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Back catalogue: All genres
Juno's full catalogue of All genres
Singles
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Silk For The Starving EP (B-STOCK) (12" + poster)
Cat: SWP 003V (B-STOCK). Rel: 04 Jan 90
Indie/Alternative
B-STOCK: Sleeve damaged but otherwise in excellent condition
Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***
The Lounge Society has been hotly tipped for a while, with plenty of Ones To Watch declarations coming their way at the start of 2021. They have served up super quick selling 7"s like 'Generation Game' which touched on the unrest in American society and then their follow up headed into edgy punk-funk territory, sneering at culture wars and decrying the impact of a class divided society. Now comes 'Cain's Heresym' which takes aim at the negligent political class as well as highlighting the danger inherent in the spread of misinformation and their disdain for celebrity-worshipping. The young English band are heirs apparat to the throne of protest music.
… Read moreThe Lounge Society has been hotly tipped for a while, with plenty of Ones To Watch declarations coming their way at the start of 2021. They have served up super quick selling 7"s like 'Generation Game' which touched on the unrest in American society and then their follow up headed into edgy punk-funk territory, sneering at culture wars and decrying the impact of a class divided society. Now comes 'Cain's Heresym' which takes aim at the negligent political class as well as highlighting the danger inherent in the spread of misinformation and their disdain for celebrity-worshipping. The young English band are heirs apparat to the throne of protest music.
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Cat: HHTE 0083. Rel: 15 May 25
Folk/Americana
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Review: Happenstance can be a fortuitous element. A union-funded single discovered in a dusty store, a long disbanded band found, leads to unreleased post punk dubs in a box of unreleased demos.
Formed during the mid-80s in the downbeat town of Walsall, their music is a blend of disparate influences from 50's crooners, blues and reggae to Killing Joke and The Bunnymen; Ron's Neighbours were out of step with the perfect pop of the C86 indie generation.
Their only single - "To The Fight" - a split 7" was supported by the Trade Union Resource Centre, while many gigs were benefits for striking miners, leading to a loyal local following.
Engineered by Ozzy Osbourne's brother Tony, tracks were recorded at an 8 track bedroom / home studio, while a terraced house served as rehearsal space. Here Ron Next Door was born. When a tape recorder was left running it captured the long-suffering neighbour for posterity. His outburst gave the band and song, its name.
Experimenting with drum machines, the resultant jam track, here in its "Alternative Mix", languished unheard until now. Ron's 'Black Country' tones lead to driving bass / percussion against crashing Stratocasters and repeating, refrained vox - a post punk dub turned symphony.
The B side, Sitting On Top of the World, is an indie anthem, becoming their theme, a blend of grandiose and banal that characterised their songs.
… Read moreFormed during the mid-80s in the downbeat town of Walsall, their music is a blend of disparate influences from 50's crooners, blues and reggae to Killing Joke and The Bunnymen; Ron's Neighbours were out of step with the perfect pop of the C86 indie generation.
Their only single - "To The Fight" - a split 7" was supported by the Trade Union Resource Centre, while many gigs were benefits for striking miners, leading to a loyal local following.
Engineered by Ozzy Osbourne's brother Tony, tracks were recorded at an 8 track bedroom / home studio, while a terraced house served as rehearsal space. Here Ron Next Door was born. When a tape recorder was left running it captured the long-suffering neighbour for posterity. His outburst gave the band and song, its name.
Experimenting with drum machines, the resultant jam track, here in its "Alternative Mix", languished unheard until now. Ron's 'Black Country' tones lead to driving bass / percussion against crashing Stratocasters and repeating, refrained vox - a post punk dub turned symphony.
The B side, Sitting On Top of the World, is an indie anthem, becoming their theme, a blend of grandiose and banal that characterised their songs.
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Review: Based out of Brooklyn, New York, The Still Brothers is a group made up of two childhood friends, Andrew LeCoche of Ula Ruth and Evan Heinze from The Shacks. They started their musical adventure way back in the 6th grade. In the decade since they have managed to record and tour with their own respective groups, as well as work on their own distinctive brand of indie together. Here they tap up Sloshy for a feature on a new 7" that comes via Lewis. 'It's Not Over' is a dreamy cut lush vocal harmonies and lo-fi drums making for a beautifully melancholic sound. 'Crazy' has slightly more primate drum breaks and the Shoshy is just as smooth.
… Read moreGespielt von: The Allergies
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Alben
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Cat: AMAZ 0017. Rel: 09 Sep 22
Indie/Alternative
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Review: Second time around for the Bees' terrific debut album, Sunshine Hit Me, which wowed critics and buyers alike on its initial release way back in 2001. The epitome of a surprise hit with admirably DIY roots - the duo behind it, Paul Butler and Aaron Fletcher, famously recorded it in a limited home studio built in the back garden of a residential house on the Isle of Wight - the album has lost none of its allure all these years on. Woozy, summery and lo-fi, with hazy horns and glassy-eyed vocals rising above backing tracks that variously doff a cap to soul, rocksteady, ska, 1960s dream pop, psychedelia and a wealth of subtle global musical influences, Sunshine Hit Me is a warming, smile-inducing treat. This edition also boasts a sextet of bonus cuts, which seem to be a mixture of B-sides and tracks plucked from the pair's archives.
… Read moreGespielt von: Phat Phil Cooper
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Review: Riding SCORCHING hot on the heels of their recent self-titled debut, fans could be forgiven for expecting more of the same from Champyun Clouds' second long player of
2021. A hodgepodge of cutting-room-floor-fodder and experiments that would've been b-sides or Japan-exclusive CD bonus tracks in those halcyon days of physical formats' golden ages is not what we're getting. Let's save those for a deluxe anniversary reissue
one day. Nah - sheer, unabashed creativity fuels this album; and weirdly enough, they've managed to branch out in interesting ways while also creating an album that is more immediate and banger-centric. Although Nail's eclectic psych-lounge tendencies and
Asa's irreverent poetry and broad Nottingham lilt remain the key touchstones of CC's sound, opener "Check For Silt"s rough drum'n'bass beats offer an immediate and clear sonic progression for the Nottingham duo. The LP ultimately plays a bit like a haunted
jukebox in outer space - with elements of dub, britpop, early house, trippy, blissed-out sunshine pop (reminiscent of mid-90s His Name Is Alive at their most Beach Boys-aping), William Orbit-esque 90s psych-pop electronica, distorted glam rock shuffles and
garage-y funk. There's a particularly great moment of sequencing at the end of the first half where I got lulled into a state of near-euphoria with the Air-like "The Flowered Crown" before getting slapped 'round the face by "I'm Not Right For You", which sounds
like Nile Rogers producing a demo for Sheila & B. Devotion, except he recorded it at the bottom of a well. Sophomore slump? Never heard of him, mate.
… Read more2021. A hodgepodge of cutting-room-floor-fodder and experiments that would've been b-sides or Japan-exclusive CD bonus tracks in those halcyon days of physical formats' golden ages is not what we're getting. Let's save those for a deluxe anniversary reissue
one day. Nah - sheer, unabashed creativity fuels this album; and weirdly enough, they've managed to branch out in interesting ways while also creating an album that is more immediate and banger-centric. Although Nail's eclectic psych-lounge tendencies and
Asa's irreverent poetry and broad Nottingham lilt remain the key touchstones of CC's sound, opener "Check For Silt"s rough drum'n'bass beats offer an immediate and clear sonic progression for the Nottingham duo. The LP ultimately plays a bit like a haunted
jukebox in outer space - with elements of dub, britpop, early house, trippy, blissed-out sunshine pop (reminiscent of mid-90s His Name Is Alive at their most Beach Boys-aping), William Orbit-esque 90s psych-pop electronica, distorted glam rock shuffles and
garage-y funk. There's a particularly great moment of sequencing at the end of the first half where I got lulled into a state of near-euphoria with the Air-like "The Flowered Crown" before getting slapped 'round the face by "I'm Not Right For You", which sounds
like Nile Rogers producing a demo for Sheila & B. Devotion, except he recorded it at the bottom of a well. Sophomore slump? Never heard of him, mate.
Gespielt von: Juno Recommends Rock/Indie
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The Killing Moon: The Singles 1980-1990 (low-price CD)
Cat: 019029 5786816. Rel: 03 Jul 17
Indie/Alternative
in stock $5.09
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Review: Oxford's Foals, now ten years old and some seven years on from their debut, have pulled the neat trick of elevating themselves to dizzy heights without essentially compromising their kinetic mixture of art-driven experimentation and widescreen melodic grandstanding. Yet 'What Went Down', their fourth salvo thus far, shows a band newly reinvigorated, and somehow managing to be both heavier and more danceable in turn. As angry and inventive as ever, the howls of mainman Yannis Philippakis have lost none of their cathartic charge, the chime of their guitars remains as seductive, yet so vibrant and vivacious is this collection of songs that their elevation to festival headliner status seems a foregone conclusion.
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Homecoming/Death Of St Jimmy/East 12th St/Nobody Likes You/Rock & Roll Girlfriend/We're Coming Home Again
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A Pillar Of Salt (limited white vinyl 2xLP (indie exclusive))
Cat: COOKLP 807X. Rel: 20 Oct 22
Folk/Americana
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Cat: 524986 4795. Rel: 04 Jun 11
Indie/Alternative
Hellbent
Review:
FINAL TRACKLISTING & RUNNING ORDER TBC: 1 Joy Division - Transmission,
2 Joy Division - Love Will Tear Us Apart, 3 Joy Division - Isolation,
4 Joy Division - She''s Lost Control, 5 Joy Division - Atmosphere, 6 New Order - Ceremony,
7 New Order - Temptation, 8 New Order - Blue Monday, 9 New Order - Thieves Like Us,
10 New Order - The Perfect Kiss, 11 New Order - Bizarre Love Triangle,
12 New Order - True Faith, 13 New Order - World In Motion, 14 New Order - Regret,
15 New Order - Crystal, 16 New Order - Krafty,
17 New Order - Hellbent (Brand New Recording),
OVERVIEW: Despite an incredibly short recording career Joy Division remarkably have stood the test of time in terms of influential British bands. Their dark, brooding sound has inspired more artists than could be listed and their continued adoration today is testament to the forward thinking yet inward projected music and lyricism of a young band on the brink of success yet unsure of how to deal with it. With the sad passing of Ian Curtis, from the ashes rose New Order; the same core band but with a new fresh approach to their chosen career path. Loud, colourful and full of life.
''Total'' is a chronological look at the two bands most important tracks, covering Joy Division staples such as Love Will Tear Us Apart, and the resonating Atmosphere. New Order bring to the table Blue Monday, Bizarre Love Triangle and True Faith. Also included is a brand new never released New Order track ''Hellbent''.
PROMOTION: Stephen Morris and Bernard Sumner will both be doing limited promo for this release. More information to come but aiming for BBC Breakfast, Radio 2, 6Music and key regionals.
PRESS: Full print campaign focussing on broadsheet titles and key music press. Also full online campaign focussing on broadsheet/magazine pages and key blogs.
RADIO: Manchester based regional radio advertising on XFM
TV: National TV ad campaign, commencing with approximately £40k spend in week one.
MARKETING: TV ads, Radio Ads, Press Ads, Online activity.
… Read moreFINAL TRACKLISTING & RUNNING ORDER TBC: 1 Joy Division - Transmission,
2 Joy Division - Love Will Tear Us Apart, 3 Joy Division - Isolation,
4 Joy Division - She''s Lost Control, 5 Joy Division - Atmosphere, 6 New Order - Ceremony,
7 New Order - Temptation, 8 New Order - Blue Monday, 9 New Order - Thieves Like Us,
10 New Order - The Perfect Kiss, 11 New Order - Bizarre Love Triangle,
12 New Order - True Faith, 13 New Order - World In Motion, 14 New Order - Regret,
15 New Order - Crystal, 16 New Order - Krafty,
17 New Order - Hellbent (Brand New Recording),
OVERVIEW: Despite an incredibly short recording career Joy Division remarkably have stood the test of time in terms of influential British bands. Their dark, brooding sound has inspired more artists than could be listed and their continued adoration today is testament to the forward thinking yet inward projected music and lyricism of a young band on the brink of success yet unsure of how to deal with it. With the sad passing of Ian Curtis, from the ashes rose New Order; the same core band but with a new fresh approach to their chosen career path. Loud, colourful and full of life.
''Total'' is a chronological look at the two bands most important tracks, covering Joy Division staples such as Love Will Tear Us Apart, and the resonating Atmosphere. New Order bring to the table Blue Monday, Bizarre Love Triangle and True Faith. Also included is a brand new never released New Order track ''Hellbent''.
PROMOTION: Stephen Morris and Bernard Sumner will both be doing limited promo for this release. More information to come but aiming for BBC Breakfast, Radio 2, 6Music and key regionals.
PRESS: Full print campaign focussing on broadsheet titles and key music press. Also full online campaign focussing on broadsheet/magazine pages and key blogs.
RADIO: Manchester based regional radio advertising on XFM
TV: National TV ad campaign, commencing with approximately £40k spend in week one.
MARKETING: TV ads, Radio Ads, Press Ads, Online activity.
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Cat: TRANS 666CD. Rel: 22 Jun 23
Soundtracks
in stock $7.48
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The Stars Are God's Bullet Holes (180 gram clear vinyl LP)
Cat: 12SUBC 30C. Rel: 29 Jan 25
Folk/Americana
in stock $7.36
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Cat: LLCD 1003. Rel: 09 Oct 24
Indie/Alternative
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Review: Given that all four members of Piroshka have serious musical heritage stretching back to the late '80s and early '90s (famously the line-up boasts former members of Lush, Elastica, Moose and Modern English), it's perhaps unsurprising that their trademark sound taps into these roots. Love Drops & Gathers, their sophomore set, evolves this collective style further, adding notable nods towards shoegaze and shimmering electronica amongst the rugged Britpop grooves and classic indie-rock song structures. The result is a warm, drowsy and more musically adventurous affair that still puts hummable melodies and sing-along choruses at the heart of the action.
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Review: By the time they released Tarantula in 1996, Ride had run out of road. The band split shortly before the album's release and would not reform again for almost two decades. At the time, the album was panned by critics, but listening to this remastered reissue, it's hard to see why. Sure, the dense, dreamy and heady shoegaze sound they'd pioneered at the turn of the 90s was long gone, replaced instead by a nostalgic late 60s rock sound that doffed a cap to the Beatles and those Britpop era bands that emulated their sound (hello Oasis). The sound is authentic - all blazed vocals, alternately jangling and heavy guitars, dependable bass and wide-eyed audio effects - and the songs entertaining. Perhaps it will be judged more sympathetically this time round.
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Cat: 019029 5154462. Rel: 27 Aug 21
Indie/Alternative
Review: As the title suggests, this excellent collection gathers together tracks from three live sessions the Sisters of Mercy recorded at the BBC's Maida Vale studios between 1982 and '84, during the formative years of their lengthy career. The first session, recorded for John Peel in August 1982, contains a quartet of early live favourites, including their popular cover of the Stooges' '1969', while the second - a session for David 'Kid' Jenson' - boasts versions of tracks from the classic goth-rock EP The Reptile House (as well as a surprise Dolly Parton cover). Best of all though are the tracks from their 1984b Peel Session, which were laid to tape around the same time as the Leeds outfit was recording its debut album.
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