Back catalogue:

Review: This Mr Bongo Brazil 45 reissue features two classic tracks from legendary duo Jorge Ben and Miriam Makeba. Side A presents 'Xica Da Silva,' one of Jorge Ben's most iconic songs from his equally legendary Africa Brazil album which has long been a must-have for any discerning head. This magical MPB track with its laid-back funky samba vibe instantly transports you to the blissful shores of Rio de Janeiro as Ben's vocals tell the story of a historic Brazilian icon. On the flip side, Miriam Makeba delivers a captivating, slowed-down rendition of 'Xica da Silva' which is enriched with strutting guitar, off-beat piano, and hypnotic drums while her powerful voice takes centre stage.

Review: Tim Maia's 1968 debut single, "What You Want To Be", has long been a favourite of dusty-fingered Latin music enthusiasts. Original copies, though, have long been out of the price range of most DJs and collectors. Happily, Mr Bongo has struck a deal to reissue it. The title track is something of a scorching dancefloor-treat - a boogaloo-era slab of Latin funk in which Maia and chums sing in English atop a bustling rhythm track and some seriously heavy horns. B-side "These Are The Songs" is a much more relaxed and laidback, samba-soaked affair, closer in tone to early 1960s U.S soul songs of the sort regularly covered by the Beatles early in the career.

Review: Mr Bongo continue to shine a light on classic hip-hop with their excellent curated reissue series. They have two Main Source 45s in their sights and this is the second. When it first came out on Actual Records, it soon sold out and became a much sought after piece with copies going for high prices on the second hand market. And for good reason - the band really hinted at the greatness they would go on to achieve with an impeccable three minute rap single making a massive mark. 'Think' is a superb example of how to take well known samples and flip them into something fresh.

Review: Mr Bongo has been shining a light on the work of Main Source (aka Queens native Large Professor and Toronto's Sir Scratch and K-Cut) for a while now. Their latest reissue - after plenty of other 7"s last year- is Just Hangin' Out, which is an ode to the simple pleasures of relaxing with friends. The a-side is made from two huge samples (Vanessa Kendrick's '90% of Me is You' and Sister Nancy's 'Bam Bam' ) to make for a stone cold and swooning groove. On the flip, 'Live at the Barbecue' is often said to be one of the finest posse cuts of all time.

Review: A thousand miles away from the beating musical hearts of Rio and Sao Paulo in the late 70s, the Brazilian city of Belem gave rise to a little-known record label called Erla - Estudio Rauland. Though not prolific in its output, the label made up for it in quality and experimental offerings, with several records on the label now becoming sought-after pieces among collectors. One such release is the sublime four-track psych, MPB, and rock EP by singer-songwriter Jarbas Mariz. Though the EP 'Transas Do Futuro' was recorded in 1977, it gained inspiration from the psychedelic hippy idols of the previous decade ,and could easily have been a soundtrack to an acid trip scene in an obscure Brazilian movie. Lo-fi and quirky, there are moments of beauty and splendour but also hints of darkness. At points Jarbas will have you drifting through a folk flute daydream, the next moment a growling, psych-distorted guitar breaks and parts the calm. An ability to make those elements blend cohesively is where Jarbas' true brilliance shines through.

Review: Mr Bongo continue to churn out top-quality re-edits and here they enlist Danny Krivit aka. Mr. K, the New York producer who has longstandingly helped prop up the dance scene there since the early 1960s. Krivit is responsible for perhaps some of the earliest and most significant disco and funk edits on Earth, so we're more than happy to hear these new ones out, in which he lends his ear to two mambi from Latin extraordinaires Sabu Martinez and Nico Gomez. Percussive clanks and boxy slaps abound on this audiophiles' charm.

Review: First released three decades ago, Main Source's debut album Breaking Atoms remains a peerless, golden-era masterpiece: a classic-sounding hip-hop full-length in which Large Professor's brilliant beats (think deep bass, crunchy breaks and a battery of killer samples) provide the perfect platform for two of the era's most versatile and on-point MCs. As this remastered anniversary edition proves, the album really is "all killer, no filler", with stonking singles such as 'Looking at the Front Door' and the scorching 'Peace is Not a Word to Play' being joined by lesser-celebrated - but no less impressive - album-only classics such as 'Snake Eyes', 'Just a Friendly Game of Bassball' (a jazzy masterpiece) and 'Vamos a Rapair'. If you don't already own a copy already, you need this reissue in your life.

Review: Lazaro Pla AKA Manteca is undoubtedly a Cuban musical legend - even if the bongo maestro only recorded a handful of albums as featured artist and bandleader. 1978's Rito Y Sabor, a percussive masterpiece made up almost entirely of drums, timbales and bass, is the most celebrated of these - and in general, one of the hardest to find. Created by Pla and a handful of musicians, it delivers an enticing mix of infectious Afro-Cuban grooves, sweat-soaked percussion solos, bold basslines and occasional (and often mixed-down) piano motifs. Highlights include Latin jazz dancefloor bombs 'Casas De Manteca' and 'Afro Funky', and the Incredible Bongo Band style brilliance of 'Abacua'.

Review: Over the years, Cesar Mariano and Cia's 1977 set "Sao Paolo Brasil" has achieved cult status, with dusty-fingered diggers regularly proclaiming it one of the finest jazz-funk/fusion albums of the period (a fact confirmed by the high prices that original vinyl copies often change hands for online). Remarkably, this timely Mr Bongo reissue marks the first time the set has been released outside of its native South America. Rich in glistening jazz guitars, fizzing, Azymuth-style organ riffs, spacey synths, warm bass and skittish drums, the album's eight tracks bristle with breeziness, subtle samba motifs, sumptuous dancefloor grooves, sunny downtempo workouts and effervescent arrangements. In a word: essential.

Review: Back in 1976, legendary highlife artist Pat Thomas decided to throw his weight behind Ghanian three-piece Marjarita. Thanks to his patronage, they made quite an impact with their debut album (Pat Thomas Introduces Marjita), before striking gold with their killer follow-up, This is Marjita. Since then, the album has become something of a "holy grail" for Afro-funk collectors, with copies changing hands for astonishing sums of money. Happily, Mr Bongo has decided to license and reissue it. The album contains four superb workouts: the hard funk brilliance of "Break Through", the organ-heavy Afrobeat fuzziness of "No Condition is Permanent", the reggae-influenced wonder of "I Walk Alone" and the superior highlife of "We Live in Peace".

Review: Late last year came the first volume of this superb new series from Mr Bongo and it's one that showed compiler Miche to be first class. He is known on the London underground as the music programmer for the acclaimed Spiritland venues and so has spent inordinate hours digging deep into all manner of different sound worlds. This one focuses on soul with 15 great tunes spanning deep and sentimental sounds, more dancey numbers of raw and guttural funk cuts. It's one of those vital double albums that does plenty of the hard work of digging for gold for you.

Review: If you know what's good for you, you will have picked up the first volume of this new With Love series from Mr Bongo. It was a red-hot soul selection that was packed with gold and now Miche is back with another. He is the man in charge of the musical programming at London's Spiritland venues and has now been digging deep once more to come up with 15 more soul nuggets. From raw to deep, lush and danceable to more emotive and vulnerable, it's a heart warming selection. Do not sleep on this one, which is a pink vinyl version.

Review: Mr. Bongo continues in their mission to peddle the feel-good, compiling rare Brazilian, gospel, modern soul and jazz fusion music, all with a bent towards ecstatic dance. Not taking itself too seriously yet still dipping one toe in the mystical and romantic, our favorites from the comp include 'Don't Need No Fortune Teller' and the patient 'Waiting For Love', all compiled by Mr. Bongo director and former Spiritland programmer Miche.

Review: Pique is the remarkable debut solo album from Dora Morelenbaum, a key figure in Brazil's burgeoning music scene and a member of the talented band Bala Desejo. Following her initial EP Vento de Beirada, Pique marks Dora's ascent as a significant solo artist, blending boldness with grace, bridging Brazil's musical heritage with contemporary grooves, incorporating funk, MPB, disco, soul, r&b and jazz, all infused with an indie pop sensibility thanks to co-producer Ana Frango Eletrico. Opening with the sun-kissed 'Nao Vou Te Esquecer,' Pique transitions into the infectious funk of 'Venha Comigo' and 'Sim, Nao.' Tracks like 'A Melhor Saida' and 'Petricor' offer a more relaxed, introspective vibe, while 'VW Blue' showcases virtuosic jazz-funk, and the title track delivers radiant MPB. The drumming is crisp and swung, the horns and strings are meticulously arranged, and the basslines groove with a funky energy, complemented by strutting guitars and vibrant production flourishes. Dora's hands-on approach to the albumifrom songwriting to arranging and producingiensures a cohesive vision. Supported by a talented ensemble, including her Bala Desejo bandmates and her renowned parents, Paula and Jaques Morelenbaum, Pique merges tradition with modernity. An endlessly listenable album, poised to become a future Brazilian classic, blending the spirit of legends like Gal Costa with a fresh, innovative edge.

Review: Brighton based record label, publishers, cinematographers and legendary former London record store Mr Bongo present the first installment in their new 'Mr Bongo Record Club' compilation series. It features, in their words "a selection of favourites, recent discoveries and sought after obscurities, which form the basis of our DJ sets and our radio show of the same name." There really is some great music on here that has been sourced from all corners of the globe and as much as they're oldies: they certainly are goodies. Our favourites weren't limited to: Brazilian duo Lemos E Debetio's charming "Morro Do Barraco Sem Agua", the African funk explosion of Lantei's "Fish & Funjee (Komi Ke Kenam)" and some truly hot reggae vibes in the form of Big Youth's 1977 unclassic "Mammy Hot Daddy Cool" among many others on this fine compilation.