Suchergebnisse: Dance Music

Notes: The Zoom F6 is the first professional field recorder to feature both 32-bit float recording and dual AD converters, providing an unprecedented amount of dynamic range. With 6 inputs, Zoom's solid time code, multiple power options and wireless control, the F6 is poised to be your new secret weapon.

32-Bit Float Recording:
In the field, fluctuating dynamics can prove challenging. Loud sounds can cause clipping and quiet sounds can get lost in the noise. The F6 uses 32-bit float recording with dual A/D converters to capture both explosive and subtle sounds at full audio quality - without ever adjusting gain!

For Those Hard to Reach Places:
Rugged enough to withstand the most demanding scenarios and small enough to fit into the tightest spaces, the F6 will become your go-to recorder.

Mic Preamps:
The F6 is equipped with six professional-grade preamps. Featuring a super-low noise floor (-127 dBu EIN), high gain (up to 75 dB), and selectable mic/line levels for each input, the F6 is built for location sound.

Precision Time Code:
Keep your tracks perfectly synced even when you power down for lunch. On or off, the F6's Temperature Compensated Crystal Oscillator (TCXO) generates time code at 0.2 ppm accuracy.

Advanced Look-Ahead Hybrid Limiters:
When recording in 24-bit, the F6 uses advanced look-ahead hybrid limiters to provide overload protection. By adding a 1-millisecond delay, the limiters "look ahead" anticipating clipping before it's recorded.

Zoom AutoMix:
Zoom AutoMix lets you keep your eyes on the action by automatically adjusting the levels of your mix to reduce ambient sound.

What's included with the F6:

- F6 Field Recorder
- Camera mount adapter
- AA batteries (x4)
- Cubase LE and WaveLab LE download codes
- Quick Start Guide

Notes: With the LiveTrak L-12, you can finally mix, record, and monitor with a single piece of gear. It's the only digital console that lets you mix your live performance and record up to 12 discrete channels - all while providing five individual custom headphone mixes.

Effortless Live Mixing:

LiveTrak's 12 discrete channels (eight mono plus two stereo) have a 3-band mid-parametric EQ and 16 built-in send effects. Its eight mono channels also have a dedicated compressor. With all these controls plus its 12-segment LED metering, the L-12 offers just what you need for intuitive mixing.

Record Everything, Remix Anywhere:

LiveTrak lets you record 12 discrete tracks up to 24-bit/96 kHz WAV audio to an SD card while simultaneously mixing your live show. Tracks are recorded pre-EQ and effects, so they can be transferred to your favourite DAW for further mixing and editing.

Five Custom Monitoring Mixes:

Each of LiveTrak's five monitor outputs provides a unique mix, so every performer can create and save a mix that's tailored to their preferences. Its headphone amplifier delivers volume that stands up in any live environment without the need for a separate headphone monitoring setup.

USB Connectivity for Your DAW:

LiveTrak is also a 14-in/4-out USB audio interface with flexible routing options, offering unlimited possibilities. Class compliant mode, which enables connection with iOS devices, is also supported.

Here's what comes included with the L-12:

- AC adapter (AD-19)
- USB 2.0 cable
- Quick Guide

Notes: Oradea is a quadruple voltage controlled analogue resonator. You can use it to enhance external audio or to generate tones. It can mimic the resonant characteristics of physical objects or spaces. Oradea's frequency response can be tuned over the entire range of audible frequencies with V/oct response. The module offers precise control over the resonance of each band up to extremely high values with long response to pinging. Oradea is additionaly equipped with four individual trigger inputs for exciting its filters with internally generated, uniform, and finely tuned impulses.

Individual outputs allow you to externally process each band separately. Resonant frequency gain compensation prevents uncontrolled distortion (the gain at peak does not increase with resonance). There is a VCA and a polarity switch in each channel, so you can remotely shape the overall amplitude and manually change the phase response.

Technical details
Eurorack synth compatible
20hp, 40mm deep (incl. ribbon bracket)
Current draw: +210mA / -190mA
Reverse power protection

Expandability

Expandable with Arad Resonator Commander, offering three additional features. It has direct audio inputs for individual channels. There are manual buttons and gate inputs for clickless muting and unmuting of the channels. Another group of four buttons acts in parallel to the excite inputs of Oradea, allowing for manual triggering.

Notes: All of the features of the original Geiger Counter, with so much more. 16 footswitchable presets, MIDI control over presets, bit depth and sample rate blending, dry/wet mix, an end of signal filter - the most powerful pedal WMD have ever created. Designed for the pro to really dial in new, undiscovered sounds, never before heard in a distortion pedal.

Features

256 new wavetables! (512 wavetables in total)
Wavetable Morphing
12 bit signal path
16 foot switchable and MIDI switchable Presets
Easy to save and duplicate presets
Full MIDI control over all parameters
2 assignable CV/Expression inputs
Dry/Wet Mix
End of chain Low Pass Filter
Knob and CV soft take up on preset load
RAND button for a random new immediate setting to aid inspiration

Specifications

Power: BOSS 9VDC 300mA
Reverse & Over Voltage Protection
Dimensions: 5.8" x 4.75" x 2.5"
Input Impedance: 380kO
Output Impedance: 1kO
MIDI standard input, Channel 1
CV Inputs: 0-5V. 50kO Impedance. TS connection
Expression: 10k-100k linear. TRS connection
Relay True Bypass

Notes: Upgraded version of WMD's excellent performance mixer module, the PM MKII features four stereo or dual mono channels, CV control of levels, panning and aux sends, plus soft mutes per channel.

Supplier's Notes:
Need More Inputs?

Add four channels at a time to your Performance Mixer MKII setup, or you can use the Channels MKII as a standalone four channel mixer.

The expansion is simple -- identical channels, just more of them. Four at a time, up to four Channels units, for 24 total stereo channels.

A simple 16 pin 2mm pitch expansion cable is provided and is the only connection necessary. Units can be daisy-chained easily resulting in a clean setup.

Additionally, the outputs on Channels MKII still work when connected to the PM MKII. So you get a submix of AUX1, AUX2, and MIX available for whatever you may want to do, drum submixing, FX routing, etc.

Not Just an Expansion -- Standalone Operation
As a standalone unit, you get three stereo outputs, MIX, AUX1, AUX2. The buttons are soft mutes. It's a robust four channel setup.

FYI -- You can not connect CHANNELS MKIIs together without a PM MKII. The summing, buttons, and control brain is in the master section of the PM MKII.

Recording Outputs:

Pre and Post fade headers are available on the rear for connection to the DB25 MKII. Each Chanels MKII will fill 1/2 of a DB25 with the Pre or Post connections.

Specifications:

24HP
36mm Depth behind Panel Including Cables
Board Height Between Rails 111.5mm
Channel Input Gain: -12dB to +20dB
Fader Gain: -100dB to +5dB (Applies to Aux1, Aux2 also)
Pan Curve: -100dB at Hard L/R, -3dB at Center
All Inputs and Outputs (Including Sends, Inserts, Headers, etc) are IN PHASE
HPF: -1.3dB at 20Hz

Notes: After five years of conceptualization, development, stress, company destruction and relocation, redesign, existential questions, prototyping, and willpower, WMD's Skorpion is ready to decimate and reanimate whatever you throw at it -- creating goosebump worthy sounds you've never heard before.

Skorpion is the epitome of WMD's ethos, "New Sounds, Maximum Experience". Painstakingly designed UI, all the CV I/O and controls you could ask for, and a broad spectrum of subtle to 100% NOT subtle swarms of harmonics, chaos, and character. This module is packed full of features to provide continuously explorable fun whether you are experimenting or meticulously crafting a sound that is 100% yours.

Skorpion builds on WMD's's long pedigree of experimental module designs, exploring a new method of wavefolding using thresholds and target voltages to control a powerful vector core. The design process has been very technically challenging, using high speed cmos and precise analog design with hybrid digital overlay for a solid UI.

Skorpion is an 8-stage analog wavefolder that allows you to precisely mangle simple waveforms into complex shapes with a fun, hands on fader interface. Taking the concept many steps further, internal modulation sources allow for macro animation of multiple parameters simultaneously, creating rich, evolving harmonic movement never heard before in hardware.

The Controls

The SHAPE and SLOPE controls allow for smoother or harsher added harmonics, and the 1V/OCT CV input is required for tracking timbre across notes.

FOLD controls the input gain of the signal, causing it to hit each of the eight THRESHOLDS causing a reversal in the output at each point. The signal can be driven towards one of three TARGETs: 5V, the Sliders, or the signal at the CLIP jack (normalled from IN).

SLOPE controls the baseline rate of the output, the higher the slope, the higher the harmonics. The overall slope rate is modified by 1V/OCT and SHAPE.

SHIFT is the classical vertical shift that makes the wavefolder sound like a chorus with subtle modulation.

SHAPE is a feedback control affecting the slope rate of the wavefolder. Eight different sources are available for feedback. The SYM switch decides whether the modulation is applied symmetrically when above or below 0V.

OUTPUT controls whats at the output jacks, the DRY signal, the WET signal, or a mid side stereo processed WIDE signal. WIDE is generated using a second vector core with a variable short delay. If all THRESHOLDS are inactive, a gate is normaled here. The intention being that if the input signal is too low to cause any folding, the OUTPUT circuit is pulled DRY so that you never get silence from the Skorpion.

The EQUALIZE THOLDs switch disables the sliders and forces an equally spaced threshold more akin to classic wavefolders. Modulation is disabled in this mode. Also controllable with a jack.

TARGET ORDER determines which slider is selected when the threshold is activated. Basically, it allows for a different order on the way up as way down producing pleasingly different timbres when using the sliders for target.

SYNC has three modes, OFF in the center. HARD which resets the vector core to 0V at every zero crossing of the input waveform. and SOFT which vectors core toward 0V at the current rate.

HALT IF TARG=0 makes the vector core draw a horizontal line if the TARGET slider for that threshold is at 0 (fully down).

ANIMATION - Sliders, Spring Action Switch, and Macro Envelope:
There are 13 total internal modulation sources. A primary MACRO ENVELOPE, eight (8) Threshold LFOs, and four (4) CV modulators that normal to the FOLD, SLOPE, SHIFT, and SHAPE attenuverters. The CV modulators can be LFOs or Envelopes.

The switch rests in the center, making the sliders control the THRESHOLDs. When held to the left, the sliders set the TARGETs. When held to the right, the sliders control the MACRO SETUP detailed below.

The MACRO ENVELOPE is an Attack/Hold/Release style envelope. A gate here will start the envelope, lighting the LED blue, while the envelopes level will glow red. The times for Attack and Release are controlled in the MACRO SETUP mode by the first two sliders.

The MACRO ENVELOPE modulates the amplitude of all LFOs. If the CV modulators are set as envelopes, then the gate will start the envelopes, but they otherwise operate independently.

MACRO SETUP:

Parameters are modified in MACRO SETUP by holding the switch to the right and moving respective sliders.

Macro Envelope's Attack Time
Macro Envelope's Release Time
Threshold LFO Amount
Threshold LFO Rates
Fold LFO/ENV Rate/Time - CV(5)
Slope LFO/ENV Rate/Time - CV(6)
Shift LFO/ENV Rate/Time - CV(7)
Shape LFO/ENV Rate/Time - CV(8)
Envelope Times are shortest at the bottom of the slider and longest at the top.

LFO Rates are slowest at the bottom of the slider and fastest at the top.

Fold, Slope, Shift, and Shape modulation

Specifications
20HP
38mm Depth (with power cable)
Power: +200mA, -160mA
LFO rate: 0.0016Hz to 6Hz
ENV time: 0.05s to 600s

Notes: Nicely creative sequencer module based around controlled randomness. Build patterns and then morph them in real time. Great for live performance as well as studio use.

Supplier notes:
The Eloquencer is a powerful and versatile eurorack sequencer that can be used both as a performance and a composition tool. It's designed to be intuitive, easy to use, and quick to edit. It has been built around the "controlled chance" concept. This means you can decide when and where there will be randomness and how much this randomness will affect your sequences. It features 8 tracks of CVs and Gates in a 16 step disposition, but with the ability to define larger bar counts or chaining patterns to build multiple song parts of 256 steps each.

INPUTS AND OUTPUTS
8 V/oct CV Output
8 Trigger / Gate Output
Reset Input
External Clock Input (configurable. i.e: can be used as a clock divider / multiplier)
Accent Output (configurable)
Clock Output (configurable. i.e: can be used as a clock divider / multiplier)
2 CV Input (assignable to different parameters)

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Nicely creative sequencer module based around controlled randomness. Build patterns and then morph them in real time. Great for live performance as well as studio use.

Supplier notes:
The Eloquencer is a powerful and versatile eurorack sequencer that can be used both as a performance and a composition tool. It's designed to be intuitive, easy to use, and quick to edit. It has been built around the "controlled chance" concept. This means you can decide when and where there will be randomness and how much this randomness will affect your sequences. It features 8 tracks of CVs and Gates in a 16 step disposition, but with the ability to define larger bar counts or chaining patterns to build multiple song parts of 256 steps each.

INPUTS AND OUTPUTS
8 V/oct CV Output
8 Trigger / Gate Output
Reset Input
External Clock Input (configurable. i.e: can be used as a clock divider / multiplier)
Accent Output (configurable)
Clock Output (configurable. i.e: can be used as a clock divider / multiplier)
2 CV Input (assignable to different parameters)

Notes: *** Synthesizer comes with a free copy of The Waldorf Edition software, including D Pole Filter Module, PPG Wave 2.V & Attack ***

Waldorf are back in the game. With the Blofeld. this synthesizer offers all the unique qualities that made Waldorf a truly legendary brand.

The engine inside the heavy duty, full metal chassis of the Blofeld delivers the same fat and rich sound that so many Waldorf users worldwide love when they play their Pulse, Q, Q+, Micro Q, Microwave, Microwave II/XT, or even the flagship Wave.

Yes, you've heard it right. The Blofeld is not only capable of producing these warm, organic analog sounds known from the Q synthesizer line, it also sports a wavetable engine like its predecessors with Wave in their names.

This unique synthesis system is based upon the revolutionary PPG Wave synthesizers of the early 80s. So when you listen to the Blofeld for the first time, you will instantly recognize those edgy, hard-hitting and bell-like timbres that have been an integral part of so many world hits from the PPG era on, and become increasingly popular once more.

In fact it is amazing to realize that nowadays this complex technology fits into such a slim and elegant device. And for a price no-one would have imagined a couple of years ago.

Notes: Latest update to a modern classic drum machine. Pure analogue sound and rock solid build. Externally untouched but now with revamped internal circuits and USB MIDI. Also available with new, improved trigger inputs.

Supplier's Notes:
Introducing the brand new update to the classic drum and percussion synthesizer VERMONA DRM1. The DRM1 is a key part in Vermona's history. Its first generation, released in the 90s as Syncussion DRM1, caught wide attention. The MKII-version then continued and broadened the success and breathed new life into the VERMONA brand at the turn of the millennium. With the DRM1 MKIII, that Vermona have been building since 2006, it has now been a total of 25 years of DRM1! This makes it one of the longest-lived electronic musical instruments. And launching the next quarter-century is this analog drum synthesizer from VERMONA.

DRM1 MKIV: Familiar, yet evolved

At first glance, you may not notice any difference from its predecessor. Indeed, from the outside, there isn't any! The overall concept and user interface have remained the same: There are eight instrument channels, each with nine knobs for sound shaping, pan and volume control. The DRM1 is a musical instrument, a creative tool that wants to be touched and played.

Instead of trying to reinvent or change an already well-proven external design, with this update to version MKIV Vermon decided to focus on the inside. Time was taken to thoroughly listen into the circuits and put energy and care into its details: Thoughtfully tweaking frequency ranges, revamping control curves, adjusting levels and redesigning sub-circuits. The goal was to make the DRM1 MKIV the best drum synthesizer Vermona have ever built!

DRM1 MKIV: Sociable and dynamic

To make integration into your studio more comfortable, the DRM1 MKIV was equipped with USB-MIDI in addition to the standard MIDI connections.

The optional trigger inputs have been significantly upgraded. Beyond gate pulses, they now also accept different voltage levels for triggering the instrument channels dynamically. The DRM1 MKIV with trigger inputs can also convert the analog signals into MIDI notes via USB or the newly added MIDI OUT connector making it an incredibly versatile MIDI interface.

Whether you're controlling the DRM1 MKIV via a DAW, a hardware sequencer, or a modular system, you'll have the proper connection and further the ability to send the MIDI notes to additional devices.

DRM1 MKIV: More power under the hood

The power supply of the DRM1 MKIV is completely new. It now works anywhere in the world, without having to manually change the mains voltage. This is a huge relief for all of you who use the instrument at live shows. No less important: it works more energy-efficient than the old one!

Notes: Latest update to a modern classic drum machine. Pure analogue sound and rock solid build. Externally untouched but now with revamped internal circuits, USB MIDI and dynamic trigger inputs.

Supplier's Notes:
Introducing the brand new update to the classic drum and percussion synthesizer VERMONA DRM1. The DRM1 is a key part in Vermona's history. Its first generation, released in the 90s as Syncussion DRM1, caught wide attention. The MKII-version then continued and broadened the success and breathed new life into the VERMONA brand at the turn of the millennium. With the DRM1 MKIII, that Vermona have been building since 2006, it has now been a total of 25 years of DRM1! This makes it one of the longest-lived electronic musical instruments. And launching the next quarter-century is this analog drum synthesizer from VERMONA.

DRM1 MKIV: Familiar, yet evolved

At first glance, you may not notice any difference from its predecessor. Indeed, from the outside, there isn't any! The overall concept and user interface have remained the same: There are eight instrument channels, each with nine knobs for sound shaping, pan and volume control. The DRM1 is a musical instrument, a creative tool that wants to be touched and played.

Instead of trying to reinvent or change an already well-proven external design, with this update to version MKIV Vermon decided to focus on the inside. Time was taken to thoroughly listen into the circuits and put energy and care into its details: Thoughtfully tweaking frequency ranges, revamping control curves, adjusting levels and redesigning sub-circuits. The goal was to make the DRM1 MKIV the best drum synthesizer Vermona have ever built!

DRM1 MKIV: Sociable and dynamic

To make integration into your studio more comfortable, the DRM1 MKIV was equipped with USB-MIDI in addition to the standard MIDI connections.

The trigger inputs have been significantly upgraded. Beyond gate pulses, they now also accept different voltage levels for triggering the instrument channels dynamically. The DRM1 MKIV with trigger inputs can also convert the analog signals into MIDI notes via USB or the newly added MIDI OUT connector making it an incredibly versatile MIDI interface.

Whether you're controlling the DRM1 MKIV via a DAW, a hardware sequencer, or a modular system, you'll have the proper connection and further the ability to send the MIDI notes to additional devices.

DRM1 MKIV: More power under the hood

The power supply of the DRM1 MKIV is completely new. It now works anywhere in the world, without having to manually change the mains voltage. This is a huge relief for all of you who use the instrument at live shows. No less important: it works more energy-efficient than the old one!

Notes: The Control Voltage Processor from Verbos Electronics GmbH is a suite of control voltage processing possibilities divided into 3 sections in a slim 18HP package. The lower 2 sections are DC coupled mixers that allow mixing, inverting, offsetting, scaling, multiplying, dividing, crossfading or a combination of these functions. The top section is a voltage controlled slewing processor with independent control of Positive and Negative slew rate, with some unique tricks. The Positive and Negative slew, or Rise and Fall rates if you like, have reversing attenuators. The slopes can be blended from linear to RC curves (starting all slides fast and ending slow, like a proper "East Coast" Portamento) without a change in speed. It can be triggered like an AD envelope and has a Gate out that goes high when the CV out is below 100mV. Of course it can loop by patching the Gate out to the Trigger in. The Bounce control adds a unique flare of overshoot to CV changes, a bit like the effect of stopping a tape reel from turning and then letting it go. The combination of multiple voltage processors offers the user the functions of analogue computer.

Notes: The Mini Horse from Verbos Electronics GmbH is a multi-dimensional touch activated voltage controller. At 42HP wide and ultra thin, it can be added to a synthesizer system either inside the Eurorack or out front in the forthcoming Black Box extra low profile powered enclosure. Twelve keys run across the front, each with its own Gate out, Pressure out and Position out. In addition to the individual keys' outputs the master section presents the parameters of which key was last pressed in addition to a tuneable from the knob behind the key and a "Fixed" voltage, spanning from 0-10v across the keys from left to right. Position outs have memory of their position when last touched, allowing the user to draw a mix across the keys when connected to voltage controlled mixers as in the Harmonic Oscillator or Bark Filter Processor.

Dimensions
42 HP
15 mm deep

Current draw
140 mA +12V
115 mA -12V

Notes: Inspirational west coast sounds from one of the masters. Additive oscillator with eight harmonics, direct outputs and powerful CV control to scan, tilt and mix the waveforms.

Supplier's Notes:
For the first time in Eurorack, this oscillator module provides outputs for the first 8 harmonics as sine waves. Also included are triangle, saw, square waves.

A voltage controlled mixer with various methods of address allows the user to scan, tilt and mix the harmonics from both panel and external voltage control. It is built on a discrete, all analog triangle core with an old school discrete transistor exponential converter. It has inputs for linear and exponential FM, the exponential with a reversing attenuator. Of course there's a 1 volt/octave trimmed CV input as well.

Power consumption: 120mA at +12 V and 90mA at -12 V

HP : 32

Notes: Explore modulation beyond the standard ADSR with Verbos's complex polyphonic envelope, opening up the potential of ADAsR and AHDsR slopes. Use the four envelopes independently or trigger sequentially in three separate modes.

Supplier's Notes:
The Verbos Polyphonic Envelope module is a set of four envelope generators which can be used together or independently. Cascade logic allows the four envelopes to trigger sequentially with subsequent envelopes starting at the Hold, Decay or End of the previous envelope.

Each envelope offers its own gate input, CV output and end pulse output, so it can be used in up to four-voice polyphonic patches. The three skew controls allow the times to change as each new envelope is switched on. All parameters can be voltage controlled.

Power consumption: 75mA at +12 V and 30mA at -12 V

HP : 22

Notes: Full synth voice with MIDI connection!

The voice is inspired by the classic West Coast synthesis approach.

Five oscillators from the popular Verbos Foundation oscillator are used. The oscillator has controls such as timbre and richness to shape the sound. With Timbre, the waveform can be faded from sine to sawtooth. The voice also has a spread control that can be controlled via CV. Another nice feature is the Auto-Tune function.

All parameters can be controlled via MIDI CC, which is great for sequencing different parameters.

There are two AD envelopes built in, which can also be cycled and generate frequencies up to 500hz.

The module can be used as a standalone unit with the Verbos Blackbox or as a standard Eurorack module.

Power consumption: +30mA at +12V and -10mA at -12V
Depth: 22mm
42 HP

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Inspirational west coast sounds from one of the masters. Additive oscillator with eight harmonics, direct outputs and powerful CV control to scan, tilt and mix the waveforms.

Supplier's Notes:
For the first time in Eurorack, this oscillator module provides outputs for the first 8 harmonics as sine waves. Also included are triangle, saw, square waves.

A voltage controlled mixer with various methods of address allows the user to scan, tilt and mix the harmonics from both panel and external voltage control. It is built on a discrete, all analog triangle core with an old school discrete transistor exponential converter. It has inputs for linear and exponential FM, the exponential with a reversing attenuator. Of course there's a 1 volt/octave trimmed CV input as well.

Power consumption: 120mA at +12 V and 90mA at -12 V

HP : 32

Notes: A uniquely characterful drum machine, based on FM synthesis inspired by early 90s PC soundcards. Six drum voices and four synth parts can be controlled by a built-in step sequencer or MIDI.

Supplier's Notes:
At the heart of BlastBeats is a vintage FM chip called YMF-262 also known as the OPL3 chip & previously found in computer sound cards of the early 90s.

These chips were notoriously hard to program and were rarely used to their full potential. However, they can produce surprisingly rich beautiful and utterly dirty sounds with a bit of exploring...

By putting so many parameters within easy reach BlastBeasts makes it fun and easy to master the signature sound of the DOS era!

Rhythm & Synth

BlastBeats is a 10 voice groove box offering 6 drum voices and 4 synth instruments.

The many faders offer full control over the parameters of the instruments and can be automated and modulated per step

Beats and melodies are a pleasure to program thanks to the high quality illuminated buttons

Dimensions: 29.5cm x 16.5cm x 4.5cm (11.6" x 6.5" x 1.8")

Weight 944 g ( 2 lb)

Notes: Still based on 80s games console circuits, this second-generation model of the unique Twisted Electrons FM synth gives more freedom to try out different chips. Same gritty sound and hands-on control.

Supplier's Notes:
This updated version is identical in appearance and functionality but will include a pair of YM3438 chips instead of the YM2612. The YM3438 is a variant of the YM2612 that is identical in functionality and was featured in the Sega Megadrive II. The circuit layout has also been updated to grant access to the FM chips with minimal disassembly.

Indeed the chips are now socketed (removable) and accessible by removing the bottom panel.

This allows you to install alternate FM chips (like the YM2612, modern alternatives or even custom sound chips).

You can also mix different versions of FM chip as there are 2 slots that can be configured individually.

MEGAfm MKII features the same audio circuitry and analog distortion as the MKI, as a result both chips sound very similar inside of MEGAfm.

The firmware will work identically on both versions.

Beautiful dirt

Unlike most FM synthesizers that are very clean and digital, the vintage FM chips within MEGAfm have very characterful tone allowing a broad sound palette ranging from beautiful plucked strings to growly distorted bass lines.

Tactile operators

Hardware FM synthesizers are infamous for their reduced controls and complexity to program, with tiny LCD screens and only a couple of buttons to operate a load of menus...
With its 32 operators faders, 14 knobs and 15 buttons MEGAfm offers unprecedented hands-on FM control!

Every knob and fader can easily be modulated by the easy to use LFOs.

Make it a double!
The vintage FM chips from the 90s each offer 6 voices of crispy FM, 4 operators per voice and 8 algorithms.


MegaFM features 2 chips for a total of 12 voices spread across two outputs (or summed to one)

Features:

12 Voice Polyphony
Dual vintage FM chips (included)
8 Algorithms
600 preset memory (saving to any slot) arranged in 6 banks. Easy upload/download of banks to and from computer vis SYSEX.
Preset randomiser
4 Voicing modes (Poly12, stereo/wide6, special CH3 mode, 12 voice unison with detune/fat knob
Stereo or Mono output (1 chip per channel or both chips summed)
32 Sliders for total control of all 4 operators
14 knobs
15 buttons
23 LEDS, LED numeric display.
3 LFOs to modulate any parameter
7-mode arpeggiator with transposable Sh-style step sequencer
Vibrato with depth and rate
MIDI clock on all LFOs, ARP and Vibrato
All faders/knobs send MIDI (use MegaFM to control your favourite modern FM synth!)
Full MIDI automation
Dual 6.35mm TS output and 6.35mm Stereo Headphones output
Brushed/Anodized Aluminum Case
Sturdy metal panel bolted potentiometers
Dimensions: 30CM x 13CM x 5CM
DIN5 MIDI input with MIDI channel learn and thru/out

Notes: ***B-STOCK: Box opened, product in perfect working order***


Valve-based pre-amps meet cabinet simulation in this ultra-flexible pedal. Dial in your tone, patch in effects, and control the lot via MIDI or USB. A brilliant combination of analogue and digital.

Supplier's Notes:
Tsakalis is proud to release their most ambitious product to date. Seamlessly blending the authentic analogue warmth of real tubes with a highly configurable cabinet simulator, plus flexible outputs and control options, the MOTHERSHIP - Real Tube Preamp stands out as possibly the most highly featured and flexible front end for any guitar rig currently available.

The MOTHERSHIP is a complete solution for authentic vintage and modern genuine tube amp tones, in a user-friendly and lightweight, yet rugged package that is designed to slot in easily into any setup.

Both channels on the MOTHERSHIP are identical, yet highly configurable.

Featuring three gain modes (High, Medium and Low) on each channel, along with a toggle switch for selecting between your three chosen speaker simulations, the MOTHERSHIP can conjure up a multitude of both iconic, familiar and unique tones easily and intuitively. Each channel also features two master gain controls along with two master volumes, allowing four different voices to be instantly recalled, either by pressing the relevant footswitch or via MIDI command.

Demonstrating its prowess as a fully comprehensive plug and play device, the MOTHERSHIP also features over 70 free custom cabinet simulations to choose from (when connected to Tsakalis' own TAW Editor app via USB), separate dedicated simultaneous outputs for both the cabinet simulator and a "dry" output for your amp of choice, MIDI control of channel, A/B selection and bypass and also a serial mono FX loop for added tonal versatility.

Fully-featured all-analogue real tube preamp design

The MOTHERSHIP represents the perfect "amp-in-a-box" pedal, seamlessly blending a beautifully designed, real tube front end with a highly flexible cabinet modelling solution. However, it also shines as a genuine tube overdrive pedal when connected to the front of your amplifier, or when running it as the tone defining preamp section of your setup, directly into your power amp. It can also do both of these things simultaneously.

Quad channel tube preamp and drive

This preamp pedal has two completely independent channels, each featuring a four-band EQ, two different Gain/Volume sections, three selectable gain-stages and three selectable cabinet simulations, plus a serial mono effects-loop for your external effects, MIDI in and free access to Tsakalis Audioworks' full free online library of carefully selected and curated digital cabinet simulations.

The MOTHERSHIP's two independent channels were carefully designed with a real tube audio path, providing a huge range of tones from warm or sparkling cleans all the way to high gain tube driven distortion. The two ECC83 (12AX7) tubes, run at a comfortable 240 Volts, providing touch sensitivity, headroom and plenty of gain and tube sag as required.

Each channel features a four band EQ (Bass, Mid, Treble and Presence) and two different Gain and Volume controls (Gain A-Volume A / Gain B-Volume B) transforming the MOTHERSHIP into a quad channel powerhouse.

The dedicated MODE switch for each channel is responsible for the tube audio path structure, giving 3 different gain modes L = Low, M = Mid and H = High, allowing you to easily customize completely different lead and rhythm tones with different gain structures as well as a solo volume boost for each and access them on-the-fly by simply pressing the relevant footswitch.

Notes: A colourful approach to mixing here, the Kemmerskan offers two stereo channels and four mono channels, processed through germanium transistors. Three band master EQ and aux sends give plenty of creative options.

Supplier's Notes:
More than just a mixer, the Kemmeskan can be used as a soundscaping module. It has an equaliser that sounds really musical and gives the user the ability to change the sound drastically. It can be used in an Eurorack context or with external devices.

Notes: One of the most eagerly anticipated new releases in recent years, the T-1 is a powerful 16-track sequencer with countless features aiming to streamline creativity, from melody generation to Euclidean rhythms.

Supplier's Notes:
Not your average sequencer
A 16 track algorithmic sequencer at the center of your studio. The T-1 offers a generative workflow with focus on immediacy and playful exploration. Whether on stage or in the studio, the T-1 will inspire you with fresh ideas and help you push the boundaries of your music. In short, this is a fundamental rethinking of the sequencer as a modern, fun and inspiring instrument

This machine speaks music
Enter a creative dialogue with T-1, and let its musical algorithms spark your creative process, or bring it on stage to perform your musical ideas live and spice them up with variations created on-the-fly

It's your instrument
The T-1 can be customized to suit your music. In fact, it is many instruments in one: Each of the T-1's 16 tracks can be set up in one of three modes.
Note: Compose rhythms and melodies from scratch with creative musical algorithms, and tweak them to your desire with detailed step editing.
CC: Take absolute control over sound design with 16 CC knobs and add automation via random modulation and step editing
FX: Create real-time midi fx to expand and transform your musical ideas. Connect a midi keyboard for hands on live performance

Connect to everything
The signal flow of any modern studio is a complex web of analog, digital and wireless signals and keeping your instruments connected and in sync can be a drain for your creativity. The T-1 solves this by communicating via MIDI, USB, analog CV and gates, Ableton Link and Wi-Fi connections with all of your gear.

Musical structure in a knob
Sculpt the timing, tonality and overall structure of your music in the same intuitive way you would a parameter on a synthesizer: By the twist of a knob. The T-1 lets you dial in any rhythm in a manner of seconds with euclidean rhythms.
Want to surprise your audience and even yourself? Add a bit of random modulation or change the probability of a step being played or not. Try the T-1 style looping random modulator

Tangible visuals
What you see is what you get: at every touch of a knob or push of a button, 16 RGB buttons show you the state of the instrument while offering up a quick way to jump to a new setting in real-time

Performing is composing
The T-1 is an instrument designed to be played in the here and now. Whether you are working in a studio or on stage, the path between musical inspiration and performance has never been shorter.
Make relative parameter changes on one or multiple tracks simultaneously, save the changes or return to the starting point. With the T-1, your music making process is a constantly evolving flow

Technical specifications

Sequencer
Euclidean rhythm generator (w. step editing)
Advanced note repeater / arpeggiator
Melody generator
7 musical scales + 1 user scale per track
Harmonic pitch control
Random modulation on every parameter

Tracks
16 tracks per pattern
16 MIDI channels
Polyphony on every track

Storage
Auto-save
16 patterns per bank
16 banks

User interface
18 endless rotary encoders with push
23 RGB backlit silicone keypads

Physical
Matte black aluminium casing
Dimensions: L:304, W:114, H:39mm ?(11.9", 4.5", 1.5")
Weight: 815g (1.8 lbs)

In the box
1 x T-1
1 x USB cable
1 x MIDI adapter (type A)

Connectivity
USB C (midi/power)
MIDI in / out / thru (TRS type A)
CV & gate i/o
Ableton Link (WiFi)

Notes: Explore malleable sound. Mold, carve, bend.

The S-4 is a sculpting sampler designed to capture and transform sounds. Merging tape-era workflows with cutting-edge technology, the S-4 redefines sound mangling by providing a futuristic platform for crafting unique soundscapes and compositions, using samples and real-time audio processing.

S-4 is a tool made for sonic explorers. It has four parallel stereo tracks, each with an audio engine featuring a chain of audio devices including samplers, live granular processing, morphing resonators, and a range of audio effects. A novel modulation system allows anything and everything to be modulated with four modulators per track. Capture sounds on the fly with the onboard microphone and stereo line input, or load samples from the 4GB internal flash storage.

Use cases

The S-4 is a versatile powerhouse, capable of serving as an effects processor, transformative sound designer, tape machine, live looper, classic sample player, or textural synthesizer.

Tape machine

Capture your surroundings. Use S-4 as a transformative four-track tape machine.

Effect processor

Manipulate live audio, and add colour and textures to your beats, melodies, and sounds

Midi controlled sampler

Hook up a MIDI keyboard or sequencer and use S-4 as a powerful textural synthesizer and sample player.

Audio engine

Push the creative boundaries and transform audio into uncharted depths. S-4 has four parallel stereo tracks, each of which contains a chain of five audio devices tailored to cover specific sonic areas and applications. Create everything from glittering textures to broken soundscapes or evolving synth sounds.

Together, the devices form a playful toolbox for sculpting sample material and live audio.

Material

Stereo tape and sample players with live audio and looping capabilities.

Granular

Live granular processing with time-warping and pitch-shifting algorithms.

Filter

Morphing resonator: 48-band tuned filter bank with animation, tonal control, and classic filter functions.

Colour

Collection of destructive effects including bit crushing, drive, and compression.

Space

Combined reverb and delay with pitch-shifting and shimmer.

Modulation system

Animate and bring life to any parameter using the rich and unique modulation system. Each track has four configurable modulators that can be mapped to any parameter with unlimited mapping destinations. It is even possible to do cross-modulation between modulators. Choose between a range of different modulators from complex LFOs, and generative sequencers to envelopes.

Capture your surroundings

Utilize the built-in microphone to record sounds, sample and loop your external gear with the stereo line input, resample the internal tracks, or effortlessly load samples from the S-4's flash memory or an external drive.

Versatile powerhouse

The S-4 is designed with durable RGB buttons offering tactile feedback and a high-quality 3.5-inch LCD display ensuring all the visual feedback you need. It features USB connectivity for seamless connection to class-compliant devices and effortless file transfers to and from your laptop. Moreover, it can function as an audio interface when you require a simplified setup. You can also expand the number of inputs and outputs by connecting a class-compliant external USB interface.

Technical specifications

Audio engine features

4 parallel stereo audio tracks
Tape player with live looping capabilities
Polyphonic sample player
Live granular processing with time-warping and pitch-shifting algorithms
Morphing resonator (48-band filter bank)
Bit crushing, drive, and compression
Combined reverb and delay with pitch-shifting and shimmer

Modulation features

4 modulators per track
Modulate any parameter of the audio engine
Modulator types:
- Complex LFOs
- Generative sequencing tools
- Envelopes

Hardware

Quad-core 1.5 GHz processor
4 GB flash memory (sample pool)
24-bit / 48 kHz stereo audio in and out

I/O

2 line-inputs
2 line-outputs
Built-in microphone
Stereo headphone output
MIDI in/out
Analog sync in/out
USB-C

Miscellaneous

WiFi - Ableton Link
Class-compliant USB audio interface
Expandable number of inputs/outputs with class-compliant USB interfaces

User Interface

High-resolution LCD colour display, 3.5 inch
21 tactile RGB buttons
9 high-quality endless encoders

Physical

Matte black aluminium casing
Dimensions: 242 x 156 x 39 mm (9.5" x 6.1" x 1.5")
Weight: 820g (1.8 lbs)

Notes: White version of one of the most popular sequencers in recent years. The T-1 is a powerful 16-track sequencer with countless features aiming to streamline creativity, from melody generation to Euclidean rhythms.

Supplier's Notes:
Not your average sequencer

A 16 track algorithmic sequencer at the center of your studio. The T-1 offers a generative workflow with focus on immediacy and playful exploration. Whether on stage or in the studio, the T-1 will inspire you with fresh ideas and help you push the boundaries of your music. In short, this is a fundamental rethinking of the sequencer as a modern, fun and inspiring instrument

This machine speaks music

Enter a creative dialogue with T-1, and let its musical algorithms spark your creative process, or bring it on stage to perform your musical ideas live and spice them up with variations created on-the-fly

It's your instrument

The T-1 can be customized to suit your music. In fact, it is many instruments in one: Each of the T-1's 16 tracks can be set up in one of three modes.

Note: Compose rhythms and melodies from scratch with creative musical algorithms, and tweak them to your desire with detailed step editing.

CC: Take absolute control over sound design with 16 CC knobs and add automation via random modulation and step editing

FX: Create real-time midi fx to expand and transform your musical ideas. Connect a midi keyboard for hands on live performance

Connect to everything

The signal flow of any modern studio is a complex web of analog, digital and wireless signals and keeping your instruments connected and in sync can be a drain for your creativity. The T-1 solves this by communicating via MIDI, USB, analog CV and gates, Ableton Link and Wi-Fi connections with all of your gear.

Musical structure in a knob

Sculpt the timing, tonality and overall structure of your music in the same intuitive way you would a parameter on a synthesizer: By the twist of a knob. The T-1 lets you dial in any rhythm in a manner of seconds with euclidean rhythms.

Want to surprise your audience and even yourself? Add a bit of random modulation or change the probability of a step being played or not. Try the T-1 style looping random modulator

Tangible visuals

What you see is what you get: at every touch of a knob or push of a button, 16 RGB buttons show you the state of the instrument while offering up a quick way to jump to a new setting in real-time

Performing is composing

The T-1 is an instrument designed to be played in the here and now. Whether you are working in a studio or on stage, the path between musical inspiration and performance has never been shorter.

Make relative parameter changes on one or multiple tracks simultaneously, save the changes or return to the starting point. With the T-1, your music making process is a constantly evolving flow

Technical specifications

Sequencer
Euclidean rhythm generator (w. step editing)
Advanced note repeater / arpeggiator
Melody generator
7 musical scales + 1 user scale per track
Harmonic pitch control
Random modulation on every parameter

Tracks
16 tracks per pattern
16 MIDI channels
Polyphony on every track

Storage
Auto-save
16 patterns per bank
16 banks

User interface
18 endless rotary encoders with push
23 RGB backlit silicone keypads

Physical
Matte black aluminium casing
Dimensions: L:304, W:114, H:39mm ?(11.9", 4.5", 1.5")
Weight: 815g (1.8 lbs)

In the box
1 x T-1
1 x USB cable
1 x MIDI adapter (type A)

Connectivity
USB C (midi/power)
MIDI in / out / thru (TRS type A)
CV & gate i/o
Ableton Link (WiFi)

Notes: Professional vinyl cleaning solution, suitable for 12-inch and 7-inch records. Washes and dries records using specialist cleaning fluid (included), stainless steel clamp and precision vacuum tube.

Supplier's Notes:
Keeping your vinyl records clean is as important as having good equipment when you want to enjoy an optimal sound.

The Tonar Wash & Dry vinyl washing machine offers a helping hand to make your records shiny and bright again.

With this compact and easy-to-use device, you're ready to wash your complete record collection - including 7", 10" and 12" records - and quickly dry them with an extremely silent, yet powerful vacuum system.

The importance of cleaning your vinyl records

Many people associate vinyl records with hearing "pops" and "clicks". In part, this is the charm of the medium but it should not get over the top of course. Unless your vinyl has scratches, these pops and clicks are caused by dust and dirt that has been collected in the grooves. Also, contamination by air pollution from the traffic outside, cooking fat, grease and tobacco smoke can cause a tough film to form on the surface of the record. Sometimes even moulds and fungi are present if the records have been stored for a prolonged period of time in a humid environment. If you play a dirty record, the stylus will scrape part of this dirt off the groove and this causes a thick build-up of grime on the stylus. Ultimately, this will result in complete miss tracking or groove skipping with permanent damage to your costly stylus and precious records.

All-in-one vinyl Wash & Dry system

The Tonar Wash & Dry is an all-in-one solution to clean your records in the most easy way. The set includes a high quality goat hair brush, concentrate for one litre of cleaning fluid, a special stainless steel record clamp with rubber rings to protect the label during washing, and a dust-cover. With just one single button, you can control the direction of the rotation of the platter (clockwise or counter clockwise), and activate the vacuum arm. Instead of having to change vacuum arms for different record formats, the Tonar Wash & Dry uses only one arm with a switch button to change between 7", 10" and 12" records. The vacuum system of the Tonar Wash & Dry is extremely silent, yet very powerful. The vacuum will collect all the liquid in a reservoir inside of the device.

The wastewater level can be read-off on right hand side of the machine, and can be easily emptied with the hose.

Did you know that it's important to clean brand new records?
What most people don't realise, is that brand new records actually benefit from a quick clean before you take them for a spin. But why would you need to clean something you've literally just purchased? Nearly every new vinyl record is positively charged with static electricity. The static charge attracts dust and particles in the immediate proximity, including tiny paper fibers from the sleeve. This will lead to hearing unwanted crackles and clicks while playing the record.

Also, during the production process, oils and other gummy release agents are used for the pressing of the records. This will leave a sticky residue on the record surface, which can, in turn, contaminate your stylus and ultimately diminish the sound quality. Cleaning your newly purchased records with the Tonar Wash & Dry Vinyl Washing Machine will contribute to a better listening experience and long lasting preservation of your records.

The Tonar Wash & Dry offers a complete ready-to-use vinyl cleaning set, including:

0.50 ml bottle with Tonar record
Cleaning fluid concentrate
Tonar Plastigoat goat hair cleaning
Brush
Power cord
Stainless steel record clamp
Black aluminium adapter disc for
Singles
Label-cover
Extra 7 inch platter
All-in-one vacuum-arm 7"-10"-12"
Dust cover

Notes: Vortex 6 us a polyphonic 6-voice wavetable oscillator inspired by the hardware design and sound of the PPG Wave 2.2, and it is the only oscillator of this type that uses true 8-bit vintage audio converters from the '80s. Dozens of wavetables are provided internally, and user tables can be loaded via an SD card. VORTEX6 has built-in vibrato, glide, and six wavetable-scrolling envelopes, all with CV. The ART-in jack and a built-in voice manager take care of incoming notes and distribute them to audio, gate, and velocity outsieither through per-voice 3.5mm jacks or the Polytip jacks. Together with OCTOPUS, one or more OCTOSTAGES, OCTOPASS, and OCTOGAIN, along with a few Polytip patch cables, it forms the world's first complete six-voice polyphonic modular synth. Alternatively, VORTEX6 can be patched to discrete mono modules or use its voice mix-out for paraphonic soundscapes with up to 12 oscillators in detune mode.

Size: 20HP - Depth: 40mm

Power: +12V 190mA / -12V 50mA

Notes: The S1 is a promotional bundle that Tiptop Audio is offering to users, providing a 33% savings to get you started with ART. With these bundles, this incredible voice is included: the big, beefy 3 VCO stack. The bundles come in two options: Bundle S1, which uses the ART V/OCT Quantizer as a controller, and Bundle S2, which uses Octopus as a controller. In addition to the controllers, there are three ATX1 analogue oscillators, MIX7 for mixing them with plenty of headroom, and followed by the beloved 4-pole Z2040 filter that has been with TipTop since day one; it just sounds so good. Finally, we end up with Control Path dual envelope plus VCA dynamics modules. This special price is time limited and while supplies last.

ART QUAD QUANTIZER is a four channel CV to ART Quantizer to play ART oscillators from CV sequencers, LFOs and anything that outputs CV. This is Tiptop's second ART controller option and is designed for those of us playing ART without a computer or MIDI source. The inputs take in positive, negative, bipolar CV voltages. Scales include Major Minor and the five other modes (Dorian, Lydian, etc). The module is simple to set up with a simple menu and one knob with switch for navigation. The 4th channel can be set to generate Chords and polyphonic note streams for ART Polyphonic oscillators.

Size: 8HP - Depth: 40mm / 1.5"
Power: +12V 38mA / -12V 4mA

ATX1: a classic all analogue saw VCO core with 3 switchable modes, ART, 1V/Oct, LFO and is recommended as the basic building block for ART systems. It is designed for patching analogue polyphonic synths from discrete modules or multi-mono patches in ART mode. When using ART the ATX1 takes care of the tuning including accounting for temperature changes. In 1V/Oct mode the ATX1 runs as a standard old school modular VCO. LFO mode drops the frequency range and is great for patching vibrato to other ATX1s among other things. The ATX1 outputs variable waveshapes with manual or CV control. Classic FM, PWM and hard sync are provided. A dedicated Gate Out in ART mode manages the voice envelopes or any modulation synced to that voice. TipTop consider the ATX1 the best sounding analogue VCO they have ever created.

Size: 8HP - Depth: 40mm / 1.5"
Power: +12V 105mA / -12V 33mA

MIX7 is a seven channel analogue summing mixer module for Eurorack. It is designed for summing any of the different types of signals you'll find in a modular system: Audio, CV, Triggers, or Gate.

MIX7 gives ability to sweeten your mix with more headroom using the power of low noise analogue summing. A compact 3HP Eurorack utility module, MIX7 is an attractive mixing addition to any rig, especially with the ability to also combine rhythms, note patterns or CV automations from different control sources. The main output of one section can be connected to the input of another MIX7 to create larger mixing groups and complex signal routes inside your modular.

The MIX7 summing mixing circuit is built with low-noise operational amplifiers, giving it an excellent sound quality for mixing audio, the beautiful texture of classic analogue mixing with plenty of headroom to handle hot modular signals, and the versatility to sum non-audio signals in your system to open up new creative possibilities.

Each input is labelled with a number of dots, 1-7, yellow for input and green for output. The module matches Tiptop's system look with clean white faceplate styling.

At the back of the module is a user-configurable jumper allowing users to configure the MIX7 for either unity gain (OUT = IN) or give increased headroom (OUT = 0.4IN) for use with hot audio signals, which makes it a great pairing for Tiptop Audio percussive modules. A peak indicator light on the front panel warns the user of even the slightest audio clipping in the mix, helping to keep all the incoming sound sources at their full original quality.

Size: 3HP - Depth: 43mm - Power: +12V 25ma / -12V 20ma

CONTROL PATH is an all in one voice dynamics module that helps build full voices quickly. It contains two analogue envelopes with velocity cv, and one VCA. In a typical voice patch the left envelope will control a filter and the right envelope will be the voice VCA. Velocity control is provided for each envelope and delay front panel trimmers are used to compensate for any miss match between incoming gate signal and velocity CV timings. Envelope cv outs are 0-5V, Velocity cv ins are 0-5V.

Size: 8HP - Depth: 40mm / 1.5"
Power: +12V 50mA / -12V 55mA

The Z2040 is TipTop's redesign of the most famous analogue filter from the polysynths of the 80's and features Tiptop Audio's signature lush, big, and creamy sound. Its frequency sweeps make thick bass lines and leads with great dynamics. When modulated with audio frequencies through its various inputs, the Z2040 gets quite colourful and is capable of creating many new sounds and textures as the forces of the incoming waves and their harmonics blend through the filter's non-linear circuit. When set with Resonance feedback fully up, the Z2040 transforms into a pure sine-core VC-Oscillator, great for making snappy percussive elements and whistling sounds.

A look under the hood will find that the heart of the Z2040 is a discrete design 4-pole low pass filter with a core similar to that of the SSM2040 filter chip, used in the 80's Prophet 5 Rev 2 synthesizer, and its brother the SSM2044, used in the famous early EMU samplers and PPG synthesizers of the 80's. Both filters are considered by many to be, "the best sounding filter ever".

The Z2040's four modulation inputs are built to handle CV and audio signals, enabling deep modulation of the filter core and passing signals. A VC resonance input is provided to modulate and even clip the sine wave produced by the filter feedback loop. A Frequency Modulation input (FM) provides dynamic filter sweeps and the unique VC-FM index allows modulation of the incoming FM signals. On top of that, the Z2040 comes with an audio VCA that can be configured to act upon the input or the output of the filter.

Size: 8HP - Depth: 42mm - Power: +12V 20ma / -12V 20ma

Notes: Silver version of the rebooted SL-1200, updated and refreshed in MK7 form. Still sounds great, still built like a tank and still the industry standard DJ deck.

Supplier's Notes:
Coreless Direct Drive Motor Achieving Stable Rotation

The direct drive system uses a slow-turning motor to directly drive the platter. This system has various advantages. It offers high performance, such as rotation accuracy and powerful torque, does not require replacement of parts and maintains high reliability over a long period of time. On the other hand, the direct drive system was said to produce a rotation irregularity called cogging. For the SL-1200MK7, a new coreless direct drive motor was developed. This motor employs a coreless stator. The removal of the core (iron core) from the stator eliminated the root cause of cogging. Furthermore, the magnetic force of the rotor magnets was improved to the highest possible level, and the gap between the coreless stator and rotor magnets was optimised, thus achieving high-torque-performance equalling that of the SL-1200MK5. Boasting smooth rotation and powerful torque, this motor reproduces sound accurately and faithfully from the groove on an analogue record.

Diverse New Functions Adapt to Various Playing Styles

The newest digital motor control technology, accumulated through the development of Blu-ray disc products, is applied to improve adjustment by allowing the torque and brake speed to be adjusted individually in four steps.

The pitch control function allows fine adjustment of the rotation speed within i8 % / i16 %. It does this through digital control, from positional detection of the slider to rotational control of the motor, eliminating the unnecessary DA conversion. This greatly improves tracking performance to achieve accurate and stable pitch adjustment.

Reverse Play Function

The reverse play function, which brings forth new possibilities of creative performance, makes its first appearance in the SL-1200 Series. In addition to 33-1/3 rpm and 45 rpm, a rotation speed of 78 rpm is supported.
*The torque / brake speed adjustment, rotation speed switch, and reverse play can be adjusted by switches on the main unit.

The tonearm, which has continued to support the leading edge of the DJ scene for many years, inherits the highly reliable static-balance universal S-shape tonearm. Using high-precision bearings, it achieves a higher initial-motion sensitivity than the SL-1200MK6. This accurately tracks the groove on the phonorecord to assure excellent tracking performance with minimum stylus jumping even in harsh playing conditions such as scratching.

The stylus illuminator features a new push-type structure for intuitive operation, and employs a high-brightness and long-life white LED. The illumination area and intensity were reviewed to provide improved visibility of the stylus tip even in a dark environment.

Power / Phono Cable Terminals

The power and phono cable terminals allow detachment of the cables. The phono terminals are gold-plated to minimise sound quality degradation. Since the terminals allow disconnection of the cables, maintenance of the cables is easier.

High-rigidity Cabinet and High-damping Insulator

The chassis, an essential part for reducing external vibrations, inherits the audio quality enhancement technology fostered through the development of high-end turntables. The aluminium die-cast chassis is rigidly integrated with a special material consisting of ABS mixed with glass fibre to achieve a two-layer construction. The combination of this special high-rigidity material and a metal chassis raised the rigidity and vibration-damping performance to higher levels, realising a robust cabinet for beautiful sound reproduction. The insulator is comprised of a spring and rubber to provide optimal frequency characteristics. This not only assures high sound quality and superb howling resistance, but also effectively shuts out external vibrations under high sound level conditions.

Specs:

Type: Direct Drive Manual Turntable
Turntable Speeds: 33-1/3, 45 rpm (with switch 78 rpm)
Starting Torque: 0.18 N .m / 1.8 kg . cm
Build-up Characteristics : 0.7 s. from standstill to 33 1/3 rpm
Wow And Flutter: 0.025 % W.R.M.S.
Turntable Platter: Aluminium diecast
Diameter: 332 mm (13-5/64 inch)
Weight: Approx. 1.8 kg (4.0 lbs) (including slipmat and slipsheet)

Tonearm
Type: Universal Static Balance
Effective Length: 230 mm (9-1/16")
Overhang: 15 mm (19/32")
Tracking Error Angle: Within 2- 32' (at the outer groove of 30 cm (12") record) - Within 0- 32' (at the inner groove of 30 cm (12") record)
Offset Angle: 22-
Arm-height Adjustment Range: 0 - 6 mm
Stylus Pressure Adjustment Range: 0 - 4 g (Direct Reading)
Head Shell Weight: Approx. 7.6 g
Applicable Cartridge Weight Range: (without auxiliary weight) 5.6 - 12.0 g, 14.3 - 20.7 g (including head shell)
Head Shell Terminal Lug: 1.2 mmf 4-pin terminal lug

Notes: The legend is back. Updated and re-engineered for the 21st century, the classic Technics DJ turntable remains the industry standard. Top sound, top build quality.

Supplier notes:
The SL-1210MK7 is the newest model of the SL-1210 Series. For the development of this model, all that modern-day DJs need and want was reviewed from the ground up. At the drive section of the MK7 is a coreless direct drive motor. While achieving both stable rotation and powerful torque, this has successfully eliminated a rotation irregularity called cogging, which was the only drawback of the direct drive system. As a result, sound quality was further improved. The pitch control incorporates digital control to achieve improved tracking performance and accuracy. The buttons and tonearm are black to complete the all black design, and the LED light can be set to illuminate in red or blue. A reverse play function has been added to expand the breadth of DJ play style. With those features and functions, the MK7 aims to set a new standard for DJ turntables.

Notes: Supercar styling arrives on the iconic SL-1200. The classic Automobili Lamborghini Y-shape pattern is applied to a black deck for this high-end version of the industry standard turntable.

Supplier's Notes:
Design Inspired by Lamborghini DNA

The functions of the SL-1200M7B are based on the SL-1200MK7/SL-1210MK7 models, while the design is inspired by Automobili Lamborghini's iconic Y-shape pattern. Orange, Green and Yellow are the colours of the SL-1200M7B, based on the most iconic liveries of the Italian automotive super sports cars brand. Automobili Lamborghini and Technics operate in completely different markets but share the same values with cutting-edge ideas and approaches: disruptive technological development, a corporate culture rooted in a spirit of uncompromising craftsmanship, and the pursuit of emotional sounds inspiring customers-with Automobili Lamborghini, the sound of its engines, and with Technics, the sound of its audio. The SL-1200M7B is the powerful result of the collaboration and innovative ideas of the two brands.

*Consumption and emission values of Revuelto: Fuel consumption combined: 11,86 l/100km; Power consumption combined: 10,1 kWh/100 Km; CO2-emissions combined: 276 g/km; Efficiency class combined: G; Fuel consumption with discharged battery combined: 17,8 l/100km; CO2 efficiency class with discharged battery: G; WLTP values

Exclusive Gifts

The SL-1200M7B comes with an original vinyl record containing the powerful V12-engine and driving sounds of six different Lamborghini super sports cars, a slipmat and two stickers with Automobili Lamborghini and Technics logos. The picture disc features a design inspired by the tires of one of the Lamborghini's latest models, the Revuelto. As you listen to the sounds of Lamborghini V12-engines, you can also enjoy the visual effect of the tire spinning on your turntable.

Coreless Direct Drive Motor Achieving Stable Rotation

The direct drive system uses a slow-turning motor to directly drive the platter. This system has various advantages. It offers high performance, such as rotation accuracy and powerful torque, does not require replacement of parts and maintains high reliability over a long period of time. On the other hand, the direct drive system was said to produce a rotation irregularity called cogging. For the SL-1210MK7, a new coreless direct drive motor was developed. This motor employs a coreless stator. The removal of the core (iron core) from the stator eliminated the root cause of cogging. Furthermore, the magnetic force of the rotor magnets was improved to the highest possible level, and the gap between the coreless stator and rotor magnets was optimised, thus achieving high-torque-performance equalling that of the SL-1210MK5. Boasting smooth rotation and powerful torque, this motor reproduces sound accurately and faithfully from the groove on an analogue record.

Diverse New Functions Adapt to Various Playing Styles

Torque / Brake Speed Adjustment

The newest digital motor control technology, accumulated through the development of Blu-ray disc products, is applied to improve adjustment by allowing the torque and brake speed to be adjusted individually in four steps.

The Pitch Control Function

The pitch control function allows fine adjustment of the rotation speed within i8% / i16%. It does this through digital control, from positional detection of the slider to rotational control of the motor, eliminating the unnecessary DA conversion. This greatly improves tracking performance to achieve accurate and stable pitch adjustment.

Reverse Play Function

The reverse play function, which brings forth new possibilities of creative performance, makes its first appearance in the SL-1210 Series. In addition to 33-1/3 rpm and 45 rpm, a rotation speed of 78 rpm is supported.

*The torque / brake speed adjustment, rotation speed switch, and reverse play can be adjusted by switches on the main unit.

High Sensitive Tonearm

The tonearm, which has continued to support the leading edge of the DJ scene for many years, inherits the highly reliable static-balance universal S-shape tonearm. Using high-precision bearings, it achieves a higher initial-motion sensitivity than the SL-1210MK6. This accurately tracks the groove on the phonorecord to assure excellent tracking performance with minimum stylus jumping even in harsh playing conditions such as scratching.

Stylus Illuminator Featuring a High-brightness and Long-life White LED

The stylus illuminator features a new push-type structure for intuitive operation, and employs a high-brightness and long-life white LED. The illumination area and intensity were reviewed to provide improved visibility of the stylus tip even in a dark environment.

Specifications

Technics for Automobili Lamborghini collaboration model

Coreless Direct-Drive Motor Achieving Stable Rotation

Diverse New Functions Adapt to Various Playing Styles

High Sensitive Tonearm

Stylus Illuminator Featuring a High-brightness and Long-life White LED

High-rigidity Cabinet and High-damping Insulator

Tech Specs

General

Power Supply: AC 120 V, 60 Hz
Power Consumption: 8 W Approx. 0.2 W (Standby)
Dimensions (W x H x D): 453 x 169 x 353 mm
Weight: Approx. 9.6 kg
Accessories: Turntable, Slipmat, Slipsheet, Dust cover, Technics sticker for limited edition, EP record adaptor, Balance weight, Head shell, Screw set for cartridge, PHONO cable, PHONO earth lead, AC power supply cord, Control vinyl stickers, Owner's Manual

Terminals

Audio Output: PHONO (Pin Jack) x 1, EARTH TERMINAL x 1

Tonearm Section

Type: Universal Static Balance
Effective Length: 230 mm
Overhang: 15 mm
Tracking Error Angle: Within 2 degrees 32'?(at the outer groove of 30cm (12") record), Within 0 degrees 32'?(at the inner groove of 30cm (12") record)
Offset Angle: 22-
Arm-height Adjustment Range: 0 - 6 mm
Stylus Pressure Adjustment Range: 0 - 4 g (Direct Reading)
Head Shell Weight: Approx. 7.6 g
Applicable Cartridge Weight Range: 5.6 - 12.0 g (without auxiliary weight), 14.3 - 20.7 g (including head shell)

Turntable Section

Type: Direct Drive Manual Turntable
Turntable Speeds: 33-1/3, 45 rpm (with switch 78 rpm)
Starting Torque: 0.18 N*m / 1.8 kg*cm
Build-up Characteristics: 0.7 s. from standstill to 33 1/3 rpm
Wow And Flutter: 0.025% W.R.M.S.
Turntable Platter: Aluminum diecast
Diameter : 332 mm
Weight : Approx. 1.8 kg (Including slipmat and slipsheet)

Notes: ***B-STOCK: Box damaged, product unused & in perfect condition***


Limited-edition Lamborghini model of the superb SL-1200MK7. The unique SL-1200M7B model combines the Italian marque's legendary styling with the tried-and-tested performance of Technics.

Supplier's Notes:
Design Inspired by Lamborghini DNA

The functions of the SL-1200M7B are based on the SL-1200MK7/SL-1210MK7 models, while the design is inspired by Automobili Lamborghini's iconic Y-shape pattern. Orange, Green and Yellow are the colours of the SL-1200M7B, based on the most iconic liveries of the Italian automotive super sports cars brand. Automobili Lamborghini and Technics operate in completely different markets but share the same values with cutting-edge ideas and approaches: disruptive technological development, a corporate culture rooted in a spirit of uncompromising craftsmanship, and the pursuit of emotional sounds inspiring customers-with Automobili Lamborghini, the sound of its engines, and with Technics, the sound of its audio. The SL-1200M7B is the powerful result of the collaboration and innovative ideas of the two brands.

*Consumption and emission values of Revuelto: Fuel consumption combined: 11,86 l/100km; Power consumption combined: 10,1 kWh/100 Km; CO2-emissions combined: 276 g/km; Efficiency class combined: G; Fuel consumption with discharged battery combined: 17,8 l/100km; CO2 efficiency class with discharged battery: G; WLTP values

Exclusive Gifts

The SL-1200M7B comes with an original vinyl record containing the powerful V12-engine and driving sounds of six different Lamborghini super sports cars, a slipmat and two stickers with Automobili Lamborghini and Technics logos. The picture disc features a design inspired by the tires of one of the Lamborghini's latest models, the Revuelto. As you listen to the sounds of Lamborghini V12-engines, you can also enjoy the visual effect of the tire spinning on your turntable.

Coreless Direct Drive Motor Achieving Stable Rotation

The direct drive system uses a slow-turning motor to directly drive the platter. This system has various advantages. It offers high performance, such as rotation accuracy and powerful torque, does not require replacement of parts and maintains high reliability over a long period of time. On the other hand, the direct drive system was said to produce a rotation irregularity called cogging. For the SL-1210MK7, a new coreless direct drive motor was developed. This motor employs a coreless stator. The removal of the core (iron core) from the stator eliminated the root cause of cogging. Furthermore, the magnetic force of the rotor magnets was improved to the highest possible level, and the gap between the coreless stator and rotor magnets was optimised, thus achieving high-torque-performance equalling that of the SL-1210MK5. Boasting smooth rotation and powerful torque, this motor reproduces sound accurately and faithfully from the groove on an analogue record.

Diverse New Functions Adapt to Various Playing Styles

Torque / Brake Speed Adjustment

The newest digital motor control technology, accumulated through the development of Blu-ray disc products, is applied to improve adjustment by allowing the torque and brake speed to be adjusted individually in four steps.

The Pitch Control Function

The pitch control function allows fine adjustment of the rotation speed within i8% / i16%. It does this through digital control, from positional detection of the slider to rotational control of the motor, eliminating the unnecessary DA conversion. This greatly improves tracking performance to achieve accurate and stable pitch adjustment.

Reverse Play Function

The reverse play function, which brings forth new possibilities of creative performance, makes its first appearance in the SL-1210 Series. In addition to 33-1/3 rpm and 45 rpm, a rotation speed of 78 rpm is supported.

*The torque / brake speed adjustment, rotation speed switch, and reverse play can be adjusted by switches on the main unit.

High Sensitive Tonearm

The tonearm, which has continued to support the leading edge of the DJ scene for many years, inherits the highly reliable static-balance universal S-shape tonearm. Using high-precision bearings, it achieves a higher initial-motion sensitivity than the SL-1210MK6. This accurately tracks the groove on the phonorecord to assure excellent tracking performance with minimum stylus jumping even in harsh playing conditions such as scratching.

Stylus Illuminator Featuring a High-brightness and Long-life White LED

The stylus illuminator features a new push-type structure for intuitive operation, and employs a high-brightness and long-life white LED. The illumination area and intensity were reviewed to provide improved visibility of the stylus tip even in a dark environment.

Specifications

Technics for Automobili Lamborghini collaboration model

Coreless Direct-Drive Motor Achieving Stable Rotation

Diverse New Functions Adapt to Various Playing Styles

High Sensitive Tonearm

Stylus Illuminator Featuring a High-brightness and Long-life White LED

High-rigidity Cabinet and High-damping Insulator

Tech Specs

General

Power Supply: AC 120 V, 60 Hz
Power Consumption: 8 W Approx. 0.2 W (Standby)
Dimensions (W x H x D): 453 x 169 x 353 mm
Weight: Approx. 9.6 kg
Accessories: Turntable, Slipmat, Slipsheet, Dust cover, Technics sticker for limited edition, EP record adaptor, Balance weight, Head shell, Screw set for cartridge, PHONO cable, PHONO earth lead, AC power supply cord, Control vinyl stickers, Owner's Manual

Terminals

Audio Output: PHONO (Pin Jack) x 1, EARTH TERMINAL x 1

Tonearm Section

Type: Universal Static Balance
Effective Length: 230 mm
Overhang: 15 mm
Tracking Error Angle: Within 2 degreees 32'?(at the outer groove of 30cm (12") record), Within 0 degrees 32'?(at the inner groove of 30cm (12") record)
Offset Angle: 22-
Arm-height Adjustment Range: 0 - 6 mm
Stylus Pressure Adjustment Range: 0 - 4 g (Direct Reading)
Head Shell Weight: Approx. 7.6 g
Applicable Cartridge Weight Range: 5.6 - 12.0 g (without auxiliary weight), 14.3 - 20.7 g (including head shell)

Turntable Section

Type: Direct Drive Manual Turntable
Turntable Speeds: 33-1/3, 45 rpm (with switch 78 rpm)
Starting Torque: 0.18 N*m / 1.8 kg*cm
Build-up Characteristics: 0.7 s. from standstill to 33 1/3 rpm
Wow And Flutter: 0.025% W.R.M.S.
Turntable Platter: Aluminum diecast
Diameter : 332 mm
Weight : Approx. 1.8 kg (Including slipmat and slipsheet)

Notes: Lamborghini looks, Technics performance. A truly luxe take on the great SL-1200, the Lambo limited edition is offered here in yellow-over-black. Also available in green or orange versions.

Supplier's Notes:
Design Inspired by Lamborghini DNA

The functions of the SL-1200M7B are based on the SL-1200MK7/SL-1210MK7 models, while the design is inspired by Automobili Lamborghini's iconic Y-shape pattern. Orange, Green and Yellow are the colours of the SL-1200M7B, based on the most iconic liveries of the Italian automotive super sports cars brand. Automobili Lamborghini and Technics operate in completely different markets but share the same values with cutting-edge ideas and approaches: disruptive technological development, a corporate culture rooted in a spirit of uncompromising craftsmanship, and the pursuit of emotional sounds inspiring customers-with Automobili Lamborghini, the sound of its engines, and with Technics, the sound of its audio. The SL-1200M7B is the powerful result of the collaboration and innovative ideas of the two brands.

*Consumption and emission values of Revuelto: Fuel consumption combined: 11,86 l/100km; Power consumption combined: 10,1 kWh/100 Km; CO2-emissions combined: 276 g/km; Efficiency class combined: G; Fuel consumption with discharged battery combined: 17,8 l/100km; CO2 efficiency class with discharged battery: G; WLTP values

Exclusive Gifts

The SL-1200M7B comes with an original vinyl record containing the powerful V12-engine and driving sounds of six different Lamborghini super sports cars, a slipmat and two stickers with Automobili Lamborghini and Technics logos. The picture disc features a design inspired by the tires of one of the Lamborghini's latest models, the Revuelto. As you listen to the sounds of Lamborghini V12-engines, you can also enjoy the visual effect of the tire spinning on your turntable.

Coreless Direct Drive Motor Achieving Stable Rotation

The direct drive system uses a slow-turning motor to directly drive the platter. This system has various advantages. It offers high performance, such as rotation accuracy and powerful torque, does not require replacement of parts and maintains high reliability over a long period of time. On the other hand, the direct drive system was said to produce a rotation irregularity called cogging. For the SL-1210MK7, a new coreless direct drive motor was developed. This motor employs a coreless stator. The removal of the core (iron core) from the stator eliminated the root cause of cogging. Furthermore, the magnetic force of the rotor magnets was improved to the highest possible level, and the gap between the coreless stator and rotor magnets was optimised, thus achieving high-torque-performance equalling that of the SL-1210MK5. Boasting smooth rotation and powerful torque, this motor reproduces sound accurately and faithfully from the groove on an analogue record.

Diverse New Functions Adapt to Various Playing Styles

Torque / Brake Speed Adjustment

The newest digital motor control technology, accumulated through the development of Blu-ray disc products, is applied to improve adjustment by allowing the torque and brake speed to be adjusted individually in four steps.

The Pitch Control Function

The pitch control function allows fine adjustment of the rotation speed within i8% / i16%. It does this through digital control, from positional detection of the slider to rotational control of the motor, eliminating the unnecessary DA conversion. This greatly improves tracking performance to achieve accurate and stable pitch adjustment.

Reverse Play Function

The reverse play function, which brings forth new possibilities of creative performance, makes its first appearance in the SL-1210 Series. In addition to 33-1/3 rpm and 45 rpm, a rotation speed of 78 rpm is supported.

*The torque / brake speed adjustment, rotation speed switch, and reverse play can be adjusted by switches on the main unit.

High Sensitive Tonearm

The tonearm, which has continued to support the leading edge of the DJ scene for many years, inherits the highly reliable static-balance universal S-shape tonearm. Using high-precision bearings, it achieves a higher initial-motion sensitivity than the SL-1210MK6. This accurately tracks the groove on the phonorecord to assure excellent tracking performance with minimum stylus jumping even in harsh playing conditions such as scratching.

Stylus Illuminator Featuring a High-brightness and Long-life White LED

The stylus illuminator features a new push-type structure for intuitive operation, and employs a high-brightness and long-life white LED. The illumination area and intensity were reviewed to provide improved visibility of the stylus tip even in a dark environment.

Specifications

Technics for Automobili Lamborghini collaboration model

Coreless Direct-Drive Motor Achieving Stable Rotation

Diverse New Functions Adapt to Various Playing Styles

High Sensitive Tonearm

Stylus Illuminator Featuring a High-brightness and Long-life White LED

High-rigidity Cabinet and High-damping Insulator

Tech Specs

General

Power Supply: AC 120 V, 60 Hz
Power Consumption: 8 W Approx. 0.2 W (Standby)
Dimensions (W x H x D): 453 x 169 x 353 mm
Weight: Approx. 9.6 kg
Accessories: Turntable, Slipmat, Slipsheet, Dust cover, Technics sticker for limited edition, EP record adaptor, Balance weight, Head shell, Screw set for cartridge, PHONO cable, PHONO earth lead, AC power supply cord, Control vinyl stickers, Owner's Manual

Terminals

Audio Output: PHONO (Pin Jack) x 1, EARTH TERMINAL x 1

Tonearm Section

Type: Universal Static Balance
Effective Length: 230 mm
Overhang: 15 mm
Tracking Error Angle: Within 2 degrees 32'?(at the outer groove of 30cm (12") record), Within 0 degrees 32'?(at the inner groove of 30cm (12") record)
Offset Angle: 22-
Arm-height Adjustment Range: 0 - 6 mm
Stylus Pressure Adjustment Range: 0 - 4 g (Direct Reading)
Head Shell Weight: Approx. 7.6 g
Applicable Cartridge Weight Range: 5.6 - 12.0 g (without auxiliary weight), 14.3 - 20.7 g (including head shell)

Turntable Section

Type: Direct Drive Manual Turntable
Turntable Speeds: 33-1/3, 45 rpm (with switch 78 rpm)
Starting Torque: 0.18 N*m / 1.8 kg*cm
Build-up Characteristics: 0.7 s. from standstill to 33 1/3 rpm
Wow And Flutter: 0.025% W.R.M.S.
Turntable Platter: Aluminum diecast
Diameter : 332 mm
Weight : Approx. 1.8 kg (Including slipmat and slipsheet)

Notes: ***B-STOCK: Box opened, product in perfect working order***


12-channel version of Tascam's modern take on the classic Portastudio concept. Digital recorder fused with analogue mixer and audio interface. Great one-box recording solution.

Supplier's notes:
Integrated production suite for music and multimedia creators, songwriters and performers.

Tascam Model 12 is a compact all-in-one integrated mixing and recording suite designed for music and multimedia creators, songwriters and performers. It consists of a 10-input mixer, a 12-track version of the highly acclaimed Tascam multi-track audio recorder, USB audio interface, MIDI connectivity, DAW control functions, and unique podcasting capability including mix-minus and smartphone input.

Combining the feel of an analogue user interface with the efficient workflow and pristine quality associated with digital recording and production, the compact and affordable Model 12 supports your creative process from start to finish.

Notes: Classic Multitrack Recording

Digital Recording and Mixing with Analogue Gear Made Easy

The Studio Bridge multitrack recorder is quite literally the bridge between analogue mixing and digital recording - regardless of whether you use a DAW or not. Preserve the lush analogue tone from your mixing console while recording tracks with the DAW of your choice or with Studio Bridge itself. Either way, tracks can be returned to your analogue console for mix summing, turning digital recordings into warm analogue productions.

Whether you're recording in a personal studio or in a live environment, the Tascam Studio Bridge serves as a link between your existing equipment, complementing it with the latest recording technology and ease of use in a rack-mountable format.

24-Track Recording Without a Computer:

Connect your analogue mixer to the modular Studio Bridge recorder and easily record up to 24 audio tracks - no computer required. You can even record your stereo mix to the recorder and export stereo WAV files for release-ready productions.

24-In/24-Out Audio/MIDI Interface for DAWs:

Tascam knows you want true analogue flavour on your DAW recordings, and we're here to help. Your analogue mixer can easily connect to your DAW using the Studio Bridge as an audio interface with 24 inputs and outputs. You can record directly to any DAW and even create a summed mix using your console and outboard gear with audio returns.

DAW Transport Controller and Dedicated Meter Bridge Software:

Studio Bridge also works as a DAW transport controller. Rec/Play/Stop and Rec Ready buttons link directly to your DAW for ease of use.
The settings panel, available for Windows and macOS, includes a digital meter bridge so you can keep an eye on the audio levels of each track and the stereo master.

MIDI Synchronisation for Your Sequencers:

With MIDI in/out ports, your favourite drum machines, sequencers, synths and controllers can easily be integrated into any production. Unlock your creativity with your go-to analogue hardware and the Studio Bridge.

Live Recording Applications:

In live environments the Studio Bridge becomes your mobile recording studio when connected to your mixing console.

Just one piece of gear - no complex system, no computer required.

Notes: Suzuki's iconic Omnichord returns with the OM-108, a modern update of the classic formula featuring new digital synth sounds alongside the original omni1 and omni2 analogue synth circuits.

Supplier's notes:
Released in 1981, the Omnichord is an electronic musical instrument with an automatic accompaniment function (auto bass/chord) and equipped with a harp sensor. By pressing a chord button and sliding your finger on the harp sensor (strumplate), an arpeggio corresponding to the chord is heard, allowing anyone to easily accompany a song. Omnichord does not require any previous musical experience with an instrument, or even knowledge of staff notation. All that is needed are the chord names required to play a song which is a method commonly known as 'tab'. Combined with its portability, Omnichord became extremely popular, especially in Europe and America as a new musical instrument that anyone can enjoy - anywhere. In addition, due to the unique electronic sounds that are reminiscent of the 80's, and the tactile way musical expressions are achieved, Omnichord has developed cult status around the world. It not only appears in recorded music, but also publicity photos, and has featured in the titles of songs and albums. The Omnichord name was discontinued after the OM-300 (released in 1996), but its popularity as a unique musical instrument has endured the test of time, and now, over 40 years later the Omnichord returns with the OM-108.

Simply press a chord button and slide your finger on the strumplate. In this way, you can play accompaniment to almost any song on the very same day you first try the Omnichord!

Suzuki put a great deal of effort into the design of the Omnichord so that it accurately reproduces the sound of the OM-84, a model that is hailed as a masterpiece for its tone and versatility. To achieve this in the OM-108, Suzuki decided to apply the same method for sound creation as the OM84, incorporating real analogue circuitry into the new model. In total, the OM-108 is equipped with 10 types of strumplate tones, whilst "omni1" and "omni2" reproduce the classic sound of the OM-84, revived for future generations to enjoy.

The OM-108 includes a selection of timeless instrument tones that are both retro and current. The "celeste", "harp", and "piano" featured in previous models. The "FM piano" tone is new, this is an electric piano sound that helped define 1980s music. The OM-108 is equipped with. "omni1" and "omni2" which use real analogue circuitry. Other tones are reproduced using PCM sound generation.

There are 10 tones...omni1/omni2/harp/celeste/A.piano/guitar/FMpiano/organ /vibes/banjo(omni1 and omni2 have the same Main Voice but different Sub Voices).

The model OM-84 was equipped with two electronic harp tones, allowing the tones to be layered and played. OM-108 reproduces this function. A tone that sounds beautiful when layered with the Main Voice has been assigned as a Sub Voice. To control each layer, simply turn the appropriate Volume knob. This enables real time control changes adding expression to your sound.

Even though many rhythms included in the OM-108 share the same names as previous models, they have been updated to incorporate rhythm patterns that are current. Also, for the first time on Omnichord, a trap beat (Hip Hop) has been included. Suzuki have selected "usable" rhythms that will allow you to play a wider variety of songs.

There are 10 kinds of rhythm...rock1/rock2/slow rock/country/swing/disco/hip hop/funk/bossanova/waltz

The "sus4"' and "add9" chords, often used in popular music, have been added. It is now possible to play a total of 108 chord types, hence the model number 'OM-108'. The Omnichord has developed into an instrument that can be played more intuitively without having to substitute other chords.

Equipped with a wide type strumplate similar to models OM-100 onwards. Every corner of the plate responds sensitively to light touch, so you can concentrate on playing without stress.

In addition to the melody keyboard, the OM-108 is equipped with drum pad mode for the first time as a function (when the "KEYBOARD" button is pressed). Owners of the OM-108 will be pleased to note the drum pad is assigned not only to the chord button, but also to the strumplate. This allows for the creation of interesting beats using the OM-108 retro drum kits.

The OM-108 not only sends chords and strumplate data, but also drum performance information from MIDI OUT. Strumplate information can be sent on two MIDI channels, allowing you to layer tones with external MIDI sound sources, or to layer the OM-108 internal sounds with external sound sources. The OM-108 has evolved into an instrument that invites you to explore more creative sounds using MIDI.

The OM-108 includes rhythm voicing from the OM-84, which is extremely popular for its early 1980s retro sound. You can switch the rhythm tones between OM-108 and OM-84 by using a special 'power-on' operation.

Although it has a built-in speaker, the Omnichord is small, lightweight, and battery-powered*, making it easy to carry and play. Connect an external amplifier and headphones, and you can perform anywhere, such as in the studio, performing at a live venue, or just playing in your bedroom! *Powered by 8, AA batteries or dedicated AC adapter (both sold separately).

Using "REAL TIME CONTROL", the OM-108 integrates multiple functions for switching the way chords and rhythms are played. Whether you want to play at free tempo (without rhythm), add bass accompaniment, or start with a drum prelude, you can easily switch in real time even during a performance.

When connecting to an external speaker etc., you can turn on/off the sound produced by the speaker of the instrument. This is useful when you want to monitor your own sound during live performances. This is a new feature included on the OM-108 in direct response to user's requests.

Specifications

Chord buttons: 38
Chords: major, minor, 7th, major7th, minor7th, augmented, diminished, suspended4th, add9th
Voices: 10 tones (main, sub tones) / 4 octaves
Rhythm Pattern: 10 patterns
Control: Master Volume, Chord Volume, Main Voice Volume, Sub Voice Volume, Sustain, Rhythm Volume, Tempo
Button Controls: Power, Chord, KEYBOARD ON/OFF, Voice Select, Rhythm Select, Chord-Manual/Auto, Chord Hold, Rhythm-Start / Sync Start
Other Functions: Instant OFF, Transpose, Octave Shift, ON/OFF SPEAKER, Master Tuning
Speaker: 10cm
Amplifier output: 4.3W
Jack: DC inlet, LINE OUT (monaural standard), headphone output (Stereo mini), MIDI OUT
Power Supply: AC adapter, 8 AA alkaline or Ni-MH batteries (all sold separately)
Power consumption: 3.7W
Continuous battery operation time: Approximately 8 hours
Measurement: W45.7 x D25.0 x H5.18cm(17.99 x 9.84 x 2.04 in.)
Weight: 1.2kg(2.65lb)
Accessories: Melody keyboard overlayer

Accessories (sold separately, not included)

AC adapter 100-240V
AD1-1210A(100-120V)
AD3-1210A(220-240V)
Strap pin OSB-108
Gig Bag OGB-108

Notes: The ultimate way to experience audio

Full bass immersion

SUBPAC is revolutionizing the way audio is created and experienced. Building off our success in the studio and on stage, the SUBPAC X1 represents the next step on our journey to deliver the highest-fidelity immersive audio solutions ever made. Trusted by top artists, producers and DJ's, including Timbaland, Finneas (Billie Eilish), Richie Hawtin, Fat Boy Slim, and Dub Fire, and used in thousands of studios worldwide. The SUBPAC X1 is the next frontier in audio that fully engages you in the physical dimension of sound, quietly and accurately transferring deep immersive bass frequencies directly to the body.

The SUBPAC X1 is simple to use, just connect with your Music, Video Games, VR Experiences, and Movies, and feel things like you've never experienced before - SUBPAC IS THE FUTURE OF AUDIO.

One Subpac. One system.

SUBPAC X1 is Designed for Dual Use

For your chair

Anywhere you sit and engage with audio

For you to wear

Big Bass, Anywhere

Connect to the deepest feeling

Unparalleled Bass Response.

Customise & control

Mobile and PC app control over filters, EQs, time alignment, tactile and headphone levels, and other advanced settings.

Power & precision

Redesigned audio path and software optimizations for improved fidelity, increased power and more headroom.

Comfort & flexibility

Interchangeable strapping solutions for both seated & wearable uses, providing a more comfortable and ergonomic fit.

Modular

Removable wired analogue I/O and remote for the X1, and the optional C1 for professional-grade interface options.

Bluetooth wireless freedom

Connect wirelessly via Bluetooth Bluetooth 5.0 AD2P, aptX HD & LE Audio.

Pro grade

Highest quality component selection to meet the most rigorous demands in the studio, on stage, and everywhere you connect to audio.

A unified experience

The SUBPAC X1 System Combines Hardware & Software

Inputs:

3.5mm Stereo TRS Analog Line Input
USB Audio Class 2.0 over USB Type-C
SUBPAC Ultra Wideband Wireless Audio
Bluetooth A2DP

Outputs:

3.5mm Stereo TRS Headphone Output
+130dB SNR, +122dBA DNR
-112dB THD+N, 2.0Vrms into *100kO
-110dB THD+N, 1.0Vrms into 32O
*100kO = 100,000O

Power:

Integrated rechargeable Li-Ion battery
Up to 8hrs battery life
USB Type C Power Delivery
Included USB Type C 45W charger
Tactile Frequency Range:

Adjustable between 1-250hz
Mobile Control App:

iOS and Android compatible

Notes: More than just master keyboards, the SL mk2 series is a new chapter in musical keyboard controllers. From the innovative UX Logic interface, seamless integration with the Numa Player, high-definition MIDI 2.0, to the immersive realism of our new keybeds, every detail is crafted to bring your music to life.

The SL gets smarter. With the revolutionary Studiologic UX Logic, first introduced with the Numa X Piano, the SL mk2 series redefines simplicity and elegance. A sleek, modern control panel empowers your creativity, making navigation intuitive and effortless. Create, explore, and control with unparalleled ease.

SL Link, Studiologic's groundbreaking protocol, bridges the gap between your gear and your imagination. With compliant external apps taking full control of the SL mk2, every nuance of your performance stays in perfect sync.

Seamlessly connect the SL mk2 with Numa Player 2, our cutting-edge music software is built now to complement the SL series perfectly.

Numa Player is cross-platform and designed for ultimate versatility, offering a rich selection of high-quality sound libraries. Best of all, these libraries are free for every SL user1, providing you with a full musical experience straight out of the box. Whether you're composing, performing, or exploring, SL Link and Numa Player ensure your creativity knows no bounds.

The SL mk2 takes a leap into the future with MIDI 2.0. Unlock the full potential of your music with greater resolution, richer dynamics, and unprecedented precision. It's not just MIDI; it's music at its most expressive.

Take charge of your studio with dedicated DAW transport controls. From playback to recording, essential features are just a touch away, so you stay immersed in the creative process without breaking stride.

The SL mk2 doesn't just control; it delivers. With dual audio outputs and a headphone jack, it functions as a professional-grade audio interface. Powered entirely by USB-C, it delivers pristine sound from computer or mobile device directly to your speaker system no extra hardware needed.

Featuring the TP/400 Wood, our finest keybed ever. Designed to deliver an unparalleled touch, it offers a playing experience remarkably close to that of an acoustic grand piano. From the precise hammer action to the timeless beauty of wooden keys, every detail is crafted to inspire and elevate your performance

Notes: Expand the sound of your modular rack with incredibly lush, ethereal reverbs. Enhance signals with gorgeous chorus, flanging, and modulated delays. Create uniquely expressive synth voices with Karplus-Strong string synthesis. StarLab is a single module that will completely transform your modular rack.

The seemingly simple idea of allowing the pre-delay signal to be fed directly to the module's output led to the development of rich sounding delay, chorus, and flanger effects, all of which can be used together with or independent of the reverb.

While experimenting with short delay times using feedback and filtering, Strymon began finding very musical and expressive Karplus-Strong string synthesis sounds, and realized that StarLab could move beyond signal processing and become a truly unique voice module as well. All this ultimately resulted in the creation of a module that is equal parts reverb, delay/ modulation, and playable instrument.

From patch creation to live performance, StarLab's powerful features are easily accessible at the turn of a knob or the touch of a button. With no menus to wade through, StarLab's interface is designed for intuitive hands-on sonic exploration, while every function and control works together to respond musically and smoothly.

From perfectly voiced room ambience to vast, immersive, nearly infinite decays, StarLab offers the pinnacle of premium reverb sounds with unparalleled depth and spaciousness. Add musical intervals to the reverb signal with Shimmer, and enhance the harmonic spectrum with Glimmer, while enjoying real-time control over the size/pitch of the reverb process.

StarLab has vastly expanded what reverb pre-delay can do by allowing you to bus the pre-delay signal to the output while making the pre-delay time a modulation target. This results in the ability to create rich choruses, sweeping flanger effects, and beautiful modulated delays, while also processing signal through the reverb.

In addition to input signal processing, StarLab is a powerful Karplus-Strong string synthesis voice module that allows freely alternating bowing and plucking as well as dynamic string damping. This results in an astoundingly expressive and lifelike instrument with a unique voice all its own, which can be enhanced and expanded by the full range of StarLab's reverb capabilities.

Notes: Strymon's Big Sky reverb moves to the next level with the MX evolution, featuring more versatile editing options, two simultaneous reverb machines, full MIDI control and brand new algorithms.

Supplier's Notes:
In BigSky MX, raw computational power meets innovative design and consummate sonic craftsmanship to give you positively sublime reverbs with stunning new levels of richness and complexity.

BigSky MX features seven brand-new algorithms in addition to significant enhancements to the other classics. Dual reverbs can be routed in Series, Parallel or Split modes, and individually panned per engine. Access full IR editing functionality, as well as custom long captures of classic studio gear. Unlock massive width and presence with full stereo I/O featuring Strymon's discrete Class A JFET input preamps. Create lush pads to play over, or infinitely sustain any notes played for unique atmospheric effects. Change presets and control parameters with MIDI via USB-C, TRS, or DIN connections. Adjust controls on the fly via an expression pedal. All this and more in an elegant, easy-to-use pedal.

BigSky MX features a staggering amount of computing power - it uses a high performance tri-core 800 MHz ARM processor - all dedicated to producing truly breathtaking reverbs. Strymon's new reverb algorithms were meticulously created by hand, and then a state-of-the-art gradient descent optimization algorithm was used to dial out any undesirable ringing or artifacts. This type of neural fine-tuning is based upon the same techniques that have enabled the recent AI revolution, and the result is springs that drip and splash, physical spaces you can really feel yourself in, and the sweetest possible musical response to every note you play.

BigSky MX allows you to use two reverbs at once, for powerful sound sculpting and expansive reverb sounds that evolve organically over time. You can switch between reverb engines with a single button press while editing, and easily see the Series, Parallel or Split audio routing state clearly displayed onscreen.

For a more interactive experience, you can dedicate a footswitch to control each reverb's on/off state if you desire.

BigSky MX features seven brand new reverb algorithms built from the ground up, plus new features and enhancements for the classic BigSky algorithms. Impulse and Chamber were created specifically for BigSky MX, and Spring, Plate, Hall, Room and Shimmer boast entirely new handcrafted algorithms while still giving you access to the original BigSky voices for each one.

BigSky MX gives you powerful editing tools to intuitively manipulate impulse responses in real time. Set decay envelopes, gate the reverb tail, reverse the entire IR, resample on the fly to shorten or stretch the impulse, and create infinitely sustaining granular pads at the press of the Infinite footswitch. Any compatible audio file can be loaded, allowing you to use convolution reverbs for everything from hyper-realistic spaces to wacky experimentation.

BigSky MX comes preloaded with 22 unique stereo impulse responses, including a collection of our very own meticulous captures of legendary analog studio gear that are addictively inspiring.

Notes: Expand the sound of your modular rack with incredibly lush, ethereal reverbs. Enhance signals with gorgeous chorus, flanging, and modulated delays. Create uniquely expressive synth voices with Karplus-Strong string synthesis. StarLab is a single module that will completely transform your modular rack.

The seemingly simple idea of allowing the pre-delay signal to be fed directly to the module's output led to the development of rich sounding delay, chorus, and flanger effects, all of which can be used together with or independent of the reverb.

While experimenting with short delay times using feedback and filtering, Strymon began finding very musical and expressive Karplus-Strong string synthesis sounds, and realized that StarLab could move beyond signal processing and become a truly unique voice module as well. All this ultimately resulted in the creation of a module that is equal parts reverb, delay/ modulation, and playable instrument.

From patch creation to live performance, StarLab's powerful features are easily accessible at the turn of a knob or the touch of a button. With no menus to wade through, StarLab's interface is designed for intuitive hands-on sonic exploration, while every function and control works together to respond musically and smoothly.

From perfectly voiced room ambience to vast, immersive, nearly infinite decays, StarLab offers the pinnacle of premium reverb sounds with unparalleled depth and spaciousness. Add musical intervals to the reverb signal with Shimmer, and enhance the harmonic spectrum with Glimmer, while enjoying real-time control over the size/pitch of the reverb process.

StarLab has vastly expanded what reverb pre-delay can do by allowing you to bus the pre-delay signal to the output while making the pre-delay time a modulation target. This results in the ability to create rich choruses, sweeping flanger effects, and beautiful modulated delays, while also processing signal through the reverb.

In addition to input signal processing, StarLab is a powerful Karplus-Strong string synthesis voice module that allows freely alternating bowing and plucking as well as dynamic string damping. This results in an astoundingly expressive and lifelike instrument with a unique voice all its own, which can be enhanced and expanded by the full range of StarLab's reverb capabilities.

Notes: The Ultimate Output Expander For Hermod+

Introducing xp32, the perfect expander for unlocking 32 assignable CV or Gate outputs, amplifying the creative power of your Hermod+ sequencer.

Transform your Hermod+ into a 16-track CV/Gate powerhouse, an expansive MIDI/USB-to-CV interface, a preset manager, or customize your outputs to suit even the most intricate modular setups.

The xp32 opens a new world of possibilities for both live performances and studio setups, giving you the flexibility to realize your most complex musical ideas.

Seamless Integration.

Setting up the xp32 is as easy as connecting the included expander ribbon cable to the back of your Hermod+.

The xp32 integrates seamlessly: Hermod+ will automatically recognize it, and your 32 additional outputs are ready to use instantly.

With the xp32, Hermod+'s 8 CV/Gate tracks remain untouched. Instead, the xp32's 8 additional voices are internally mapped to Hermod+'s MIDI tracks, offering maximum expandability without altering your existing workflow.

Unmatched Precision & Flexibility.

Each of the 32 output jack is powered by a dedicated 16-bit industrial grade DAC, ensuring the best accuracy for all your control voltage signals, from pitch to fine modulations.

Easily configure each output as a Gate (for notes, triggers, or clocks) or as a CV (for pitch, velocity, aftertouch, modulation...).

High-precision.

Low noise.

At the heart of the xp32 are highly-precise digital-to-analogue conversion circuits, developed with meticulous attention to detail. Squarp have incorporated high-end components to guarantee reliable, low-noise, high-performance outputs that you can depend on for both small and large modular systems.

The 32 signal LEDs are driven by a fully analogue current-control circuit, guaranteeing zero digital noise.

Specifications

Power

Consumption : -12V 70mA, +12V 80mA, +5V 20mA

Hardware
Width : 14HP
Depth : 33mm
Height : 128,5mm (3U)
Weight : 170gr (0.37lbs)
32x CV outputs resolution : 16-bit DAC (industrial grade)
32x CV outputs range : -10V to +10V

Notes: *** Firmware update- February 2025 ***

Hermod+OS2.00

Again, a major firmware upgrade packed with exciting new features. This update offers a wealth of new creative tools and improvements.

Audio tuner

4 internal automation per track - MOD, MOD2, MOD3, MOD4

Automation per track : 7 (4x modulations + pitchbend + aftertouch + sustain

***

Parisian sequencer specialists Squarp turn up the goods once again with the updated Hermod+ module. Huge sequencing power for both MIDI and CV, with a range of monophonic and polyphonic features to get the most out of your sound sources.

Supplier's Notes:

Hermod+ adds so much to your system.

Based on the established Hermod workflow and keeping the same form factor, Hermod+ offers a lot of new features, and a refined, more playful interface with extended connectivity.

Record CV/Gate, MIDI notes and modulations on 16 polyphonic tracks. Compose melodic variations across 16 patterns per track, and take advantage of the advanced step sequencer and the new effects to gain efficiency and creativity in studio and on stage.

8 CV/Gate and 8 MIDI tracks

Hermod+ offers 8 CV/Gate tracks (that can also output midi) and adds 8 dedicated MIDI tracks for your extra gear.

CV inputs

Record, edit and loop analogue modulations or CV/Gate using the 4 CV inputs, and use them to synchronize Hermod+ to an incoming analogue clock.

Record live

With an improved resolution of 96ppqn, record and playback your CV/Gate or MIDI performance seamlessly without any noticeable note shifting, for up to 16 bars per pattern.

Polyphonic step composer

The revisited piano-roll now allows intuitive polyphonic editing. Edit or program chords, melodies and rhythms using the 16 built-in pads for a quick and playful composition process.

Automation

Program or record automated modulations (CV and/or MIDI) for each track, in addition to midi aftertouch, pitchbend and sustain voices.

Dynamic effects

Add up to 8 real-time CV/MIDI effects per track. All effects are non-destructive, so they can be edited at any given time to add some variations to a performance.

Advanced ModMatrix

Use the modulation matrix to link incoming CV or CC messages to effect parameters. Each modulations can be attenuverted and offsetted.

Playable song mode

Build your song structures using up to 16 sequences per project. Play them into a predefined order or launch them manually for improvised performances.

Synchronized project swap

Quickly save and recall your projects on the SD card. Project loading can now be done in sync, without interrupting your performance.

Boosted connectivity.

The missing link between your eurorack system and the rest of your studio.

Editing made simple.

Fluid workflow with a redesigned Step mode

Step mode is where you can edit notes, modulations and gate events. Hermod+ offers quick ways to write melodies and rhythms. Zoom in and out to visualize and edit portions of your track precisely and break free from rigid grid sequencing.

The re-designed piano roll editor makes the vertical and horizontal scrolling easier and faster, while the new "row edit" feature allows for quick chords and drum patterns programming.

Create modulation curves by programming them directly on Hermod+ or by recording incoming signals, and send those curves via CV or MIDI to other parts of your system.

Versatile interface.

Polymorphic layouts for perfect integration

Hermod+ can adapt its voice layout to any patching scenario. Depending on your needs, any track can become a modulation output, a monophonic CV/Gate track, a polyphonic MIDI track...

For a track of CV/Gate note + velocity + aftertouch, or for a polyphonic CV/Gate track, simply group voices using the desired layout.

Take advantage of the 8 dedicated MIDI tracks, that can record and be programmed independently from the 8 CV/Gate tracks. Up to 8 real-time effects per track with creative parameters and generative features. Hermod+ is the canvas, the paint and the brush of your setup.

Specifications

Sequencer
Tracks: 8 CV/Gate + 8 MIDI
Patterns: 16 per track
Recording resolution: 96ppqn
Track length: 1/16 note to 16 bars
Automation per patterns: modulation + pitchbend + aftertouch + sustain

Projects
Amount of projects: unlimited
Tempo: 10 to 280 BPM
Global transpose track: yes
Double project architecture: yes
Song chain length: 64 sequences

Piano roll
Zoom min: /4 (1 step = 1/4 note = 1 beat)
Zoom max: X8 (1 step = 1/128 note)
Note/gate width: 1/32 (1/512 note) to 8 bars
Maximum polyphony per step: 24
Row edit (polyphony editing): yes
Note pitch: C0 to C10
Note velocity: 0 to 127

Synchonization clock speed
Max input rate: 1/96 = 24ppqn
Max output rate: 1/96 = 24ppqn

Input
MIDI: TRS type A + USB host + USB device
CV: 4x [-5V to +5V]

Output
MIDI: TRS (type A) + USB host + USB device
CV: 8x [-5V to +5V]
GATE: 8x [0V / +5V]
Dedicated Clock port
Dedicated Reset port for transport

Power
Note: the use of your eurorack +5V rail is configurable with a switch on the back of Hermod+
Consumption (using +5V rail): -12V 20mA, +12V 20mA, +5V 820mA (add up to +500mA when attaching a controller on USB host)
Consumption (not using +5V rail): -12V 20mA, +12V 400mA (add up to +220mA when attaching a controller on USB host)

Hardware
Width: 26HP
Depth: 20mm
Weight: 285gr (0.63lbs)
CV inputs resolution: 16-bit
CV outputs resolution: 16-bit
Display: OLED 58 x 16mm
SD card: microSD high speed (provided)
CPU: ARM 480MHz

Notes: An interesting creative approach to programming and performing with MIDI instruments, the NGEN allows you to generate 16 tracks based on algorithmic and generative principles. Create sequences, then tweak and manipulate in real time.

Supplier's Notes:
NGEN is a unique 16-track MIDI sequencer designed in Sao Paulo / Brazil that lets you combine multiple algorithmic / generative generators and MIDI FXs to sequence multiple hardware or software MIDI instruments.

It offers a completely new way of creating and performing music by abstracting the composition process. Instead of writing sequences from scratch, NGEN lets you quickly generate a new sequence for your drums, basslines, melodies, and chord progressions with a push of a button.

NGEN includes classic Spektro Audio generators (ACDGEN and Polyform), completely new algorithmic generators (Drumgen, Samba, Arper, MARP, Pop, Turing, Shuffler), and practical generators (Input Sequencer, MIDI Player, Thru).

Each generator features an unique algorithm that combines different composition techniques with randomness so each generated sequence is unique.

After generating a sequence, you can tweak it in real time using the parameters available for each of the generators. Take things even further by applying MIDI FXs such as Chord or Glitch to your sequences.

All tracks in NGEN follow the same key and scale so it's easier to get multiple sequences that work well with each other.

Quickly save and restore your creations using patterns and projects stored in the microSD card.

NGEN's design is primarily focused on live performance so it features a 1.3" OLED screen, a minimalistic and easy to read interface, mechanical switches (Gateron Green), shortcuts for accessing different features, per track Program Change selector and auto-variation, extensive MIDI CC implementation, and a Performance mode for controlling up to 4 parameters at the same time.

NGEN also includes a variety of tools to let you explore this world of algorithmic sequencing such as assignable CV outputs, a built-in MIDI monitor, different clock generators, and much more.

Generators

ARPER- Algorithmic arpeggiator with real time controls
ACDGEN- Design to generate basslines and melodies using 8 different algorithms.
DRUMGEN- Generate drum patterns based on 3D probability templates based on different genres.
INPUT SEQ- Record incoming MIDI notes into a step sequencer then adjust transposition, density, and direction in real time.
MARP- Unique and experimental polyrhythmic arpeggiator.
MIDI PLAYER- Playback .mid files stored in the microSD card (1 track, up to 128 events).
POP- Generate chord progressions and control how they're played.
SAMBA- Percussive generator based on a 4-part euclidean sequencer.
SHUFFLER- Sequence and rearrange sliced loops (in a software or hardware sampler).
THRU- Modify sequences coming from other tracks or an external MIDI generator.
TURING- Generative generator based on a lockable 16-bit shift register (inspired by Music Thing's Turing Machine).

Hardware

USB-C
MIDI via USB or 3.5mm (Type A)
1.3" OLED Display
Internal Storage
microSD Storage
Mechanical Switches (Gateron Green)
4 CV Outputs (0-3V)
I2C via 3.5mm (for future development)
Carbon Steel case (1.5mm)
High Quality 3M Polycarbonate Label

Specs

Product Weight: 650g
Product Size: 155 x 105 x 50 mm
Product Box Size: 18 x 13.5 x 9 cm
Shipping Box Size: 22 x 16 x 12 cm
Shipping Weight: 750g

Notes: All black version of Sonicware's excellent digital synth. The ELZ_1 Play features an impressive 17 different digital synth engines, including low-bit retro sounds and the unique DNA Explorer.

*** As of November 2024, Firmware 1.1 has been installed, including effects such as 4-Pole Filter, Trim Filter, Ambient Hall, Ambient Infinity and Ambient Room ***

Supplier's Notes:
17 Distinctive Synth Engines-Unlike Anything You've Ever Heard
The ELZ_1 play's synth engines are built from scratch using 32-bit floating point math. From hard low-bit textures to organic FM tones to granular synthesis, the ELZ_1 play offers unique synth engines unlike any other synthesizer.

LOW-BIT OSC: 2 ~ 8 bit variable low-bit oscillator. Sine, square, triangle and sawtooth waves.
STANDARD OSC: 32-bit floating-point processing high resolution oscillator. Sine, square, triangle and sawtooth waves.
CUSTOM OSC: Choose 2 waveforms / period of cycles.
DNA EXPLORER: Extract and generate waveform DNA from audio.
SiGRINDER: Granular synthesizer engine.
MASKED NOISE: Noise oscillator.
SAND FLUTE: Extract and generate tone from noise.
8BIT WAVE MEMORY: Editing your own waveform.
8BIT WAV MEM (MORPH): Morphing 3 waveforms.
8BIT WAV MEM (FM MODE): 2 operators, 8bit FM mode.
8BIT WAV MEM (WARP): Generates an intermediate waveform by crossfading two waveforms.
8BIT WAV MEM (ADSAR): Waveforms change according to envelope.
8BIT WAV MEM (TIME): 3 waveforms change in the orders.
FM SYNTH: 4 operators with 31 algorithms, 32-bit floating point processing.
ZTRINGS: Physical Modelling Strings engine.
SUPER OSC: Super synth engine with 5 detunable sub-oscillators.
STK DRUMMER: Drum machine engine equipped with 5 types of drum kits. (SmplTrek .stk file compatible)

28 Effects to Elevate Your Sound-From Soothing to Striking
Unlock a world of sound by combining 3 insert effects from 18 types and 1 master effect from 10 types, including Shimmer Reverb.
Insert effects: overdrive, distortion, fuzz, crusher, chorus, stereo chorus, flanger, phaser, tremolo, vibrato, ring modulator, auto wah, delay, reverse delay, ping pong delay, auto pan, tape echo & reverb, 4 pole filter, trim filter.

Master effects: hall, room, plate, arena, tunnel, infinity, custom reverb, crusher, ambient room, ambient hall, ambient inf, vinyl simulator & cassette tape simulator.

Flexible 4-Track Looper-Layer, Loop, and Remix with Ease
The newly developed 4-track looper allows easy recording, playback, and overdubbing by simply pressing the track buttons. You can record not only ELZ_1 play performances, but also LINE input and USB audio input.

Instrument Redefined - Velocity-enabled keyboard, Built-in Stereo Speakers and More:
To make it a musical instrument that is pleasant and expressive to play, the keyboard has been improved to support velocity on all keys, and high-quality loud stereo speakers are built into the side panels. It is also equipped with an SD card slot, USB-C, and DIN-MIDI jacks for flexible handling of audio and MIDI.

Notes: *** As of November 2024, Firmware 1.1 has been installed, including effects such as 4-Pole Filter, Trim Filter, Ambient Hall, Ambient Infinity and Ambient Room ***

17 Distinctive Synth Engines-Unlike Anything You've Ever Heard
The ELZ_1 play's synth engines are built from scratch using 32-bit floating point math. From hard low-bit textures to organic FM tones to granular synthesis, the ELZ_1 play offers unique synth engines unlike any other synthesizer.

LOW-BIT OSC: 2 ~ 8 bit variable low-bit oscillator. Sine, square, triangle and sawtooth waves.
STANDARD OSC: 32-bit floating-point processing high resolution oscillator. Sine, square, triangle and sawtooth waves.
CUSTOM OSC: Choose 2 waveforms / period of cycles.
DNA EXPLORER: Extract and generate waveform DNA from audio.
SiGRINDER: Granular synthesizer engine.
MASKED NOISE: Noise oscillator.
SAND FLUTE: Extract and generate tone from noise.
8BIT WAVE MEMORY: Editing your own waveform.
8BIT WAV MEM (MORPH): Morphing 3 waveforms.
8BIT WAV MEM (FM MODE): 2 operators, 8bit FM mode.
8BIT WAV MEM (WARP): Generates an intermediate waveform by crossfading two waveforms.
8BIT WAV MEM (ADSAR): Waveforms change according to envelope.
8BIT WAV MEM (TIME): 3 waveforms change in the orders.
FM SYNTH: 4 operators with 31 algorithms, 32-bit floating point processing.
ZTRINGS: Physical Modelling Strings engine.
SUPER OSC: Super synth engine with 5 detunable sub-oscillators.
STK DRUMMER: Drum machine engine equipped with 5 types of drum kits. (SmplTrek .stk file compatible)

28 Effects to Elevate Your Sound-From Soothing to Striking
Unlock a world of sound by combining 3 insert effects from 18 types and 1 master effect from 10 types, including Shimmer Reverb.
Insert effects: overdrive, distortion, fuzz, crusher, chorus, stereo chorus, flanger, phaser, tremolo, vibrato, ring modulator, auto wah, delay, reverse delay, ping pong delay, auto pan, tape echo & reverb, 4 pole filter, trim filter.

Master effects: hall, room, plate, arena, tunnel, infinity, custom reverb, crusher, ambient room, ambient hall, ambient inf, vinyl simulator & cassette tape simulator.

Flexible 4-Track Looper-Layer, Loop, and Remix with Ease
The newly developed 4-track looper allows easy recording, playback, and overdubbing by simply pressing the track buttons. You can record not only ELZ_1 play performances, but also LINE input and USB audio input.

Instrument Redefined - Velocity-enabled keyboard, Built-in Stereo Speakers and More:
To make it a musical instrument that is pleasant and expressive to play, the keyboard has been improved to support velocity on all keys, and high-quality loud stereo speakers are built into the side panels. It is also equipped with an SD card slot, USB-C, and DIN-MIDI jacks for flexible handling of audio and MIDI.

Notes: Brilliantly unusual synth based on eight analogue tone generators, functioning more like an electric organ or FM synth than a conventional subtractive architecture. Unique sound.

Supplier notes:
Welcome to the world of sound of LYRA-8, the unique organismic analogue synthesizer designed by Vlad Kreimer. "Organismic" means that LYRA uses some principles that lie in the base of living organisms. The way how LYRA's modules interacting between each other and the behaviour of the instrument resembles a live conversation.

LYRA-8 is based on eight generators, which will be referred to as voices. Their design is not like a traditional subtractive synthesis VCO. Instead of having a linear or logarithmic dependency on control voltage, they resemble the tone generators in old electric organs. Hence the use of the term "voices" instead of VCOs. Lyra uses non-linearity a lot, and the voices are constructed in such a way that allows for non-linearity to express itself.

The voices are divided into four pairs (12, 34, 56, 78). All the pairs are divided in two groups, with two pairs in each (1234, 5678), creating tree-like structure.

The voices can function either in an electric organ mode or in an FM synthesis mode with each of the voices and its envelope acting as a separate FM operator. The voice's impact on FM synthesis will decrease along with the decay of its envelope.

LYRA-8 also has the next blocks:

The HYPER LFO is a complex low-frequency generator, whose waveform is synthesized from two simple LFOs by summation or multiplication of their frequencies. It also has a sync mode. The LFO can modulate the selected pairs of voices and the MOD DELAY.

The MOD DELAY consists of two lines of delay with cross-feedback and a special architecture that enables resonance between the two lines. Each line's delay time can be individually modulated from various sources, including external ones. The delay has a unique possibility of self-modulation where the output signal modulates the delay sample rate, creating cool effects.

The DISTORTION is last in the chain, after the delay. It enables the delay to also influence the distortion.

For all its experimental character, LYRA is a professional instrument. Its output dynamics and frequency response are balanced and ready for a live performance or studio recording without any additional processing.

Notes: Welcome to the world of sound of LYRA-8, the unique organismic analogue synthesizer designed by Vlad Kreimer. "Organismic" means that LYRA uses some principles that lie in the base of living organisms. The way how LYRA's modules interacting between each other and the behaviour of the instrument resembles a live conversation.

LYRA-8 is based on eight generators, which will be referred to as voices. Their design is not like a traditional subtractive synthesis VCO. Instead of having a linear or logarithmic dependency on control voltage, they resemble the tone generators in old electric organs. Hence the use of the term "voices" instead of "VCOs". Lyra uses non-linearity a lot, and the voices are constructed in such a way that allows for non-linearity to express itself.

The voices are divided into four pairs (12, 34, 56, 78). All the pairs are divided in two groups, with two pairs in each (1234, 5678), creating tree-like structure.

The voices can function either in an electric organ mode or in an FM synthesis mode with each of the voices and its envelope acting as a separate FM operator. The voice's impact on FM synthesis will decrease along with the decay of its envelope.

LYRA-8 also has the next blocks:

The HYPER LFO is a complex low-frequency generator, whose waveform is synthesized from two simple LFOs by summation or multiplication of their frequencies. It also has a sync mode. The LFO can modulate the selected pairs of voices and the MOD DELAY.

The MOD DELAY consists of two lines of delay with cross-feedback and a special architecture that enables resonance between the two lines. Each line's delay time can be individually modulated from various sources, including external ones. The delay has a unique possibility of self-modulation where the output signal modulates the delay sample rate, creating cool effects.

The DISTORTION is last in the chain, after the delay. It enables the delay to also influence the distortion.

For all its experimental character, LYRA is a professional instrument. Its output dynamics and frequency response are balanced and ready for a live performance or studio recording without any additional processing.

Notes: ***B-STOCK: Box opened, product in perfect working order***


Welcome to the world of sound of LYRA-8, the unique organismic analogue synthesiser designed by Vlad Kreimer. "Organismic" means that LYRA uses some principles that lie in the base of living organisms. The way how LYRA's modules interacting between each other and the behaviour of the instrument resembles a live conversation.

LYRA-8 is based on eight generators, which will be referred to as voices. Their design is not like a traditional subtractive synthesis VCO. Instead of having a linear or logarithmic dependency on control voltage, they resemble the tone generators in old electric organs. Hence the use of the term "voices" instead of "VCOs". Lyra uses non-linearity a lot, and the voices are constructed in such a way that allows for non-linearity to express itself.

The voices are divided into four pairs (12, 34, 56, 78). All the pairs are divided in two groups, with two pairs in each (1234, 5678), creating tree-like structure.

The voices can function either in an electric organ mode or in an FM synthesis mode with each of the voices and its envelope acting as a separate FM operator. The voice's impact on FM synthesis will decrease along with the decay of its envelope.

LYRA-8 also has the next blocks:

The HYPER LFO is a complex low-frequency generator, whose waveform is synthesized from two simple LFOs by summation or multiplication of their frequencies. It also has a sync mode. The LFO can modulate the selected pairs of voices and the MOD DELAY.

The MOD DELAY consists of two lines of delay with cross-feedback and a special architecture that enables resonance between the two lines. Each line's delay time can be individually modulated from various sources, including external ones. The delay has a unique possibility of self-modulation where the output signal modulates the delay sample rate, creating cool effects.

The DISTORTION is last in the chain, after the delay. It enables the delay to also influence the distortion.

For all its experimental character, LYRA is a professional instrument. Its output dynamics and frequency response are balanced and ready for a live performance or studio recording without any additional processing.

Specifications:

Max output voltage: 2 v 0-to-peak
Output connector: mono 6.3 mm TS or TRS (balanced) jack
Output resistance: 100 Ohm
EXT IN: 1 v 0-to-peak
EXT IN connector: 6.3 mm TS jack
HOLD GATE: full HOLD volume +5 V
HOLD GATE connector: 6.3 mm TS jack
CV DELAY : unipolar, range of 0 to +5 volt
CV DELAY connector: 6.3 mm TS jack
CV VOICES: unipolar, range of 0 to +5 volt
CV VOICES connector: 6.3 mm TS jack
Power supply: stabilised, +12 V, 0.2 A, centre positive
Power Consumption: 2 watt
Dimensions: 266 x 266 x 62 mm
Weight (without power supply and packaging): 2.5 kg

Notes: Brilliantly unusual synth based on eight analogue tone generators, functioning more like an electric organ or FM synth than a conventional subtractive architecture. Unique sound.

Supplier notes:
Welcome to the world of sound of LYRA-8, the unique organismic analogue synthesizer designed by Vlad Kreimer. "Organismic" means that LYRA uses some principles that lie in the base of living organisms. The way how LYRA's modules interacting between each other and the behaviour of the instrument resembles a live conversation.

LYRA-8 is based on eight generators, which will be referred to as voices. Their design is not like a traditional subtractive synthesis VCO. Instead of having a linear or logarithmic dependency on control voltage, they resemble the tone generators in old electric organs. Hence the use of the term "voices" instead of VCOs. Lyra uses non-linearity a lot, and the voices are constructed in such a way that allows for non-linearity to express itself.

The voices are divided into four pairs (12, 34, 56, 78). All the pairs are divided in two groups, with two pairs in each (1234, 5678), creating tree-like structure.

The voices can function either in an electric organ mode or in an FM synthesis mode with each of the voices and its envelope acting as a separate FM operator. The voice's impact on FM synthesis will decrease along with the decay of its envelope.

LYRA-8 also has the next blocks:

The HYPER LFO is a complex low-frequency generator, whose waveform is synthesized from two simple LFOs by summation or multiplication of their frequencies. It also has a sync mode. The LFO can modulate the selected pairs of voices and the MOD DELAY.

The MOD DELAY consists of two lines of delay with cross-feedback and a special architecture that enables resonance between the two lines. Each line's delay time can be individually modulated from various sources, including external ones. The delay has a unique possibility of self-modulation where the output signal modulates the delay sample rate, creating cool effects.

The DISTORTION is last in the chain, after the delay. It enables the delay to also influence the distortion.

For all its experimental character, LYRA is a professional instrument. Its output dynamics and frequency response are balanced and ready for a live performance or studio recording without any additional processing.

Specifications:

Max output voltage: 2 v 0-to-peak
Output connector: mono 6.3 mm TS or TRS (balanced) jack
Output resistance: 100 Ohm
EXT IN: 1 v 0-to-peak
EXT IN connector: 6.3 mm TS jack
HOLD GATE: full HOLD volume +5 V
HOLD GATE connector: 6.3 mm TS jack
CV DELAY : unipolar, range of 0 to +5 volt
CV DELAY connector: 6.3 mm TS jack
CV VOICES: unipolar, range of 0 to +5 volt
CV VOICES connector: 6.3 mm TS jack
Power supply: stabilised, +12 V, 0.2 A, centre positive
Power Consumption: 2 watt
Dimensions: 266 x 266 x 62 mm
Weight (without power supply and packaging): 2.5 kg

Notes: A typically unique take on multi-effects from Soma, designed to induce meditative states. Hybrid analogue-digital delay/reverb/granular processing gives a range of creative approaches.

Supplier's Notes:
COSMOS is a drifting memory station designed to work with meditative states through music. The design of the controls, functions and generated soundscapes are intended to evoke, in both performer and listener, states and experiences inherent in meditation, such as limitless space, fluidity, spontaneous development, presence, the ability to hear, tranquility, the experience of subtle harmony and happiness enveloping the whole world.

From a functional point of view, COSMOS is a large array of sound memory, in which recorded sounds undergo constant recombinations, spontaneously generating an ever-changing soundscape. This is achieved in three ways - by a mathematical shift based on the relationships between large prime numbers (the size of all delay lines are different primes), an asynchronous operation of the LFO, and modulation with a slowly changing chaotic signal. As a result, it allows the endless layering and processing of various sounds, as in a looper, but without an intrusive, repetitive loop.

COSMOS generates rich, fluid and evolving soundscapes perfect for ambient music. Using COSMOS, you can play an entire meditative solo concert while being in a spontaneous flow and without using studio-prepared sequences, backing tracks and other things that can't be a reflection of the "here and now".

Specifications

Minimum input voltage: 0.35 V peak-to-peak
Maximum output voltage at line outputs: 11.3 V peak-to-peak
The maximum output voltage at the headphones output: 10.4 V peak-to-peak
Frequency response: 10-22000 Hz
Sound memory: 44.7 sec
Supply voltage: 12 V *
Power connector polarity: centre plus
Current consumption: 0.25 A
Dimensions: 342 x 153 x 68 mm
Weight: 2.2 kg

* Use only the power supply supplied with the device! In case of failure, it can be replaced with a high-quality modern switched-mode power supply with an output voltage of DC 12 volts, the center is plus and an output current of at least 0.5 amperes (more is fine). The power supply must have a wide AC input voltage range of 100-240 volts. Such power supplies have excellent output voltage stabilization required for the device. It is forbidden to use COSMOS with nonstabilized voltage from transformer power supplies. It can lead to damage to the device, which is not covered by the warranty repair!