi-dub and synthesised post punk ensues, among other stuff.

Review: Front 242's decision to re-release No Comment in partnership with Alfa Matrix is a testament to their influential status in electronic music. Originally released in 1984, the album marked a significant moment for the band as they solidified their lineup and began to attract a devoted following. The remastered version by Daniel B. allows listeners to experience the album's innovative and unmatched sound in the best audio quality possible. No Comment was a early example of Front 242's high-tech, hard-edged electronic punk dance music, establishing them as leaders of the emerging electronic body music movement. Front 242's commitment to pushing the boundaries of sound and technology is evident throughout the album. Their cold, synthetic brand of electronic dance music became their signature sound, influencing electronic music for decades to come.