Back catalogue: All genres

Notes: ***B-STOCK: Box damaged with tears on packaging, but product is in excellent condition and in perfect working order***


The Headliner 3-Tier Desktop Synth Stand was designed to improve your workflow and help you stay organized while fitting more gear on your production desk. It fits three compact devices like synthesizers, controllers, drum machines, and effects modules. The angled design makes it easier to reach knobs and view LCD screens.

The Headliner 3-Tier Desktop Synth Stand is adjustable in width from 7.3" to 11.5" and fits a variety of devices from Roland, Korg, Elektron, and more (partial list below). It is made from solid steel and includes non-slip rubber strips for added stability.

Features
Improve your workflow and stay organized while fitting more gear on your production desk.
Fits three devices such as synthesizers, controllers, drum machines, and effects modules.
Angled stand makes it easier to reach knobs and view LCD screens.
Solid steel construction with non-slip rubber strips keep stand and equipment in place.
Width adjustable from 7.25" to 11.5". Best fits devices from 8" to 14" in width.
The lower tier has a depth of 7". The middle and upper tiers have a depth of 5.25".
Overall dimensions of stand (WxDxH): 7.25"-11.5" x 17" x 17.5".
Includes non-slip rubber strips.

Fits*: Akai Fire, Alesis SR-16, Arturia SparkLE, Behringer Crave, Behringer TD-3, Behringer RD-6, Elektron Digitone, Native Instruments Maschine Mikro MK3, PreSonus ATOM SQ, Akai LPD8, Akai MPX8, Dreadbox Typhon, Korg nanoPAD2, Korg SQ-1, Korg Volca Bass, Korg Volca Beats, Korg Volca Drum, Korg Volca Kick, Korg Volca NuBass, Korg Volca Sample 2, Roland Boutique Series, Roland MC-101, Roland TB-3 Touch Bassline, Roland TR-6S
*Some devices may not fit on all tiers.

Notes: ***B-STOCK: Box damaged, product in perfect working order***


PreSonus Eris-series studio monitors are used worldwide by audio engineers and producers who need to hear every detail of their recordings. Our best-selling studio monitors just got better! Eris 3.5 media reference monitors deliver studio-quality sound in an elegant, compact form factor that makes them ideally suited for bedroom studios, video production, and high-fidelity gaming setups.

With 25 watts per side of onboard power, the Eris 3.5 reference monitors pack a serious punch, while still delivering clear, accurate audio. The weave and nature of the Eris 3.5's 3.5-inch woofer result in tight bass that you can feel, as well as cleaner overall sound. The one-inch silk-dome tweeter produces refined high-frequencies and is designed to radiate sound with a wide pattern, creating a large optimal listening area. Improved speaker voicing over previous designs delivers richer lows and a smoother crossover transition for articulate, accurate transient reproduction throughout the frequency range and a less-fatiguing listening experience.

A convenient front-panel knob sets the level of both the power amp and the loud, clear headphone amplifier, with its front-panel jack. With three types of inputs, it's easy to connect just about any audio source to Eris 3.5 reference monitors. High- and low-frequency controls let you easily adjust the Eris speaker's frequency response to compensate for the acoustics of your space and create the most accurate sonic reproduction possible.

Need a little more low end? Add an Eris Sub8 BT to build a perfectly matched 2.1 sound system that fits almost anywhere.

Features

3.5-inch, woven-composite, low-frequency driver
1-inch, ultra-low mass, silk-dome, high-frequency driver
50W, Class AB dual amplification
80 Hz to 20 kHz frequency response
98 dB SPL (Peak, @ 1 meter)
High- and low-frequency Acoustic Tuning controls
Balanced, 14-inch TRS inputs; unbalanced, 1/8-inch stereo and RCA inputs; and integrated stereo headphone amplifier with front-panel 1/8-inch output
Protection: RF interference, output-current limiting, over-temperature, turn-on/off transient, subsonic filter
Power Saver mode (engages after 40 minutes)
Comes with speaker wire, 1/8-inch TRS to stereo RCA cable, and stereo RCA to stereo TS cable

Versatile connectivity.

PreSonusr Erisr 3.5 reference monitors connect to virtually any line-level audio source, using rear-panel, 14-inch TRS and RCA inputs and a front-panel, 1/8-inch, stereo line input. You also get a convenient (and loud!) front-panel, 1/8-inch, stereo headphone jack; connecting headphones mutes the speakers.

Built to match your room.

Unlike other home audio speakers that hype the bass at the expense of other frequencies, Erisr speakers provide an even response throughout the frequency range, from bass to treble. This means you'll hear your favourite music exactly as artists and engineers intend it to be heard. High and Low Acoustic Tuning controls let you dial in the Eris 3.5s precisely to your environment to further ensure the best sound possible.
Honest. Expressive. Powerful.

Like all PreSonus media reference monitors, the Erisr 3.5 offers consistent, accurate listening. Their stylish design makes them a welcome addition to living rooms, compact home theatre setups, and gaming rigs, and their smooth and even frequency response ensures that your music - and everyone else's - will sound incredible.

Specs

Electronics
Voltage: 220-240V UK
Wattage: 25 Watts (Each Speaker)
Input impedance: 10 kO

Performance
Peak SPL: 98 dB (@ 1 meter)

Speakers
Crossover frequency: 2.8 kHz

Hardware
Cabinet material: Vinyl-Laminated, Medium-Density Fiberboard
Audio controls: Volume High Frequency (+/-6 dB, center 10 kHz, continuously variable) Low Frequency (+/-6 dB, center 100 Hz, continuously variable)
Monitor inputs: Bluetooth 5.0, 1 x Stereo 1/8", 2 x Balanced 1/4" TRS, 2 x Unbalanced RCA
Power amplifier type: Class AB

Measurements
Dimensions: 8.30 x 5.50 x 6.00 in

Depth: 6.5" (16.4 cm)
Height: 8.3" (21.0 cm)
Width: 5.6" (14.1 cm)

Notes: ***B-STOCK: Box opened, product in perfect working order***


The Eris Studio 4 sets a new standard for compact studio monitors. With its surprising amount of low-end and a wide, well-controlled sweet spot, you can enjoy premium, accurate monitoring in even the smallest of mixing spaces. Designed for superior performance in both home studios and small professional mix rooms, the Eris Studio 4 combines flexible connectivity with sonic accuracy that puts it a class all its own.

The custom-designed EBM (Elliptical Boundary Modeled) waveguide provides superior high-frequency response that allows you to hear the finest details in your mix, while a wide 100-degree horizontal dispersion creates a broad sweet spot with lifelike stereo imaging. Narrow vertical dispersion reduces reflections from your desk, and a silk-dome tweeter ensures snappy, accurate transient reproduction.

The 4.5-inch, woven-composite, low-frequency driver produces tight, clear bass with plenty of punch that defies the Eris Studio 4's space-saving size. The ported enclosure and 50W of biamped power combine to maximize bass response and allow the Eris Studio 4 to reach down to an astonishing 55 Hz - without a subwoofer!

Flexible input options let you connect almost any line-level source, from mixers to audio interfaces and more. You'll have no problem hooking Eris speakers up to virtually anything.

Features

4.5-inch, woven-composite, low-frequency transducer
1-inch (25 mm), ultra-low-mass, silk-dome, high-frequency transducer
100-(H) x 60-(V) EBM waveguide for wide sweet spot
Front-firing acoustic port for superior bass-frequency reproduction and optimized, resonance-suppressing internal bracing
50W, Class AB biamplification
55 Hz to 20 kHz frequency response
100 dB SPL (Peak, @ 1 meter)
Acoustic Tuning controls: HF (+/-6 dB, continuously variable); Midrange (+/-6 dB, continuously variable), and Acoustic Space (flat, -2, -4 dB), plus highpass filter (Off, 80 Hz, 100 Hz)
RF interference, output-current limiting, over-temperature, transient, subsonic protection and amplifier "soft start" feature (eliminates popping on power-up)
Internal power supply with IEC connector and power switch with on/off LED
Balanced XLR and 14-inch inputs and unbalanced RCA inputs

Set up your studio monitors for your room.

Erisr Studio 4 active monitors are equipped with Acoustic Tuning controls to ensure the flattest response in your mix environment. You get Low Cut, Mid, and High controls, as well as three-way Acoustic Space tuning that makes it easy to compensate for the boundary bass boost that occurs when a speaker is placed too close to a wall.

Honest. Expressive. Powerful.

Like all PreSonusr studio monitors, the Erisr Studio 4 offers consistent, accurate listening. Their stylish design makes them a welcome addition to any mix space, and their smooth, incredibly even frequency response ensures that your mixes will sound great everywhere.

Specs

Electronics
Voltage: 220-240V UK
Wattage: 80 Watts
Input impedance: 10 kO

Performance
Peak SPL: 99 dB (@ 1 meter)

Speakers
Crossover frequency: 2.7 kHz

Hardware
Cabinet material: Vinyl-Laminated, Medium-Density Fiberboard

Audio controls: Volume High Frequency (+/-6 dB, center 10 kHz, continuously variable) Mid Frequency (+/-6 dB, center 1 kHz, continuously variable)

Audio switches: Acoustic Space (Flat, -2 dB, -4 dB) Low Cut (Flat, 80 Hz, 100 Hz @ -12 dB / octave)

Monitor inputs: 1- Balanced XLR, 1- Balanced 14" TRS, 1- Unbalanced RCA
Power amplifier type: Class AB

Measurements

Dimensions: 10.00 x 7.00 x 7.20 in

Depth: 7.28" (18.5 cm)
Height: 10" (25.4 cm)
Width: 7" (17.8 cm)

Notes: This lightweight soft case has a carrying handle, shoulder strap and a padded interior to protect your Flux. It also contains a compartment for the power supple, cable and any other accessories.

Review: Survival horror franchise Alan Wake saw its second instalment in 2023, following the game series' 2010 debut. Again, we follow novelist Alan Wake, as he attempts to escape his imprisonment in an alternate dimension by penning a horror story about an FBI agent, Saga Anderson. Both a detective story and a shoot 'em up, the second game bolsters the franchise's neo-noir and gothic Midwestern tropes; the soundtrack is fittingly both lachrymose and chilling, with its contributing scorers - Petri Alanko, Old Gods Of Asgard, Jean Castel and more - portraying Nordic moods of modern, nailbiting mystery. Through stark, grim, minor-keyed anthems, trip-hop furrowers and trembly orchestral laments, we find dead bodies found in the woods, fight spriggan-esque creatures, and soak in moods of noir crime psychodrama, all chillingly captured in a single sonic melange.

Review: American saxophone player and composer Clifford Jordan's 1990s Maple Shade Records albums are well thought of for their high-quality ideas. This release features a 1987 live quartet performance from a Baltimore jazz club in which Jordan delivers a mature, lyrical and swinging set encompassing standards like 'Round Midnight' and 'Don't Get Around Much Anymore' alongside his original compositions. The recording was meticulously captured with minimal microphones and high-quality cables so it achieves remarkable realism while blurring the line between live performance and studio recording. This is a definitive glimpse into Jordan's artistry at the height of his career.

Review: This album, originally released in 1989, and now expanded for a deluxe edition, is god-tier stuff from The Cure. The 'Pictures Of You' melody is emotional enough to draw tears from those with stone hearts. And similarly to many of the tracks on this album, 'Lovesong' still forms a really important part of their live set as there's beautiful interplay between keys and bass, whilst Robert Smith's heartfelt poetry is filled with conviction. In terms of album openers they don't come much stronger than 'Plainsong', which is a melancholic, dark synthgaze-y masterpiece that will stop you in your tracks whatever you're doing.

Review: Spiritmuse Records presents Journey to Nabta Playa, the dialogic result of Angel Bat Dawid and multidisciplinary artist Naima Nefertari, as they team up to honour the ancient Nubian astrological site of the same name. An ancient Neolithic site in Egypt's Nubian Desert predating Stonehenge, Nabta Playa incorporates a stone circle whose lithic configuration aligns with celestial events. Fittingly, then, this clash-of-titans record astrologises celestial electronics and divines ancestral predestinations, sewing a starry sonic tapestry - in Bat Dawid's terms "this is not just an album, it's a constellation". Picking up where Don and David Ornette Cherry left off with 'Bishmillah', and carrying out such further original, summative sonic burial and resurrection rites such as 'Black Stones Of Sirius' and 'Procession Of The Equinox', we hear a dance of featuring flute, clarinet, and vibraphone, and enraptured voice.

Review: Upon its release in 1970, Donny Hathaway's latest album was met with critical acclaim but modest commercial success. The LP showcased Hathaway's extraordinary versatility, blending gospel, jazz, blues and soul into a cohesive whole. It was a rich tapestry of influences, marked by Hathaway's stunning vocal prowess and his ability to craft arrangements that felt both intricate and organic. The album also set the stage for his subsequent works, cementing Hathaway as one of the most important voices of his generation. Tracks like 'The Ghetto' and 'Tryin' Times' revealed his commitment to addressing social issues, while songs like 'Thank You Master' and 'Je Vous Aime' showcased his personal and spiritual depth. In the decades since its release, Everything Is Everything has grown in stature, celebrated as a cornerstone of soul music.

Review: Released in 2000, Poison is the third studio album by Swedish singer-songwriter Jay-Jay Johanson, having earned his place as a stalwart figure thanks to his melancholic vocals set to perspirant trip hop. From 'Believe in Us' to 'Colder,' not to mention the toxicologist's favourite 'Poison,' we're met again with Johanson's signature downtempos and experientially charged lyrics. Sophisticated atmospherics abound, bridging the all-to-intimate gap between sexuality and the unknown.

Review: Accomplished US star Lil Baby celebrates the five year anniversary of his breakthrough album My Turn with a special Tangerine reissue via Quality Control Music. The record was originally released in 2020 and very much launched the Atlanta rapper into superstardom and was the first long player of that year to go double platinum and eventually earn a rather impressive 7x platinum status. Famous for its era-defining hits like 'Emotionally Scarred' and 'We Paid,' the album cemented Lil Baby's status as a generational voice in hip-hop and listen back now, despite how fast this genre moves on, it still stands up as an album that marked the moment Lil Baby took the lead.

Review: The Ramones had long reshaped the world of music in their beautifully twisted image by the time they recorded this, their second live album, in Spain in 1991. But the New York punks were seemingly addicted to playing live, touring relentlessly throughout the 80s and 90s, and their tightly drilled act is at fever pitch here, careering through an incredible 32 'blink and you'll miss them' tracks across four sides of vinyl. A handful of covers - there's a blistering version of The Trashmen's early rock 'n' roll stormer 'Surfin' Bird', for instance - nestle alongside timeless originals such as 'I Wanna Be Sedated', 'Beat On The Brat' and 'Sheena Is A Punk Rocker', with a healthy selection of deeper cuts from the late 80s here too. Top mayhem.