Suchergebnisse: Dance Music

Notes: MiniFreak Vocoder drops Arturia's fearless hybrid synth into a new vocal dimension. It keeps the 6- voice architecture, dual digital engines and analog filter of the original, then adds a detachable gooseneck microphone and a 16-band vocoder engine with multiple FX options. Talkbox growls, android choirs or spectral pads, twist them further with the sequencer, modulation matrix and triple slot effects for instant, mix-ready insanity.

Hook up the detachable mic or any external source, channel it through a classic 16-band speech synthesis engine. Blend the processed voice with MiniFreak's oscillators, freeze formants for metallic drones, or drive talk-box growls through the on-board effects slots.

MiniFreak's twin digital sound engines feature over 30 modes, and can be used individually, stacked, or to process each other's output for unique compound sonic behavior. Its 6 digital voices then collide with polyphonic analog filters, balancing digital crispness with a rich analog response.

MiniFreak's expanded modulation matrix gives users even more control over shaping, transforming, and evolving their sound, with features like polyphonic ADSR envelopes, customizable multi-segment LFO shapes, FM & Ring Modulation, and the familiar Spice & Dice randomization.

With stereo outputs and 3 digital FX slots with over 10 FX types to choose from, users will have everything they need to push their sound over the edge while keeping it mix-ready, from stereo-enhancing chorus, to surgical 3-band EQ, to gritty distortion.

Despite its penchant for wild & exploratory sound design, MiniFreak is an instrument of expression. Its velocity-sensitive 37-note keybed with aftertouch and spontaneous Seq/Arp functionality makes it a dream to perform with, while its randomization features put playfulness first.

MiniFreak comes with a dedicated VST counterpart, letting users totally integrate its unique hybrid sound and presets into their DAW productions and vice versa. Using identical sound engines and architecture, it offers a mirrored virtual experience of the synth itself, at no extra cost.

Notes: You cannot describe exactly what it is; you can make any kind of music using The DROP, from roots pre-sequences techno to ambient landscapes, from 8-bit craze to pop-style dancy-fancies. And you'll play it live! The DROP is designed to be played, like any other musical instrument.

A self-contained analog groovebox, that uses LFO as a clock generator with divider - no programming needed to get highly complex absolutely crazy neverending and never repeating (analog!) rhythmic galore and fractal textures. Otherwise, it can be triggered manually with a pad, or via external trigger; so it works like a highly sophisticated drum module.

Six unique analog noise osclilators, classic BD generator with old-style analog VCA, sub-octave oscillator with an extra click; all patched (or repatched) to two wide-range LFOs or anything external - via bananas - for neverending rhytmic galore, and then soaked in a specially designed analog saturation. Full, bold, vivid and textured, rich analog sound; because of a highly ingenious, odd and peculiar circuits. Think NOS, discrete, germanium and unobtanium.

Thanks to a fully analogue design The DROP can play the same sequence for hours without being annoying. A vast field for experimentation thanks to a modular design with all its inputs and outputs. You'll lose yourself in a black hole of sounds repatching it even without any external modules. Banana sockets used in The DROP are compatible with any external synths and modules; eurorack or buchla or analog sync; no problem. You can even use bare cable without jacks to patch bananas. What about playing The DROP with jacks touching banana sockets? Did you know that your bare fingers are good for patching it too? Go bananas!

Drop is bringing back the real, instant joy and fun of playing electronic instruments live, for music beyond grids, borders, and programming, that makes an art happen as a reward.

Mad Sound Factory DROP offers a wide range of sounds including kicks, basses, hi-hats, and weird noises. With features such as tone generator, mixer section, noise generator, and two LFOs, The DROP allows for creative patching and modulation possibilities. The instrument also offers a unique DROP button that can trigger sounds and add a fun element to performance. It can be controlled through analog clock signals or MIDI sync. Designed for both live performances and studio use, this instrument offers a wide range of sonic possibilities for musicians looking to experiment with rhythm and sound design. The DROP is pretty compact - it easily fits in a backpack or ordinary shopper or whatever you use to drop your swimsuit to. It can be powered via USB-C from any power bank, phone charger or a laptop, pocket nuclear reactor or even a solar battery, if your star is close enough and you have enough sunny days to play with it. Modern world demands and requirements.

Notes: Based off Euterpe's classic Vertice filter bank, this fully analogue multimode filter biasts an integrated preamp and transistor based distortion. This saturates the signal in order to generate harmonically rich sounds for the filters to manipulated.

The Itinera boasts four modes: LPF, BPF, HPF and notch, allowing for a wide range of possibilties, especially when combined with the 3 selectable resonance paths.

These 3 paths - transistor, diode and Innesco - each offer their own characteristics. The Itinera alos has two CV controllable feedback functions, "Vindicta" and "Formant", which help create feed back effects.

With two audio inputs and four CV inputs, the Itinera offers tons of potential for creative applications, not only as a filter but also as a saturator!

Notes: Oradea is a quadruple voltage controlled analogue resonator. You can use it to enhance external audio or to generate tones. It can mimic the resonant characteristics of physical objects or spaces. Oradea's frequency response can be tuned over the entire range of audible frequencies with V/oct response. The module offers precise control over the resonance of each band up to extremely high values with long response to pinging. Oradea is additionaly equipped with four individual trigger inputs for exciting its filters with internally generated, uniform, and finely tuned impulses.

Individual outputs allow you to externally process each band separately. Resonant frequency gain compensation prevents uncontrolled distortion (the gain at peak does not increase with resonance). There is a VCA and a polarity switch in each channel, so you can remotely shape the overall amplitude and manually change the phase response.

Technical details
Eurorack synth compatible
20hp, 40mm deep (incl. ribbon bracket)
Current draw: +210mA / -190mA
Reverse power protection

Expandability

Expandable with Arad Resonator Commander, offering three additional features. It has direct audio inputs for individual channels. There are manual buttons and gate inputs for clickless muting and unmuting of the channels. Another group of four buttons acts in parallel to the excite inputs of Oradea, allowing for manual triggering.

Notes: Welcome to the world of sound of LYRA-8, the unique organismic analogue synthesiser designed by Vlad Kreimer. "Organismic" means that LYRA uses some principles that lie in the base of living organisms. The way how LYRA's modules interacting between each other and the behaviour of the instrument resembles a live conversation.

LYRA-8 is based on eight generators, which will be referred to as voices. Their design is not like a traditional subtractive synthesis VCO. Instead of having a linear or logarithmic dependency on control voltage, they resemble the tone generators in old electric organs. Hence the use of the term "voices" instead of "VCOs". Lyra uses non-linearity a lot, and the voices are constructed in such a way that allows for non-linearity to express itself.

The voices are divided into four pairs (12, 34, 56, 78). All the pairs are divided in two groups, with two pairs in each (1234, 5678), creating tree-like structure.

The voices can function either in an electric organ mode or in an FM synthesis mode with each of the voices and its envelope acting as a separate FM operator. The voice's impact on FM synthesis will decrease along with the decay of its envelope.

LYRA-8 also has the next blocks:

The HYPER LFO is a complex low-frequency generator, whose waveform is synthesized from two simple LFOs by summation or multiplication of their frequencies. It also has a sync mode. The LFO can modulate the selected pairs of voices and the MOD DELAY.

The MOD DELAY consists of two lines of delay with cross-feedback and a special architecture that enables resonance between the two lines. Each line's delay time can be individually modulated from various sources, including external ones. The delay has a unique possibility of self-modulation where the output signal modulates the delay sample rate, creating cool effects.

The DISTORTION is last in the chain, after the delay. It enables the delay to also influence the distortion.

For all its experimental character, LYRA is a professional instrument. Its output dynamics and frequency response are balanced and ready for a live performance or studio recording without any additional processing.

Notes: COSMOS is a drifting memory station designed to work with meditative states through music. The design of the controls, functions and generated soundscapes are intended to evoke, in both performer and listener, states and experiences inherent in meditation, such as limitless space, fluidity, spontaneous development, presence, the ability to hear, tranquility, the experience of subtle harmony and happiness enveloping the whole world.

From a functional point of view, COSMOS is a large array of sound memory, in which recorded sounds undergo constant recombinations, spontaneously generating an ever-changing soundscape. This is achieved in three ways - by a mathematical shift based on the relationships between large prime numbers (the size of all delay lines are different primes), an asynchronous operation of the LFO, and modulation with a slowly changing chaotic signal. As a result, it allows the endless layering and processing of various sounds, as in a looper, but without an intrusive, repetitive loop.

COSMOS generates rich, fluid and evolving soundscapes perfect for ambient music. Using COSMOS, you can play an entire meditative solo concert while being in a spontaneous flow and without using studio-prepared sequences, backing tracks and other things that can't be a reflection of the "here and now".

Notes: After five years of conceptualization, development, stress, company destruction and relocation, redesign, existential questions, prototyping, and willpower, WMD's Skorpion is ready to decimate and reanimate whatever you throw at it -- creating goosebump worthy sounds you've never heard before.

Skorpion is the epitome of WMD's ethos, "New Sounds, Maximum Experience". Painstakingly designed UI, all the CV I/O and controls you could ask for, and a broad spectrum of subtle to 100% NOT subtle swarms of harmonics, chaos, and character. This module is packed full of features to provide continuously explorable fun whether you are experimenting or meticulously crafting a sound that is 100% yours.

Skorpion builds on WMD's's long pedigree of experimental module designs, exploring a new method of wavefolding using thresholds and target voltages to control a powerful vector core. The design process has been very technically challenging, using high speed cmos and precise analog design with hybrid digital overlay for a solid UI.

Skorpion is an 8-stage analog wavefolder that allows you to precisely mangle simple waveforms into complex shapes with a fun, hands on fader interface. Taking the concept many steps further, internal modulation sources allow for macro animation of multiple parameters simultaneously, creating rich, evolving harmonic movement never heard before in hardware.

The Controls

The SHAPE and SLOPE controls allow for smoother or harsher added harmonics, and the 1V/OCT CV input is required for tracking timbre across notes.

FOLD controls the input gain of the signal, causing it to hit each of the eight THRESHOLDS causing a reversal in the output at each point. The signal can be driven towards one of three TARGETs: 5V, the Sliders, or the signal at the CLIP jack (normalled from IN).

SLOPE controls the baseline rate of the output, the higher the slope, the higher the harmonics. The overall slope rate is modified by 1V/OCT and SHAPE.

SHIFT is the classical vertical shift that makes the wavefolder sound like a chorus with subtle modulation.

SHAPE is a feedback control affecting the slope rate of the wavefolder. Eight different sources are available for feedback. The SYM switch decides whether the modulation is applied symmetrically when above or below 0V.

OUTPUT controls whats at the output jacks, the DRY signal, the WET signal, or a mid side stereo processed WIDE signal. WIDE is generated using a second vector core with a variable short delay. If all THRESHOLDS are inactive, a gate is normaled here. The intention being that if the input signal is too low to cause any folding, the OUTPUT circuit is pulled DRY so that you never get silence from the Skorpion.

The EQUALIZE THOLDs switch disables the sliders and forces an equally spaced threshold more akin to classic wavefolders. Modulation is disabled in this mode. Also controllable with a jack.

TARGET ORDER determines which slider is selected when the threshold is activated. Basically, it allows for a different order on the way up as way down producing pleasingly different timbres when using the sliders for target.

SYNC has three modes, OFF in the center. HARD which resets the vector core to 0V at every zero crossing of the input waveform. and SOFT which vectors core toward 0V at the current rate.

HALT IF TARG=0 makes the vector core draw a horizontal line if the TARGET slider for that threshold is at 0 (fully down).

ANIMATION - Sliders, Spring Action Switch, and Macro Envelope:
There are 13 total internal modulation sources. A primary MACRO ENVELOPE, eight (8) Threshold LFOs, and four (4) CV modulators that normal to the FOLD, SLOPE, SHIFT, and SHAPE attenuverters. The CV modulators can be LFOs or Envelopes.

The switch rests in the center, making the sliders control the THRESHOLDs. When held to the left, the sliders set the TARGETs. When held to the right, the sliders control the MACRO SETUP detailed below.

The MACRO ENVELOPE is an Attack/Hold/Release style envelope. A gate here will start the envelope, lighting the LED blue, while the envelopes level will glow red. The times for Attack and Release are controlled in the MACRO SETUP mode by the first two sliders.

The MACRO ENVELOPE modulates the amplitude of all LFOs. If the CV modulators are set as envelopes, then the gate will start the envelopes, but they otherwise operate independently.

MACRO SETUP:

Parameters are modified in MACRO SETUP by holding the switch to the right and moving respective sliders.

Macro Envelope's Attack Time
Macro Envelope's Release Time
Threshold LFO Amount
Threshold LFO Rates
Fold LFO/ENV Rate/Time - CV(5)
Slope LFO/ENV Rate/Time - CV(6)
Shift LFO/ENV Rate/Time - CV(7)
Shape LFO/ENV Rate/Time - CV(8)
Envelope Times are shortest at the bottom of the slider and longest at the top.

LFO Rates are slowest at the bottom of the slider and fastest at the top.

Fold, Slope, Shift, and Shape modulation

Specifications
20HP
38mm Depth (with power cable)
Power: +200mA, -160mA
LFO rate: 0.0016Hz to 6Hz
ENV time: 0.05s to 600s

Notes: The OXI One MKII is the culmination of years of refinement, shaped by invaluable input from our community and artists. We've integrated powerful new features and optimized the workflow for unparalleled speed and creativity. The result? The most robust, intuitive, and affordable sequencer available today.

The OXI One MKII takes everything you loved about its predecessor and amplifies it. Now equipped with 8 sequencers and support for up to 64 tracks, it offers unparalleled flexibility for crafting complex compositions. Enhanced rhythmic sequencing, advanced composition tools, and expanded connectivity options make the MKII a powerhouse for music production. With a refined, intuitive workflow and a host of new features, the OXI One MKII delivers more functionality, more precision, and more creative freedom than ever before. More is More. Long celebrated as a go-to sequencer for melodic creativity, the OXI One MKII is now equally powerful on the rhythmic front.With expanded generative options, it allows you to effortlessly add dynamic variations to your compositions - unlocking endless creative possibilities. Featuring conditionals, modulation lanes, and LFOs tied to each sequencer mode, the OXI One MKII ensures that your creativity moves at the speed of inspiration. This sequencer empowers you to craft intricate, evolving patterns with ease. With a top of the line repeats engine, accumulators, and the enigmatic Flow button your compositions will be taken to the next level. More than just a studio centerpiece, the OXI One MKII is a powerful performance tool. With enhanced performative features, it equips you to play your arrangements and compositions live with precision and freedom. Whether in the studio or on stage, the OXI One MKII is your ultimate creative partner.

While the OXI ONE MKII is a new release, it retains the familiar workflow of the original OXI ONE now refined and enhanced. With significant feature upgrades and improved usability, the MKII sets a new standard as the ultimate sequencer.

With 6 sequencer modes OXI One MKII is the most versatile sequencer on the Market.

Multitrack: 8 independent tracks with customizable parameters; expandable to 64 tracks for vast creative potential.

Chord: Innovative chord generator with diverse types, voicings, Chromatic Mode, and custom scales for rich progressions.

Poly: Up to 7 voices with unique per-note chance and logic conditions for dynamic editing.

Mono: Full control over monophonic tracks, enhanced with accumulators for intricate melody creation.

Stochastic: Generative sequencing for evolving melodies with precise rhythm and pitch control.

Matriceal: Rule-breaking sequencer with four independent lanes for velocity, octaves, and notes, designed for experimental flexibility.

Our innovative CHORD MODE lets you effortlessly create dynamic chord progressions with diverse chord types,voicings, and bass options via intuitive menus. The built-in chord arpeggiator transforms chords into lush, evolving soundscapes. The HARMONIZER syncs other instruments to your chords, maintaining perfect harmonic unity. MODULATE your chord track with LFO, MOD lanes, or External CV. Applied modulations carry over to linked instruments, keeping your music dynamic and evolving.

4 Knobs For Total Control Of Any Parameter: All parameters of every menu are shown in the screen and can be modified with their respective encoder. No menu diving needed. With OXI One MKII the workflow is even more refined.

The OXI ONE MKII elevates sequencing with enhanced logic conditionals, transforming simple compositions intointricate, vibrant sequences effortlessly. Its innovative Accumulator and Repeats Engine delivers rapid, intuitivevariation, setting it apart from other sequencers. Expanded with eight modulation lanes per track and a broaderrange of internal destinations, the modulation system is more powerful than ever. Plus, a fresh suite of generative tools sparks inspiration, breathing life and endless creative possibilities into your music.

OXI ONE MKII supports both modern and legacy connectivity, ensuring full integration with all your studio gear sonothing gets left behind.DIN Sync, MIDI, CV/Gate, USB, and Bluetooth allow you to connect anything to the OXIONE MKII. 8 CV and Gates, use USB as Device or Host mode, Bluetooth to connect your tablet or mobile phoneand use it as another musical instrument and with the Split v2 expansion you can connect up to 6 MIDI Lanes. Nothing is left out in your studio with OXI ONE MKII.

OXI ONE MKII is built for durability and performance, using premium components, advanced technology, andrugged materials to handle demanding studio use and tough touring conditions. Featuring a sleek aluminiumun body, high-grade silicone pads, and robust aluminium knobs, it delivers professional build quality at an accessible price - making it one of the best value sequencers on the market.

Notes: The OXI One MKII is the culmination of years of refinement, shaped by invaluable input from our community and artists. We've integrated powerful new features and optimized the workflow for unparalleled speed and creativity. The result? The most robust, intuitive, and affordable sequencer available today.

The OXI One MKII takes everything you loved about its predecessor and amplifies it. Now equipped with 8 sequencers and support for up to 64 tracks, it offers unparalleled flexibility for crafting complex compositions. Enhanced rhythmic sequencing, advanced composition tools, and expanded connectivity options make the MKII a powerhouse for music production. With a refined, intuitive workflow and a host of new features, the OXI One MKII delivers more functionality, more precision, and more creative freedom than ever before. More is More. Long celebrated as a go-to sequencer for melodic creativity, the OXI One MKII is now equally powerful on the rhythmic front.With expanded generative options, it allows you to effortlessly add dynamic variations to your compositions - unlocking endless creative possibilities. Featuring conditionals, modulation lanes, and LFOs tied to each sequencer mode, the OXI One MKII ensures that your creativity moves at the speed of inspiration. This sequencer empowers you to craft intricate, evolving patterns with ease. With a top of the line repeats engine, accumulators, and the enigmatic Flow button your compositions will be taken to the next level. More than just a studio centerpiece, the OXI One MKII is a powerful performance tool. With enhanced performative features, it equips you to play your arrangements and compositions live with precision and freedom. Whether in the studio or on stage, the OXI One MKII is your ultimate creative partner.

While the OXI ONE MKII is a new release, it retains the familiar workflow of the original OXI ONE now refined and enhanced. With significant feature upgrades and improved usability, the MKII sets a new standard as the ultimate sequencer.

With 6 sequencer modes OXI One MKII is the most versatile sequencer on the Market.

Multitrack: 8 independent tracks with customizable parameters; expandable to 64 tracks for vast creative potential.

Chord: Innovative chord generator with diverse types, voicings, Chromatic Mode, and custom scales for rich progressions.

Poly: Up to 7 voices with unique per-note chance and logic conditions for dynamic editing.

Mono: Full control over monophonic tracks, enhanced with accumulators for intricate melody creation.

Stochastic: Generative sequencing for evolving melodies with precise rhythm and pitch control.

Matriceal: Rule-breaking sequencer with four independent lanes for velocity, octaves, and notes, designed for experimental flexibility.

Our innovative CHORD MODE lets you effortlessly create dynamic chord progressions with diverse chord types,voicings, and bass options via intuitive menus. The built-in chord arpeggiator transforms chords into lush, evolving soundscapes. The HARMONIZER syncs other instruments to your chords, maintaining perfect harmonic unity. MODULATE your chord track with LFO, MOD lanes, or External CV. Applied modulations carry over to linked instruments, keeping your music dynamic and evolving.

4 Knobs For Total Control Of Any Parameter: All parameters of every menu are shown in the screen and can be modified with their respective encoder. No menu diving needed. With OXI One MKII the workflow is even more refined.

The OXI ONE MKII elevates sequencing with enhanced logic conditionals, transforming simple compositions intointricate, vibrant sequences effortlessly. Its innovative Accumulator and Repeats Engine delivers rapid, intuitivevariation, setting it apart from other sequencers. Expanded with eight modulation lanes per track and a broaderrange of internal destinations, the modulation system is more powerful than ever. Plus, a fresh suite of generative tools sparks inspiration, breathing life and endless creative possibilities into your music.

OXI ONE MKII supports both modern and legacy connectivity, ensuring full integration with all your studio gear sonothing gets left behind.DIN Sync, MIDI, CV/Gate, USB, and Bluetooth allow you to connect anything to the OXIONE MKII. 8 CV and Gates, use USB as Device or Host mode, Bluetooth to connect your tablet or mobile phoneand use it as another musical instrument and with the Split v2 expansion you can connect up to 6 MIDI Lanes. Nothing is left out in your studio with OXI ONE MKII.

OXI ONE MKII is built for durability and performance, using premium components, advanced technology, andrugged materials to handle demanding studio use and tough touring conditions. Featuring a sleek aluminiumun body, high-grade silicone pads, and robust aluminium knobs, it delivers professional build quality at an accessible price - making it one of the best value sequencers on the market.

Notes: MESS is a pedal that opens up a new world of possibilities. MESS blends traditional sound shaping with generative and performance power with four independent effect tracks can befreely assigned to over 120 studio-quality effects, all with sequenceable control over multiple parameters. Start a sequence and create entirely new textures that evolve in time - from lush ambient washes to glitchy chaos. Or switch off the sequencer and use MESS as a powerful, traditional multi-effects pedal.

Mess features 120 high-quality, stereo effects, ranging from traditional to the experimental. Choose from analog-style modulation and time-based staples or innovative spectralizers andnew ways to use granular engines.

MESS's 16-step grid pad is a real time sequencer and editor - with intuitive hands-on control that rewards experimentation without an advanced degree in sound design required. Sequence effect parameters, start or stop sequences without cutting out the effects, or build complex
polyrhythmic patterns that evolve as you play.

Each track runs independently, with detailed control over parameters, time divisions and length .Create slow spectral sweeps by slowing a sequencer down to 1/16th of the chosen tempo while increasing the speed of a microlooper for chaotic glitchy stutters all in the same patch. MESS has the tools to build-up textures or tear them apart.

MESS turns effects into an instrument. Unlike conventional multi-effects units that rely on staticpresets, MESS offers dynamic, programmable, and performative sound design. This effectspowerhouse is equally at home on pedalboards, in modular synth setups, or integrated intoDAW-less setups making it ideal for guitarists, synthesists, drum machine enthusiasts, and sound designers.

Notes: Fueled by the success of its DJControl Inpulse range and the DJControl Inpulse T7, the DJControl Inpulse T7 Premium Edition comes with a range of unique enhancements and sleek finishes that will make it easier for modern DJs to scratch and perform anywhere.

The controller features a high-quality premium fader module, two new slipmats ideal for scratching, two slipmats ideal for traditional mixing, a transport case and eye-catching gold details and markings.

Designed primarily to serve the hip-hop and scratching community that embraced the original DJControl T7 most enthusiastically, this new controller from Hercules will add a little extra heart to every beat.

The DJControl Inpulse T7 Premium Edition comes with two software licenses, Serato DJ Lite and DJUCED. It is compatible with Serato DJ Pro

Notes: A Streamlined Classic! Maander-M Wavetable Synth with Analog Filterbank & Sequencer

The Flame MAANDER-M is a compact reimagining of a well-regarded classic from the Flame lineup - now more affordable and streamlined, but still packed with the same sonic depth. At its core is a wavetable synth engine, fed into the 12-channel analog bandpass filter bank, controlled by the internal pattern sequencer.

Sound sources include a polyphonic wavetable and FM oscillator, an analog white noise generator and an external audio input. The internal sequencer offers one polyphonic note track (up to 4-voice chords) and 14 mono tracks. The latter are dedicated to the filter channels, the audio input, and the noise source. Each track has its own VCA with individual envelope control and is accessible via MIDI notes.

Patterns can be created and saved as patches, and played live with ease. The built-in arpeggiator and keyboard scaler make the MAANDER a powerful tool for live jamming and generative sequencing. Updates, patch management, and wavetable loading are handled conveniently via MIDI SysEx.

New in this version: direct oscillator output, stereo noise output, and stereo audio input. Maander comes fully mounted in a powered 56HP wooden skiff to get started right away.

Notes: Which live performer doesn't know this situation: You build the tension to immeasurable heights, add another filter here, three more effects there, hands go up in the air, everyone's waiting for the big drop and then you realize: You can't find your way out of the chaos you've created!

The sweat on your forehead drips onto your equipment, and in a firework of spraying sparks, your devices and your fans say goodbye forever.

This doesn't have to happen!

With Drop, you can now map your MIDI equipment across devices and easily store different controller positions as snapshots. During performance, you can jump back to these snapshots at any time (JUMP mode) and trigger them. All of this can be quantized and with variable fade time, allowing you to use a snapshot for slowly building tension and automatically have multiple controllers move simultaneously.

A particularly useful feature, is firing snapshots in DROP mode at exactly the right moment, precisely at the end of a pattern of, for example, 8 bars. For this purpose, Drop features an integrated master clock that counts any number between 1 and 32 bars (= cycle). In DROP mode, you can schedule a snapshot to trigger at the end of a cycle, build tension and go crazy on effects until then, and lean back as the snapshot automatically turns the controllers at exactly the right moment, bringing your live set back to solid ground.

Saving and recalling snapshots is quick and simple even during live situations, allowing you to work spontaneously with new snapshots on-the-fly during your performance. The LED buttons always provide clear visual feedback about what's happening. If you want to plan further ahead, you can prepare sequences of DROP snapshots according to your song arrangement in the studio. Then use CHAIN mode to automatically trigger them sequentially on stage. Multiple chains and banks of snapshots are available, allowing you to configure your live set according to a song-by-song structure.

As with our Warp Synthesizer, Drop has two main operating levels: The PLAY level with direct hands-on access to the most important parameters, and the MENU level for studio configuration. The PLAY level is reduced to the essentials, such as the clear progress display (how many bars until the DROP at the end of the cycle), similar to a countdown clock. The buttons can be used for beat jumps, allowing you to spontaneously extend or shorten a break. Also, the number of bars per cycle and the quantization behavior can be changed on-the-fly. Everything is easily and directly accessible without submenus or hidden button combinations.

Mapping is done in the MENU level, directly on the device. No additional software is required, ensuring Drop isn't dependent on outdated operating systems in the future. Copy/paste/move functions and MIDI-Learn help with quick setup. Furthermore, an integrated MIDI monitor allows recording and analyzing incoming and outgoing messages. All possible MIDI commands are supported, including 14-bit CCs (NRPN), Program Change, Bank Select, Aftertouch, Pitchbend, and of course CCs and Notes.

Each controller enables macro mapping by sending up to eight different MIDI messages simultaneously to any MIDI output port. Individual curves can be assigned to each destination. This allows you to control multiple devices simultaneously with one knob, giving you a manageable number of highly expressive controls for your live set.
MIDI messages can also be assigned to snapshots, so that, for example, device programs and banks can be changed automatically in sync with a snapshot DROP.

On the output side, four MIDI In/Out ports via TRS jacks (types A and B) and two USB-C ports are available. Device and host modes are automatically detected, allowing connection not only to synths and grooveboxes but also to external keyboards, two laptops, or other MIDI controllers via USB.

Thanks to the multiple outputs, each connected device gets its own dedicated MIDI port with full data rate and all 16 MIDI channels, plus its own independent MIDI clock. This can even be adjusted individually for each output down to the millisecond, ensuring all devices run in perfect sync. Additionally, there are two CV outputs that can also be used for clock signals or as freely assignable 0-5V CV voltages. If one of the receiving devices accidentally falls out of sync, e.g., by accidentally pressing the stop/play button, Drop offers a quickly accessible resync button that resynchronizes all devices at the beginning of the next bar. As a master clock generator, there's also a nudge function for manual beat matching (DJ-style), or you can simply synchronize Drop to an incoming MIDI clock or a 0-5V clock from your modular system.

Another function is the reception and forwarding of incoming MIDI signals. Via the MIDI merge function, incoming messages can be filtered by channel and distributed to the connected devices. This allows a master sequencer that outputs sequences for all devices on multiple channels to be connected and appropriately routed through Drop. Drop adds the MIDI messages from its own controllers (MIDI merge), so the receiver gets the sum of both signals. You can go even further and integrate an external MIDI keyboard, allowing you to play some of your own notes in addition to the sequencer. Such routing was previously mainly reserved for software solutions, but now you can save having a laptop on stage, as Drop takes over this hub function.
The silicone buttons for snapshots can also be used as a 4x4 clip launcher for Ableton Live integration, parallel to snapshot control. Simply load the corresponding script from below into the appropriate folder on your computer. Drop now offers navigation through Ableton clips with RGB LED feedback, play/stop functionality for clips and tracks, scene triggering, and even the ability to start a scene in sync with a snapshot DROP.

Even without Ableton, the button matrix doubles as a convenient mini keyboard, allowing you to trigger notes on your favorite synth without lugging around extra gear. It includes practical features like customizable scales and transpose functions to enhance your playing flexibility.

Drop can be powered via USB-C, allowing it to be elegantly connected to a laptop with just one USB-C cable. However, an external power supply is also included to effectively prevent the notorious ground loops in branched USB setups. The power supply also contains globally compatible power adapters (EU, UK, US, AU), making it ready for global tours. The package also includes a USB-C cable, a USB-C to USB-A adapter, and two MIDI-TRS cables with 3.5mm stereo jacks.

The solid metal housing, metal faders and encoders, and high-quality soft-touch buttons guarantee long-lasting enjoyment and professional touring reliability.

Notes: The ultimate way to experience audio

Full bass immersion

SUBPAC is revolutionizing the way audio is created and experienced. Building off our success in the studio and on stage, the SUBPAC X1 represents the next step on our journey to deliver the highest-fidelity immersive audio solutions ever made. Trusted by top artists, producers and DJ's, including Timbaland, Finneas (Billie Eilish), Richie Hawtin, Fat Boy Slim, and Dub Fire, and used in thousands of studios worldwide. The SUBPAC X1 is the next frontier in audio that fully engages you in the physical dimension of sound, quietly and accurately transferring deep immersive bass frequencies directly to the body.

The SUBPAC X1 is simple to use, just connect with your Music, Video Games, VR Experiences, and Movies, and feel things like you've never experienced before - SUBPAC IS THE FUTURE OF AUDIO.

One Subpac. One system.

SUBPAC X1 is Designed for Dual Use

For your chair

Anywhere you sit and engage with audio

For you to wear

Big Bass, Anywhere

Connect to the deepest feeling

Unparalleled Bass Response.

Customise & control

Mobile and PC app control over filters, EQs, time alignment, tactile and headphone levels, and other advanced settings.

Power & precision

Redesigned audio path and software optimizations for improved fidelity, increased power and more headroom.

Comfort & flexibility

Interchangeable strapping solutions for both seated & wearable uses, providing a more comfortable and ergonomic fit.

Modular

Removable wired analogue I/O and remote for the X1, and the optional C1 for professional-grade interface options.

Bluetooth wireless freedom

Connect wirelessly via Bluetooth Bluetooth 5.0 AD2P, aptX HD & LE Audio.

Pro grade

Highest quality component selection to meet the most rigorous demands in the studio, on stage, and everywhere you connect to audio.

A unified experience

The SUBPAC X1 System Combines Hardware & Software

Inputs:

3.5mm Stereo TRS Analog Line Input
USB Audio Class 2.0 over USB Type-C
SUBPAC Ultra Wideband Wireless Audio
Bluetooth A2DP

Outputs:

3.5mm Stereo TRS Headphone Output
+130dB SNR, +122dBA DNR
-112dB THD+N, 2.0Vrms into *100kO
-110dB THD+N, 1.0Vrms into 32O
*100kO = 100,000O

Power:

Integrated rechargeable Li-Ion battery
Up to 8hrs battery life
USB Type C Power Delivery
Included USB Type C 45W charger
Tactile Frequency Range:

Adjustable between 1-250hz
Mobile Control App:

iOS and Android compatible

Notes: Featuring extensive connectivity, the Tetrachords can act as a bridge between a modular system and the rest of a studio.

The unique, built-for-purpose interface turns a studio into a melodic and harmonic playground. Easily explore anything from unisons and simple melodies to dense note clusters, made-up scales and polytonal mayhem.

The Tetrachords is capable of calibrating its CV OUTS to individual oscillators. This can significantly improve how in-tune oscillators will play when sequenced by the Tetrachords, especially for sequences with a wide pitch range. It features a basic tuner, designed to help keep CV controlled oscillators in tune with MIDI instruments and with each other.

Notes: Explore malleable sound. Mold, carve, bend.

The S-4 is a sculpting sampler designed to capture and transform sounds. Merging tape-era workflows with cutting-edge technology, the S-4 redefines sound mangling by providing a futuristic platform for crafting unique soundscapes and compositions, using samples and real-time audio processing.

S-4 is a tool made for sonic explorers. It has four parallel stereo tracks, each with an audio engine featuring a chain of audio devices including samplers, live granular processing, morphing resonators, and a range of audio effects. A novel modulation system allows anything and everything to be modulated with four modulators per track. Capture sounds on the fly with the onboard microphone and stereo line input, or load samples from the 4GB internal flash storage.

Use cases

The S-4 is a versatile powerhouse, capable of serving as an effects processor, transformative sound designer, tape machine, live looper, classic sample player, or textural synthesizer.

Tape machine

Capture your surroundings. Use S-4 as a transformative four-track tape machine.

Effect processor

Manipulate live audio, and add colour and textures to your beats, melodies, and sounds

Midi controlled sampler

Hook up a MIDI keyboard or sequencer and use S-4 as a powerful textural synthesizer and sample player.

Audio engine

Push the creative boundaries and transform audio into uncharted depths. S-4 has four parallel stereo tracks, each of which contains a chain of five audio devices tailored to cover specific sonic areas and applications. Create everything from glittering textures to broken soundscapes or evolving synth sounds.

Together, the devices form a playful toolbox for sculpting sample material and live audio.

Material

Stereo tape and sample players with live audio and looping capabilities.

Granular

Live granular processing with time-warping and pitch-shifting algorithms.

Filter

Morphing resonator: 48-band tuned filter bank with animation, tonal control, and classic filter functions.

Colour

Collection of destructive effects including bit crushing, drive, and compression.

Space

Combined reverb and delay with pitch-shifting and shimmer.

Modulation system

Animate and bring life to any parameter using the rich and unique modulation system. Each track has four configurable modulators that can be mapped to any parameter with unlimited mapping destinations. It is even possible to do cross-modulation between modulators. Choose between a range of different modulators from complex LFOs, and generative sequencers to envelopes.

Capture your surroundings

Utilize the built-in microphone to record sounds, sample and loop your external gear with the stereo line input, resample the internal tracks, or effortlessly load samples from the S-4's flash memory or an external drive.

Versatile powerhouse

The S-4 is designed with durable RGB buttons offering tactile feedback and a high-quality 3.5-inch LCD display ensuring all the visual feedback you need. It features USB connectivity for seamless connection to class-compliant devices and effortless file transfers to and from your laptop. Moreover, it can function as an audio interface when you require a simplified setup. You can also expand the number of inputs and outputs by connecting a class-compliant external USB interface.

Technical specifications

Audio engine features

4 parallel stereo audio tracks
Tape player with live looping capabilities
Polyphonic sample player
Live granular processing with time-warping and pitch-shifting algorithms
Morphing resonator (48-band filter bank)
Bit crushing, drive, and compression
Combined reverb and delay with pitch-shifting and shimmer

Modulation features

4 modulators per track
Modulate any parameter of the audio engine
Modulator types:
- Complex LFOs
- Generative sequencing tools
- Envelopes

Hardware

Quad-core 1.5 GHz processor
4 GB flash memory (sample pool)
24-bit / 48 kHz stereo audio in and out

I/O

2 line-inputs
2 line-outputs
Built-in microphone
Stereo headphone output
MIDI in/out
Analog sync in/out
USB-C

Miscellaneous

WiFi - Ableton Link
Class-compliant USB audio interface
Expandable number of inputs/outputs with class-compliant USB interfaces

User Interface

High-resolution LCD colour display, 3.5 inch
21 tactile RGB buttons
9 high-quality endless encoders

Physical

Matte black aluminium casing
Dimensions: 242 x 156 x 39 mm (9.5" x 6.1" x 1.5")
Weight: 820g (1.8 lbs)

Notes: Big brother to the excellent MicroFreak, the MiniFreak is a hugely impressive hybrid synth, teaming dual digital sound engines with analogue filters for creative approaches to polyphonic sound.

Supplier notes:
MiniFreak is a 6-voice polyphonic hybrid keyboard that fuses two digital sound engines with analog filters, outside-the-box sequencing, and instant-access modulation in a playful, curious, and sometimes unpredictable way. MiniFreak encourages users to escape the ordinary and explore the unconventional with a 37-note velocity-sensitive keybed with aftertouch, weave intricate evolving performances with multiple modulation lanes, and discover endless sweet spots with a built-in digital FX engine - a wildly creative experience.

Unprecedented hybrid polyphony

With over 20 modes to choose from including Virtual Analog, FM, and Additive, the interplay between MiniFreak's two oscillators can result in truly unique compound sonic behavior. With 6-voice polyphony, analog filters, and the ability to process engine 1 through engine 2, MiniFreak puts premium polyphonic synthesis exploration into a compact & tactile instrument that's as addictive as it is powerful.

Customizable & experimental sound design

Embellishing the popular Freak modulation matrix, MiniFreak gives users even more control over shaping, transforming, and evolving their sound, with features like polyphonic ADSR envelopes, customizable multi-segment LFO shapes, FM & Ring Modulation, and the familiar Spice & Dice randomization.

Mix-ready stereo sound

MiniFreak comes with stereo outputs and 3 digital FX slots with 10 FX types to choose from. From stereo-enhancing chorus, to surgical 3-band EQ, to gritty 6-mode distortion, users will have everything they need to push their sound over the edge while keeping it mix-ready.

Expression, meet chaos

Despite its penchant for wild & exploratory sound design, MiniFreak is also built as a responsive instrument of expression. Its velocity-sensitive 37-note keybed with aftertouch and spontaneous Seq/Arp functionality makes it a dream to perform with, while its randomization features and modulation lanes put playfulness and sonic momentum immediately at users' fingertips.MiniFreak VMiniFreak comes with a dedicated VST counterpart, letting users totally integrate its unique hybrid sound into their DAW productions and vice versa. Using identical sound engines and architecture, it offers a like-for-like virtual experience of the synth itself, at no extra cost.

What's in the box:

Box content
MiniFreak Unit
Universal PSU - 12V 1A
USB A to USB 2.0
Registration card

Instrument dimensions
Size : 22.75 x 9.09 x 1.57 inches (578 x 231 x 55mm)
Weight : 6.48 lbs. (2.94 Kg)

Notes: The latest in 1010's innovative range of compact devices, the Bento is a fresh take on sampling and sequencing, offering an alternative to conventional options such as Akai's MPC series. Pure standalone creative flow.

Supplier's notes:
Sample Every Flavour

Bento is a portable, all-in-one sampling production lab that brings together flexible sequencing, expressive performance tools, and pro-level connectivity-perfect as the centrepiece of your desktop or mobile rig. Whether you're looping on the go, launching clips live, or sequencing your entire synth setup, Bento gives you the tools to shape your sound from idea to performance.

With pristine 24-bit sound quality, a bright 7" touchscreen, 16 responsive pads, and deep control over samples, MIDI, and effects, Bento offers a fast, fluid workflow in a compact and portable form. Sequence one-shots, build multi-sample instruments, and chop loops using Bento's flexible tracks, scene-based sequencing, and expansive modulation and FX engine.

Designed to replace laptops, simplify cabling, and integrate seamlessly with your gear, Bento features multiple stereo inputs and outputs, USB-C host and device ports, dual TRS MIDI I/O, and a built-in battery for up to 3 hours of mobile creativity.

Recording Capabilities

Capture loops quickly with the option to synchronize the start and stop times to the clock
Trigger recording via audio level threshold
Create perfectly sized loops by setting the recording length
Enable immediate playback after recording for live looping capabilities
Make recordings up to 4 hours in length
Resample the master output without patching
Store recorded samples as WAV files on the micro SD card

What's included

bento - sampling production lab
MicroSD card with over 160 patches and over 200 wav files
USB C power cord
USB C power and data splitter
Type B TRS MIDI To MIDI 5 Pin DIN adapter
QR Code with link to the Quick Start Guide

Technical Specs

8 tracks with multiple patch types-sample banks, multisamples, slicers, granular, loops, and external MIDI
16 pressure- and velocity-sensitive pads
7" diagonal touch screen
8 context-sensitive endless encoders
3 stereo inputs, 3 stereo outputs, 1 stereo headphone out
2 TRS MIDI inputs & 2 TRS MIDI outputs (Type A & B)
USB-C host and device ports
Internal battery with 3 hours in low power mode
Includes 155 Patches and over 5000 sample files
Expandable via microSD card
24-bit ADC/DAC
MIDI sequencing, modulation, and CC control support
Compatible with 100 x 100 VESA mounts
Product dimensions: 8" x 8.5" x 2", 2 lb (20.4 x 21.8 x 5.1 cm, 936 grams)
Package dimensions: 10.25" x 8.5" x 2.75", 2.7 lb. ( 26 x 21.6 x 7 cm, 1.2 kg)

Notes: Hotly anticipated rotary goodness from Spanish pro audio specialists Ecler. Simple, pure two-channel design with three-band channel EQs, three-band isolator and quality sound.

Supplier's Notes:
Two-Channel Analogue Rotary Mixer

WARM2 is a professional two-channel analogue rotary DJ mixer, designed and manufactured by ECLER in Barcelona. Featuring two phono/line channels and a micro/line channel, classic sharp filters, a 4th order Isolator and a narrow portable format, it will deliver a warm and crystal clear analogue sound.

Audio Performances

Inputs Sensitivity nom/Impedance:

LINE : 0dBV/50kO
PHONO : -40dBV/50kO
MICRO : -50dBV/>1kO
FX RETURN : 0dBV/>6kO

Outputs Level/Minimum Load:

HOUSE (BAL) : 0dBV/600O 1V *(+12dB 4V)
HOUSE (UNBAL) : 0dBV/2.2kO 1V *(+12dB 4V)
BOOTH (UNBAL) : 0dBV/2.2kO 1V *(+12dB 4V)
REC : 0dBV/10kO
HEADPHONES : 200mO/200O THD 1%
FX SEND : 0dBV/2.2kO

Frequency Response:

LINE : 10Hz#30kHz -1dB
MICRO : 10Hz#25kHz -1dB
PHONO : RIAA i0.5dB
FX RETURN : 10Hz#50kHz -1dB

THD-N:

LINE : <0.006%
MICRO : <0.9%
PHONO : <0.08%
FX RETURN : <0.005%

CM MR:

MICRO: >70dB @ 1kHz

Signal Noise Ratio:

LINE: >99dB
MICRO: >85dB
PHONO: >98dB
FX RETURN: >100dB

Max Undistorted Output Level:

HOUSE (Electr.BAL): 21dBV (23dBu)
HOUSE (UNBAL): 21dBV (23dBu)
BOOTH (UNBAL): 21dBV (23dBu)

Trim control:

INPUTS 1-2: - 15dB
INPUT 3: - 20dB

Tone control Inputs 1-2:

BASS: +10/-30dB
MID: +10/-25dB
TREBLE: +10/-30dB


Tone control Isolator:

BASS: +12/-70dB
MID: +12/-40dB
TREBLE: +12/-70dB

Tone Filter cut frequency at -6dB (slope 12dB/oct):

BASS: 200Hz
MID: 200Hz#6.8kHz
TREBLE: 6.8kHz

Isolator cut frequency at -6dB (slope 24dB/oct):

BASS: 300Hz
MID: 300Hz#4kHz
TREBLE: 4kHz

Connectors

Inputs:

LINE 1-2-3: RCA STEREO
PHONO 1-2: RCA STEREO
MICRO 3: 6.3mm TRS BAL. JACK
FX RETURN: RCA STEREO

Outputs:

HOUSE (BAL): XLR STEREO
HOUSE (UNBAL): RCA STEREO
BOOTH: RCA STEREO
FX SEND: RCA STEREO
REC: RCA STEREO
HEADPHONES: 6.3mm/3.5mm STEREO JACK

Miscellaneous

Control Mode: Rotary with Alps Blue Velvet Potentiometers
Phantom Voltage: 18VDC/5mA Max (Default ON)
MIX and PFL VU-Meter: LED 12 segments (-30dBV # +20dBV)

Operation

Operation Temperature: -5-C - 45-C / 23-F - 113-F
Humidity: 20 - 90% RH (no condensation)

Supply

Mains voltage: 90-264VAC 47-63Hz
Rated power consumption: 30VA

Mechanical

Dimensions (without wooden sides): 400 x 185 x 100mm / 15.7" x 7.2" x 3.9"
Weight : 3.6Kg / 7.94 lbs

Notes: *** Firmware update (April 2025)- Engine DJ 4.3 ***

Support for Apple Music

Enjoy standalone access to 100 million Apple Music songs and over 30,000 expertly curated playlists. An Apple Music subscription is required
Enabling the Sync Library option in the Apple Music app on your computer enhances your music experience by giving you seamless access to your purchased, uploaded, and personal playlists.
Apple Music will be supported on the following hardware:
Numark Mixstream Pro +
Numark Mixstream Pro Go
Denon DJ SC LIVE 2
Denon DJ SC LIVE 4
Denon DJ PRIME 4+
Denon DJ PRIME GO+

All Engine DJ hardware will receive various other enhancements and improvements with this update.

ENGINE DJ DESKTOP

Various stability enhancements and improvements Engine DJ 4.3 will be available for download on enginedj.com or via Wi-Fi on compatible Engine DJ hardware. Apple Music can be unlocked directly on supported devices.


The Denon DJ PRIME GO+ packs high-end performance features and exceptional music streaming capabilities into an ultra-portable, battery-powered standalone DJ controller. Created for DJs on the move, the PRIME GO+ continues the journey of the legendary PRIME GO while adding access to even more music streaming options for virtually unlimited musical access

Robust streaming capabilities

Boasting a special DRM chip and built-in Wi-Fi, the PRIME GO+ can access over 100 million tracks across numerous streaming partners including Amazon Music Unlimited, TIDAL, Beatport, Beatsource, Soundcloud GO+, and Dropbox. Streaming tracks are buffered into the internal memory for rock-solid stability and flawless performances. DJs can also access saved music libraries and playlists on the PRIME GO+ by utilizing the SD card slot and USB input.

Capable connectivity

Small in size, but not in audio connectivity, the Denon DJ PRIME GO+ boasts a myriad of options for multifaceted DJs, including Bluetooth in and out for 100% wireless performances as well as professional grade wired connections.

Featuring balanced XLR outputs, 1/4" booth outputs, additional RCA Main out, RCA Auxiliary input, and 2 mic combo jack inputs, the PRIME GO+ has the flexibility to handle any gig, anywhere.

Powerful portability

With its compact size and rechargeable battery, the Denon DJ PRIME GO+ is the ultimate grab and go DJ device for any gig or destination mix session. No longer tethered to their desks or studios, this freedom allows DJs to prep, practice, and perform literally anywhere inspiration strikes.

Frequent feature-packed updates

Operating on Engine DJ OS, the PRIME GO+ receives exciting new DJ features with every update. With an ever-expanding suite of features like lighting control, standalone embedded sampler, Bluetooth in/out, Performance Pad Display, Touch FX, custom library Match filters, and more, Engine DJ continues to prove why it is the most powerful and versatile DJ operating system in the world. With easy, over the air updates using Wi-Fi, DJs are automatically notified on the device when and update is available, continually keeping them on the cutting edge of DJ performance technology.

In the box

Prime GO+
Power Cord
USB Cable
Sticker Sheet
Microfiber Dust Cloth
Quickstart Guide
Safety Instructions
SoundSwitch free trial offer card


Weight & dimension (product only)

Weight (lbs): 8.11 lbs
Weight (kg): 3.68 kg
Imperial (in): 16.2" W, 10.8" D, 2.1" H
Metric (mm): 411 W, 274 D, 53 H

Weight & dimensions (product only)
Weight (lbs): 11.27 lbs
Weight (kg): 5.11 kg
Imperial (in): 21.06" W, 15.35" D, 6.65" H
Metric (mm): 535 W, 390 D, 169 H

Notes: The legend is back. Updated and re-engineered for the 21st century, the classic Technics DJ turntable remains the industry standard. Top sound, top build quality.

Supplier notes:
The SL-1210MK7 is the newest model of the SL-1210 Series. For the development of this model, all that modern-day DJs need and want was reviewed from the ground up. At the drive section of the MK7 is a coreless direct drive motor. While achieving both stable rotation and powerful torque, this has successfully eliminated a rotation irregularity called cogging, which was the only drawback of the direct drive system. As a result, sound quality was further improved. The pitch control incorporates digital control to achieve improved tracking performance and accuracy. The buttons and tonearm are black to complete the all black design, and the LED light can be set to illuminate in red or blue. A reverse play function has been added to expand the breadth of DJ play style. With those features and functions, the MK7 aims to set a new standard for DJ turntables.

Notes: Developed in conjunction with Dutch software dons 112dB, the Echolocator brings precise, ultra-controllable delay to the hardware realm. Full stereo design with filter and shimmer modes, freeze function and foot switch input.

Supplier's Notes:
The Echolocator is a hands-on precision tool that lets you take manual and very musical control over small nuances. Like a bat navigating its environment in the dark, you can feel your way through your live performances and shape the delay response and character on the fly. Featuring 12 parameters for detailed sound design, save/recall functions for all parameters, MIDI control over all parameters and a sleek aluminium case to match our lineup of compact desktop units, the Echolocator will let your setup take flight in any live show, studio or sonic experiment.

Notes: The next generation of Moog analogue synths, the Messenger draws on iconic designs of the past and introduces modern features which bring it right up to date. Affordable, top quality stuff from a legendary brand.

Supplier's notes:
A new method of sonic experimentation, communication, and connection has arrived. Say hello to Messenger, a next-generation analog synthesizer that celebrates classic Moog circuitry and introduces modern features to shape the future of sound design.

Messenger is a new Moog monophonic analog keyboard synthesiser designed for the electronic musicians, producers, sound designers, sonic tinkerers, and analog dreamers of today and tomorrow. Engineered to open new portals of art and expression through sound, the instrument is ready to be a trusted creative companion for any musical genre or style at any point in your synthesis journey.

If you're new to synthesis, welcome. You're exactly where you need to be. Messenger's intuitive layout with clearly labeled controls invites immediate hands-on exploration and encourages a deeper understanding of how to shape and sculpt sound. For experienced synthesists and sound designers, Messenger is packed full of innovative twists on beloved analog circuitry, blending the iconic, raw Moog sound with flexible, modern features designed for use on stage or in the studio. This synthesiser has two oscillators with wavefolding functionality, a sub-oscillator with continuously variable waveshapes, dual looping ADSR envelopes, 32 semi-weighted full-size keys with velocity and aftertouch, and the legendary Moog ladder filter augmented with resonance bass compensation, multiple filter slopes, and true multimode functionality. Messenger's 256 on-board presets allow for immediate saving and recall of your favorite sounds. An intuitive arpeggiator and expression/sustain pedal inputs make this an indispensable live tool, while its unique sequencer with probabilistic controls and modular connectivity set Messenger up to be at the core of your studio or home setup.

Craft soaring leads and deep, rumbling basses. Create delicately textured pads and flowing arpeggios. Build beats with custom kicks, snares, and toms. Explore dense drones and inharmonic metallics. Pay attention to how these sounds impact the way you hear the world around you.

Timeless and Intuitive: Messenger builds on the DNA of Moog's most iconic and prolific monosynths - Minimoog Model D, Voyager, Grandmother, Subsequent 37 - and puts a new spin on a familiar format with innovative circuits and timeless analog sound.

A Legend Reborn: The legendary Moog transistor ladder filter gets some new tricks up its sleeve. A unique pole-mixing design allows the ladder filter to preserve bass frequencies as resonance is increased via the RES BASS switch while keeping its sonic legacy intact. Low-pass mode adds a 2-pole filter slope in addition to the classic Moog 4-pole low-pass filter slope.

Inspiration at Your Fingertips: 32 full-size semi-weighted keys with velocity and aftertouch, a robust metal panel, 256 presets, and knob-per-function controls mean Messenger is endlessly playable and ready to bring to your next gig.

Compositional Powerhouse: Effortlessly record sequences of up to 64 steps, integrate chance operations, and introduce random fluctuations and parameter recording. Experiment with a plethora of arpeggiator patterns and cascade notes into infinity.

Sound Design and Modulation Playground: Two loopable ADSR envelopes, two LFOs, and expanded frequency and audio rate modulation options via Oscillator 2 provide a wealth of modulation options and deeper assignable possibilities.

Comprehensive Connectivity: Messenger integrates seamlessly into any studio or live setup with six analog control voltage (CV) patch points, an external audio input to the filter, expression and sustain pedal inputs, and 5-pin DIN MIDI in/out as well as MIDI over USB-C.

Notes: Mid-range DJ mixer from the leading UK brand. Fully analogue four-channel design with A&H's much-loved Xone filter section. Very tempting alternative to the flagship Xone:96. Excellent value.

Supplier notes:
Created for DJs and electronic music purists, Xone:43 is a 4+1 channel DJ mixer that offers the very best of analogue audio quality, including the legendary Xone filter with resonance control, 3 band EQ, crossfader with three curve settings and X:FX for send/return to your favourite FX unit.

The crossfader has three switchable curve settings for blending or scratching styles and can be easily replaced or upgraded to a custom Innofader for ultimate crossfader performance.

With balanced XLR main outputs, independent booth and record outputs, Xone:43 excels in the club and in high end personal DJ setups.

Notes: Developed in conjunction with Dutch software masters 112dB, Erica's stereo reverb is the best of both worlds: deep DSP power with plenty of hands-on control. Designed for musicality, ideal for synths, drum machines and more.

Supplier's Notes:
A stereo reverb with a unique and musical algorithms developed by 112db, save/recall functions for all parameters, all in sleek aluminum case to aesthetically match our lineup of compact desktop units.

Erica Synths focused on the musical aspect of the effect - extremely long decay tails are possible without losing harmonic integrity and since multiple parameters can be adjusted at once, notes can be played individually and held in chords, pitch-shifted at a whim or used to create massive, ambient textures.

Notes: Updated Atlantix module is an even better synth voice than the original Atlantis. Based on the Roland SH-101 formula, it's a monster with dual VCOs, legendary filter and built-in envelope generator. All you need for iconic analogue sounds.

Supplier's Notes:
Atlantix

Dual Oscillator Subtractive Analogue Synth Voice

It's Massive

The Atlantix is a complete analogue synth voice. It's quick to dial in huge bass or lead sounds, and easy to push it into new sonic territory. Dual VCOs, Multimode VCF, VCA with Drive, and an ADSR envelope; all of the building blocks needed to expand or start making sound in your rack. With 32 patch points and a selection of routing switches, you can remix these blocks into something all your own.

Reimagining a Reimagined Classic

The Atlantix is the highly-anticipated successor to the Intellijel Atlantis which was originally inspired by the classic Roland SH-101. Despite the SH-101's seemingly limited architecture, it produces various creative and musically useful sounds that have inspired generations of artists and countless hits. The Atlantix is just as immediate for dialling in beautifully rich bass and lead sounds. The thoughtful design, numerous additional features, and flexible patching options open up a massive amount of new sonic territory to explore as well.

The Atlantix is an analogue, complete subtractive synthesizer voice condensed into a single 42HP module. It provides all the fundamental building blocks needed to make sounds in Eurorack: VCOs, VCF, VCA, S&H, Noise, and an Envelope.

Oscillators - Advanced TZFM and Flexible Mixer

The Atlantix uses two triangle core voltage controlled oscillators (VCO) which respond in a musically pleasing way to frequency modulation. The Atlantix primary VCO (VCO A) is capable of thru-zero frequency modulation and has a dedicated amplifier for controlling FM depth (FM INDEX). The modulation oscillator (VCO B) can be used as either an LFO or VCO. The highly flexible architecture allows you to route VCO B as a modulation source or stack it as a secondary VCO all by the flick of a switch or slider. VCO B also has a bonus "spike" waveform output which is a square wave with fixed HPF, similar to the Buchla Easel. Both oscillators track very precisely over eight or more octaves.

In the mixer section, you can adjust the balance of the primary oscillator's waveforms, sub-oscillator noise, and two auxiliary inputs that are normalled to additional VCO A waveforms or VCO B waveforms. The auxiliary inputs also allow you to patch other external signals into the mix.
The second Auxiliary input has a switch that allows you to route the source between the mixer sum or directly into the VCA (post-VCF). The latter is a way to pass an unfiltered fundamental signal to the final VCA stage and then blend it with filtered audio from the VCF. This draws inspiration from the architecture of the CS-80 where a sine wave is mixed with the filtered audio to make glassy tones with some added harmonics.

Multimode Filter - From Drips to Growls

The filter section (VCF) is a discrete cascaded 4-pole multimode filter with lowpass, bandpass, highpass, and phaser (multi-notch) modes. The filter can self-oscillate which produces a very clean sine wave that also tracks 1V/Oct. The VCF has three frequency modulation sources, two of which are normalled to the external pitch and envelope and have switches for polarity.

Add Atlx for dedicated outputs from each mode.

Envelope - A Classic ADSR

The envelope section is an analogue ADSR with three timing ranges: slow, medium, and fast. It can be gated externally or via a manual gate button located in the centre of the panel. The ADSR is routed through a VCA which can be used for level or velocity control.

Modulation - Random, Feedback, and Built-in Routing

Two eight-position rotary switches allow you to select from eight different modulation sources and route them to outputs MOD X and MOD Y. Each switch also has a polarity control and an option to level shift between unipolar and bipolar operation. MOD X is normalled to VCO A frequency modulation and MOD Y is normalled to VCF frequency modulation. The dedicated outputs allow for further creative modulation patching.

Four of the Input jacks have normal switches to change your patch without the need for cables.

The analogue Sample and Hold (S&H) circuit is normalled to the white noise source and can be clocked by VCO B, an external clock source, or via the gate input for per-note synced randomization.

Atlx - Expander w/ Ring Mod (Optional) ***Sold separately ***

The Atlx expander provides 16 additional jacks to the Atlantix, including: dedicated waveform outputs for A and B oscillators, filter outputs, and a ring modulator. Atlx adds many new possibilities for self-patching, advanced routing, and connections to other modules.

Specs + Downloads

Width: 42HP
Depth: 25mm
Power: 140mA @ +12V
138mA @ -12V

Notes: A digital mixer at heart but so much more. 1010's unique take on mixing and recording includes built-in effects and EQ, compression, headphone/monitor mixes and output routing. Clever stuff.

Supplier's Notes:
Bluebox is the portable digital audio mixer that lets you get the most out of your electronic music gear. Connect your eurorack, sampler, drum machine and synthesizer outputs to 6 stereo, 3.5 mm TRS inputs and map them to 12 mono tracks or 6 stereo tracks, all with independent control for recording and playback. It's that keyboard mixer with live performance features that you always hoped someone would make.

Connect the output of your electronic music gear to Bluebox, and then route each track independently to the three outputs and effects sends. Each track offers control of volume, gain, 4 band parametric EQ, pan, mute and solo functions. Apply high-quality global reverb and delay effects along with 4 band EQ per track to add new depth to your sound with total control to quickly tweak incoming audio or track playback as needed.

With Bluebox you can record independent tracks or the Main mix using a standard microSD card. Capture your jam session for later review, or record the ultimate mix of the tracks for your song.

Bluebox's compact 5.5h x 5h x 2h case lets you tuck it into a crowded tabletop studio or throw it in your pack for the next gig.

Interact with the dynamic visual interface on the 3.5h touchscreen along with physical knobs, navigation buttons and transport buttons to quickly access the most important functions. MIDI input and output allow you to sync the clock with external gear for synchronized effects and metronome.

Add Some Colour to Your Mix:
Mix 12 mono/6 stereo tracks of live or prerecorded sound.
Independently route each track to any combination of three stereo TRS outputs:

Stereo Output 1 - Main mix
Stereo Output 2 - Assignable, with dedicated sub-mixer (pre or post fader)
Stereo Output 3 - Headphone output, with dedicated sub-mixer (pre or post fader)
Control one parameter for multiple tracks at once in Mixer mode.
Focus on one track at a time in Track mode.
Adjust the level or mute state of each output independently.
Use touch gestures or knobs to tweak your sound with four band EQ per track with support for Low Cut/Low Shelf, Parametric, and High Shelf/High Cut settings for each band.
Apply high-quality Reverb and Delay effects with independent effects sends for each track.
Override the headphone output with the Main mix on demand.
Maximize the loudness and unify your mix with the built-in global compressor
Sync to external clocks through the MIDI Input and Output.
Record hours of music as 48k, 24 bit WAVs directly to the microSD card as multi-track or as the main stereo mix.
Playback a previously recorded track while recording new ones.
Load firmware updates through the microSD card.
Mix electronic music gear such as the 1010music blackbox, eurorack modules, drum machines, samplers and synthesizers.
Save and recall Project settings including all parameters for tracks, outputs, EQ and effects.
Copyright 1010music LLC 2020 --- CONFIDENTIAL ---
Copyright 1010music LLC 2020 --- CONFIDENTIAL UNTIL 10/10/2020 ---
Fit it into a small spot on your desk and then tuck it in your pack for the next gig.

What is Included:
Bluebox digital recording mixer
A microSD card with bluebox firmware and pre-loaded project files
A USB power cable and AC adapter with 3 international adapters
2 MIDI Adapters . Male 3.5 mm TRS to Female 5 pin DIN, MIDI Class B standard
A Quick Start guide to show you the basics (full user manual available online)

Specs:
6 stereo 3.5 mm TRS inputs
12 mono tracks, 6 stereo tracks or something in between
3 independently controlled stereo 3.5 mm TRS outputs
3.5h touch screen, 4 knobs, 8 navigation buttons and 3 transport buttons
3 effects: reverb, delay and compressor
Records and plays back 48k, 24-bit audio WAV files
4 band EQ per track
MIDI In and Out for beat syncing effects
Dimensions: 5.5 x 5 x 2 (14 cm x 13 cm x 5 cm), 1 lb (450 grams)
Durable aluminum case

Notes: Exceptionally versatile four-channel rotary mixer at a very reasonable price. Twelve inputs, three-band EQ, assignable multi-mode filter, isolator and assignable crossfader. Ultra flexible.

Supplier's Notes:
Omnitronic TRM-422: the rotary mixer on a new level

The desired child- Omnitronic's popular TRM series has been expanded: the TRM-422 combines all the proven features of the previous models, but additionally offers functions that numerous fans had wished for. During the development of the mixer, the focus was on the demands and suggestions of the community.

Full control- Each of the 4 input channels has 2 line inputs, one of which can become a phono input at the touch of a button. The channels are each equipped with a volume as well as a gain control. In addition to the master isolator (bass, mid & high), the DJ has the option to activate a filter with HPF, BPF, LPF, resonance and sweep controls in each of the 4 input channels.

The master output is available to the DJ in both XLR and RCA versions.

Effect ways- The use of external effect devices is possible through an FX-In and FX-Out via 6.3 mm jack. The mixer's master insert is also equipped with a send & return (unbalanced) path. This allows additional external effects to be looped into the mixer.

DVS integration- The mixer's timecode outputs allow easy integration of a DVS system (Digital Vinyl System) such as Traktor or Serato.

Monitor section- The booth output of the TRM-422 is provided with one XLR and one RCA connector. The signal of the booth output can be easily adjusted to the conditions in the DJ booth with the help of an EQ (High & Low).

Microphone inputs- The TRM-422 offers 2 microphone inputs. The first mic input gives the DJ the ability to modify the mic signal with EQ (high & low).

Backup source- With the help of the AUX input on the front panel, players such as smartphones, tablets or MP3 players can easily be connected via mini-jack (3.5 mm) and thus serve as a backup solution.

Activatable crossfader- If you don't want to do without a crossfader during your DJ set, you have the option to assign each of the 4 channels to the integrated crossfader. If the crossfader is not used, it can easily be switched off.

Set recording- The RCA record-out makes it easy to record your own DJ set.

Technical specifications

Power supply: 100-240 V AC, 50/60 Hz
Power consumption: 24 W
Protection class: Class I
Power connection: Mains input IEC connector (M) mounting version Power supply cord with safety plug (provided)
Frequency range: Microphone 20 - 20000 Hz, Line 20 - 20000 Hz, Phono 40 - 18000 Hz
S/N ratio: >97,2 dB line, >91,7 dB Microphone
THD: Line <0,04 % at 1 kHz, Phono <0,13 % at 1 kHz, Microphone <0,008 % at 1 kHz
Gain: Microphone 44 dB, Line -16,5 dB to +8,5 dB Phono -48,5 dB to +23,5 dB
Isolators: Master Gain:- ? bis +9, Low/mid 300 Hz, 18db/oct , Butterworth, Mid/high 4000 Hz, 18db/oct , Butterworth
Crosstalk: >-68 dB
Control elements: Power switch, source selector, Crossfader, Crossfader selector switch, Crossfade curve switch; Cue mix split function, EQ controls

Connections
Input: 4 x line via stereo RCA
Input: 4 x line/phono via stereo RCA
Input: 2 x Microphone via 3-pin XLR
Output: 1 x headphones via 6.3 mm jack socket (stereo) mounting version
Output: 1 x headphones via 3.5 mm jack (stereo) mounting version
Output: 1 x rec. via stereo RCA
Output: 2 x booth via 3-pin XLR
Output: 1 x booth via stereo RCA
Output: 2 x master via 3-pin XLR
Output: 1 x master via stereo RCA
Output: 1 x AUX sends via 6.3 mm jack socket (stereo) mounting version
Output: 1 x AUX returns via 6.3 mm jack socket (stereo) mounting version

Channels:
Input chanel: 4 x stereo with Line-Line/Phono switch via RCA, channel control via Rotary, 3-band tone control EQ, source selector, gain control, CUE switch, FX routing switch, Crossfader selector switch,
Microphon chanal: 2 x mono via XLR, channel control via Rotary dial, ON AIR switch

Master output: 2 x stereo via XLR, channel control via Rotary
Booth output: 2 x stereo via XLR, channel control via Rotary
Rec. output: 1 x stereo via RCA
Headphones output: 1 x stereo via Plug 6,3mm/3,5mm (Jack), channel control via Rotary dial, Cue mix split function,
Max. level: Output: +18 dBu
Material: Metal
Housing design: Desktop console housing
Dimensions: Width: 41 cm, Depth: 28,5 cm, Height: 10,5 cm
Weight: 5,74 kg

Notes: The legendary Buchla 259 complex oscillator gets the officially licensed Eurorack treatment from TipTop Audio. One of the most versatile and characterful VCOs ever made, with endless cross-modulation options and wave shaping features. Iconic.

Supplier's Notes:
The 259t is the largest and most complex analogue oscillator from Don Buchla's legendary 200 modular synthesiser. The 259 originated the concept of the "Complex Oscillator" in the 1970s and has been reissued by Buchla and Tiptop Audio in Eurorack format. The module consists of two oscillators, called the Modulator and Principal, with a middle section that provides voltage control over the internal modulation paths between the two oscillators, resulting in highly complex timbres. Additionally, the principal oscillator passes through multiple unique voltage-controlled waveshapers and crossfaders for further signal processing. The module's pitch can be controlled with 1V/OCT or via its internal auto-tuner and ART control to create precisely pitched notes.

Notes: The Buchla Music Easel Program Manager Card

Store your best sonic memories on the Program Manager Card! The PMC takes full advantage of the program interface, storing up to 48 Easel presets and interfacing with your computer with a class-compliant MIDI connection. The Buchla Program Manager App for Mac and Windows gives you the power to manage banks, create programs, and import and export your presets for sharing.

Evolution of an idea

The program interface's edge card connector was originally designed to let artists create presets by wiring resistors to a circuit board to fix the positions of the sliders and banana connections. Each preset was its own card. Simply swapping cards in the program interface completely changed the sound. This was valuable, if not outright necessary, to musicians who needed to easily recreate patches for performance and create repertoire. The 2013 "iProgram Card" created a vital link between computer and Easel. Now, in 2022, Buchla USA has refreshed and simplified the design, giving it more memory, embed-ability, and making it easier to use.

Virtual Solder Station

While you can still solder up some sounds for all generations of the Easel, the new Program Manager Card provides microcontroller precision and computer convenience. Serving as the digital bridge between your computer's USB port and the 28 pins of the Program Interface, the PMC gives you instant recall and easy access to 48 unique programs that control almost every parameter and patchpoint on the Easel's front panel. Repeatability and repertoire are made instantly available.

Computer Precision

Using the Buchla Program Manager Application in Mac or Windows to design presets gives you even more programming options than the Easel's front panel controls. The unique "Depth" controls for the patch cords put a virtual knob on every cable, allowing gradual and even inverted connection for every patch point. The fine resolution provided by high resolution controls means you can dial in extremely precise values for parameters, in a way not easily achieved by hand. The application serves as an endless extension to the Program Manager, with nearly unlimited space for presets and banks.

Sharing is Fun

Import and Export features make it easy to backup or share your presets and complete banks with other Easel musicians in a simple, small file.

Adventure Awaits

With the optional embed kit, you can install the Program Manager card directly into your easel, replacing the Program Interface connector with the screen and buttons. Embedding the card makes it easier to control and travel with.

What about the iProgram Card?

The Program Manager Card is an updated version of the iProgram Card. With a firmware update that we'll be providing very shortly, you can use the new software with your iProgram Card over a USB connection.

Compatibility

The Program Manager Card is compatible out-of-the-box with the Easel Command 208C and upcoming Music Easel. It can be used with the 2013-2017 Music Easels with a DIY modification to the card's connectors or to the Easel itself.

Getting Started

The Program Manager system is composed of the card itself that installs into your 208 Program Interface, and Mac/Windows software where you design and manage presets.

Notes: One of the most eagerly anticipated new releases in recent years, the T-1 is a powerful 16-track sequencer with countless features aiming to streamline creativity, from melody generation to Euclidean rhythms.

Supplier's Notes:
Not your average sequencer
A 16 track algorithmic sequencer at the center of your studio. The T-1 offers a generative workflow with focus on immediacy and playful exploration. Whether on stage or in the studio, the T-1 will inspire you with fresh ideas and help you push the boundaries of your music. In short, this is a fundamental rethinking of the sequencer as a modern, fun and inspiring instrument

This machine speaks music
Enter a creative dialogue with T-1, and let its musical algorithms spark your creative process, or bring it on stage to perform your musical ideas live and spice them up with variations created on-the-fly

It's your instrument
The T-1 can be customized to suit your music. In fact, it is many instruments in one: Each of the T-1's 16 tracks can be set up in one of three modes.
Note: Compose rhythms and melodies from scratch with creative musical algorithms, and tweak them to your desire with detailed step editing.
CC: Take absolute control over sound design with 16 CC knobs and add automation via random modulation and step editing
FX: Create real-time midi fx to expand and transform your musical ideas. Connect a midi keyboard for hands on live performance

Connect to everything
The signal flow of any modern studio is a complex web of analog, digital and wireless signals and keeping your instruments connected and in sync can be a drain for your creativity. The T-1 solves this by communicating via MIDI, USB, analog CV and gates, Ableton Link and Wi-Fi connections with all of your gear.

Musical structure in a knob
Sculpt the timing, tonality and overall structure of your music in the same intuitive way you would a parameter on a synthesizer: By the twist of a knob. The T-1 lets you dial in any rhythm in a manner of seconds with euclidean rhythms.
Want to surprise your audience and even yourself? Add a bit of random modulation or change the probability of a step being played or not. Try the T-1 style looping random modulator

Tangible visuals
What you see is what you get: at every touch of a knob or push of a button, 16 RGB buttons show you the state of the instrument while offering up a quick way to jump to a new setting in real-time

Performing is composing
The T-1 is an instrument designed to be played in the here and now. Whether you are working in a studio or on stage, the path between musical inspiration and performance has never been shorter.
Make relative parameter changes on one or multiple tracks simultaneously, save the changes or return to the starting point. With the T-1, your music making process is a constantly evolving flow

Technical specifications

Sequencer
Euclidean rhythm generator (w. step editing)
Advanced note repeater / arpeggiator
Melody generator
7 musical scales + 1 user scale per track
Harmonic pitch control
Random modulation on every parameter

Tracks
16 tracks per pattern
16 MIDI channels
Polyphony on every track

Storage
Auto-save
16 patterns per bank
16 banks

User interface
18 endless rotary encoders with push
23 RGB backlit silicone keypads

Physical
Matte black aluminium casing
Dimensions: L:304, W:114, H:39mm ?(11.9", 4.5", 1.5")
Weight: 815g (1.8 lbs)

In the box
1 x T-1
1 x USB cable
1 x MIDI adapter (type A)

Connectivity
USB C (midi/power)
MIDI in / out / thru (TRS type A)
CV & gate i/o
Ableton Link (WiFi)

Notes: Updated version of Akai's excellent MPC One features increased storage, WiFi, Bluetooth and a striking new colour scheme. Full standalone beat creation masterpiece.

*** Introducing MPC Stems- March 2024 ***

Akai Professional now introduces the next chapter of sampling innovation and production powered by the groundbreaking MPC Stems bringing sampling into a new chapter.

With MPC Stems, you can access the raw building blocks of any sample or vinyl record, isolating the DNA of any record. Producers can now manipulate the Drums, Bass, Music, and Vocals, opening new creative possibilities.

Akai Professional introduces the ultimate creative workflow with Stems Separation seamlessly integrated into the leading MPC series, powered by MPC 2 Desktop Software.

With MPC Stems, producers and beat-makers can now unlock unmatched sampling creativity by easily isolating drums, bass, music, and vocals from any audio, vinyl recording, or sample revolutionizing the art of sampling.
Experience lightning-fast workflow with superior sound quality, keeping you inspired throughout the creative process.

Slice and isolate samples while maintaining chop regions across each of the four stem layers.

Take complete control with direct manipulation of stem layers from the pads, adjusting volume, pitch, pan, start, and end points with instant responsiveness.

MPC Stems requires MPC 2 Desktop Software running 2.14 or higher, compatible with MPC Live, MPC Live 2, MPC One, MPC One +, MPC X, MPC XSE, MPC Key 37, MPC Key 61, MPC Studio Mk 2 in Controller Mode.

Supplier's Notes:
MPC One +

Standalone MPC with 7" touchscreen / WiFi & Bluetooth

Supercharge your beats

Standalone supercharged

The new MPC One+ brings a jolt of energy to the standalone workflow to enhance creative speed and efficiency. With MPC One+, beatmakers producers to live performers can enjoy the creative journey like never before.

Pure standalone power in your hands

At the heart of MPC One+ is the powerful multi-core processor, the same featured in the flagship MPC X. This isn't a scaled down little brother, but a production unit built with the same DNA for high-level music creation. Instruments, audio, MIDI, and effects processing to bring the music to life. With an upgraded 16GB of internal storage, create and store more of your inspired moments right in MPC One+ for immediate access and recall.

Wireless for the future

New Wi-Fi and Bluetooth connectivity opens a new world of possibilities for your creative workflow. With Wi-Fi, you now have access to Ableton Link 3 to wirelessly connect and sync all your capable devices. Lock patterns and grooves for a mega creation without any cables or connections. Grab your Bluetooth enabled MIDI controller to lay down synths and melodies while your infectious rhythms have you vibing to the beat. Pair with a wireless QWERTY keyboard to search through folders and libraries accurately. With Wi-Fi and Bluetooth, your MPC One+ may be untethered but you are locked right into the music.

The centre of your creativity

MPC One+ is meant to be the focal point of your creative workspace. Whether you need compact, efficient beat-making or expanded interconnected production and composition, MPC One+ is versatile enough to accommodate any need. Connect your studio speakers to Stereo Outputs for accurate monitoring. A pair of Line Level Inputs are ready for keyboards, synths, instruments, hardware processors, and more. Expand your I/O with support for ClassCompliant Devices via a USB A host port. Connect your favorite plug-and-play USB MIDI Controllers, Audio Interface Devices, or removable storage drives, and take your production up another level with ease.

The workflow that sparks inspiration

MPC is the premier platform for all pattern-based music from EDM to Electro, Hip-Hop to House, and beyond. With 128 MIDI and 8 Audio Tracks per project, MPC One can capture any idea just as fast as you can think it. Browse thousands of MPC Plugin Instrument Presets to find that perfect sound to build melodies or shape harmonic phrases with massive sonics. Lay down serious drums and percussion with the signature MPC groove and precision. 16 Levels, Note Repeat, and Time Correct have defined the rhythmic feel for generations and continue to be the foundation for hit song after hit song. Use the pads in combination with Notes and Chords modes to unlock a completely new world of pad performance using the 16 velocity-sensitive RGB backlit pads.

One place for your sounds, samples, and songs

MPC One+ grows with you as you evolve on your music production journey. Update features, sounds, and samples wirelessly thanks to built-in Wi-Fi. When new MPC plugin instruments are available, you'll enjoy instant notifications as well as downloads and software authorizations right from your MPC One+. Browse and sync your curated Splice loops and samples and give your productions a breath of fresh inspiration whenever you need it. Keep all your sounds and instruments right within reach to instantly capture the most inspired moments anytime.

The next step of your MPC journey

MPC One+ is here for the producers and beatmakers ready to take the next step in the journey. Upgrade to MPC One+ from MPC Beats and load your old projects seamlessly on MPC One+. Your MPK mini or other class-compliant controller connects for powerful keyboard control of popular MPC plugin instruments like Hype, Mellotron, or Odyssey. For a limited time, receive a voucher for a free MPC Plugin instrument download from the MPC Store with the purchase and registration of a new MPC One+. MPC One+ has arrived and the musical possibilities ahead of you are endless with the power of its supercharged standalone workflow.

Technical Specifications

Pads
(16) velocity- and pressure-sensitive pads, RGB-backlit
(8) banks accessible via 4 Pad Bank buttons

Knobs
(4) 360- touch-sensitive Q-Link knobs for parameter adjustment
(1) data encoder for value adjustment and selection via push

Buttons
(31) dedicated-function buttons

Display
7.0" / 177 mm (diagonal)
5.9" x 3.7" / 151 x 94 mm (width x height)
Full-colour LED-backlit display with touch interface

Memory
Processor: Quad-core ARMr processor
RAM: 2 GB
Storage: 16 GB (over 7.8 GB available for user storage)

Power via power adapter (12 V, 3.0 A, center-positive, included)

Connections
(2) 1/4" (6.35 mm) TRS inputs (1 stereo pair)
(2) 1/4" (6.35 mm) TRS outputs (1 stereo pair)
(1) 1/8" (3.5 mm) stereo headphone output
(1) 5-pin MIDI inputs
(1) 5-pin MIDI output
(4) 4 TRS CV/Gate Jacks, 8 Outputs Total
(1) USB Type-A port
(1) USB Type-B port
(1) SD Card slot
(1) Power Adapter input

Dimensions (width x depth x height)
10.7" x 10.7" x 2.1"
272 x 272 x 53 mm

Weight
4.7 lbs / 2.1 kg

Notes: MX12 as successor of the UC44 is a universal controller for all kinds of MIDI controllable hardware and software.

You can combine NEW MODULE devices to a large system. The connections are on the right side to allow a back to back placing of two or more devices. Connect two NEW MODULES by a special extension port.

Furthermore, there are 4 MIDI-ports and one USB-port with various routing possibilities.

It is packed in a metal case with the same dimensions like the famous ELEKTRON devices so it's a great extension for these devices. But you can use the mix controller also with your DAW like a classical 12-track-mixer.

The device has 24 standard pots, 12 Faders and 24 buttons in a 12-track-layout, various kinds of MIDI commands like control change, note on/off, pitchbend, aftertouch and program change are possible. You can program every MIDI command for every separate control on the device very fast and easily.

Of course you can assign the pots and keys to any of these commands by learning incoming MIDI commands, which is the same procedure you know from your software/DAW. The pots work with standard resolution of 7 bit to have full compatibility to any software and hardware instrument, effect and DAW. Use the internal 30 setups to save your individual settings. Backup and restore of all settings by sysex dumps is possible too.

The factory settings are perfect to control music and video software products out of the box if they are freely assignable. So any additional device programming isn't necessary for many applications.

Some special setups are preconfigured for use with ELEKTRON RYTM and ABLETON LIVE.

Check out this amazing power box and you will get a reliable mate...

Notes: Incredible portable groovebox power from the Mini version of Polyend's Tracker. Most of the performance and power of the Tracker+ packed into a compact format, with built-in microphone and up to eight hours use on a full battery charge.

Supplier's Notes:
Make an album on the go

Tracker Mini

Mini

The highly-acclaimed Tracker has evolved. Tracker Mini is a portable, standalone audio workstation with eight tracks to sequence stereo audio and MIDI, audio-over-USB functionality, a built-in battery and microphone, gamepad quality buttons and a host of sampling and sound design tools. With an improved user interface, more memory, stereo sampling, and performance enhancements, Polyend have made it even more powerful. The Mini is only small in size.

Like Tracker, but more

Polyend have refined the signal path to provide more headroom and pristine stereo audio playback. Additionally, some genre-specific sample packs have been added, pre-designed by professional artists to help you get started making music faster. The sampling time has been increased to four times the capacity of the original Tracker, and per track audio over USB and USB MIDI make it perfect for hybrid setups. You can add individual track effects, record directly to your laptop, or mix and master in your DAW. The included travel case will keep your Tracker safe while you do what you love in new places.

Studio in your hands

Tracker Mini has all the necessary tools to create an album, whether you want to start with the included sample pack or record your own. You can convert samples to instruments, control external devices, create simple or complex compositions, mix tracks, master, and export songs. The Mini has got you covered.

Breathe life into your tracks

Equipped with a high-quality microphone and an onboard battery that provides up to 8 hours of playtime, the Tracker Mini enables you to instantly transform your surroundings into a musical canvas. You can create a sample pack from a camping trip or craft a drum kit from your morning commute. Store your sonic memories, get inspired, and leave the studio behind.

Capable and compatible

Projects created on the original Tracker are fully compatible with the Mini, allowing you to start a song in the studio and finish it on the go.

Tracker Mini has a complete MIDI implementation, enabling you to control any external gear or use it as part of a larger setup. For greater convenience, you can also connect it to a MIDI keyboard to input notes.

Built-in battery: Yes
Built-in microphone: Yes
Extended memory: Yes
Stereo samples: Yes
Audio over USB: 12 stereo tracks
Hard Case included Yes

FM Radio: No
Backlit Input pads: No
Jog-wheel: No

Detailed specifications

Type: Portable Audio Workstation
Screen / Display: 5" LCD display
Design form: Handheld
Sequencer 8-track, 256 Patterns, 128 Steps per Pattern
Synthesiser: Wavetable, Granular
Sample pool memory: 8 min of mono
Analogue inputs: 1 x minijack 3.5mm (Line In)
Analogue outputs: 1 x minijack 3.5mm (Line Out/Headphones)
MIDI I/O: MIDI In - mini-jack 3.5mm, MIDI Out - mini-jack 3.5mm
Other I/O: USB-C
Storage: microSD card 16 GB (included)
Power source: Built-in battery 4310 mAh (up to 8 hrs of normal usage) Power adapter 5 V / 1 A (USB-A to USB-C) - included
Height: 0.82 inch (2.1 cm)
Width: 0.70 inches (17 cm)
Depth: 5.12 inches (13 cm)
Weight: 0.77 pounds (350 g)

In the box

Polyend Tracker Mini
Polyend Tracker Mini Hard case
Polyend Tracker Mini Essential References book
USB A power adapter
USB-C cable (2 m)
Stereo 3.5 mm to 2x Mono 6.3 mm adapter
Minijack to MIDI DIN adapter (Type B)
16GB MicroSD Card
MicroSD to USB-A Adapter

Notes: BAM is a stereo reverb processor inspired by the late 70s / early 80s digital reverberator units.These units are sought after by sound engineers, producers and musicians for their grainy, warm and musical reverberations.

The audio signal was severely high-cut filtered (10 kHz was standard at that time) because of the limited sample clock. Some units used 12 bit gain stepping converters to achieve a 15 bit resolution and others used the first 16 bit converters. Then the samples were digitally processed through a 16 to 20 bit fixed-point CPU with limited memory. The algorithms had to be simple but efficient to create the most musical and versatile reverberation from these limitations. And the hardware itself added grain and warmness to the sound.

The technology used in BAM is very close to the one used in these early digital reverberator units : 16 bit converters, 20 bit fixed-point processing, analog filtering and even an input transformer transient simulator. Some of the 7 reverb algorithms are influenced by the early structures, and some are brand new.

BAM is a very musical and unique reverb processor. It combines the sound quality of a vintage reverb processor with the playability of a desktop effect in a compact format with MIDI control and 36 user presets.

Notes: Limited-edition orange version of the superb Hydrasynth Explorer. A smaller, more affordable version of the Hydrasynth Keyboard. Advanced wavetable synthesis with 8-voice polyphony, hands-on control and an excellent keybed with polyphonic aftertouch.

Supplier's Notes:
The HYDRASYNTH EXPLORER is the ultimate in power and portability, combining the powerful Hydrasynth sound engine with battery-powered operation and the new, mid-sized Polytouch polyphonic aftertouch keybed. The user interface is designed with the utmost attention to detail, making sound creation a breeze. This is the ultimate, portable companion for any setup, and anywhere else a smaller footprint is needed.

With an advanced wavetable synthesis engine, 3 Oscillators, dual Wave Mutants, and 2 filters that can be configured in series or parallel, the tone generating capabilities are unmatched.

As for the performance capabilities, the Hydrasynth Explorer has the proprietary 37-note mid-sized Polytouch keybed with polyphonic aftertouch. This provides a level of expressive, per-note control found only in certain vintage synths.

Polytouch Keybed

The perennial pursuit of musical instrument manufacturers is to find better ways for musicians to express themselves. Options have been limited for keyboard players; ASM had to settle for a velocity-only approach to emphasize one note over another. Pressure-sensitive keyboards could only change all of the notes at the same time. Not anymore!

Enter ASM, with patented Polytouch technology. The semi-weighted keybed on the Hydrasynth Explorer provides fully polyphonic aftertouch, as well as Note On / Note Off velocity sensitivity and the monophonic aftertouch found on other keybeds. Finally, variations in key pressure can affect notes individually. It feels great, too: the 37-note Polytouch keybed on the Explorer features high quality, mid-sized keys, and you will feel right at home, right away. The revolutionary Hydrasynth Explorer Polytouch keyboard helps you be more in touch with the music you are making. Now every note you play can ebb and flow like the tide.

Battery-powered operation

The Hydrasynth Explorer is highly portable! In addition to its compact size, it can be powered by 8 AA batteries for hours of music-making anywhere you want to go.

Oscillators
The tone generation capability is the heart of any synthesizer, and the 3 Hydrasynth oscillators are alive with potential. Each of the oscillators lets you choose from a selection of 219 single-cycle waveforms. And on top of that, two of the oscillators have powerful wavemorphing capabilities. Wavemorphing is a feature usually found on synths with preset wavetables. But creating user wavetables on those products is arduous or downright impossible. Unlike most wavetable synths, the oscillators 1 & 2 have an easy-to-use WAVELIST mode. This mode lets you select any 8 waves from the diverse collection of 219 waves, arrange them in the order you want, and then morph from one wave to another. This can be done automatically with any modulation source, such as an LFO or an envelope, or manually with a physical control such as polyphonic aftertouch or a Macro. And now in version 2.0 you can choose the bit depth of each oscillator, which puts those sought-after vintage or grungy sounds at your fingertips.

Mutants
Oscillators 1 & 2 are routed into ASM's MUTANTS. The Mutants allow you to modulate, bend and sculpt the sound in new (and old) ways.

Each Mutant lets you choose from the following processes:
FM-Linear: This is for making classic FM sounds. Choose multiple FM sources, including external inputs.
WavStack™: Creates 5 copies of the input source and allows you to set a detune amount.
Osc Sync: This gives you those classic hard sync sounds. Try hard-syncing a morphing wavetable for some fun.
Pulse Width Modulation (PW-Orig): Performs the classic pulse width modulation on any waveform.
PW-Squeeze: Compresses the centre section of the waveform, for a unique type of PWM.
PW-ASM: Divides the incoming wave into 8 slices and lets you set the amount of FM that is applied to each segment. This is FM unleashed.
Harmonic Sweep: This will sweep the harmonics of the input source.
PhazDiff: Generates the difference of the incoming wave and a version that is inverted and phase-shifted.

The Mutants can also generate their own waveforms in both FM and Sync modes, so you don't have use another oscillator. Of course, the routing is flexible so you can choose the other oscillators as mod sources if you like.

Mixer / Filter Routing
The 3 Oscillators are fed into a mixer along with the Noise generator and Ring Modulator. The mixer gives you independent control over the levels and stereo positions of those 5 sources. After this you are able to choose how much signal from each source is routed to filters 1 and 2. The filters can be routed in parallel or series for ultimate flexibility. Who knew that a simple mixer could be so powerful?

Filters
If oscillators and tone generators are the heart of a synthesizer, the filters are the soul. The soul of a Hydrasynth is a complex thing; it can claw or caress, scream or soothe, mangle or melt. It has been known to speak. The multi-faceted Hydrasynth filters are right in the thick of it. Filter 1 has 16 different models ranging from 1 to 8 poles, many with high-, band-, and low pass options. There is also a flexible vocal filter with formant control. Even if Filter 1 were the only filter the Hydrasynth had, it would take a lifetime to exhaust the possibilities. But it is not alone. Filter 2 is a 12dB per octave state-variable filter, which means it can sweep continuously from either low pass > bandpass > high pass or low pass > notch > high pass. It is similar to the classic SEM filter in many ways.
These two formidable filters can be configured in series or parallel. This means the one can feed and be sculpted by the other (series), or they can complement one another (parallel). With careful use of source panning in the Mixer module, the left and right outputs can be completely different or rich in unified complexity.

LFO's
5 Low-Frequency Oscillators
Much like ASM's sound engine, the LFOs are not ordinary by any means.
The Hydrasynth LFOs feature a STEP mode that lets you create patterns with up to 64 steps. Having 5 mini step sequencers gives you an amazing number of possibilities for further shaping your sound.
Of course, there are also 10 standard waveforms available, including Sample and Hold, Noise, and Random.
Each LFO has delay, fade in, 3 triggering modes, smoothing, start phase, BPM sync, and a One-Shot mode so that they can act as envelopes.
The version 2.0 LFOs have some exciting new features, including a Step option for the One-Shot mode that allows the Step wave to advance by one step per trigger.
And LFOs now can be quantized to create stepped values. It's like bit reduction for your LFOs.
Wait...LFOs can be envelopes?! Can envelopes be LFOs? Glad you asked...

Envelopes
5 DAHDSR Envelopes
An advanced sound engine needs plenty of modulation sources. The 6-stage envelopes feature Delay, Attack, Hold, Decay, Sustain, and Release stages.
The durations of the ADR stages can be set to seconds or subdivisions of the tempo, giving you envelopes that play in sync to your song.
In fact, you can also loop the envelopes, which turns them into LFOs that can be shaped by any source in the modulation matrix.
Each envelope can be triggered by up to four different sources, and there's a Tap Trigger option too.
And now the envelopes can be quantized to different step levels as of version 2.0. Bit reduction strikes again!

Modulation Matrix
The modulation capabilities on the Hydrasynth are endless. With 32 user-definable Modulation matrix slots, there are plenty of ways to use the 35 modulation sources and 191 modulation destinations. Almost everything in the synth engine can be a modulation destination, including the effects and arpeggiator. The modulation routes themselves can also become modulation destinations, and can be targeted by the Macros too. Modulation sources & destinations include the CV Mod Out jacks as well as all 128 MIDI CCs. There are some hard-wired modulation routes located in other modules too. This means you don't have to burn up one of the 32 mod routes in the Modulation matrix to do certain basic functions.

Arpeggiator
The arpeggiator has all the standard arpeggio directions plus a few twists (up, down, and/or sideways, sort of). There's also a built-in phrase mode, and version 2.0 adds new features like Step Offset and increases the range to 6 octaves. Parameters like RATCHET and CHANCE will generate other semi-random rhythmic patterns to add life and spontaneity to your performance.
You can also modulate most of the parameters in the arpeggiator. Imagine using LFOs, Envelopes, Polyphonic Aftertouch or the Ribbon controller to modify your arpeggios in real time! It boggles the mind.

Notes: Suzuki's iconic Omnichord returns with the OM-108, a modern update of the classic formula featuring new digital synth sounds alongside the original omni1 and omni2 analogue synth circuits.

Supplier's notes:
Released in 1981, the Omnichord is an electronic musical instrument with an automatic accompaniment function (auto bass/chord) and equipped with a harp sensor. By pressing a chord button and sliding your finger on the harp sensor (strumplate), an arpeggio corresponding to the chord is heard, allowing anyone to easily accompany a song. Omnichord does not require any previous musical experience with an instrument, or even knowledge of staff notation. All that is needed are the chord names required to play a song which is a method commonly known as 'tab'. Combined with its portability, Omnichord became extremely popular, especially in Europe and America as a new musical instrument that anyone can enjoy - anywhere. In addition, due to the unique electronic sounds that are reminiscent of the 80's, and the tactile way musical expressions are achieved, Omnichord has developed cult status around the world. It not only appears in recorded music, but also publicity photos, and has featured in the titles of songs and albums. The Omnichord name was discontinued after the OM-300 (released in 1996), but its popularity as a unique musical instrument has endured the test of time, and now, over 40 years later the Omnichord returns with the OM-108.

Simply press a chord button and slide your finger on the strumplate. In this way, you can play accompaniment to almost any song on the very same day you first try the Omnichord!

Suzuki put a great deal of effort into the design of the Omnichord so that it accurately reproduces the sound of the OM-84, a model that is hailed as a masterpiece for its tone and versatility. To achieve this in the OM-108, Suzuki decided to apply the same method for sound creation as the OM84, incorporating real analogue circuitry into the new model. In total, the OM-108 is equipped with 10 types of strumplate tones, whilst "omni1" and "omni2" reproduce the classic sound of the OM-84, revived for future generations to enjoy.

The OM-108 includes a selection of timeless instrument tones that are both retro and current. The "celeste", "harp", and "piano" featured in previous models. The "FM piano" tone is new, this is an electric piano sound that helped define 1980s music. The OM-108 is equipped with. "omni1" and "omni2" which use real analogue circuitry. Other tones are reproduced using PCM sound generation.

There are 10 tones...omni1/omni2/harp/celeste/A.piano/guitar/FMpiano/organ /vibes/banjo(omni1 and omni2 have the same Main Voice but different Sub Voices).

The model OM-84 was equipped with two electronic harp tones, allowing the tones to be layered and played. OM-108 reproduces this function. A tone that sounds beautiful when layered with the Main Voice has been assigned as a Sub Voice. To control each layer, simply turn the appropriate Volume knob. This enables real time control changes adding expression to your sound.

Even though many rhythms included in the OM-108 share the same names as previous models, they have been updated to incorporate rhythm patterns that are current. Also, for the first time on Omnichord, a trap beat (Hip Hop) has been included. Suzuki have selected "usable" rhythms that will allow you to play a wider variety of songs.

There are 10 kinds of rhythm...rock1/rock2/slow rock/country/swing/disco/hip hop/funk/bossanova/waltz

The "sus4"' and "add9" chords, often used in popular music, have been added. It is now possible to play a total of 108 chord types, hence the model number 'OM-108'. The Omnichord has developed into an instrument that can be played more intuitively without having to substitute other chords.

Equipped with a wide type strumplate similar to models OM-100 onwards. Every corner of the plate responds sensitively to light touch, so you can concentrate on playing without stress.

In addition to the melody keyboard, the OM-108 is equipped with drum pad mode for the first time as a function (when the "KEYBOARD" button is pressed). Owners of the OM-108 will be pleased to note the drum pad is assigned not only to the chord button, but also to the strumplate. This allows for the creation of interesting beats using the OM-108 retro drum kits.

The OM-108 not only sends chords and strumplate data, but also drum performance information from MIDI OUT. Strumplate information can be sent on two MIDI channels, allowing you to layer tones with external MIDI sound sources, or to layer the OM-108 internal sounds with external sound sources. The OM-108 has evolved into an instrument that invites you to explore more creative sounds using MIDI.

The OM-108 includes rhythm voicing from the OM-84, which is extremely popular for its early 1980s retro sound. You can switch the rhythm tones between OM-108 and OM-84 by using a special 'power-on' operation.

Although it has a built-in speaker, the Omnichord is small, lightweight, and battery-powered*, making it easy to carry and play. Connect an external amplifier and headphones, and you can perform anywhere, such as in the studio, performing at a live venue, or just playing in your bedroom! *Powered by 8, AA batteries or dedicated AC adapter (both sold separately).

Using "REAL TIME CONTROL", the OM-108 integrates multiple functions for switching the way chords and rhythms are played. Whether you want to play at free tempo (without rhythm), add bass accompaniment, or start with a drum prelude, you can easily switch in real time even during a performance.

When connecting to an external speaker etc., you can turn on/off the sound produced by the speaker of the instrument. This is useful when you want to monitor your own sound during live performances. This is a new feature included on the OM-108 in direct response to user's requests.

Specifications

Chord buttons: 38
Chords: major, minor, 7th, major7th, minor7th, augmented, diminished, suspended4th, add9th
Voices: 10 tones (main, sub tones) / 4 octaves
Rhythm Pattern: 10 patterns
Control: Master Volume, Chord Volume, Main Voice Volume, Sub Voice Volume, Sustain, Rhythm Volume, Tempo
Button Controls: Power, Chord, KEYBOARD ON/OFF, Voice Select, Rhythm Select, Chord-Manual/Auto, Chord Hold, Rhythm-Start / Sync Start
Other Functions: Instant OFF, Transpose, Octave Shift, ON/OFF SPEAKER, Master Tuning
Speaker: 10cm
Amplifier output: 4.3W
Jack: DC inlet, LINE OUT (monaural standard), headphone output (Stereo mini), MIDI OUT
Power Supply: AC adapter, 8 AA alkaline or Ni-MH batteries (all sold separately)
Power consumption: 3.7W
Continuous battery operation time: Approximately 8 hours
Measurement: W45.7 x D25.0 x H5.18cm(17.99 x 9.84 x 2.04 in.)
Weight: 1.2kg(2.65lb)
Accessories: Melody keyboard overlayer

Accessories (sold separately, not included)

AC adapter 100-240V
AD1-1210A(100-120V)
AD3-1210A(220-240V)
Strap pin OSB-108
Gig Bag OGB-108

Notes: IThe Drum Sequencer is easy to use, classical X0X style live performance oriented sequencer module that provides the ultimate control over your system. Erica Synths Drum Sequencer might be the last modular sequencer for drums and basslines you will ever have to buy!

Features:
16x trigger outputs
12x accent outs
1x CV track with scales
1x Gate track
2x LFO with independent or synced to the BPM frequency
LFO attenuation per out
Max pattern length = 64 steps
Time signature per Track
Direction per track/pattern
Pattern length per Track
Shuffle per track
Probability per step
Retrigger per step
Time shift per step
Instant pattern switching
Solo/Mute tracks
Step/Tap record modes
8 Banks of 16 Patterns
Quick Copy/Paste per tracks & patterns
Pattern linking
Song mode
MIDI sync in with Start/Stop
External 4PPQ clock in
Firmware upgrade via MIDI SysEx??
Specifications and appearance are subject to change without notice for improvement.

Technical specifications:
Trigger amplitude: 5V
Panel Width: 42 HP
Module depth: 30mm
Power consumption: 152mA@+12V, 56mA@-12V

Notes: Second-gen version of the excellent Opsix features major updates including 64-voice polyphony and an improved interface. Same powerful six-operator FM synth engine.

Supplier's Notes:
A Full-Spectrum Sound Experience

Opsix mk II is a digital synth like no other. Based on the sound engine of the original Opsix, the number of simultaneous voices and voicings has been expanded to an astounding 64 voices. The result is superior performance and precise control.

The Opsix Operator Mixer simplified FM synthesis for the first time, making it not just comprehensible but also controllable. With the addition of extra synthesis capabilities and programming, it offered a more efficient workflow and an even richer sound.

And, it is fully compatible with the sounds and samples from both the original opsix and the opsix Native software, including numerous high-quality libraries.

Evolved to an astounding 64 voices

The Opsix mk II has 64 voices, twice as many as the original 32 voices, allowing users to enjoy tone editing without having to worry about the number of simultaneous voices. In addition, the operator-mixer section, the most distinctive feature of this product, has been accented with a new image colour, green.

Get Illuminated with the Operator Mixer

At the heart of every sound is Opsix mk II's Operator Mixer - a simple set of six faders and knobs that invite exploration. Each part lights up red to indicate carriers or blue for modulators. Manipulating them opens up new sound-shaping possibilities to breathe fresh life into your musical ideas. This straightforward, hands-on workflow is part of what makes Opsix mk II so unique, just like the sounds it offers.

Direct Hands-On Control

Whether you're tweaking a preset or building a patch from the ground up, the six data entry knobs on the right give you quick access to the parameters you need and seamlessly sync with the large OLED display, giving you a clear, focused direction to your workflow. Coupled with the mixer, it makes creating fresh sounds super easy and, most importantly, fun!

Select from a full range of analogue-style filters, from the radical Korg MS-20 low-pass/high-pass filter to the powerful yet smooth KORG Polysix low-pass filter that gives your sound a vintage feel. There are also two or four-pole low-pass, high-pass, band-pass, and band-reject filters with resonance.

There's even a built-in spectrum analyser and oscilloscope that gives you visual feedback via the screen on the music you're making.

Six in One Synthesis

The core of Opsix mk II is nothing short of exponential. Since waveforms can be arranged and modulated in nearly infinite ways, Opsix mk II can easily do the sonic work that is similar to numerous types of synthesis:

Subtractive

Removing parts of the sound to get the sound you want; the most widely-used synthesis. Opsix mk II uses up to six envelopes and multi-modelled filters to achieve many cutting-edge and classical analogue synthesis tones.

Semi-Modular

Rerouting signal paths to change the sound. A spin through the Algorithm section will dramatically reshape the sound by changing how the signal routing between the operators work together, and no patch cables are needed. Analog-style controls and plenty of stackable waveforms take you from digital to analogue-sounding in no time. Enjoy deep basses, crisp leads, thick pad sounds, fuzzy brass tones, and so much more.

Analogue (Modeling)

Analogue-style controls and plenty of stackable waveforms take you from digital to analogue-sounding in no time. Enjoy deep basses, crisp leads, thick pad sounds, fuzzy brass tones, and so much more.

Waveshaping

Adding intentional distortion to the waveforms to achieve aggressive overtones that are either harmonic or inharmonic. This will help you achieve gritty, bitey tones dripping with character.

Additive

Stacking waveforms and blending their harmonics is key to an expansive range of harmonious, dissonant, and tension-driven sounds. With six operators available, the complete FM experience is possible, including the ability to go back in time for classic sounds you have heard throughout recording history.

Classic FM

Last but certainly not least, Opsix's highly flexible and powerful architecture starts with true six-Operator FM. As a result, it easily delivers signature sounds you have surely heard on thousands of hits from the '80s on through today, and with far more polyphony than other standalone FM synths available today.

With all of these ways to realize and explore sounds, Opsix mk II is uniquely suited as a "future-modern-classic" synth!

Altered Reality

What started as a legacy synthesis has evolved into something completely different. Opsix mk II is FM-based, but the similarities to the classic synthesis end there. The Altered FM architecture delivers sounds across a vast spectrum, far wider than any single synthesis has been able to cover before, thanks to new sound components; new waveforms, filters, shaping, effects, LFOs, envelopes, modulations, and more, all translating to its broad assortment of sounds.

Powerful Effects Processing

Opsix mk II provides three blocks of 30 types of high-definition effects that you can use together to enhance your sounds even further. There's everything from a great mix of usable standard effects like chorus, phaser, delay, and compressor to some world-class shimmering reverbs that will elevate your sound to the next level.

Specifications

Keyboard: 37 keys (velocity and release-velocity sensitive)
Sound generating system: Altered FM sound generator
Maximum Polyphony: 64 voices (varies depending on the setting)
Structure: 6 operators, 1 filter, 3 EGs, 3 LFOs, 3 effects, step sequencer, arpeggiator
Algorithm: 40 presets + user algorithm (unique to each program)
Operator: 6 modes (FM, Ring Mod., Filter, Filter FM, Wave Folder, Effect)
Oscillator waveform: 23 waveforms (Sine, Sine 12bit, Sine 8bit, Triangle, Saw, Saw HD, Square, Square HD, Additive Saw3, Additive Sqr3, Additive Tri3, Additive 12345, Additive 1+2, Additive 1+3, Additive 1+4, Additive 1+5, Additive 1+6, Additive 1+7, Additive 1+8, Noise S/H, Noise White, Noise Pink, Noise Blue)
Filter: 11 types (LPF 12, LPF 24, LPF MS-20, LPF POLY6, HPF 12, HPF 24, HPF MS-20, BPF 6, BPF 12, BRF 6, BRF 12)
EG: ADSR
LFO: 23 waveforms (Triangle, Saw Down, Saw Up, Square, Sine, Sample&Hold, Guitar, Exp. Triangle, Exp. Saw Down, Exp. Saw Up, Step4 Triangle, Step6 Triangle, Step4 Saw Down, Step6 Saw Down, StepRnd:Time, StepRnd:Lvl&Time, StepRnd:Level, Random:Time, Random:Lvl&Time, Triangle + , Saw Down + , Saw Up + , Square +)
V.Patch: 12 routings
Effect: 30 types (Chorus, Unison Ensemble, Phaser, Phaser (BPM) , Auto Pan, Auto Pan (BPM), Flanger, Flanger (BPM) , Rotary Speaker, Auto Wah, Exciter, Enhancer, LFO Filter, 3-Band EQ, Distortion, Guitar Amp, Decimator, Grain Shifter, Master Limiter, Compressor, Delay, Delay (BPM) , Autopan Dly, Autopan Dly (BPM), Tape Echo, Tape Echo (BPM) , Early Reflection, Reverb, Shimmer Reverb, Spring Reverb)
Sequencer: Step Sequencer (up to 16 steps, up to 6 notes per step), Motion Sequencer (up to 6 lanes)
Arpeggiator: 7 patterns (MANUAL, UP, DOWN, ALT1, ALT2, RANDOM, TRIGGER)
Number of programs: 500 (350 preset programs and 150 user programs as the factory-set default)
Favourite: 64 (16 Slots × 4 Banks)
Controllers: MODULATION wheel, PITCH wheel, RATIO OP 1-6 knobs, LEVEL OP 1-6 sliders, DATA ENTRY A-F knobs
Inputs/outputs: Headphone (6.3 mm stereo phone jack), OUTPUT L/MONO and R (impedance-balanced 6.3 mm TRS phone jacks), DAMPER (6.3 mm phone jack, half-damper not supported), MIDI IN and OUT connectors, USB B port
Power supply: AC adapter (DC12V)
Power consumption: 5 W
Dimensions (W × D × H): 565 × 338 × 90 mm / 22.24" × 13.31" × 3.54"
Weight: 2.9 kg / 6.93 lbs.
Included items: AC adapter
Accessories (sold separately): DS-1H damper pedal, PS-1 pedal switch, PS-3 pedal switch

Notes: Drawing on the iconic Mono/Poly synth from 1981, the Multi/Poly reimagines Korg's heritage for the 21st century. Super versatile analogue modelling engine allows you to create unique synth voicings.

Supplier's Notes:
Explore breathtaking analogue-inspired sound with the limitless power of digital technology. The multi/poly is the first synthesizer to use Korg's next-generation analogue modelling technology, building on the distinctive combination of big, bold sounds and modular-derived experimental features that made the Mono/Poly legendary. It's like having a polyphonic modular system in a compact, hands-on package, offering limitless possibilities for sound designers and synth enthusiasts alike.

Create hardware mashups with East-coast, West-coast, and wavetable oscillators alongside a wide selection of newly modelled filters. Bring these sounds to life with models of different envelopes, VCAs, and portamento circuits, while virtual voice cards add organic timbral variation. The Layer Rotate feature triggers new Programs with each key press, while Kaoss Physics, Motion Sequencing 2.0, massive modulation capabilities, and more allow for deep sound exploration.

Next-Level Analogue Modelling

multi/poly features redesigned, incredibly detailed filters and oscillators, and advances in analogue modelling that take this technology to a new level. Each voice contains a Virtual Voice Card, where oscillators, filters, envelopes, LFOs, and portamento circuits are modelled to reflect analogue hardware component variations. As a result, each voice can have its own slightly different character, creating rich and naturally evolving timbres. Just like in an analogue synthesizer, voice cards continue to play even if you're not hearing them. Envelopes evolve naturally, meaning if you play a long pad with an extended-release time, newly played notes "catch" the envelope at its current state rather than restarting from zero. Oscillators and LFOs maintain phase, while resonance continues to ring out. Pitch drift mimics the subtle instabilities of true analogue hardware.

multi/poly also includes envelope curvature presets inspired by classic synths like the Mono/Poly, MS-20, ARP Odyssey, and Prophet 5. Additionally, analogue VCAs behave differently depending on voltage, with varying thresholds for turning on and off, which has a strong impact on the Amp Envelope's character. multi/poly models VCA responses from the Mono/Poly, MS-20, Prophet 5, Mini, Odyssey, and more, alongside a linear option.

Four Oscillators Per Program for Complex Tones

multi/poly offers four oscillators per Program, providing thick, multi-layered tones. You can choose from three types of oscillators:

Classic oscillators:

These faithfully model traditional analogue waveforms with stunning accuracy. The 11 options include both single and dual waveforms, giving you rich, thick sounds. Front-panel knobs offer control over pulse width, triangle "lean," dual-waveform blending, and more.

Digital oscillators

Play wavetables with up to 64 steps, like vintage hybrid synths or modern Eurorack modules. Start with over 200 factory wavetables or import your own using the Editor/Librarian software for macOS and Windows. You can even import Modwave wavetables or convert wavetables from popular software formats. The 30+ Modifiers allow you to reshape wavetables, while 8 Morph Types (Stretch, Flip, Mirror, etc.) process them in real time.

Waveshaper oscillators

Inspired by West-Coast synthesis, these oscillators take simple waveforms (sine or triangle) and process them through a shaper table, producing dynamic harmonics. Use the Berkeley shaper for traditional wavefolding timbres, or choose from over 90 shaper types for a vast array of tones. The multi/poly also supports modulatable pulse width, adding richness and motion to your sound.

Additionally, the multi/poly includes a noise generator with dedicated filtering and saturation, and a ring modulator with inputs from the oscillators. You can create powerful sounds by leveraging the enhanced sync and x-mod capabilities, which expand on the Mono/Poly's original design. Create unique tones by syncing oscillators 2, 3, and 4 to oscillator 1, or split sync and x-mod into pairs for independent control.

Dual Modelled Filters for Maximum Flexibility

multi/poly's filters are newly redesigned to offer a range of classic and modern options. The multi/poly also includes the MS-20 LP and HP 12dB/octave Korg 35 filters, recreating the aggressive, distinctive sound of the MS-20. For gentler tones, use the SE M/P 2-pole filter, which offers continuous control for sweeping between lowpass, band-reject, and highpass, with a separate bandpass mode. multi/poly's filters support audio-rate modulation, allowing you to modulate filters using any oscillator or the ring modulator for bright, fizzy, and bubbling effects.

M/Poly: A 4-pole self-resonating filter, modelled on the Mono/Poly.
Mini: A ladder filter from a famous American mono-synth, with reduced resonance at low frequencies-perfect for bass.
Pro: From the first programmable polyphonic synthesizer, offering strong resonant sweeps.
Ladder HP/BP: 4-pole self-resonating highpass and bandpass filters.
Use the Drive circuit to add weight or distortion, ranging from subtle thickening to extreme saturation. You can use two filters at once in series or parallel, with each source (oscillators, noise, and ring mod) having its own balance control to crossfade between filters. Modulate the A/B balance for even more creative sound shaping.

The Power of Four

multi/poly's structure allows you to build four Layers, each containing a separate Program. This adds an entirely new dimension of sonic complexity, as you can layer up to four Programs simultaneously in a Performance. These can be used to create massive, multi-layered sounds or creative splits and velocity-triggered variations. Each Program features its own set of oscillators, filters, envelopes, LFOs, and effects, allowing you to craft detailed, evolving performances that change with every key press.
Each Program starts with four oscillators, a noise generator, and both sync and x-mod capabilities. These are processed through two independent filters, providing massive tonal flexibility. For modulation, multi/poly includes four loopable DAHDSR envelopes, five LFOs, and six Mod Processors, allowing you to create detailed and evolving sounds.

Layer Rotate for Evolving Performances

The Layer Rotate feature allows you to cycle through these four Programs with each key press, ensuring dynamic, ever-changing performances. Inspired by the original Mono/Poly's paraphonic mode, Layer Rotate offers endless creative possibilities. You can set the Layers to trigger in random or repeating order and use them in combination with the arpeggiator for complex, mind-bending patterns.

Production-ready Effects

The multi/poly's effects ensure your sounds are polished and ready for the stage or studio. Each layer features three dedicated effects, along with a send to the Performance's master reverb and a master parametric EQ. In addition to standard effects like compressors, EQs, choruses, flangers, phasers, and stereo delays, you'll have access to unique sound-shaping processors such as the Wave Shaper, Talking Modulator, Reverse Delay, and Multiband Mod Delay, as well as the famous Overb from the OASYS and Kronos. multi/poly also includes modelled effects like Vox guitar amps, Vox wah, Vintage Distortion, CX-3 Rotary Speaker and Vibrato/Chorus, multi-head tape echo, and a collection of classic guitar pedals, giving you endless possibilities to shape your sound.

Built to Perform

An instrument that sounds this great deserves to look and feel fantastic, too. The new semi-weighted keybed is smooth and expressive, providing a responsive playing experience, while the knobs offer just the right amount of resistance, perfect for fine-tuning your sounds. The solid aluminium front panel ensures durability, making it road-ready for live performances, while the wooden side-panels and blue-on-black colour scheme are a stylish nod to the original Mono/Poly design. Plus, the multi/poly comes with a custom-made soft case, making it easy to transport and protect your instrument wherever you go.

Notes: Supercar styling arrives on the iconic SL-1200. The classic Automobili Lamborghini Y-shape pattern is applied to a black deck for this high-end version of the industry standard turntable.

Supplier's Notes:
Design Inspired by Lamborghini DNA

The functions of the SL-1200M7B are based on the SL-1200MK7/SL-1210MK7 models, while the design is inspired by Automobili Lamborghini's iconic Y-shape pattern. Orange, Green and Yellow are the colours of the SL-1200M7B, based on the most iconic liveries of the Italian automotive super sports cars brand. Automobili Lamborghini and Technics operate in completely different markets but share the same values with cutting-edge ideas and approaches: disruptive technological development, a corporate culture rooted in a spirit of uncompromising craftsmanship, and the pursuit of emotional sounds inspiring customers-with Automobili Lamborghini, the sound of its engines, and with Technics, the sound of its audio. The SL-1200M7B is the powerful result of the collaboration and innovative ideas of the two brands.

*Consumption and emission values of Revuelto: Fuel consumption combined: 11,86 l/100km; Power consumption combined: 10,1 kWh/100 Km; CO2-emissions combined: 276 g/km; Efficiency class combined: G; Fuel consumption with discharged battery combined: 17,8 l/100km; CO2 efficiency class with discharged battery: G; WLTP values

Exclusive Gifts

The SL-1200M7B comes with an original vinyl record containing the powerful V12-engine and driving sounds of six different Lamborghini super sports cars, a slipmat and two stickers with Automobili Lamborghini and Technics logos. The picture disc features a design inspired by the tires of one of the Lamborghini's latest models, the Revuelto. As you listen to the sounds of Lamborghini V12-engines, you can also enjoy the visual effect of the tire spinning on your turntable.

Coreless Direct Drive Motor Achieving Stable Rotation

The direct drive system uses a slow-turning motor to directly drive the platter. This system has various advantages. It offers high performance, such as rotation accuracy and powerful torque, does not require replacement of parts and maintains high reliability over a long period of time. On the other hand, the direct drive system was said to produce a rotation irregularity called cogging. For the SL-1210MK7, a new coreless direct drive motor was developed. This motor employs a coreless stator. The removal of the core (iron core) from the stator eliminated the root cause of cogging. Furthermore, the magnetic force of the rotor magnets was improved to the highest possible level, and the gap between the coreless stator and rotor magnets was optimised, thus achieving high-torque-performance equalling that of the SL-1210MK5. Boasting smooth rotation and powerful torque, this motor reproduces sound accurately and faithfully from the groove on an analogue record.

Diverse New Functions Adapt to Various Playing Styles

Torque / Brake Speed Adjustment

The newest digital motor control technology, accumulated through the development of Blu-ray disc products, is applied to improve adjustment by allowing the torque and brake speed to be adjusted individually in four steps.

The Pitch Control Function

The pitch control function allows fine adjustment of the rotation speed within i8% / i16%. It does this through digital control, from positional detection of the slider to rotational control of the motor, eliminating the unnecessary DA conversion. This greatly improves tracking performance to achieve accurate and stable pitch adjustment.

Reverse Play Function

The reverse play function, which brings forth new possibilities of creative performance, makes its first appearance in the SL-1210 Series. In addition to 33-1/3 rpm and 45 rpm, a rotation speed of 78 rpm is supported.

*The torque / brake speed adjustment, rotation speed switch, and reverse play can be adjusted by switches on the main unit.

High Sensitive Tonearm

The tonearm, which has continued to support the leading edge of the DJ scene for many years, inherits the highly reliable static-balance universal S-shape tonearm. Using high-precision bearings, it achieves a higher initial-motion sensitivity than the SL-1210MK6. This accurately tracks the groove on the phonorecord to assure excellent tracking performance with minimum stylus jumping even in harsh playing conditions such as scratching.

Stylus Illuminator Featuring a High-brightness and Long-life White LED

The stylus illuminator features a new push-type structure for intuitive operation, and employs a high-brightness and long-life white LED. The illumination area and intensity were reviewed to provide improved visibility of the stylus tip even in a dark environment.

Specifications

Technics for Automobili Lamborghini collaboration model

Coreless Direct-Drive Motor Achieving Stable Rotation

Diverse New Functions Adapt to Various Playing Styles

High Sensitive Tonearm

Stylus Illuminator Featuring a High-brightness and Long-life White LED

High-rigidity Cabinet and High-damping Insulator

Tech Specs

General

Power Supply: AC 120 V, 60 Hz
Power Consumption: 8 W Approx. 0.2 W (Standby)
Dimensions (W x H x D): 453 x 169 x 353 mm
Weight: Approx. 9.6 kg
Accessories: Turntable, Slipmat, Slipsheet, Dust cover, Technics sticker for limited edition, EP record adaptor, Balance weight, Head shell, Screw set for cartridge, PHONO cable, PHONO earth lead, AC power supply cord, Control vinyl stickers, Owner's Manual

Terminals

Audio Output: PHONO (Pin Jack) x 1, EARTH TERMINAL x 1

Tonearm Section

Type: Universal Static Balance
Effective Length: 230 mm
Overhang: 15 mm
Tracking Error Angle: Within 2 degrees 32'?(at the outer groove of 30cm (12") record), Within 0 degrees 32'?(at the inner groove of 30cm (12") record)
Offset Angle: 22-
Arm-height Adjustment Range: 0 - 6 mm
Stylus Pressure Adjustment Range: 0 - 4 g (Direct Reading)
Head Shell Weight: Approx. 7.6 g
Applicable Cartridge Weight Range: 5.6 - 12.0 g (without auxiliary weight), 14.3 - 20.7 g (including head shell)

Turntable Section

Type: Direct Drive Manual Turntable
Turntable Speeds: 33-1/3, 45 rpm (with switch 78 rpm)
Starting Torque: 0.18 N*m / 1.8 kg*cm
Build-up Characteristics: 0.7 s. from standstill to 33 1/3 rpm
Wow And Flutter: 0.025% W.R.M.S.
Turntable Platter: Aluminum diecast
Diameter : 332 mm
Weight : Approx. 1.8 kg (Including slipmat and slipsheet)

Notes: The hands-on control of hardware meets the versatility of software. Bridging the gap between Eurorack and VCV Rack, the MetaModule includes over 160 built-in modules plus access to over 200 third-party options.

Supplier's Notes:
The MetaModule puts real knobs and jacks on virtual software modules. Step back from the computer and make music with hardware, while keeping the flexibility and expandability of software.

The MetaModule comes with over 160 built-in modules from 4ms Company, Befaco, HetrickCV, NonlinearCircuits, and Scanner Darkly, plus clones of popular classics such as the Mutable Instruments eurorack modules, fun physical modeling algorithms, and lots of handy utilities.

All of the included modules are also available on the computer using the free program VCV Rack. Whether you make patches on VCV Rack and transfer them to the MetaModule, or if you just create patches directly on the MetaModule, there are plenty of creative modules to inspire new ways to make music.

MetaModule Plugins

If the 160+ built-in module aren't enough, you can load more modules as plugins. Already there are over 200 modules in third-party plugins from Bogaudio, Valley, ChowDSP, NANO Modular, and the list is growing. 4ms have an SDK available to make it easy for VCV Rack plugin developers to convert their plugin to a MetaModule plugin. 4ms' licensing terms are non-restrictive: developers are welcome to distribute their plugin in any way they wish, commercially or not.

Mapping Knobs and Jacks

The MetaModule has 12 knobs that can be mapped to virtual knobs. Each knob can be mapped to up eight virtual knobs, and each mapping can have a different range and offset. You also can save a group of mappings as a Knob Set and switch between Knob Sets with the encoder. You also can map the 8 inputs and 8 outputs to virtual module jacks. Also, the MetaModule is a USB MIDI host, so you also can map MIDI CC, note, gate, and other parameters to knobs and jacks.

Expanders

There are lots of ways to customize your MetaModule. A Wifi expander allows you to wirelessly transfer patches from your computer. Add eight more knobs with the Knob expander, or buttons with the Button expander. A CV/Audio expander adds more high-resolution inputs and outputs, and the Gate In/Out expander adds not only gate jacks but also TRS MIDI and I2C.

Under the Hood

There are six CV/Audio inputs, two gate inputs, and six CV/Audio outputs. The CV/Audio jacks are all 24-bit, 48kHz DC-coupled, -10V to +10V. A USB-C jack accepts MIDI devices and thumb drives. Patches and plugins can be loaded via a USB drive or microSD Card, and internal flash memory lets you save patches you always want to come back to.

The processor is more advanced than anything 4ms has used in the past, and is among the most powerful processors found in Eurorack. Startup time and latency are blazingly fast.

Modules

160 built-in modules
Over 200 3rd-party module plugins available so far, and the ecosystem is growing
Create patches using VCV Rack or directly on MetaModule

Patches

Patches are loaded from microSD Card, USB drive, or via the Wifi expander
Patches can be optionally saved onto internal flash memory
Create patches using VCV Rack or directly on MetaModule
Patches can be given a name and description

Mappings

Map each physical knob to up to 8 virtual knobs
Set range and offset for each mapping, including inverted control
Knob mappings are grouped into Knob Sets, and changing Knob Sets can be done quickly without menu-diving
Map physical jacks to virtual jacks, seamlessly making splits/mults
Add or edit modules, cables, and mappings in real-time while the patch is playing
Create alias names for mappings like "Kick Drum Level"

Interface

Simple, intuitive graphical interface lets you zoom in on details, or zoom out to get a big picture
Patch View displays the patch as faceplates and cables, with knobs, buttons, and lights animating in real-time
Knob Set View simplifies the display, showing only the mapped knobs for the current Knob Set
Module View shows just one module and lists the names of each jack, knob, and control legibly
Mapping View lets you adjust details of a knob mapping
Adjust styles and visual preferences to your liking
Save, rename, duplicate, and delete patches
Firmware updater and plugin loader read from microSD Card or USB drive

Hardware

12 Knobs
8 CV/Audio outputs, 24-bit 48kHz, -10V to +10V, DC-coupled
6 CV/Audio inputs, 24-bit 48kHz, -10V to +10V, DC-coupled
2 Gate inputs
USB-C jack: MIDI Host or MSC (External drive) Host
microSD Card slot
Internal Flash RAM for additional patch storage
Dual-core 800MHz Cortex-A7 plus Cortex-M4 co-processor
512MB DDR3 533MHz RAM
Bare-metal operation for fast startup and low latency

26hp

Notes: Innovative little sampler groovebox. Works as a standalone unit or as a sequencer for other gear. A nice left-field alternative to the usual MPCs and Electribes.

Supplier's notes:
Blackbox is a portable sampler and groovebox that lets you record, save/load, apply effects and edit one-shot samples and beat-sliced loops. Create sequences with samples by tapping on pads, playing a virtual keyboard, using external MIDI controllers or by drawing-in notes using a standard Piano Roll editor on a fast touchscreen interface. Sequences can be played back to create song sections and entire compositions. Finish your song by mixing it, adding stereo effects and by saving it as a Preset for fast and easy recall.

Perform songs live and trigger samples on the fly. Blackbox makes it easy to create and perform music anywhere thanks to its compact and rock-solid hardware design. Just throw it in a backpack and hit the club.

Record hours of song ideas, jam sessions, and performances thanks to a microSD slot that enables you to expand internal memory.

Blackbox comes with gigabytes of premium samples and loops by SoundTrack Loops and Loopmasters to let you start making beats right out of the box.

Blackbox - your own personal sampler.

What Is Included:

- Blackbox compact sampling studio
- MicroSD card with blackbox firmware, about 60 presets and approximately 900 WAV files
- USB power cable and USB wall wart with 3 international adapters
- 2 MIDI Adapters - Male 3.5mm TRS to Female 5 pin DIN, MIDI Class B standard
- Quick Start guide to get you playing right away

Notes: Great value mid-range rotary mixer from Omnitronic, a big step up from the popular TRM-202. Large format two-channel design, featuring three-band channel EQs, master isolator, multi-mode filter and dedicated channel VU meters.

Supplier's Notes:
Rotary in its most beautiful form: Omnitronic TRM-222

With the TRM-222, Omnitronic presents an analogue rotary mixer that has been developed with direct feedback from the community.

Proven features have remained

Like its predecessors, the TRM-222 is equipped with a 3-band master frequency isolator, which uses classic ALPS rotary potentiometers (Blue Velvet RK27) for precise sound control. The kill characteristic allows bass, midrange and treble to be completely cancelled out, giving DJs creative freedom in shaping their sound.

The switchable filter section with HPF, BPF, LPF, resonance and sweep controls allows creative processing of the frequency bands. Two stereo input channels with gain control, clip LED, 3-band EQ and phono/line switching as well as a microphone input channel with gain control, 2-band EQ and on-air switch extend the mixer's range of applications. The LED level display for the master signal (L+R) and cue signal provide a good overview.

New functions at the request of users

During the further development of the mixer, great importance was attached to feedback from the community. New functions such as the VU meter display per channel, dipswitches for individual adjustment of the EQ curve and a booth output (XLR or RCA) with 2-band EQ and volume control testify to the sophisticated functionality of the TRM-222. At the request of the fans, the mixer now has a crossfader in VCA technology with adjustable crossfade characteristics, an adjustable send-return effect path and an adjustable record-out.

In addition, the TRM-222 offers two direct outputs for timecode applications and a variety of outputs: Master and Booth (XLR/ RCA L/R), Record (RCA L/R), Master Insert Send/Return (RCA L/R) and FX In/Out (stereo jack).

Technical specifications

Power supply: 100-240 V AC, 50/60 Hz
Power consumption: 15 W
Protection class: Protection class I
Power connection: Mains input via IEC connector (M) mounting version power supply cord with safety plug (provided)
Cable length: 1,5 m detachable
Frequency range: 20 - 20000 Hz
S/N ratio: >100 dB
THD: <0,05 % at 1 kHz
Gain: Line -12 dB to +12 dB
Phono -40 dB to +5 dB
FX 20 dB
Microphone: 55 dB
DJ filter: Routable: LPF, HPF,
Isolators: Master Gain:- 8 bis +9
Low/mid 300 Hz, 18db/oct , Butterworth
Mid/high 4000 Hz, 18db/oct , Butterworth
Housing colour: Black; silver
Control elements: Power switch, source selector, Crossfader, Crossfader selector switch, Crossfade curve switch; Cue mix split function, tone control
Status LED: Power, master level meter, clip, CUE

Connections:

Input: line via 2 x stereo RCA
Input: line/phono via 2 x stereo RCA
Input: Microphone via 1 x 3-pin XLR/6.35mm jack (F) combination socket (mounting version)
Input: AUX returns via 2 x 6.3-mm-jack (bal.)
Output: Timecode via 2 x stereo RCA
Output: headphones via 2 x 6.3 mm jack socket (stereo) mounting version
Output: headphones via 1 x 3.5 mm jack (stereo) mounting version
Output: rec. via 1 x stereo RCA
Output: booth via 2 x 3-pin XLR
Output: booth via 1 x stereo RCA
Output: master via 2 x 3-pin XLR
Output: master via 1 x stereo RCA
Output: AUX sends via 2 x 6.3-mm-jack (bal.)

Channels:

Input channel: 2 x stereo with Line-Line/Phono switch via RCA, channel control via Rotary, 3-band tone control EQ, source selector, gain control, CUE switch, FX routing switch
Microphone channel: 1 x mono via Combination socket (XLR/jack), channel control via Rotary, 2-band tone control EQ, ON AIR switch
Master output: 1 x stereo via XLR or RCA, channel control via Rotary
Booth output: 1 x stereo via XLR or RCA, channel control via Rotary, 2-band tone control EQ
Rec. output: 1 x stereo via RCA, channel control via Rotary

Headphones output: stereo via Jack, channel control via Rotary
Max. level: Output: +21 dBu
Material: Metal; aluminium
Housing design: Desktop console housing

Dimensions:

Width: 45 cm
Depth: 26 cm
Height: 16 cm

Weight: 5,80 kg

Notes: The Minitaur is an inconspicuously compact, subharmonic bass machine designed to effortlessly integrate into any performance and computer-based music solution. Just as its progenitors, the Minitaur effortlessly does one thing above all others... wall splitting analogue BASS.

For over 40 years, the Moog Taurus has been the secret weapon of artists and producers around the globe for generating earth-shaking bass.

The Minitaur is the newest addition to the Taurus family of Analogue Bass Synthesisers. It is an inconspicuously compact, subharmonic bass machine designed to integrate seamlessly into any performance or computer-based music workflow . Just as its progenitors, the Minitaur effortlessly does one thing above all others... wall splitting analogue BASS.

The solid steel enclosure of the Minitaur is deceptively simple - offering immediate access to critical sound design and performance controls only. This makes Minitaur extremely fast and easy to use--but just under the surface lies a vast expanse of dynamic and inspirational power that is instantly accessible from almost any laptop or MIDI controller.

The free Minitaur Editor software truly unlocks Minitaur's power and flexibility by making DAW integration and control completely seamless on both Mac and Windows machines. Load and save up to 128 presets onto your Minitaur, select from 6 different modulation waveshapes , engage Hard Sync, access full ADSR envelopes, MIDI sync the LFO, reset oscillator waveform cycles, polychain with other Moog synthesizers and more. Every feature can be manipulated, automated and recalled instantly.

Minitaur v2.2

The new Minitaur v2.2 update expands this powerful analogue bass synthesiser with a host of new performance elements and user requested features, including front-panel access to new LFO wave-shapes, oscillator hard-sync and much more--and Minitaur's new Librarian/Editor Software makes DAW integration seamless between your synthesizer and Mac or Windows machine.

Specs

Sound engine: Analogue
Presets: 128 Presets
Polyphony: Monophonic (Can be poly-chained)
External controller response: Keyboard, Pitch Bend, Mod Wheel, After Pressure and Velocity
Sound sources: 2 Waveshape Oscillators with Square and Saw waveshapes

Notes: A fresh new take on synthesis from the legendary Moog. The Labyrinth combines two generative sequencers with parallel analogue signal paths to create evolving sounds and patterns.

Supplier's Notes:
Labyrinth, a semi-modular instrument and idea machine, discovers patterns, layers, and textures both familiar and unheard. Two generative sequencers bring to life sounds that bloom over time, letting you control their evolution and scale, then play them off of each other for striking polymetric melodies. With parallel analogue signal paths, this unique instrument shines when adding colour to the static backdrop of a drum pattern or bassline. Fully capable of standing on its own, or adding depth to your existing rack, it's equally at home in a live set or at the centre of a humble bedroom studio. Labyrinth is the lightning in a bottle that drives a studio session deeper into undiscovered creative caverns.

The beating heart of Labyrinth is a robust dual sequencer, which uses chance operations to construct two unique eight-step paths which twist and curve around each other, forming a mesmerizing path of sound. With a comprehensive patch bay, Labyrinth can be synced via analogue clock or MIDI while processing, directing, and being influenced by other kit.

Tune your instruments together and let Labyrinth improvise alongside in key while you play Matriarch. Patch Labyrinth and Spectravox together for animated spectral movement. Combine Labyrinth with Mavis in a 104HP rack for expanded modularity.

These are just a handful of many playful setups where Labyrinth fits. Whichever path you choose, have Labyrinth guide you.

Dual generative sequencers create intertwining melodies that mutate over time. It's a fountain of inspiration that uncovers patterns you can capture, return to, and evolve.

A fresh approach to the signature sound of classic Moog synthesizers with a smooth West Coast-style voltage-controlled wavefolder. Two oscillators drive duophonic melodic counterpoints, metallic FM tones, and analogue synthetic drums.

State variable resonant voltage-controlled filters that morph between lowpass and bandpass responses let you experiment with smooth command over complex tonal shapes.

A parallel voice processing path with a voltage-controlled blending allows you to morph sounds over time.

A comprehensive patch bay for integration with a wide variety of other modules in your rack and studio.

In the box

Labyrinth Semi-Modular Parallel Generative Analog Synthesizer

Power Supply
Patch Sheet Overlays
Patch Cables (5x 12")
Registration Card
Quickstart Guide
Cheat Codes
Safety & Warranty Manual

Weights & dimensions

Product only:

Weight: 3.1lbs/1.5kg
Dimensions: 12.84" W 5.64" D 4.2" H/32.61cm W 14.33cm D 10.67cm H

Product in box:

Weight : 5.29 lbs / 2.4 kg
Dimensions: 14.16" W 8.16" D 6.6" H / 35.97cm W 20.73cm D 16.76cm H

Analogue synthesis engine:

Sources: VCO, MOD VCO, RING MOD, NOISE Generator SIGNAL PROCESSORS: 1x Voltage-Controlled Wavefolder, 1x Voltage-Controlled State-Variable Filter, 2x Voltage-Controlled Amplifiers MODULATORS: 2x Decay-only envelope generators

Dual generative sequencer

2x 8-step Generative Digital Sequencers

Patch bay

Jacks: 32 x 3.5mm
Inputs: 20 Input Jacks
Outputs: 12 Output Jacks

Rear panel

Audio: 1/4" TRS Headphone or 1/4" TS Instrument
Power: Power Supply connection SECURITY: Kensington Lock slot

Power supply (included)

Style: Wall adapter; barrel connection; centre-pin positive INPUT: 100 - 240VAC; 50 Hz - 60 Hz OUTPUT: +12VDC; 1200mA

Power consumption
Typical: 4.0 W

Notes: *** As of November 2024, Firmware 1.1 has been installed, including effects such as 4-Pole Filter, Trim Filter, Ambient Hall, Ambient Infinity and Ambient Room ***

17 Distinctive Synth Engines-Unlike Anything You've Ever Heard
The ELZ_1 play's synth engines are built from scratch using 32-bit floating point math. From hard low-bit textures to organic FM tones to granular synthesis, the ELZ_1 play offers unique synth engines unlike any other synthesizer.

LOW-BIT OSC: 2 ~ 8 bit variable low-bit oscillator. Sine, square, triangle and sawtooth waves.
STANDARD OSC: 32-bit floating-point processing high resolution oscillator. Sine, square, triangle and sawtooth waves.
CUSTOM OSC: Choose 2 waveforms / period of cycles.
DNA EXPLORER: Extract and generate waveform DNA from audio.
SiGRINDER: Granular synthesizer engine.
MASKED NOISE: Noise oscillator.
SAND FLUTE: Extract and generate tone from noise.
8BIT WAVE MEMORY: Editing your own waveform.
8BIT WAV MEM (MORPH): Morphing 3 waveforms.
8BIT WAV MEM (FM MODE): 2 operators, 8bit FM mode.
8BIT WAV MEM (WARP): Generates an intermediate waveform by crossfading two waveforms.
8BIT WAV MEM (ADSAR): Waveforms change according to envelope.
8BIT WAV MEM (TIME): 3 waveforms change in the orders.
FM SYNTH: 4 operators with 31 algorithms, 32-bit floating point processing.
ZTRINGS: Physical Modelling Strings engine.
SUPER OSC: Super synth engine with 5 detunable sub-oscillators.
STK DRUMMER: Drum machine engine equipped with 5 types of drum kits. (SmplTrek .stk file compatible)

28 Effects to Elevate Your Sound-From Soothing to Striking
Unlock a world of sound by combining 3 insert effects from 18 types and 1 master effect from 10 types, including Shimmer Reverb.
Insert effects: overdrive, distortion, fuzz, crusher, chorus, stereo chorus, flanger, phaser, tremolo, vibrato, ring modulator, auto wah, delay, reverse delay, ping pong delay, auto pan, tape echo & reverb, 4 pole filter, trim filter.

Master effects: hall, room, plate, arena, tunnel, infinity, custom reverb, crusher, ambient room, ambient hall, ambient inf, vinyl simulator & cassette tape simulator.

Flexible 4-Track Looper-Layer, Loop, and Remix with Ease
The newly developed 4-track looper allows easy recording, playback, and overdubbing by simply pressing the track buttons. You can record not only ELZ_1 play performances, but also LINE input and USB audio input.

Instrument Redefined - Velocity-enabled keyboard, Built-in Stereo Speakers and More:
To make it a musical instrument that is pleasant and expressive to play, the keyboard has been improved to support velocity on all keys, and high-quality loud stereo speakers are built into the side panels. It is also equipped with an SD card slot, USB-C, and DIN-MIDI jacks for flexible handling of audio and MIDI.

Notes: Latest version of an interface that's become a modern classic. Up to 18 audio inputs and 22 outputs in total, spread over a mixture of analogue and digital connections. A true all-rounder that's hard to beat.

Supplier's Notes:
The MOTU UltraLite-mk5 is the latest incarnation of the best-selling UltraLite series (replacing the UltraLite-mk4). It takes the winning formula of the half-rack form factor with 18 in x 22 out analog and digital I/O and adds state-of-the-art enhancements at the same great price :

Best-in-class Audio Quality - the UltraLite-mk5 includes renowned ESS Sabre32 DAC technology, featuring the ES9026PRO DAC, to deliver 125dB dynamic range and -114 dB THD+N.

Ultra-low Latency - optimised Drivers for both Mac and PC deliver ultra-low latency performance. With a high-performance DAW the UltraLite-mk5 delivers an astonishing round-trip latency of 2.4ms (at 96kHz with a 32-sample host buffer

New Design - while retaining the same front and back panel layout as its predecessors the UltraLite-mk5 has a sleek new look, incorporating a high-resolution, high-contrast white OLED display providing precision metering for all analog inputs and outputs, along with digital I/O activity indicators and status info

Connectivity and Compatibility- the UltraLite-mk5 has a USB-C connector and is also class-compliant for operation with iOS devices. It is also compatible with MacOS 11 Big Sur and M1 Macs

New Software and Simplified Monitoring - live monitoring of inputs is controlled via the new CueMix 5 software

Rack-mount options - a half-rack mounting kit (sold separately) allows the steel-encased UltraLite-mk5 to be rack-mounted with thick steel brackets to withstand the punishment of touring. Alternatively, two UltraLite-mk5 units can be joined together with a Half-rack Coupler Kit (sold separately)

Technical Specifications:

Sample rates: 44.1, 48, 88.2, 96, 176.4, 192 kHz
Mic/line/guitar inputs: 2 x XLR/TRS "combo" jacks, 1 MO impedance on the line/instr inputs
Analog inputs: 6 x 1/4" TRS line in (balanced)
Analog outputs: 10 x 1/4" TRS line out (balanced, DC coupled)

Digital I/O:
1 bank (8 ch) of ADAT optical at 1x sample rates
1 bank (4 ch) of SMUX optical at 2x sample rates
Switchable to stereo TOSLink (optical S/PDIF)
1 x stereo S/PDIF on RCA (up to 96 kHz)

Computer I/O:
1 x USB-C 2.0 audio class compliant
Compatible with USB Type A (with adapter or C-to-A cable)

Total audio I/O:
18 in / 22 out (40 total) at 1x sample rates
14 in / 18 out (32 total) at 2x sample rates
8 in / 12 out (20 total) at 4x sample rates

MIDI I/O:
1 x MIDI IN
1 x MIDI OUT
16 MIDI channels to/from computer host

Headphone: 1 x 1/4" TRS stereo phone
Phantom power: 2 x individual +48V

Front panel:
2 x XLR/TRS combo inputs
1 x 1/4" TRS headphone output
1 x potentiometer - phone/monitor vol
2 x potentiometer - mic/instr input gain
4 x switches - (2) 48V and (2) pad
1x high-resolution white OLED display for metering/status
Power: External 12-18V DC power supply - 1.0A max - tip pos or neg

Dimensions and weight: (width x depth x height, enclosure only)
8.6 x 6.9 x 1.75 inches
22 x 17.5 x 4.5 cm
2.875 lbs / 1.31 kg

Notes: Introducing the new Buchla Auxiliary Oscillator Card, a brand new revision of the BEMI era AUX Card, designed to perfectly compliment 208c series / Easel instruments.

Buchla Music Easel users remember fondly the BEMI-Era Easel Aux Expander Card, which added an auxiliary modulation source which could also be used as an audio rate oscillator and more!

Now, the Aux Card returns as the Aux Osc Card - A new Auxiliary Oscillator Card which perfectly compliments the current generation Music Easel Modern, Retro, Easel Command, and Anniversary Edition.

The new AUX Card unlocks an incredible range of features, dramatically expanding the Easel's capabilities and taking your creative potential to the next level.