Back catalogue:

Review: Amused To Death is the third studio album from Roger Waters outside of his work in Pink Floyd. As one of the fundamental creative forces in the prog behemoth, of course it's hard to separate his solo work from that most famous of bands, but this is indeed its own beast. At times it's an experimental space in which Waters uses space and minimalism to great effect, creating a foreboding sound peppered with speech samples and field recordings. There are of course plenty of more straightforward tracks too, like lead single 'What God Wants, Part 1'. This lavish issue of the 1992 album spreads the music out across four discs and comes in a box set format, a must-have for devoted Floyd and Waters collectors.

Review: The most eminent British rock opera of all time, The Who's Quadrophenia, released in 1973, hears Pete Townshend, John Entwistle and Roger Daltrey conceive and narrate the angst of a young postroom worker, Jimmy, living in post-war Britain amid the schismatics of the mods and rockers, as they warred in converse step. Exploring rebellion, let-off steam, and alienation through music, the record firmly set the stage for the 1979 film adaptation of the same name, which popularised the thoroughfare connecting London-Brighton as a vital identificatory artery for a certain angst-ridden generation. The album features standout tracks like '5:15' and 'Love, Reign O'er Me', and remains one of The Who's most celebrated works. It's now reissued through Bespoke Editions, with two CDs of Pete Townshend's demos, and a 5.1 DVD-A remix of eight tracks, plus handwritten lyrics in a book and a 13,000-word essay from Townshend.