Suchergebnisse: Dance Music

Notes: Which live performer doesn't know this situation: You build the tension to immeasurable heights, add another filter here, three more effects there, hands go up in the air, everyone's waiting for the big drop and then you realize: You can't find your way out of the chaos you've created!

The sweat on your forehead drips onto your equipment, and in a firework of spraying sparks, your devices and your fans say goodbye forever.

This doesn't have to happen!

With Drop, you can now map your MIDI equipment across devices and easily store different controller positions as snapshots. During performance, you can jump back to these snapshots at any time (JUMP mode) and trigger them. All of this can be quantized and with variable fade time, allowing you to use a snapshot for slowly building tension and automatically have multiple controllers move simultaneously.

A particularly useful feature, is firing snapshots in DROP mode at exactly the right moment, precisely at the end of a pattern of, for example, 8 bars. For this purpose, Drop features an integrated master clock that counts any number between 1 and 32 bars (= cycle). In DROP mode, you can schedule a snapshot to trigger at the end of a cycle, build tension and go crazy on effects until then, and lean back as the snapshot automatically turns the controllers at exactly the right moment, bringing your live set back to solid ground.

Saving and recalling snapshots is quick and simple even during live situations, allowing you to work spontaneously with new snapshots on-the-fly during your performance. The LED buttons always provide clear visual feedback about what's happening. If you want to plan further ahead, you can prepare sequences of DROP snapshots according to your song arrangement in the studio. Then use CHAIN mode to automatically trigger them sequentially on stage. Multiple chains and banks of snapshots are available, allowing you to configure your live set according to a song-by-song structure.

As with our Warp Synthesizer, Drop has two main operating levels: The PLAY level with direct hands-on access to the most important parameters, and the MENU level for studio configuration. The PLAY level is reduced to the essentials, such as the clear progress display (how many bars until the DROP at the end of the cycle), similar to a countdown clock. The buttons can be used for beat jumps, allowing you to spontaneously extend or shorten a break. Also, the number of bars per cycle and the quantization behavior can be changed on-the-fly. Everything is easily and directly accessible without submenus or hidden button combinations.

Mapping is done in the MENU level, directly on the device. No additional software is required, ensuring Drop isn't dependent on outdated operating systems in the future. Copy/paste/move functions and MIDI-Learn help with quick setup. Furthermore, an integrated MIDI monitor allows recording and analyzing incoming and outgoing messages. All possible MIDI commands are supported, including 14-bit CCs (NRPN), Program Change, Bank Select, Aftertouch, Pitchbend, and of course CCs and Notes.

Each controller enables macro mapping by sending up to eight different MIDI messages simultaneously to any MIDI output port. Individual curves can be assigned to each destination. This allows you to control multiple devices simultaneously with one knob, giving you a manageable number of highly expressive controls for your live set.
MIDI messages can also be assigned to snapshots, so that, for example, device programs and banks can be changed automatically in sync with a snapshot DROP.

On the output side, four MIDI In/Out ports via TRS jacks (types A and B) and two USB-C ports are available. Device and host modes are automatically detected, allowing connection not only to synths and grooveboxes but also to external keyboards, two laptops, or other MIDI controllers via USB.

Thanks to the multiple outputs, each connected device gets its own dedicated MIDI port with full data rate and all 16 MIDI channels, plus its own independent MIDI clock. This can even be adjusted individually for each output down to the millisecond, ensuring all devices run in perfect sync. Additionally, there are two CV outputs that can also be used for clock signals or as freely assignable 0-5V CV voltages. If one of the receiving devices accidentally falls out of sync, e.g., by accidentally pressing the stop/play button, Drop offers a quickly accessible resync button that resynchronizes all devices at the beginning of the next bar. As a master clock generator, there's also a nudge function for manual beat matching (DJ-style), or you can simply synchronize Drop to an incoming MIDI clock or a 0-5V clock from your modular system.

Another function is the reception and forwarding of incoming MIDI signals. Via the MIDI merge function, incoming messages can be filtered by channel and distributed to the connected devices. This allows a master sequencer that outputs sequences for all devices on multiple channels to be connected and appropriately routed through Drop. Drop adds the MIDI messages from its own controllers (MIDI merge), so the receiver gets the sum of both signals. You can go even further and integrate an external MIDI keyboard, allowing you to play some of your own notes in addition to the sequencer. Such routing was previously mainly reserved for software solutions, but now you can save having a laptop on stage, as Drop takes over this hub function.
The silicone buttons for snapshots can also be used as a 4x4 clip launcher for Ableton Live integration, parallel to snapshot control. Simply load the corresponding script from below into the appropriate folder on your computer. Drop now offers navigation through Ableton clips with RGB LED feedback, play/stop functionality for clips and tracks, scene triggering, and even the ability to start a scene in sync with a snapshot DROP.

Even without Ableton, the button matrix doubles as a convenient mini keyboard, allowing you to trigger notes on your favorite synth without lugging around extra gear. It includes practical features like customizable scales and transpose functions to enhance your playing flexibility.

Drop can be powered via USB-C, allowing it to be elegantly connected to a laptop with just one USB-C cable. However, an external power supply is also included to effectively prevent the notorious ground loops in branched USB setups. The power supply also contains globally compatible power adapters (EU, UK, US, AU), making it ready for global tours. The package also includes a USB-C cable, a USB-C to USB-A adapter, and two MIDI-TRS cables with 3.5mm stereo jacks.

The solid metal housing, metal faders and encoders, and high-quality soft-touch buttons guarantee long-lasting enjoyment and professional touring reliability.

Notes: MiniFreak Vocoder drops Arturia's fearless hybrid synth into a new vocal dimension. It keeps the 6- voice architecture, dual digital engines and analog filter of the original, then adds a detachable gooseneck microphone and a 16-band vocoder engine with multiple FX options. Talkbox growls, android choirs or spectral pads, twist them further with the sequencer, modulation matrix and triple slot effects for instant, mix-ready insanity.

Hook up the detachable mic or any external source, channel it through a classic 16-band speech synthesis engine. Blend the processed voice with MiniFreak's oscillators, freeze formants for metallic drones, or drive talk-box growls through the on-board effects slots.

MiniFreak's twin digital sound engines feature over 30 modes, and can be used individually, stacked, or to process each other's output for unique compound sonic behavior. Its 6 digital voices then collide with polyphonic analog filters, balancing digital crispness with a rich analog response.

MiniFreak's expanded modulation matrix gives users even more control over shaping, transforming, and evolving their sound, with features like polyphonic ADSR envelopes, customizable multi-segment LFO shapes, FM & Ring Modulation, and the familiar Spice & Dice randomization.

With stereo outputs and 3 digital FX slots with over 10 FX types to choose from, users will have everything they need to push their sound over the edge while keeping it mix-ready, from stereo-enhancing chorus, to surgical 3-band EQ, to gritty distortion.

Despite its penchant for wild & exploratory sound design, MiniFreak is an instrument of expression. Its velocity-sensitive 37-note keybed with aftertouch and spontaneous Seq/Arp functionality makes it a dream to perform with, while its randomization features put playfulness first.

MiniFreak comes with a dedicated VST counterpart, letting users totally integrate its unique hybrid sound and presets into their DAW productions and vice versa. Using identical sound engines and architecture, it offers a mirrored virtual experience of the synth itself, at no extra cost.

Notes: Based off Euterpe's classic Vertice filter bank, this fully analogue multimode filter biasts an integrated preamp and transistor based distortion. This saturates the signal in order to generate harmonically rich sounds for the filters to manipulated.

The Itinera boasts four modes: LPF, BPF, HPF and notch, allowing for a wide range of possibilties, especially when combined with the 3 selectable resonance paths.

These 3 paths - transistor, diode and Innesco - each offer their own characteristics. The Itinera alos has two CV controllable feedback functions, "Vindicta" and "Formant", which help create feed back effects.

With two audio inputs and four CV inputs, the Itinera offers tons of potential for creative applications, not only as a filter but also as a saturator!

Notes: You cannot describe exactly what it is; you can make any kind of music using The DROP, from roots pre-sequences techno to ambient landscapes, from 8-bit craze to pop-style dancy-fancies. And you'll play it live! The DROP is designed to be played, like any other musical instrument.

A self-contained analog groovebox, that uses LFO as a clock generator with divider - no programming needed to get highly complex absolutely crazy neverending and never repeating (analog!) rhythmic galore and fractal textures. Otherwise, it can be triggered manually with a pad, or via external trigger; so it works like a highly sophisticated drum module.

Six unique analog noise osclilators, classic BD generator with old-style analog VCA, sub-octave oscillator with an extra click; all patched (or repatched) to two wide-range LFOs or anything external - via bananas - for neverending rhytmic galore, and then soaked in a specially designed analog saturation. Full, bold, vivid and textured, rich analog sound; because of a highly ingenious, odd and peculiar circuits. Think NOS, discrete, germanium and unobtanium.

Thanks to a fully analogue design The DROP can play the same sequence for hours without being annoying. A vast field for experimentation thanks to a modular design with all its inputs and outputs. You'll lose yourself in a black hole of sounds repatching it even without any external modules. Banana sockets used in The DROP are compatible with any external synths and modules; eurorack or buchla or analog sync; no problem. You can even use bare cable without jacks to patch bananas. What about playing The DROP with jacks touching banana sockets? Did you know that your bare fingers are good for patching it too? Go bananas!

Drop is bringing back the real, instant joy and fun of playing electronic instruments live, for music beyond grids, borders, and programming, that makes an art happen as a reward.

Mad Sound Factory DROP offers a wide range of sounds including kicks, basses, hi-hats, and weird noises. With features such as tone generator, mixer section, noise generator, and two LFOs, The DROP allows for creative patching and modulation possibilities. The instrument also offers a unique DROP button that can trigger sounds and add a fun element to performance. It can be controlled through analog clock signals or MIDI sync. Designed for both live performances and studio use, this instrument offers a wide range of sonic possibilities for musicians looking to experiment with rhythm and sound design. The DROP is pretty compact - it easily fits in a backpack or ordinary shopper or whatever you use to drop your swimsuit to. It can be powered via USB-C from any power bank, phone charger or a laptop, pocket nuclear reactor or even a solar battery, if your star is close enough and you have enough sunny days to play with it. Modern world demands and requirements.

Notes: Featuring extensive connectivity, the Tetrachords can act as a bridge between a modular system and the rest of a studio.

The unique, built-for-purpose interface turns a studio into a melodic and harmonic playground. Easily explore anything from unisons and simple melodies to dense note clusters, made-up scales and polytonal mayhem.

The Tetrachords is capable of calibrating its CV OUTS to individual oscillators. This can significantly improve how in-tune oscillators will play when sequenced by the Tetrachords, especially for sequences with a wide pitch range. It features a basic tuner, designed to help keep CV controlled oscillators in tune with MIDI instruments and with each other.

Notes: The latest in 1010's innovative range of compact devices, the Bento is a fresh take on sampling and sequencing, offering an alternative to conventional options such as Akai's MPC series. Pure standalone creative flow.

Supplier's notes:
Sample Every Flavour

Bento is a portable, all-in-one sampling production lab that brings together flexible sequencing, expressive performance tools, and pro-level connectivity-perfect as the centrepiece of your desktop or mobile rig. Whether you're looping on the go, launching clips live, or sequencing your entire synth setup, Bento gives you the tools to shape your sound from idea to performance.

With pristine 24-bit sound quality, a bright 7" touchscreen, 16 responsive pads, and deep control over samples, MIDI, and effects, Bento offers a fast, fluid workflow in a compact and portable form. Sequence one-shots, build multi-sample instruments, and chop loops using Bento's flexible tracks, scene-based sequencing, and expansive modulation and FX engine.

Designed to replace laptops, simplify cabling, and integrate seamlessly with your gear, Bento features multiple stereo inputs and outputs, USB-C host and device ports, dual TRS MIDI I/O, and a built-in battery for up to 3 hours of mobile creativity.

Recording Capabilities

Capture loops quickly with the option to synchronize the start and stop times to the clock
Trigger recording via audio level threshold
Create perfectly sized loops by setting the recording length
Enable immediate playback after recording for live looping capabilities
Make recordings up to 4 hours in length
Resample the master output without patching
Store recorded samples as WAV files on the micro SD card

What's included

bento - sampling production lab
MicroSD card with over 160 patches and over 200 wav files
USB C power cord
USB C power and data splitter
Type B TRS MIDI To MIDI 5 Pin DIN adapter
QR Code with link to the Quick Start Guide

Technical Specs

8 tracks with multiple patch types-sample banks, multisamples, slicers, granular, loops, and external MIDI
16 pressure- and velocity-sensitive pads
7" diagonal touch screen
8 context-sensitive endless encoders
3 stereo inputs, 3 stereo outputs, 1 stereo headphone out
2 TRS MIDI inputs & 2 TRS MIDI outputs (Type A & B)
USB-C host and device ports
Internal battery with 3 hours in low power mode
Includes 155 Patches and over 5000 sample files
Expandable via microSD card
24-bit ADC/DAC
MIDI sequencing, modulation, and CC control support
Compatible with 100 x 100 VESA mounts
Product dimensions: 8" x 8.5" x 2", 2 lb (20.4 x 21.8 x 5.1 cm, 936 grams)
Package dimensions: 10.25" x 8.5" x 2.75", 2.7 lb. ( 26 x 21.6 x 7 cm, 1.2 kg)

Notes: ***B-STOCK: Box opened, product in perfect working order***


A visit to the Hainbach Studio Complex two years ago, led to a collaboration that would result in what is perhaps Joranalogue's finest design yet. United by a common passion for vintage test gear, the Joranalogue team joined forces with artist and YouTube sensation Hainbach.

Collide 4 builds upon on the lock-in amplifier concept, and brings it into the Eurorack world. These atomic age physics research instruments are known for their raw power when used in musical applications. Soon, any synthesist can experience this for themselves, at a fraction of the size and weight of a vintage unit, and with full voltage control.

The result is a wholly new kind of synth voice and audio processor, unlike any other. It's a perfect union of Hainbach's extensive experience in exploring the deepest musical realms contained within vintage test equipment, and profound knowledge of audio design and production.

'Quadrature spectral computer' is how you could describe this new kind of musical generator and processor. The sound? Quite simply: it's smashing!

Specs

Modern, fully analogue re-imagining of the lock-in amplifier concept, expanded to new heights.
Pingable variable bandwidth filter with self-oscillation capability.
Pre- and post-filter gain stages, for a total of up to 130 dB of amplification!
Through-zero sine/cosine quadrature oscillator.
Hilbert transform network for use as a frequency shifter.
Dual ring modulators with output lowpass filters.
Extensive output section, including magnitude and phase analogue computing outputs.
Unique X/Y quadrature topology, ideal for stereo use.
Handsome (and useful) signal level/overload LED indicator.
CV control over everything, with temperature compensation and excellent volt/octave pitch tracking.
20 HP, 30 mm deep. Over 600 components, yet a fraction of the weight and size of a vintage Model 124A lock-in amplifier unit.

Notes: Control Forge's core functionality is drawn from the E-mu Morpheus's insanely powerful (but hard to program on a two-line display) Function Generators. But now expanded into a supremely flexible modulation source encompassing elaborate one-shot contours, evolving cyclical patterns and sequences of arbitrary length and complexity.

At its most basic, it's an 8-segment function generator with variable time and target voltage level for each segment. Each segment's level can be defined either absolutely or relative to the ending level of the previous stage and can optionally be quantized to the nearest 1/12 volt, additionally, each segment's level may have a user defined range of randomness of either linear or gaussian distribution.

'Tempo Mode' lets you specify each segment's length in musical note values relative to a tempo set in BPM. The time scale may be modulated under CV control or manually via the encoder during runtime.

There are 67 different transition shapes between segments (indicated graphically on the display during selection), from linear and exponential shapes to various flavours of random, chaotic, and many more that don't lend themselves to one-word descriptions, including the ability to pass CVs directly through to the output for individual segments. Also included are 'DC' shapes that allow the module to be used as a sequencer with all of the module's available programmability. When combined with the Preset Sequencer described below, sequences can be hundreds of steps long and modified in real time manually or by CVs.

Each segment may optionally have a conditional jump mode that results in a jump to another selected stage if a particular condition is met. e.g. a CV being above or below the selected conditional value, the presence or lack of a gate or logic high at their respective inputs, rising or falling edges at the inputs, etc. So, in addition to one-shot shapes, extremely elaborate cyclical patterns can be programmed that evolve based on the various conditional inputs.

Control Forge's AutoChain functionality allows the creation of two very specific kinds of multi-preset patterns: A multi-preset retriggerable pattern (like a long syncable LFO), and a multi-preset 'envelope-like' pattern with retriggerability, an optional sustain section, and a 'release' section that's jumped to on gate fall. Two independent triggers can be programmed to fire in response to a variety of events and can be used to affect either CONTROL FORGE itself or external modules.

500 presets can be saved and recalled. a preset sequencer allows stepping through up to 200 user-defined series of presets under trigger, clock or manual control. This allows contours and sequences of almost unlimited length and complexity. All presets and sequences can be transferred to any number of Satellite modules, which can then operate as stand-alone modulation sources, completely independent of the Control Forge.

Notes: A Streamlined Classic! Maander-M Wavetable Synth with Analog Filterbank & Sequencer

The Flame MAANDER-M is a compact reimagining of a well-regarded classic from the Flame lineup - now more affordable and streamlined, but still packed with the same sonic depth. At its core is a wavetable synth engine, fed into the 12-channel analog bandpass filter bank, controlled by the internal pattern sequencer.

Sound sources include a polyphonic wavetable and FM oscillator, an analog white noise generator and an external audio input. The internal sequencer offers one polyphonic note track (up to 4-voice chords) and 14 mono tracks. The latter are dedicated to the filter channels, the audio input, and the noise source. Each track has its own VCA with individual envelope control and is accessible via MIDI notes.

Patterns can be created and saved as patches, and played live with ease. The built-in arpeggiator and keyboard scaler make the MAANDER a powerful tool for live jamming and generative sequencing. Updates, patch management, and wavetable loading are handled conveniently via MIDI SysEx.

New in this version: direct oscillator output, stereo noise output, and stereo audio input. Maander comes fully mounted in a powered 56HP wooden skiff to get started right away.

Notes: The super compact Nord Drum 3P combines stunning playability with unlimited sound design possibilities. New features include integrated multi-pad, Reverb and Delay effects, a simplified sound selection mode and new Sound Banks for quickly creating custom kits on the fly.

The Drum Select feature lets you browse a wide selection of great sounding drums sounds, simply assigned to each pad individually. Easily replace toms, cymbals or kicks in seconds by selecting from our new preset library. The Drum Select banks feature 9 categories of great preset sounds that can be easily assigned to any of the six pads/channels - and is a great starting point in rehearsal situations when you need to find the right sounds in a matter of seconds. The categories include Bass drums, Snare drums, Toms, Hi-hats, Cymbals, Percussion, Bells, Tuned Percussion and Effects.

The Sound generation takes place in the three sections Tone, Noise and Click. The sounds of the Nord Drum 3P are all synthesized in real-time - allowing you to both sculpt and play sounds with a unique dynamic response, regardless if you prefer to play with drum sticks or from a sequencer. The Tone Section is specialized for creating tonal and harmonically complex sound spectras and has four synthesis modes - Resonant synthesis, Subtractive Synthesis, Frequency Modulation and Ring Modulation synthesis. The Resonant synthesis mode offers a wide range of complex spectras inspired by materials like drum heads, marimba, vibraphone, tines and cymbals. A unique feature includes the possibility to tune harmonic spectra. The Subtractive Wave types include Sine, Saw, Square, Pulse waveforms and T-Bridge Oscillators and are brilliant for creating classic synth-type drum sounds and effects. The FM Synthesis mode features 6 different FM algorithms where the Frequency parameter controls modulation amount and Spectra controls modulation frequency. The Ring Modulation mode features 2 different types of Ring Modulation.

The Nord Drum 3P offers great control over the dynamic response of the harmonic spectras. When using Resonant synthesis waveforms the upper parts of the harmonic spectra be controlled with velocity, giving it a brighter timbre when played hard. When using the Subtractive synthesis mode, the Frequency parameter controls the cut-off frequency of a Low-Pass filter and the Dyn Filter controls how much the filter should respond to velocity. The Decay controls the decay of the whole spectra, with a choice of Linear and Exponential decay envelopes. A Dynamic Decay mode lets you set different Decay lengths for soft and hard strokes. The Punch Decay adds more attack to the Tone by giving the fundamental pitch an ultra-fast envelope at the very beginning of the sound. The Bend parameter provides a powerful, velocity sensitive pitch envelope. Use it to create attack-like effects but also more radical bending sounds that travel up or down when played such as the sound of a raindrop, tablas or the classic 80's - pioouw - tom-sound.

The Noise section is all about producing noise and is very powerful. Create anything from silky smooth hiss to gritty gravel to give the Tone part of the sound more texture. The Noise can be sculpted with Low-Pass, High-Pass or Band-Pass filters with Cut-Off and Resonance controls. Once you've found the noise of your choice, it can be adjusted to respond dynamically to velocity in the same manner as with the Tone section with the Dyn Filter control. The Decay control is just as powerful, with a choice of Linear, Exponential and Gated decay types. A Dynamic Decay mode lets you set different Decay lengths for soft and hard strokes. Combine this with the equally powerful dynamic controls of the Tone Section and it won't take long before realizing the potential for creating complex sounds with fascinating material-like behaviors!

The Click-section is a specialized section for an ultra-short attack to the sound. A wide range of different click types are available as well as a level control for finding the sweet spot where the Click merges with the other elements and becomes one coherent sound.

Each of the 6 channels of the Nord Drum 3P has its own powerful effects - Drive, EQ and Ring Modulation. Adding just a touch of Drive to your sounds can make a huge difference in terms of realism, while the Sample-Rate reduction is perfect for Lo-fi crackling effects. Ring Modulation can be used for slow tremolo-like effects to total atonal mayhem.

The Mute Group gives you the option to create sounds that can cancel each other out. Only one of the members of the group can sound at a time, and can be used for creating a close/open hi-hat behavior and emulating muting techniques from hand percussion.

Tuned Percussion kits can be created instantly by selecting one of the Scale Presets, which include Chord Scales, Pentatonic, Hang Tunings and Hexatonic.

The handy Edit All mode let's you edit all 6 channels simultaneously, for example reverb, distortion or delay.

MIDI in/out is also available for using the Nord Drum 3P with any kind of MIDI pads or sequence it from an external MIDI Sequencer. All of the Nord Drum 3P sound parameters can be controlled via CC-controls over MIDI. If you own an iPad don't miss our free iPad app Nord Beat, specifically designed for sequencing the Nord Drum 3P via MIDI.

The Channel Mixer sets the level for each channel and also features a Pan control for creating a lush stereo image. If you like to send the kick to a separate output, just pan that channel all the way to the left and the other channels to the right.

Everything you play when using the multipads and external input is automatically output to the MIDI output, making the Nord Drum 3 a brilliant controller for other sound sources via MIDI.

Notes: Introducing SSL 18 - a new era in rackmount production technology from Solid State Logic. Developed from our unmatched expertise in analogue and digital design, SSL 18 offers exceptional audio performance with a studio session-ready feature set, delivered with the signature SSL sound and premium quality that professionals trust. Whether you are recording, producing or mixing, SSL 18 enhances production workflows while elevating the performance of your creative space, it's the ultimate centrepiece for your studio. Welcome to a new era in rack mount interface performance.

Next-generation 32-bit/192 kHz converters provide the platform for SSL 18's analogue design to shine, with unrivalled dynamic range performance of 120 dB across all microphone, line-level and instrument inputs - capture your sources like never before. Experience 125 dB dynamic range on the monitor and line outputs to hear your music with uncompromised fidelity. Need to work on headphones? No problem, with the unbeatable 120 dB dynamic range on offer from the dual-headphone outputs.

SSL 18 features eight high-performance SSL-designed mic pre's, with switchable Mic/Line configuration. Leveraging our renowned engineering expertise, they deliver ultra-low noise recordings and a huge dynamic range, making sure you capture every detail of the performance with stunning accuracy. Their advanced 2-stage circuitry ensures ultra-low distortion while maintaining the natural character of the source - or flip them into Legacy 4K Mode to add real analogue saturation and the iconic 4000 series sound to vocals, drums, and more. What's more, in Line mode the mic preamp stage is completely bypassed - perfect for connecting external outboard gear. Located on the front of the unit, inputs 1 & 2 also offer instrument/Hi-Z inputs to capture DI'd guitars and vintage synths/drum machines.

SSL 18 comes equipped with ten balanced line-level outputs located on the rear of the unit. To ensure optimal signal integrity and maximise headroom, line outputs 1&2 and 3&4 can be configured between +9 and +24 dBu, providing seamless compatibility with a wide range of studio monitors and vintage equipment operating at lower levels. Outputs 3 to 10 operate at +24 dBu, perfect for integrating professional outboard equipment. For producers, all outputs are DC-coupled and capable of sending control voltage to synthesizers and modular rigs.

Custom headphone mixes with two independent headphone outputs, configurable for different types with 'Standard', 'High Sensitivity', and 'High Impedance' settings. SSL 18's headphone outputs can also be repurposed as line-level outputs for added flexibility.

SSL 18 features a full monitor controller section with built-in talkback input. Line outputs 1&2 and 3&4 offer alternative speaker switching with Alt and Cut accessible via the monitor controls located on the front panel. Alternatively, customise the monitor controls via SSL 360 and tailor them to your workflow. SSL 18 also features a dedicated talkback input channel that can operate in MIC or LINE mode. LINE mode is great for re-processing audio through the classic Listen Mic Compressor - crush drums, parallel vocals, and more.

The SSL 4000 series consoles (often referred to as '4K') are renowned for imparting a unique 'mojo' to sounds and instruments that pass through them. This mojo comes from multiple stages of harmonic distortion from compressor VCAs, VCA faders, and other crucial components such as the transistor mix amps. Using modern components, SSL has developed a circuit that distils the two essential characteristics of the 4K sound into a single design. Legacy 4K Analogue Enhancement injects a controlled amount of finely-tuned, sweet-sounding harmonic distortion and a 'forward' yet musical high-frequency EQ boost into the signal path, giving your sound the 4K mojo and presence that artists and engineers have loved for decades.

A host of digital audio connections means that SSL 18 is ready to expand your I/O count whenever you are, with an additional 16 channels via ADAT and a further two via S/PDIF. SSL 18's dedicated Word clock output provides rock-solid clocking for integrating external digital devices into your system.

The SSL 18 mixer offers comprehensive management of all inputs and outputs, as well as detailed, scalable input metering in SSL 360-. In the SSL 18 mixer you can create and manage the control room monitor mix, as well as configure up to four independent mixes for performers. In addition, a flexible Mirror Routing system allows you to route any input or aux master directly to an output - perfect for feeding personal monitoring systems, external metering and outboard FX. Create different templates for tracking, mixing and more, then save them as a profile in the SSL 18 mixer.

Designed by the same engineering teams behind the esteemed range of analogue and digital mixing consoles, SSL's rich heritage can be found throughout the design and feature set. SSL 18 is the only product in its category that is designed to properly integrate with professional outboard gear, thanks to the +24 dBu capable inputs and outputs.

Notes: Unlock Limitless Creativity.

Experience the power and versatility of the ultimate MIDI Controller & Looper. Take control of your music like never before.

Redefined sensitivity.

ERAE II reacts from the lightest touch to the fastest strokes, pushing the dynamics to the extreme possible range of musical articulation. Embedding 16.000 force sensors, ERAE II benefits from our patented Force Multi-Touch technology, which offers ultra-responsiveness, down to a very low threshold force.

The most playable surface yet.

ERAE II benefits from 3 years of R&D with our patented Force Multi-Touch technology sensing just a few grams of pressure on a very large playable surface.

A sub-millimetre XY precision both in relative and absolute mode with enhanced sensor linearity for ultra-stable and continuous finger slides.

Complete musical articulation.

Add polyphonic portamentos, slides and after-touch to your musical creative process.

Control multiple sound parameters with a single touch and explore new possibilities on your favourite synthesizers.

Expressive looping.

Record segments of music and play them back with ERAE II's 8-track looper. You can define duration, quantization and BPM, overwrite and overdub expressive features.

Every gesture recorded on the fly is replayed visually, creating a show for the eyes.

Here it is in action: quickly recording a base line then adding a drum sequence. Stop the recording and jam on top of your loops.

Modular mastermind

Multi-dimensional connectivity.

ERAE II features 24 (12 dual) configurable analogue outputs, to be used as CV/Gate, drum triggers, and bipolar modulation CV controls. Bring life to your modular patches, and record intricate loops to be played back on any CV!

Different skins.

ERAE II features a unique skin that connects the sensors to your fingers. This material is designed to provide the perfect gliding sensation, with just the right amount of softness and the organic feel of fabric.

This skin can be replaced in just a few minutes. Our Kickstarter backers will receive a second skin made of black silicone.

Expressive Controller Looper

Erae Touch is a polyphonic MIDI Controller & Looper.

Designed for immersive live performances it will enrich your musical composition and become the master device to control all your hardware synthesizer, modular gear and software instruments.

Built with unrivalled sensitivity and offering infinite configurability.

User-friendly configuration

No more back & forth menu diving.

Setup the tempo, set your scales and launch loops from the settings section with ease thanks to the backlit buttons, the LCD screen and the selection click wheel embedded in the top right hand corner.

The ERAE Lab

Create your own layouts with the free companion software ERAE Lab. It's a simple yet powerful creation software: elements, MIDI settings and styles can be defined and tested in just a few clicks.

ERAE Lab now enables seamless layouts and project management. Drag existing layouts from a project to the compose panel. Browse your project library and pick layouts to create new ones in a few clicks.

Customize your interface with musical elements such as isomorphic keygrids, keyboards, or control elements with fader and buttons.

An open canvas.

This is an open canvas for the most daring. The API is a custom sysex library with messages enabling you to take full control of the ERAE II detection points and LEDs states. (You can already download the full API Documentation here).

A new kind of arpeggiator.

Explore the arpeggio's parameters in 3D. All the arpeggiator parameters (rate, octave range, note length, pattern, steps, velocity) can be mapped to expressive gestures (after touch, slide, portamentos).

Use the aftertouch control to modulate the rate while sliding the same finger to bend the note. Push it even more with MPE!

What's in the box:

Erae Il MIDI Controller & Looper
A Set of 2 skin with fabric and silicon material
60W USB power supply
2x USB cables (Power and MIDI data)
1x MIDI-TRS cable

Notes: The next generation of Moog analogue synths, the Messenger draws on iconic designs of the past and introduces modern features which bring it right up to date. Affordable, top quality stuff from a legendary brand.

Supplier's notes:
A new method of sonic experimentation, communication, and connection has arrived. Say hello to Messenger, a next-generation analog synthesizer that celebrates classic Moog circuitry and introduces modern features to shape the future of sound design.

Messenger is a new Moog monophonic analog keyboard synthesiser designed for the electronic musicians, producers, sound designers, sonic tinkerers, and analog dreamers of today and tomorrow. Engineered to open new portals of art and expression through sound, the instrument is ready to be a trusted creative companion for any musical genre or style at any point in your synthesis journey.

If you're new to synthesis, welcome. You're exactly where you need to be. Messenger's intuitive layout with clearly labeled controls invites immediate hands-on exploration and encourages a deeper understanding of how to shape and sculpt sound. For experienced synthesists and sound designers, Messenger is packed full of innovative twists on beloved analog circuitry, blending the iconic, raw Moog sound with flexible, modern features designed for use on stage or in the studio. This synthesiser has two oscillators with wavefolding functionality, a sub-oscillator with continuously variable waveshapes, dual looping ADSR envelopes, 32 semi-weighted full-size keys with velocity and aftertouch, and the legendary Moog ladder filter augmented with resonance bass compensation, multiple filter slopes, and true multimode functionality. Messenger's 256 on-board presets allow for immediate saving and recall of your favorite sounds. An intuitive arpeggiator and expression/sustain pedal inputs make this an indispensable live tool, while its unique sequencer with probabilistic controls and modular connectivity set Messenger up to be at the core of your studio or home setup.

Craft soaring leads and deep, rumbling basses. Create delicately textured pads and flowing arpeggios. Build beats with custom kicks, snares, and toms. Explore dense drones and inharmonic metallics. Pay attention to how these sounds impact the way you hear the world around you.

Timeless and Intuitive: Messenger builds on the DNA of Moog's most iconic and prolific monosynths - Minimoog Model D, Voyager, Grandmother, Subsequent 37 - and puts a new spin on a familiar format with innovative circuits and timeless analog sound.

A Legend Reborn: The legendary Moog transistor ladder filter gets some new tricks up its sleeve. A unique pole-mixing design allows the ladder filter to preserve bass frequencies as resonance is increased via the RES BASS switch while keeping its sonic legacy intact. Low-pass mode adds a 2-pole filter slope in addition to the classic Moog 4-pole low-pass filter slope.

Inspiration at Your Fingertips: 32 full-size semi-weighted keys with velocity and aftertouch, a robust metal panel, 256 presets, and knob-per-function controls mean Messenger is endlessly playable and ready to bring to your next gig.

Compositional Powerhouse: Effortlessly record sequences of up to 64 steps, integrate chance operations, and introduce random fluctuations and parameter recording. Experiment with a plethora of arpeggiator patterns and cascade notes into infinity.

Sound Design and Modulation Playground: Two loopable ADSR envelopes, two LFOs, and expanded frequency and audio rate modulation options via Oscillator 2 provide a wealth of modulation options and deeper assignable possibilities.

Comprehensive Connectivity: Messenger integrates seamlessly into any studio or live setup with six analog control voltage (CV) patch points, an external audio input to the filter, expression and sustain pedal inputs, and 5-pin DIN MIDI in/out as well as MIDI over USB-C.

Notes: The OXI One MKII is the culmination of years of refinement, shaped by invaluable input from our community and artists. We've integrated powerful new features and optimized the workflow for unparalleled speed and creativity. The result? The most robust, intuitive, and affordable sequencer available today.

The OXI One MKII takes everything you loved about its predecessor and amplifies it. Now equipped with 8 sequencers and support for up to 64 tracks, it offers unparalleled flexibility for crafting complex compositions. Enhanced rhythmic sequencing, advanced composition tools, and expanded connectivity options make the MKII a powerhouse for music production. With a refined, intuitive workflow and a host of new features, the OXI One MKII delivers more functionality, more precision, and more creative freedom than ever before. More is More. Long celebrated as a go-to sequencer for melodic creativity, the OXI One MKII is now equally powerful on the rhythmic front.With expanded generative options, it allows you to effortlessly add dynamic variations to your compositions - unlocking endless creative possibilities. Featuring conditionals, modulation lanes, and LFOs tied to each sequencer mode, the OXI One MKII ensures that your creativity moves at the speed of inspiration. This sequencer empowers you to craft intricate, evolving patterns with ease. With a top of the line repeats engine, accumulators, and the enigmatic Flow button your compositions will be taken to the next level. More than just a studio centerpiece, the OXI One MKII is a powerful performance tool. With enhanced performative features, it equips you to play your arrangements and compositions live with precision and freedom. Whether in the studio or on stage, the OXI One MKII is your ultimate creative partner.

While the OXI ONE MKII is a new release, it retains the familiar workflow of the original OXI ONE now refined and enhanced. With significant feature upgrades and improved usability, the MKII sets a new standard as the ultimate sequencer.

With 6 sequencer modes OXI One MKII is the most versatile sequencer on the Market.

Multitrack: 8 independent tracks with customizable parameters; expandable to 64 tracks for vast creative potential.

Chord: Innovative chord generator with diverse types, voicings, Chromatic Mode, and custom scales for rich progressions.

Poly: Up to 7 voices with unique per-note chance and logic conditions for dynamic editing.

Mono: Full control over monophonic tracks, enhanced with accumulators for intricate melody creation.

Stochastic: Generative sequencing for evolving melodies with precise rhythm and pitch control.

Matriceal: Rule-breaking sequencer with four independent lanes for velocity, octaves, and notes, designed for experimental flexibility.

Our innovative CHORD MODE lets you effortlessly create dynamic chord progressions with diverse chord types,voicings, and bass options via intuitive menus. The built-in chord arpeggiator transforms chords into lush, evolving soundscapes. The HARMONIZER syncs other instruments to your chords, maintaining perfect harmonic unity. MODULATE your chord track with LFO, MOD lanes, or External CV. Applied modulations carry over to linked instruments, keeping your music dynamic and evolving.

4 Knobs For Total Control Of Any Parameter: All parameters of every menu are shown in the screen and can be modified with their respective encoder. No menu diving needed. With OXI One MKII the workflow is even more refined.

The OXI ONE MKII elevates sequencing with enhanced logic conditionals, transforming simple compositions intointricate, vibrant sequences effortlessly. Its innovative Accumulator and Repeats Engine delivers rapid, intuitivevariation, setting it apart from other sequencers. Expanded with eight modulation lanes per track and a broaderrange of internal destinations, the modulation system is more powerful than ever. Plus, a fresh suite of generative tools sparks inspiration, breathing life and endless creative possibilities into your music.

OXI ONE MKII supports both modern and legacy connectivity, ensuring full integration with all your studio gear sonothing gets left behind.DIN Sync, MIDI, CV/Gate, USB, and Bluetooth allow you to connect anything to the OXIONE MKII. 8 CV and Gates, use USB as Device or Host mode, Bluetooth to connect your tablet or mobile phoneand use it as another musical instrument and with the Split v2 expansion you can connect up to 6 MIDI Lanes. Nothing is left out in your studio with OXI ONE MKII.

OXI ONE MKII is built for durability and performance, using premium components, advanced technology, andrugged materials to handle demanding studio use and tough touring conditions. Featuring a sleek aluminiumun body, high-grade silicone pads, and robust aluminium knobs, it delivers professional build quality at an accessible price - making it one of the best value sequencers on the market.

Notes: Welcome to the world of sound of LYRA-8, the unique organismic analogue synthesiser designed by Vlad Kreimer. "Organismic" means that LYRA uses some principles that lie in the base of living organisms. The way how LYRA's modules interacting between each other and the behaviour of the instrument resembles a live conversation.

LYRA-8 is based on eight generators, which will be referred to as voices. Their design is not like a traditional subtractive synthesis VCO. Instead of having a linear or logarithmic dependency on control voltage, they resemble the tone generators in old electric organs. Hence the use of the term "voices" instead of "VCOs". Lyra uses non-linearity a lot, and the voices are constructed in such a way that allows for non-linearity to express itself.

The voices are divided into four pairs (12, 34, 56, 78). All the pairs are divided in two groups, with two pairs in each (1234, 5678), creating tree-like structure.

The voices can function either in an electric organ mode or in an FM synthesis mode with each of the voices and its envelope acting as a separate FM operator. The voice's impact on FM synthesis will decrease along with the decay of its envelope.

LYRA-8 also has the next blocks:

The HYPER LFO is a complex low-frequency generator, whose waveform is synthesized from two simple LFOs by summation or multiplication of their frequencies. It also has a sync mode. The LFO can modulate the selected pairs of voices and the MOD DELAY.

The MOD DELAY consists of two lines of delay with cross-feedback and a special architecture that enables resonance between the two lines. Each line's delay time can be individually modulated from various sources, including external ones. The delay has a unique possibility of self-modulation where the output signal modulates the delay sample rate, creating cool effects.

The DISTORTION is last in the chain, after the delay. It enables the delay to also influence the distortion.

For all its experimental character, LYRA is a professional instrument. Its output dynamics and frequency response are balanced and ready for a live performance or studio recording without any additional processing.

Notes: COSMOS is a drifting memory station designed to work with meditative states through music. The design of the controls, functions and generated soundscapes are intended to evoke, in both performer and listener, states and experiences inherent in meditation, such as limitless space, fluidity, spontaneous development, presence, the ability to hear, tranquility, the experience of subtle harmony and happiness enveloping the whole world.

From a functional point of view, COSMOS is a large array of sound memory, in which recorded sounds undergo constant recombinations, spontaneously generating an ever-changing soundscape. This is achieved in three ways - by a mathematical shift based on the relationships between large prime numbers (the size of all delay lines are different primes), an asynchronous operation of the LFO, and modulation with a slowly changing chaotic signal. As a result, it allows the endless layering and processing of various sounds, as in a looper, but without an intrusive, repetitive loop.

COSMOS generates rich, fluid and evolving soundscapes perfect for ambient music. Using COSMOS, you can play an entire meditative solo concert while being in a spontaneous flow and without using studio-prepared sequences, backing tracks and other things that can't be a reflection of the "here and now".

Notes: Inspire new growth in your musical garden with Bloom, a fractal sequencer capable of generating infinitely evolving melodies.

In its latest iteration, Bloom is a powerful 3-channel, 64-step CV and gate sequencer with a plethora of additional features and configurability compared to its predecessor. Apply clock-synced ratchets per step, dial in the Mutation range for random note variation, and even save and recall your Branches with your saved sequence!

Each channel now has a new output: Mod! The Mod output is a third, modulation-focused output that stays in sync with your melodic CV and rhythmic Gate outputs. Patch up dubstep-style filter madness, build sequenced amplitude or panning variations into your signal, or send a no-frills LFO that syncs perfectly with your patch!

Bloom's roots are grounded in algorithmic variation and probability. Sequences can be dynamically resized and rotated, while notes can receive ornamental musical trills or arpeggios. There are also new probabilistic controls beyond Mutate, including random step muting, ratcheting, and slewing!

Bloom's front panel now features a Reseed button, which dice-rolls a whole new sequence for you, as well as a MIDI output that sends all sequence data through a 3.5mm TRS MIDI jack!

Beyond the front panel controls, Narwhal brings even greater flexibility to Bloom. Set custom settings, use a full sequence designer interface to import sequences into your Bloom, and so much more.

Plant the seeds of your next patch with Bloom.

Notes: Black version of Arturia's superb KeyLab MK3, one of the best MIDI controllers around. 88 full-sized keys with fully weighted Fatar keybed, plus the option to use pads, rotaries, faders, built-in arpeggiator and other performance features.

Supplier's Notes:
Building on the success of their recent rev3. releases (Minilab 3, Keylab Essential 3 and Keylab MK3) Arturia are delighted to share their next gen 88 note controller keyboard, the Keylab 88 MK3.

With a full-size hammer-action aftertouch keybed and next-level software integration encased in hard wearing high-quality materials and hard-wood panelling - KeyLab mk3 88 not only looks the part but will stand the test of time on stage and in the studio.

Keylab 88 MK3 features all of the refinements found in the other MK3 keyboards, but it sports a massive upgrade to it's keybed over previous models, now equipped with a FATAR TP/110 the Keylab 88 MK3 delivers a stunning playing experience, unlike any other 88 note controller on the market.

With a stunning visual display that shows a range of contextual information on-screen alongside touch-sensitive controls and advanced creative features; it enhances every aspect of the music-making process. From integrating effortlessly with Analog Lab Pro and all major DAWs to supporting musical ideation, keyboardists, producers and composers alike can take full command of their setup like never before.

From customizable MIDI settings and intuitive controls to advanced creative features that support musical ideation - KeyLab mk3 is a powerful ally both in the studio and on stage

KeyLab mk3 offers advanced connectivity with all major DAWs including MCU/ HUI protocols, allowing you to view contextual information on-screen, create user programs and have complete control of your music making software and instruments.

With Analog Lab Pro, Ableton Live Lite and a range of timeless instruments from the world-renowned V Collection, discover a suite of pro-grade software to start making music right away.

Main features

Redesigned Keybed

88-note fully-weighted Fatar TP/110 keybed with aftertouch

Pads & controls

1 clickable encoder
9 360- rotary encoders
9 x 50mm faders
8 transport switches
4 command switches
1 modulation wheel & pitch wheel
12 touch & pressure-sensitive pads

Advanced display

Full Color 3.5" 320x480px screen with 8 contextual buttons for intuitive control and feedback

Smart features

Multi-mode arpeggiator
Chord mode with smart voicing
Scale mode
Hold function

Software integration

Seamless integration with Analog Lab V and V Collection instruments: select sounds, browse presets, smart-assigned controls
Advanced integration with FL Studio, Logic Pro, Ableton Live, Cubase, Bitwig Studio
Also compatible with MCU/HUI control
Up to 6 user presets for a totally customizable experience

Included Software titles & services

Analog Lab Pro software with 2000+ sounds
Ableton Live Lite
Mini V, Augmented Strings, Piano V, Rev PLATE-140
2-month Loopcloud subscription
Melodics subscription for 40 lessons

Connectivity

USB-C connects to computers and MIDI Control Center
MIDI 5-pin DIN output for connection to external instruments, gear
Control input for pedal: sustain, modulation and expression plus an additional Aux-in
USB-C powered

Platform specifications

Windows

Win 10+ (64bit)
4 GB RAM
4 cores CPU, 3.4 GHz (4.0 GHz Turbo-boost)
3GB free hard disk space
OpenGL 2.0 compatible GPU
ARM processors not supported on Windows

Apple

Mac OS 11+
4 GB RAM
4 cores CPU, 3.4 GHz (4.0 GHz Turbo-boost) or M1 CPU
3GB free hard disk space
OpenGL 2.0 compatible GPU

Required configuration


Works in Standalone, VST, AAX, Audio Unit.
Analog Lab not compatible with NKS

Work with ASC

An elegant and simple solution to help you install, activate, and update your Arturia software instruments.

Box contents

KeyLab 88 mk3 Unit
Laptop plate
Musical sheet holder
USB-C to USB-A cable
Registration card
QuickStart

Size & weight for 88 keys

Size : 50.98 x 12.72 x 4,45 inches (1295 x 323 x 113mm)
Weight : 34.6 lbs. (15.7 Kg)

Notes: Upgraded version of WMD's excellent performance mixer module, the PM MKII features four stereo or dual mono channels, CV control of levels, panning and aux sends, plus soft mutes per channel.

Supplier's Notes:
Need More Inputs?

Add four channels at a time to your Performance Mixer MKII setup, or you can use the Channels MKII as a standalone four channel mixer.

The expansion is simple -- identical channels, just more of them. Four at a time, up to four Channels units, for 24 total stereo channels.

A simple 16 pin 2mm pitch expansion cable is provided and is the only connection necessary. Units can be daisy-chained easily resulting in a clean setup.

Additionally, the outputs on Channels MKII still work when connected to the PM MKII. So you get a submix of AUX1, AUX2, and MIX available for whatever you may want to do, drum submixing, FX routing, etc.

Not Just an Expansion -- Standalone Operation
As a standalone unit, you get three stereo outputs, MIX, AUX1, AUX2. The buttons are soft mutes. It's a robust four channel setup.

FYI -- You can not connect CHANNELS MKIIs together without a PM MKII. The summing, buttons, and control brain is in the master section of the PM MKII.

Recording Outputs:

Pre and Post fade headers are available on the rear for connection to the DB25 MKII. Each Chanels MKII will fill 1/2 of a DB25 with the Pre or Post connections.

Specifications:

24HP
36mm Depth behind Panel Including Cables
Board Height Between Rails 111.5mm
Channel Input Gain: -12dB to +20dB
Fader Gain: -100dB to +5dB (Applies to Aux1, Aux2 also)
Pan Curve: -100dB at Hard L/R, -3dB at Center
All Inputs and Outputs (Including Sends, Inserts, Headers, etc) are IN PHASE
HPF: -1.3dB at 20Hz

Notes: The Oceans Abyss expands on Electro-Harmonix's highly acclaimed reverb technology to deliver a truly immersive effects workstation. The pedal is centered around dual reverb engines that are independently programmable with full-stereo algorithms including Hall, Spring, Shimmer and more. Place these reverbs into a customizable signal path with additional FX blocks like Delay, Chorus, Tremolo, or Bit Crusher for a completely unique soundscape building experience.

Electro-Harmonix has paved the way for powerful, accessible reverbs since the release of the original Holy Grail and now we've pushed the envelope deeper with the fully-equipped Oceans Abyss. Featuring a customizable signal path with up to 8 effects blocks, the Oceans Abyss can be configured as individual reverb, modulation, EQ, delay, bit crusher, saturation or volume effects, or as countless combinations for incredibly creative effect shaping. From a simple Spring reverb to a lush stereo field featuring stereo hall and shimmer reverbs, chorus, delay, overdrive, and tremolo, you can go from surf to shoegaze instantly, without breaking a sweat.

Deep parameter editing is accessible via the high-visibility OLED display with multiple graphical views and easy-to-read designs. Expression/CV control over nearly every parameter gives artful control of your effects and dynamics. Fully-stereo I/O plus an FX Loop allows for use with any instrument, recording set up, or live rig. 128 programmable presets via onboard footswitching or MIDI ensure perfect recall in all performance situations. MIDI IN/OUT ports with MIDI IN support of PC, CC, and Tempo Clock expand the already immense talents of the Oceans Abyss. Connect with UBS-C to Windows or Mac for effects editing, preset management, and more with the free EHXport app.

Circuit: Digital
Bypass: Buffered Bypass
Audio: Stereo In & Out
Power Supply: 9.6VDC-500mA power adapter included
Dimensions (in): 7.125 x 5.75 x 2.25
Current Draw: 500mA

Notes: White version of the premium Inpulse T7 from Hercules, a Serato-compatible controller with motorised platters for hands-on 7-inch vinyl feel. Two-channel design with Serato DJ Lite and Djuced software included.

Supplier's Notes:
Introducing the DJ Control Inpulse T7 White Edition, the latest release from Hercules DJ following the success of the Inpulse range and the DJ Control Inpulse T7.

Designed with precision and elegance, this model is perfect for both seasoned DJs and beginners. Experience unparalleled control and creativity with features that cater specifically to your artistic needs, like the FX section, the Stems functionalities and so much more.

Whether you are performing at a club, a party, or honing your skills at home, the DJControl Inpulse T7 White Edition transforms your music and elevates your performances. Discover the future of DJing with a controller that combines innovation with timeless style.

Product weight : 11 lb / 5 kg
Product dimensions (W x D x H) : 25.7 x 13.8 x 3.5" / 65.2 x 35 x 9 cm
Master outputs for speakers : 2 x XLR + 2 x RCA
Diameter of jog wheels : 7 inches / 17.8 cm
Headphones outputs : 1/8" / 3.5 mm stereo mini-jack + 1/4" / 6.35 mm stereo jack
Audio resolution : 44.1 kHz / 24-bit
Motorized platters : 33 1/3 RPM motorized metal platters for 7" discs (can switch to 45 RPM in Serato DJ Pro)
Computer interface : USB
Included software : Serato DJ Lite, DJUCED

Notes: MESS is a pedal that opens up a new world of possibilities. MESS blends traditional sound shaping with generative and performance power with four independent effect tracks can befreely assigned to over 120 studio-quality effects, all with sequenceable control over multiple parameters. Start a sequence and create entirely new textures that evolve in time - from lush ambient washes to glitchy chaos. Or switch off the sequencer and use MESS as a powerful, traditional multi-effects pedal.

Mess features 120 high-quality, stereo effects, ranging from traditional to the experimental. Choose from analog-style modulation and time-based staples or innovative spectralizers andnew ways to use granular engines.

MESS's 16-step grid pad is a real time sequencer and editor - with intuitive hands-on control that rewards experimentation without an advanced degree in sound design required. Sequence effect parameters, start or stop sequences without cutting out the effects, or build complex
polyrhythmic patterns that evolve as you play.

Each track runs independently, with detailed control over parameters, time divisions and length .Create slow spectral sweeps by slowing a sequencer down to 1/16th of the chosen tempo while increasing the speed of a microlooper for chaotic glitchy stutters all in the same patch. MESS has the tools to build-up textures or tear them apart.

MESS turns effects into an instrument. Unlike conventional multi-effects units that rely on staticpresets, MESS offers dynamic, programmable, and performative sound design. This effectspowerhouse is equally at home on pedalboards, in modular synth setups, or integrated intoDAW-less setups making it ideal for guitarists, synthesists, drum machine enthusiasts, and sound designers.

Notes: ***B-STOCK: Without original box, product in perfect working order***


Mid-range DJ mixer from the leading UK brand. Fully analogue four-channel design with A&H's much-loved Xone filter section. Very tempting alternative to the flagship Xone:96. Excellent value.

Supplier notes:
Created for DJs and electronic music purists, Xone:43 is a 4+1 channel DJ mixer that offers the very best of analogue audio quality, including the legendary Xone filter with resonance control, 3 band EQ, crossfader with three curve settings and X:FX for send/return to your favourite FX unit.

The crossfader has three switchable curve settings for blending or scratching styles and can be easily replaced or upgraded to a custom Innofader for ultimate crossfader performance.

With balanced XLR main outputs, independent booth and record outputs, Xone:43 excels in the club and in high end personal DJ setups.

Notes: ***B-STOCK: Box opened, product in perfect working order***


Sampling meets the internet in the intriguing WoFi, a WiFi-enabled polyphonic instrument based around samples, granular synthesis and the online mywo.fi community platform.

Supplier's Notes:
WoFI is a portable Sampler keyboard that connects to the internet via WiFi, and features an innovative effect module called Texturer that combines elements of shimmer and granular synthesis to create unique and fascinating sounds. Its compact size and intuitive interface make it an ideal tool for musicians and producers who are always on the move. In addition, WoFI comes with a rechargeable battery, allowing you to create music anywhere you go without worrying about power. You can also share your patches and access sound banks from other sound designers through the mywo.fi community platform. Whether you're a beginner or a seasoned professional, WoFI offers endless possibilities for exploring new sonic territories and creating unique sounds.

Features

Player

The Player let you colour your sound with our emulations of classic samplers and their different sample player modes. Make it clean, dirty or anywhere in between.

Enveloppe

Sculpt your sound with the Enveloppe that can be assigned to WoFi's amp, filter or even both.

Manager

With the Manager and its display, get a visual feedback on all your tweakings, manage your sample library, access to mywo.fi content through WiFi and play with the touch strip. Oh, and there is no subscription needed for mywo.fi. Having WoFi gives you free access to community.

Filter

The Filter let you play the WoFi like classic subtractive synthesizers. It's a digital low-pass filter with two different slopes (12dB and 24dB) and a tasty resonance.

Texturer

The Texturer is here to bring you to unexplored sonic territories. Elevate your sound with this effect halfway between a shimmer FX and granular synthesis.

LFO

The LFO let you modulate your creation. With three different wave shapes, assign it to any parameter of the front panel and give motion to the sound.

Sequencer

The Sequencer let you build melodic patterns with the 16 polyphonic steps. It can be used as an arpeggiator. You can have your two hands free to play along the sequence and tweak your sound while it is looping. Oh, and you can also step sequence parameters, which makes it another modulation source in addition of the LFO and the Enveloppe.

Recorder

The Recorder let you either capture a sample from the line in or directly from the built-in microphone. It's easy as pie, pick your audio source with the switch, click on record and voila. Just like with the iconic first keyboard samplers.

Master

The Wofi is made to be played in many contexts, from your couch to the studio, so it has a full connectivity and two stereo audio outputs: one for your headphones and one for a master line-out and the WoFi internal speaker. Set your volumes easily.

Technical details

Player
- 48kHz 16 bits
- Direct streaming from flash, no preloading
- Polyphony 10 voices

Recorder
- 48kHz 16 bits mono
- Line / dynamic microphone / integrated microphone
- Gain adjust -6dB + 22dB
- Eurorack level compliant

Memory
- Flash embedded memory : 100 Mbytes, Flash cartridge memory : 100 Mbytes, Up to 200 User Patches + 50 Presets

100 MB allows storing 18 minutes of audio

Sequencer
- 16 steps track for notes
- 16 keys track for parameters sequencing


DSP
- Real time processing (No Preprocessing)
- Interpolation modes: sample & hold, linear, whittaker-shannon
- Pitch shift
- Time stretch
- Bit crusher
- Texturer
- Machine rendering emulation
- Resonant state variable filter (12dB/o-24dB/o)
- Parameter modulation from different sources : enveloppe, LFO, sequencer automations, external modulation (CV/MIDI), after touch, touch strip
- Texturer: self mixing renderer based on granular sampling - 8 grains - multi tap harmonizer

File servicing
- Direct file system management through USB
- Embedded sample editor

Network
- WIFI connectivity, up to 16 key pass
- Cloud access: Patch / Sample upload and download, sharing or backup.

Connectivity
- Sync clock + start/stop
- CV input, Gate input
- CV output, modulation output, gate output
- MIDI in, out, through DIN+USB
- Line In, Line out, Headphones


Miscellaneous
- USB powered
- Embedded battery - roughly 4h autonomy
- Integrated Microphone
- Integrated Speaker
- Full backup to Cartridge or mywo.fi
- User friendly workflow


- Aluminium / wood body
- Dimensions: 52cm x 23cm x 7cm

Notes: The Ultimate Output Expander For Hermod+

Introducing xp32, the perfect expander for unlocking 32 assignable CV or Gate outputs, amplifying the creative power of your Hermod+ sequencer.

Transform your Hermod+ into a 16-track CV/Gate powerhouse, an expansive MIDI/USB-to-CV interface, a preset manager, or customize your outputs to suit even the most intricate modular setups.

The xp32 opens a new world of possibilities for both live performances and studio setups, giving you the flexibility to realize your most complex musical ideas.

Seamless Integration.

Setting up the xp32 is as easy as connecting the included expander ribbon cable to the back of your Hermod+.

The xp32 integrates seamlessly: Hermod+ will automatically recognize it, and your 32 additional outputs are ready to use instantly.

With the xp32, Hermod+'s 8 CV/Gate tracks remain untouched. Instead, the xp32's 8 additional voices are internally mapped to Hermod+'s MIDI tracks, offering maximum expandability without altering your existing workflow.

Unmatched Precision & Flexibility.

Each of the 32 output jack is powered by a dedicated 16-bit industrial grade DAC, ensuring the best accuracy for all your control voltage signals, from pitch to fine modulations.

Easily configure each output as a Gate (for notes, triggers, or clocks) or as a CV (for pitch, velocity, aftertouch, modulation...).

High-precision.

Low noise.

At the heart of the xp32 are highly-precise digital-to-analogue conversion circuits, developed with meticulous attention to detail. Squarp have incorporated high-end components to guarantee reliable, low-noise, high-performance outputs that you can depend on for both small and large modular systems.

The 32 signal LEDs are driven by a fully analogue current-control circuit, guaranteeing zero digital noise.

Specifications

Power

Consumption : -12V 70mA, +12V 80mA, +5V 20mA

Hardware
Width : 14HP
Depth : 33mm
Height : 128,5mm (3U)
Weight : 170gr (0.37lbs)
32x CV outputs resolution : 16-bit DAC (industrial grade)
32x CV outputs range : -10V to +10V

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Inspirational west coast sounds from one of the masters. Additive oscillator with eight harmonics, direct outputs and powerful CV control to scan, tilt and mix the waveforms.

Supplier's Notes:
For the first time in Eurorack, this oscillator module provides outputs for the first 8 harmonics as sine waves. Also included are triangle, saw, square waves.

A voltage controlled mixer with various methods of address allows the user to scan, tilt and mix the harmonics from both panel and external voltage control. It is built on a discrete, all analog triangle core with an old school discrete transistor exponential converter. It has inputs for linear and exponential FM, the exponential with a reversing attenuator. Of course there's a 1 volt/octave trimmed CV input as well.

Power consumption: 120mA at +12 V and 90mA at -12 V

HP : 32

Notes: ***B-STOCK: Box opened, product in perfect working order***


***POWER SET FOR EU AND AUSTRALIA 220-230V:
The Pittsburgh Modular Structure 208 and Structure 360 eurorack enclosures use a switching power supply that needs manually set to the correct AC input voltage. The internal switch has already be properly set for 220-230 VAC. This setting works for the EU and Australia or other countries that use 220-230 VAC power.
For use in countries that use 100-120 VAC power, such as North America and Japan, the switch inside the case on the AC/DC regulator needs to be switched to the left. The switch is marked with a Yellow sticker printed with "AC input voltage can be selected by switch. Check input voltage avoiding damage before power on." The switch is located on the side of the enclosure below the arrow.
Please contact Pittsburgh Modular with any questions. [email protected]***

Structure EP-208 Eurorack Enclosure -

Maximum Power for a New Generation



Beautifully stained hardwood double row, 208hp powered eurorack travel case with lid. Includes professional, heavy duty, internal power supply designed to exceed the needs of the most demanding analog and digital eurorack systems.




Everything is New:

With years of research and two case lines under our belt, we decided to start over and produce a line of cases for the next generation of eurorack synthesizers. The eurorack modular ecosystem is expanding faster than ever and manufacturers are constantly pushing eurorack cases and power supplies to the limits. What started as a power supply designed to drive primarily analog synthesizers has transformed into a supply that needs to simultaneously meet the unique demands of sensitive analog circuitry, power hungry digital processors, and ground sensitive user interface modules.

We started with what matters most. Clean power. A lot of it. Up to 3x the amount of clean power available in cases from other brands. Next we turned our focus to the enclosure itself and there was only one goal. Make the case stronger. Our engineers tested countless combinations utilizing different types of wood, joints, adhesives, assembly techniques, and hardware to ensure that Structure cases are as durable as they are beautiful.

With a clean and gorgeous design that promotes creative exploration, the Structure enclosures are our most robust and refined case line yet. With massive amounts of both room and clean power, you can reach completely new heights in your creative performances.




Features:

Structure EP-208 Power:
4 Amps of Clean +12v Power

3 Amps of Clean -12v Power

2 Amps of Clean +5v Power

Custom Powered Bus Board with 15 Keyed Eurorack Power Headers Per Row, 30 Power Headers Total

External On-off Rocker Power Switch with LED

Universal IEC Power Connector Works Anywhere



Structure EP-208 Enclosure
:
Hardwood and Steel Construction (No cheap plastic here)

Dual 104hp Rows

Removable Lid

Lid Fits Over Fully Patched System (No need to remove patch cables)

Edge to Edge Rail Design Reduces Gaps Between Modules and the Side of the Case

20 Smooth Sliding Square Nuts Per Rail (Holds up to 40 modules)

Beautifully Hand-Stained Hardwood

Matching Black Steel Hardware Set


Structure EP-208

Dimensions
:
External Depth with lid:9 1/4"
External Depth without Lid: 5 1/2"
External Height: 12 1/4"
External Width: 22"
Internal Depth Above Power Supply: 2 3/4"
Internal Depth Above Bus Board: 3 3/4"
Internal Depth Above Nothing: 4 1/4"

Notes: Monolit by Lightreft is a cutting-edge, multifunctional MIDI-computer that transforms your music production experience. Designed for musicians who seek precision and flexibility, MONOLIT offers seamless integration with all DAWs and hardware devices, customizable presets, and an intuitive interface for effortless control and creativity.

Whether you're diving into your DAW or jamming out with external hardware instruments, MONOLIT has you covered. An endless library of presets at your fingertipsieach one offering 8 banks, with 8 sliders and 8 buttons per bank. That's a whole lot of control!

For each slider and button, Lightreft present a range of versatile options. You can record MIDI automation, set delay times for slider movements, send notes and LFOs, and adjust various parameters directly within the device. This flexibility ensures that you have complete control over every detail of your setup.

But it doesn't stop there. MONOLIT is as versatile as you are, allowing you to connect other devices like Gamepads, Keyboards, Monome Grid , or any MIDI device you fancy. This means you can take command of your entire setup, all through one sleek, powerful interface. Whether you're crafting the perfect beat, tweaking synths, or anything in between, MONOLIT is the tool that brings your musical ideas to life with ease and style.

Designed and assembled in Japan, MONOLIT is ready to be shipped worldwide.

Specifications

Enclosure: the casing and front panel are made entirely from a single piece of aluminum.

Screen: multi-bright monochrome display 128x64 with a cozy pixel font

Controls: 8 sliders and 13 buttons providing full control

Banks: 8 banks with a total of 64 fully customizable sliders and buttons per peset

Memory: Save, load, and edit presets, and switch between them with ease

Compatibility: MONOLIT works with any DAW or hardware device that supports MIDI

Connectivity: TRS to MIDI, USB-C outputs, as well as USB input to connect external devices

MODES: 4 customizable slider modes and 2 button modes, with more on the way in future updates

Notes: ***B-STOCK: Box opened, product in perfect working order***


Updated version of IK's MTM monitors offer even better performance in the same compact package. Available here as a pair bundled with ARC measurement microphone for precise calibration.

Supplier's notes:

IK Multimedia iLoud MTM MKII Active Studio Monitor (single)
Deeper. Louder. More accurate.

iLoud MTM MKII offers sonic perfection and volume levels previously unavailable in this class of reference monitors. Maintaining its iconic form, MTM MKII sports more efficient drivers and twice the processing power under the hood to turn any space into the ideal mixing and mastering setup.

Enjoy clear, neutral sound with the deep, controlled low end you'd expect from a speaker twice the size and linear phase response that rivals speakers twice the price. Its MTM design and precise time alignment make hours of fatigue-free listening possible while minimizing acoustic interactions, which is ideal for desktop use.

With advanced ARC auto-calibration, MTM MKII guarantees improved acoustic performance in any space in seconds. Connected to a computer, award-winning X-MONITOR software adds deep customization and breathtaking emulations of 20+ top studio monitors and other playback systems to A / B your mixes instantly for the perfect translation.

MTM MKII is like having an entire suite of precision-tuned monitoring tools.

Ultra-nearfield monitors for critical mixing

iLoud MTM MKII features a pair of 3.5" high-performance woofers and one 1" high-definition, back-chamber loaded tweeter with improved speaker drivers for superior volume and low end, plus improved clarity and articulation in the midrange. The Midrange-Tweeter-Midrange symmetrical design (D'Appolito configuration) provides ultra-precise, defined, point-source sound that can't be achieved by traditional 2-way systems at close distances, meaning you'll mix better and with less ear fatigue.

Designed to work faster in more situations

In addition to improved speaker drivers, iLoud MTM MKII maintains tight vertical dispersion, minimizing the acoustic impact of desktop placement and ceiling and floor reflections to ensure the most accurate possible sound. MTM MKII offers a wider horizontal dispersion, creating a broader sweet spot for easier mixing than other MTM designs while maintaining the smoothest in-room response. Better power efficiency and extended max SPL mean iLoud MTM MKII also offers superior performance as an FOH mixing monitor, immersive speaker or other volume-dependent tasks.

Next-generation ARC room correction

iLoud MTM MKII adds a deeper, more comprehensive ARC auto-calibration derived from IK's flagship iLoud Precision series. Connected via USB to a Mac / PC with X-MONITOR, this 4-space measurement offers an unmatched definition and reliable translation in virtually any environment, so your mixes will always sound their best. A rapid, single-point measurement option can be done anywhere without a computer. Connect an ARC MEMS microphone (sold separately) to each speaker's mic input, and you'll be up and running in moments.

X-MONITOR integration

Also inherited from IK's flagship iLoud Precisions, iLoud MTM MKII now offers full X-MONITOR integration. This exclusive, award-winning software gives you complete control over every speaker element beyond the rear controls. Also, it allows for precise delay compensation between units for improved stereo imaging.

A single solution to A / B mixes

In addition, X-MONITOR allows you to switch between virtual monitoring voices, emulating the frequency and phase response of other top studio monitors and reference systems. With 4 buttons to quickly recall various voices, X-MONITOR with MTM MKII becomes an entire reference monitoring system in one elegant solution.

Stereo to immersive sound anywhere

IK have packed all this technological sophistication into a compact format that takes up 30% - 50% less space than comparable designs and weighs just 5 pounds. With tilting desktop mounts included, it's the ideal desktop solution for home, project or mobile recording. There's also an included isolation pad for horizontal placement wherever needed.

Bottom mic stand mounts securely position iLoud MTM MKII behind a console for studio or FOH use or even on boom arms to create immersive setups anywhere quickly with no tools required. A custom mounting bracket is also available to easily install MTM MKII as overheads or wall speakers in any studio.

The ideal immersive audio solution

All these amazing features, plus a selectable 80 Hz low-frequency cutoff, also make iLoud MTM MKII the ideal monitor for today's immersive studios. Learn how iLoud MTM MKII is ideal for use with ATMOSr and other multi-channel audio systems!


Specs

iLoud MTM MKII Specifications

Type: 2-Way / 3-speakers bi-amped, digitally controlled studio monitor
LF drivers: 2 x 3.5" composite cellulose fiber, custom-made mid-woofers
HF drivers: 1" low distortion, back chambered silk dome tweeter
Acoustic design: DSP tuned bass reflex
Number of amps per speaker: 2
Amplifiers type: High efficiency Class-D
Total power: 100 W RMS
LF power: 70 W RMS
HF power: 30 W RMS
Crossover type: Digital, linear phase
Crossover frequency: 2.8 kHz
Frequency response: 48 Hz to 28 kHz + / - 2 dB, 36 Hz to 32 kHz @ -10 dB
Phase response: System remains coherent within + / - 15- from 200 Hz to 20 kHz
Sensitivity at +4 dBu: -6 dBu signal generates a 94 dB SPL @ 1 m
Sensitivity at -10 dBV: -17 dBu signal generates a 94 dB SPL @ 1 m
Continuous, long term SPL free field, 1 m distance, one speaker, ANSI-2034 Weigthed Pink Noise: 97 dB
Peak SPL free field, 1 m distance, one speaker, ANSI-2034 Weigthed Pink Noise: 110.5 dB
Peak SPL, half space, 1 m distance, one speaker, ANSI-2034 Weigthed Pink Noise: 112.5 dB
Placement setup: Manual switches for LF Extension, LF trim, HF trim, Desk position
LF extension switch: Sets -3 dB point of the frequency response at 40, 50, 60 or 80 Hz (LFE)
LF switch: Low shelf, +2 dB or -3 dB from 100 Hz down
HF switch: High shelf, +2 dB or -3 dB from 8 kHz up
Desk switch: -4 dB at 160 Hz and +1 dB at 1.8 kHz
Calibration: Fully automatic and built-in digital calibration
Full DSP control
Total Latency (TOF): 2.44 ms
Connectors: 1x combo XLR-1 / 4" TRS balanced input; 1 / 8" TS ARC microphone input, 1 x USB type-B, AC POWER socket
Power requirement: 90 to 240 V AC, auto-ranging, 50 or 60 Hz, 120 W max power consumption

Dimensions

Size: 264 mm / 10.39" x 160 mm / 6.3" x 130 mm / 5.12"
Weight (per speaker): 2, 5 kg / 5.5 lbs (speaker + foot)

Package includes

1 x iLoud MTM MKII monitor
Power cord
Tilting stand
Horizontal support feet
Locking key
1 x ARC Microphone
1 x ARC Microphone clamp
1 x XLR to 1/8" (3.5mm) TS cable for ARC microphone (2.5m/8.2ft)

Notes: The OXI One MKII is the culmination of years of refinement, shaped by invaluable input from our community and artists. We've integrated powerful new features and optimized the workflow for unparalleled speed and creativity. The result? The most robust, intuitive, and affordable sequencer available today.

The OXI One MKII takes everything you loved about its predecessor and amplifies it. Now equipped with 8 sequencers and support for up to 64 tracks, it offers unparalleled flexibility for crafting complex compositions. Enhanced rhythmic sequencing, advanced composition tools, and expanded connectivity options make the MKII a powerhouse for music production. With a refined, intuitive workflow and a host of new features, the OXI One MKII delivers more functionality, more precision, and more creative freedom than ever before. More is More. Long celebrated as a go-to sequencer for melodic creativity, the OXI One MKII is now equally powerful on the rhythmic front.With expanded generative options, it allows you to effortlessly add dynamic variations to your compositions - unlocking endless creative possibilities. Featuring conditionals, modulation lanes, and LFOs tied to each sequencer mode, the OXI One MKII ensures that your creativity moves at the speed of inspiration. This sequencer empowers you to craft intricate, evolving patterns with ease. With a top of the line repeats engine, accumulators, and the enigmatic Flow button your compositions will be taken to the next level. More than just a studio centerpiece, the OXI One MKII is a powerful performance tool. With enhanced performative features, it equips you to play your arrangements and compositions live with precision and freedom. Whether in the studio or on stage, the OXI One MKII is your ultimate creative partner.

While the OXI ONE MKII is a new release, it retains the familiar workflow of the original OXI ONE now refined and enhanced. With significant feature upgrades and improved usability, the MKII sets a new standard as the ultimate sequencer.

With 6 sequencer modes OXI One MKII is the most versatile sequencer on the Market.

Multitrack: 8 independent tracks with customizable parameters; expandable to 64 tracks for vast creative potential.

Chord: Innovative chord generator with diverse types, voicings, Chromatic Mode, and custom scales for rich progressions.

Poly: Up to 7 voices with unique per-note chance and logic conditions for dynamic editing.

Mono: Full control over monophonic tracks, enhanced with accumulators for intricate melody creation.

Stochastic: Generative sequencing for evolving melodies with precise rhythm and pitch control.

Matriceal: Rule-breaking sequencer with four independent lanes for velocity, octaves, and notes, designed for experimental flexibility.

Our innovative CHORD MODE lets you effortlessly create dynamic chord progressions with diverse chord types,voicings, and bass options via intuitive menus. The built-in chord arpeggiator transforms chords into lush, evolving soundscapes. The HARMONIZER syncs other instruments to your chords, maintaining perfect harmonic unity. MODULATE your chord track with LFO, MOD lanes, or External CV. Applied modulations carry over to linked instruments, keeping your music dynamic and evolving.

4 Knobs For Total Control Of Any Parameter: All parameters of every menu are shown in the screen and can be modified with their respective encoder. No menu diving needed. With OXI One MKII the workflow is even more refined.

The OXI ONE MKII elevates sequencing with enhanced logic conditionals, transforming simple compositions intointricate, vibrant sequences effortlessly. Its innovative Accumulator and Repeats Engine delivers rapid, intuitivevariation, setting it apart from other sequencers. Expanded with eight modulation lanes per track and a broaderrange of internal destinations, the modulation system is more powerful than ever. Plus, a fresh suite of generative tools sparks inspiration, breathing life and endless creative possibilities into your music.

OXI ONE MKII supports both modern and legacy connectivity, ensuring full integration with all your studio gear sonothing gets left behind.DIN Sync, MIDI, CV/Gate, USB, and Bluetooth allow you to connect anything to the OXIONE MKII. 8 CV and Gates, use USB as Device or Host mode, Bluetooth to connect your tablet or mobile phoneand use it as another musical instrument and with the Split v2 expansion you can connect up to 6 MIDI Lanes. Nothing is left out in your studio with OXI ONE MKII.

OXI ONE MKII is built for durability and performance, using premium components, advanced technology, andrugged materials to handle demanding studio use and tough touring conditions. Featuring a sleek aluminiumun body, high-grade silicone pads, and robust aluminium knobs, it delivers professional build quality at an accessible price - making it one of the best value sequencers on the market.

Notes: After five years of conceptualization, development, stress, company destruction and relocation, redesign, existential questions, prototyping, and willpower, WMD's Skorpion is ready to decimate and reanimate whatever you throw at it -- creating goosebump worthy sounds you've never heard before.

Skorpion is the epitome of WMD's ethos, "New Sounds, Maximum Experience". Painstakingly designed UI, all the CV I/O and controls you could ask for, and a broad spectrum of subtle to 100% NOT subtle swarms of harmonics, chaos, and character. This module is packed full of features to provide continuously explorable fun whether you are experimenting or meticulously crafting a sound that is 100% yours.

Skorpion builds on WMD's's long pedigree of experimental module designs, exploring a new method of wavefolding using thresholds and target voltages to control a powerful vector core. The design process has been very technically challenging, using high speed cmos and precise analog design with hybrid digital overlay for a solid UI.

Skorpion is an 8-stage analog wavefolder that allows you to precisely mangle simple waveforms into complex shapes with a fun, hands on fader interface. Taking the concept many steps further, internal modulation sources allow for macro animation of multiple parameters simultaneously, creating rich, evolving harmonic movement never heard before in hardware.

The Controls

The SHAPE and SLOPE controls allow for smoother or harsher added harmonics, and the 1V/OCT CV input is required for tracking timbre across notes.

FOLD controls the input gain of the signal, causing it to hit each of the eight THRESHOLDS causing a reversal in the output at each point. The signal can be driven towards one of three TARGETs: 5V, the Sliders, or the signal at the CLIP jack (normalled from IN).

SLOPE controls the baseline rate of the output, the higher the slope, the higher the harmonics. The overall slope rate is modified by 1V/OCT and SHAPE.

SHIFT is the classical vertical shift that makes the wavefolder sound like a chorus with subtle modulation.

SHAPE is a feedback control affecting the slope rate of the wavefolder. Eight different sources are available for feedback. The SYM switch decides whether the modulation is applied symmetrically when above or below 0V.

OUTPUT controls whats at the output jacks, the DRY signal, the WET signal, or a mid side stereo processed WIDE signal. WIDE is generated using a second vector core with a variable short delay. If all THRESHOLDS are inactive, a gate is normaled here. The intention being that if the input signal is too low to cause any folding, the OUTPUT circuit is pulled DRY so that you never get silence from the Skorpion.

The EQUALIZE THOLDs switch disables the sliders and forces an equally spaced threshold more akin to classic wavefolders. Modulation is disabled in this mode. Also controllable with a jack.

TARGET ORDER determines which slider is selected when the threshold is activated. Basically, it allows for a different order on the way up as way down producing pleasingly different timbres when using the sliders for target.

SYNC has three modes, OFF in the center. HARD which resets the vector core to 0V at every zero crossing of the input waveform. and SOFT which vectors core toward 0V at the current rate.

HALT IF TARG=0 makes the vector core draw a horizontal line if the TARGET slider for that threshold is at 0 (fully down).

ANIMATION - Sliders, Spring Action Switch, and Macro Envelope:
There are 13 total internal modulation sources. A primary MACRO ENVELOPE, eight (8) Threshold LFOs, and four (4) CV modulators that normal to the FOLD, SLOPE, SHIFT, and SHAPE attenuverters. The CV modulators can be LFOs or Envelopes.

The switch rests in the center, making the sliders control the THRESHOLDs. When held to the left, the sliders set the TARGETs. When held to the right, the sliders control the MACRO SETUP detailed below.

The MACRO ENVELOPE is an Attack/Hold/Release style envelope. A gate here will start the envelope, lighting the LED blue, while the envelopes level will glow red. The times for Attack and Release are controlled in the MACRO SETUP mode by the first two sliders.

The MACRO ENVELOPE modulates the amplitude of all LFOs. If the CV modulators are set as envelopes, then the gate will start the envelopes, but they otherwise operate independently.

MACRO SETUP:

Parameters are modified in MACRO SETUP by holding the switch to the right and moving respective sliders.

Macro Envelope's Attack Time
Macro Envelope's Release Time
Threshold LFO Amount
Threshold LFO Rates
Fold LFO/ENV Rate/Time - CV(5)
Slope LFO/ENV Rate/Time - CV(6)
Shift LFO/ENV Rate/Time - CV(7)
Shape LFO/ENV Rate/Time - CV(8)
Envelope Times are shortest at the bottom of the slider and longest at the top.

LFO Rates are slowest at the bottom of the slider and fastest at the top.

Fold, Slope, Shift, and Shape modulation

Specifications
20HP
38mm Depth (with power cable)
Power: +200mA, -160mA
LFO rate: 0.0016Hz to 6Hz
ENV time: 0.05s to 600s

Notes: Oradea is a quadruple voltage controlled analogue resonator. You can use it to enhance external audio or to generate tones. It can mimic the resonant characteristics of physical objects or spaces. Oradea's frequency response can be tuned over the entire range of audible frequencies with V/oct response. The module offers precise control over the resonance of each band up to extremely high values with long response to pinging. Oradea is additionaly equipped with four individual trigger inputs for exciting its filters with internally generated, uniform, and finely tuned impulses.

Individual outputs allow you to externally process each band separately. Resonant frequency gain compensation prevents uncontrolled distortion (the gain at peak does not increase with resonance). There is a VCA and a polarity switch in each channel, so you can remotely shape the overall amplitude and manually change the phase response.

Technical details
Eurorack synth compatible
20hp, 40mm deep (incl. ribbon bracket)
Current draw: +210mA / -190mA
Reverse power protection

Expandability

Expandable with Arad Resonator Commander, offering three additional features. It has direct audio inputs for individual channels. There are manual buttons and gate inputs for clickless muting and unmuting of the channels. Another group of four buttons acts in parallel to the excite inputs of Oradea, allowing for manual triggering.

Notes: Analogue discrete Synthvoice with two VCOs, three SUB-VCOs, Wavefolder, Noise, Ring Modulator, two loopable ADRS, two LFOs/VCOs, MIXER, 24db Lowpass VCF, VCAOur new Eurorack flagship hits stores this summer. Very compact (pre-patched) discrete synth voice module with excellent analogue technology for endless soundscapes at a reasonable price.

Two discrete VCOs with highly stable tracking

Three analogue Suboscillators (3/4-1/2-1/4 with SQUARE, SAW, TRI) + Gravity Mix -Sync

Wavefolder (VCO 1 TRI WAVE)

White Noise

XOR Ringmodulator

Discrete VCA

24dB LP VCF with overdrive

Dual analogue LFO (one also usable as VCO) with incredible range and keytracking -Two superfast and punchy analog ADSR sections with LOOP function and four TRG outputs (End of ATT, End of DEC)

Mixer section with Master level -Glide presets and huge Patchfield to communicate with other Eurorack Modules.

Screwed metal shaft potentiometer

Rackspace: 36TE
Depth: 25mm

Notes: ***B-STOCK: Box opened, product in perfect working order***


Valve-based pre-amps meet cabinet simulation in this ultra-flexible pedal. Dial in your tone, patch in effects, and control the lot via MIDI or USB. A brilliant combination of analogue and digital.

Supplier's Notes:
Tsakalis is proud to release their most ambitious product to date. Seamlessly blending the authentic analogue warmth of real tubes with a highly configurable cabinet simulator, plus flexible outputs and control options, the MOTHERSHIP - Real Tube Preamp stands out as possibly the most highly featured and flexible front end for any guitar rig currently available.

The MOTHERSHIP is a complete solution for authentic vintage and modern genuine tube amp tones, in a user-friendly and lightweight, yet rugged package that is designed to slot in easily into any setup.

Both channels on the MOTHERSHIP are identical, yet highly configurable.

Featuring three gain modes (High, Medium and Low) on each channel, along with a toggle switch for selecting between your three chosen speaker simulations, the MOTHERSHIP can conjure up a multitude of both iconic, familiar and unique tones easily and intuitively. Each channel also features two master gain controls along with two master volumes, allowing four different voices to be instantly recalled, either by pressing the relevant footswitch or via MIDI command.

Demonstrating its prowess as a fully comprehensive plug and play device, the MOTHERSHIP also features over 70 free custom cabinet simulations to choose from (when connected to Tsakalis' own TAW Editor app via USB), separate dedicated simultaneous outputs for both the cabinet simulator and a "dry" output for your amp of choice, MIDI control of channel, A/B selection and bypass and also a serial mono FX loop for added tonal versatility.

Fully-featured all-analogue real tube preamp design

The MOTHERSHIP represents the perfect "amp-in-a-box" pedal, seamlessly blending a beautifully designed, real tube front end with a highly flexible cabinet modelling solution. However, it also shines as a genuine tube overdrive pedal when connected to the front of your amplifier, or when running it as the tone defining preamp section of your setup, directly into your power amp. It can also do both of these things simultaneously.

Quad channel tube preamp and drive

This preamp pedal has two completely independent channels, each featuring a four-band EQ, two different Gain/Volume sections, three selectable gain-stages and three selectable cabinet simulations, plus a serial mono effects-loop for your external effects, MIDI in and free access to Tsakalis Audioworks' full free online library of carefully selected and curated digital cabinet simulations.

The MOTHERSHIP's two independent channels were carefully designed with a real tube audio path, providing a huge range of tones from warm or sparkling cleans all the way to high gain tube driven distortion. The two ECC83 (12AX7) tubes, run at a comfortable 240 Volts, providing touch sensitivity, headroom and plenty of gain and tube sag as required.

Each channel features a four band EQ (Bass, Mid, Treble and Presence) and two different Gain and Volume controls (Gain A-Volume A / Gain B-Volume B) transforming the MOTHERSHIP into a quad channel powerhouse.

The dedicated MODE switch for each channel is responsible for the tube audio path structure, giving 3 different gain modes L = Low, M = Mid and H = High, allowing you to easily customize completely different lead and rhythm tones with different gain structures as well as a solo volume boost for each and access them on-the-fly by simply pressing the relevant footswitch.

Notes: ***B-STOCK: Box opened, product in perfect working order***


Welcome to the world of sound of LYRA-8, the unique organismic analogue synthesiser designed by Vlad Kreimer. "Organismic" means that LYRA uses some principles that lie in the base of living organisms. The way how LYRA's modules interacting between each other and the behaviour of the instrument resembles a live conversation.

LYRA-8 is based on eight generators, which will be referred to as voices. Their design is not like a traditional subtractive synthesis VCO. Instead of having a linear or logarithmic dependency on control voltage, they resemble the tone generators in old electric organs. Hence the use of the term "voices" instead of "VCOs". Lyra uses non-linearity a lot, and the voices are constructed in such a way that allows for non-linearity to express itself.

The voices are divided into four pairs (12, 34, 56, 78). All the pairs are divided in two groups, with two pairs in each (1234, 5678), creating tree-like structure.

The voices can function either in an electric organ mode or in an FM synthesis mode with each of the voices and its envelope acting as a separate FM operator. The voice's impact on FM synthesis will decrease along with the decay of its envelope.

LYRA-8 also has the next blocks:

The HYPER LFO is a complex low-frequency generator, whose waveform is synthesized from two simple LFOs by summation or multiplication of their frequencies. It also has a sync mode. The LFO can modulate the selected pairs of voices and the MOD DELAY.

The MOD DELAY consists of two lines of delay with cross-feedback and a special architecture that enables resonance between the two lines. Each line's delay time can be individually modulated from various sources, including external ones. The delay has a unique possibility of self-modulation where the output signal modulates the delay sample rate, creating cool effects.

The DISTORTION is last in the chain, after the delay. It enables the delay to also influence the distortion.

For all its experimental character, LYRA is a professional instrument. Its output dynamics and frequency response are balanced and ready for a live performance or studio recording without any additional processing.

Specifications:

Max output voltage: 2 v 0-to-peak
Output connector: mono 6.3 mm TS or TRS (balanced) jack
Output resistance: 100 Ohm
EXT IN: 1 v 0-to-peak
EXT IN connector: 6.3 mm TS jack
HOLD GATE: full HOLD volume +5 V
HOLD GATE connector: 6.3 mm TS jack
CV DELAY : unipolar, range of 0 to +5 volt
CV DELAY connector: 6.3 mm TS jack
CV VOICES: unipolar, range of 0 to +5 volt
CV VOICES connector: 6.3 mm TS jack
Power supply: stabilised, +12 V, 0.2 A, centre positive
Power Consumption: 2 watt
Dimensions: 266 x 266 x 62 mm
Weight (without power supply and packaging): 2.5 kg

Notes: More than just master keyboards, the SL mk2 series is a new chapter in musical keyboard controllers. From the innovative UX Logic interface, seamless integration with the Numa Player, high-definition MIDI 2.0, to the immersive realism of our new keybeds, every detail is crafted to bring your music to life.

The SL gets smarter. With the revolutionary Studiologic UX Logic, first introduced with the Numa X Piano, the SL mk2 series redefines simplicity and elegance. A sleek, modern control panel empowers your creativity, making navigation intuitive and effortless. Create, explore, and control with unparalleled ease.

SL Link, Studiologic's groundbreaking protocol, bridges the gap between your gear and your imagination. With compliant external apps taking full control of the SL mk2, every nuance of your performance stays in perfect sync.

Seamlessly connect the SL mk2 with Numa Player 2, our cutting-edge music software is built now to complement the SL series perfectly.

Numa Player is cross-platform and designed for ultimate versatility, offering a rich selection of high-quality sound libraries. Best of all, these libraries are free for every SL user1, providing you with a full musical experience straight out of the box. Whether you're composing, performing, or exploring, SL Link and Numa Player ensure your creativity knows no bounds.

The SL mk2 takes a leap into the future with MIDI 2.0. Unlock the full potential of your music with greater resolution, richer dynamics, and unprecedented precision. It's not just MIDI; it's music at its most expressive.

Take charge of your studio with dedicated DAW transport controls. From playback to recording, essential features are just a touch away, so you stay immersed in the creative process without breaking stride.

The SL mk2 doesn't just control; it delivers. With dual audio outputs and a headphone jack, it functions as a professional-grade audio interface. Powered entirely by USB-C, it delivers pristine sound from computer or mobile device directly to your speaker system no extra hardware needed.

Featuring the TP/400 Wood, our finest keybed ever. Designed to deliver an unparalleled touch, it offers a playing experience remarkably close to that of an acoustic grand piano. From the precise hammer action to the timeless beauty of wooden keys, every detail is crafted to inspire and elevate your performance

Notes: An exact replica of the legendary Pearl SY-1 Syncussion drum machine, featuring expanded I/O board. Classic analogue sound with individual trigger inputs, two voices and six different oscillator modes per voice.

Supplier's Notes:
The Michigan Synth Works SY-1 Drum synth is a full size, exact replica of the Pearl SY-1 Syncussion. Every detail has been replicated from the original board layouts to the mechanical construction. The assembled version has been modernized to use current manufacturing processes while still using the original board layouts and all parts have been carefully chosen to match the behaviour of the original. Case, boards, and I/O Boards are all interchangeable with the original Pearl device.

Assembled versions come with the METAL back standard, the wood case is available as a DIY kit separately.

The Syncussion:

The Syncussion is a 2 voice drum synthesizer with two oscillators per voice and six different modes. Five modes mix and modulate the oscillators plus a noise channel. Each voice has controls for TUNE, DECAY, SWEEP amount, SWEEP Speed, Sweep up/off/down, LFO amount, and LFO speed, LFO Shape (Tri or Square), and sample and hold.

OSC Modes:

A: One oscillator sound, at this position the regular drum synthesizer sweep can be effected.

B. Sound of one oscillator adjusting the other oscillator frequency; produces a metallic sound.

C. Sound of a mix of two oscillator outputs; sound is similar to that of a vibraphone.

D. Sound of mix of two oscillator outputs; produces a low to high sweep and is done by hitting pad softly or hard; there is no connection to SWEEP SPEED and SWEEP RANGE

E. Sound of one oscillator adjusting the other oscillator frequency with a mix of noise; produces a sound similar to hitting thin metal.

F. Sound of only noise

Triggering:

The SY-1 is designed to be triggered via drum triggers which output a very low pulse signal. Modern 5V trigger signals (v-trig) can be used, how it i recommended experimenting with simple audio samples or more dynamic triggers. One of the more interesting features of the Syncussion is the dynamic response to the drum triggers and just sending a straight pulse which maxes out the trigger inputs does not do the device justice.

Tuning:

The original SY-1 uses a tune pedal to adjust the pitch of both oscillators while playing. This functionality has been retained in the original configuration but is of limited use without the pedal. The expanded version DOES have per voice CV control (1v/Oct) as well as the MIDI.

The inputs and outputs use 1/4" Stereo to 1/4" (3 included) to greatly expand the capabilities of the device. The Mod input is prewired to VCF freq but can easily be switched to decay via jumper on the voice cards.

The SY-1 ships with a metal base panel but the DIY wood case can be used instead. It is provided UNFINISHED and sold separately.

Whats included:

SY-1 Synthesiser

Universal Power adapter (100-240V, 12V DC out, Tip Positive)

Expanded I/O: 3x 1.5m TRS 1/4" Phone to 2x TS 1/4" Phone

Notes: Fueled by the success of its DJControl Inpulse range and the DJControl Inpulse T7, the DJControl Inpulse T7 Premium Edition comes with a range of unique enhancements and sleek finishes that will make it easier for modern DJs to scratch and perform anywhere.

The controller features a high-quality premium fader module, two new slipmats ideal for scratching, two slipmats ideal for traditional mixing, a transport case and eye-catching gold details and markings.

Designed primarily to serve the hip-hop and scratching community that embraced the original DJControl T7 most enthusiastically, this new controller from Hercules will add a little extra heart to every beat.

The DJControl Inpulse T7 Premium Edition comes with two software licenses, Serato DJ Lite and DJUCED. It is compatible with Serato DJ Pro

Notes: Third-generation version of Arturia's exceptional KeyLab controller is presented here in a white, 88-key format. Top quality, expressive performance and Arturia's famed reliability.

Supplier's Notes:
Building on the success of their recent rev3. releases (Minilab 3, Keylab Essential 3 and Keylab MK3) Arturia are delighted to share their next gen 88 note controller keyboard, the Keylab 88 MK3.

With a full-size hammer-action aftertouch keybed and next-level software integration encased in hard wearing high-quality materials and hard-wood panelling - KeyLab mk3 88 not only looks the part but will stand the test of time on stage and in the studio.

Keylab 88 MK3 features all of the refinements found in the other MK3 keyboards, but it sports a massive upgrade to it's keybed over previous models, now equipped with a FATAR TP/110 the Keylab 88 MK3 delivers a stunning playing experience, unlike any other 88 note controller on the market.

With a stunning visual display that shows a range of contextual information on-screen alongside touch-sensitive controls and advanced creative features; it enhances every aspect of the music-making process. From integrating effortlessly with Analog Lab Pro and all major DAWs to supporting musical ideation, keyboardists, producers and composers alike can take full command of their setup like never before.

From customizable MIDI settings and intuitive controls to advanced creative features that support musical ideation - KeyLab mk3 is a powerful ally both in the studio and on stage

KeyLab mk3 offers advanced connectivity with all major DAWs including MCU/ HUI protocols, allowing you to view contextual information on-screen, create user programs and have complete control of your music making software and instruments.

With Analog Lab Pro, Ableton Live Lite and a range of timeless instruments from the world-renowned V Collection, discover a suite of pro-grade software to start making music right away.

Notes: Introducing the new Buchla Auxiliary Oscillator Card, a brand new revision of the BEMI era AUX Card, designed to perfectly compliment 208c series / Easel instruments.

Buchla Music Easel users remember fondly the BEMI-Era Easel Aux Expander Card, which added an auxiliary modulation source which could also be used as an audio rate oscillator and more!

Now, the Aux Card returns as the Aux Osc Card - A new Auxiliary Oscillator Card which perfectly compliments the current generation Music Easel Modern, Retro, Easel Command, and Anniversary Edition.

The new AUX Card unlocks an incredible range of features, dramatically expanding the Easel's capabilities and taking your creative potential to the next level.

Notes: ***B-STOCK: Box opened, product in perfect working order***


Upgraded second-generation version of the high-end DT 1990 features improved sound, increased comfort and top quality sound, all based around the new generation Tesla 45mm driver.

Supplier's Notes:
DT 1990 PRO MKII - the evolution of a studio legend

The DT 1990 PRO MKII open-back studio headphones are the second generation of the popular premium model. They boast improved sound, increased comfort and industry-leading workmanship made in Germany. At the heart is the newly developed TESLA.45 driver technology. Suitable for mixing, mastering and editing, they are the perfect choice for discerning users who want to take their tracks to the next level.

The open-back reference

Thanks to their open-back design, the DT 1990 PRO MKII offers a natural, spatial sound pattern, which makes them ideal for professional mixing, mastering and editing.

The new generation of TESLA technology

TESLA.45

The DT 1990 PRO MKII feature the latest generation of TESLA driver technology TESLA.45. Redesigned from the ground up, the 45mm driver system boasts an excellent resolution, extremely low distortion and outstanding impulse behaviour. The TESLA.45 provides signal fidelity even at high volumes. Beyerdynamic's engineers have managed to combine studio-sound and flexibility thanks to weight-optimized materials. The DT 1990 PRO MKII has an impedance of 30 ohms, which means that the studio headphones can be used with a variety of end devices.

When it comes to sound, the reference headphones boast precise bass response right down to the lowest octaves. The slightly reduced highs compared to the previous model offer a high amount of information and help to avoid wrong decisions when mixing. Thanks to the wide soundstage, instruments and voices can be precisely pinpointed.

The sound transducers are manufactured at the company headquarters in Heilbronn, Germany. Each DT 1990 PRO MKII contains two TESLA.45 sound transducers, which are measured several times during the various production steps.

Maximum comfort

The DT 1990 PRO MKII is designed for several hours of use in the studio and offers outstanding comfort. The robust, flexible spring steel headband design ensures optimum contact pressure. Thanks to the skin-friendly velour ear pads, the headphones are comfortable to wear even during long sessions. The headband, consisting of soft memory foam and durable leatherette, adapts perfectly to the shape of the head. And thanks to the fontanelle recess, potentially pain-sensitive areas on the head are avoided. Both the headband and the ear pads can be replaced if necessary.

Two sound signatures

Designed to maximise flexibility, the DT 1990 PRO MKII is supplied with two different types of ear pads. The 'Producing Velours' fitted as standard deliver a full sound thanks to a slight bass boost. The 'Mixing & Mastering Velours' offer a more analytical sound. Two cables are also included: a 3m straight cable and a 5m coiled cable. Both cables have a lockable 3-pin mini-XLR plug. Everything is safely stored in a high-quality hard case.

Industry-leading workmanship

Thanks to German manufacturing expertise, the DT 1990 PRO MKII sets the benchmark in workmanship and durability. The TESLA.45 driver systems are measured within tight tolerances several times during production. High-quality materials such as anodised metal and hard-wearing plastics make the DT 1990 PRO MKII a long-term investment. In the interest of sustainability, almost every part of the premium headphones can be replaced.

Notes: ***B-STOCK: Box damaged, but product is in excellent condition and in perfect working order***


Updated version of Akai's excellent MPC One features increased storage, WiFi, Bluetooth and a striking new colour scheme. Full standalone beat creation masterpiece.

*** Introducing MPC Stems- March 2024 ***

Akai Professional now introduces the next chapter of sampling innovation and production powered by the groundbreaking MPC Stems bringing sampling into a new chapter.

With MPC Stems, you can access the raw building blocks of any sample or vinyl record, isolating the DNA of any record. Producers can now manipulate the Drums, Bass, Music, and Vocals, opening new creative possibilities.

Akai Professional introduces the ultimate creative workflow with Stems Separation seamlessly integrated into the leading MPC series, powered by MPC 2 Desktop Software.

With MPC Stems, producers and beat-makers can now unlock unmatched sampling creativity by easily isolating drums, bass, music, and vocals from any audio, vinyl recording, or sample revolutionizing the art of sampling.
Experience lightning-fast workflow with superior sound quality, keeping you inspired throughout the creative process.

Slice and isolate samples while maintaining chop regions across each of the four stem layers.

Take complete control with direct manipulation of stem layers from the pads, adjusting volume, pitch, pan, start, and end points with instant responsiveness.

MPC Stems requires MPC 2 Desktop Software running 2.14 or higher, compatible with MPC Live, MPC Live 2, MPC One, MPC One +, MPC X, MPC XSE, MPC Key 37, MPC Key 61, MPC Studio Mk 2 in Controller Mode.

Supplier's Notes:
MPC One +

Standalone MPC with 7" touchscreen / WiFi & Bluetooth

Supercharge your beats

Standalone supercharged

The new MPC One+ brings a jolt of energy to the standalone workflow to enhance creative speed and efficiency. With MPC One+, beatmakers producers to live performers can enjoy the creative journey like never before.

Pure standalone power in your hands

At the heart of MPC One+ is the powerful multi-core processor, the same featured in the flagship MPC X. This isn't a scaled down little brother, but a production unit built with the same DNA for high-level music creation. Instruments, audio, MIDI, and effects processing to bring the music to life. With an upgraded 16GB of internal storage, create and store more of your inspired moments right in MPC One+ for immediate access and recall.

Wireless for the future

New Wi-Fi and Bluetooth connectivity opens a new world of possibilities for your creative workflow. With Wi-Fi, you now have access to Ableton Link 3 to wirelessly connect and sync all your capable devices. Lock patterns and grooves for a mega creation without any cables or connections. Grab your Bluetooth enabled MIDI controller to lay down synths and melodies while your infectious rhythms have you vibing to the beat. Pair with a wireless QWERTY keyboard to search through folders and libraries accurately. With Wi-Fi and Bluetooth, your MPC One+ may be untethered but you are locked right into the music.

The centre of your creativity

MPC One+ is meant to be the focal point of your creative workspace. Whether you need compact, efficient beat-making or expanded interconnected production and composition, MPC One+ is versatile enough to accommodate any need. Connect your studio speakers to Stereo Outputs for accurate monitoring. A pair of Line Level Inputs are ready for keyboards, synths, instruments, hardware processors, and more. Expand your I/O with support for ClassCompliant Devices via a USB A host port. Connect your favorite plug-and-play USB MIDI Controllers, Audio Interface Devices, or removable storage drives, and take your production up another level with ease.

The workflow that sparks inspiration

MPC is the premier platform for all pattern-based music from EDM to Electro, Hip-Hop to House, and beyond. With 128 MIDI and 8 Audio Tracks per project, MPC One can capture any idea just as fast as you can think it. Browse thousands of MPC Plugin Instrument Presets to find that perfect sound to build melodies or shape harmonic phrases with massive sonics. Lay down serious drums and percussion with the signature MPC groove and precision. 16 Levels, Note Repeat, and Time Correct have defined the rhythmic feel for generations and continue to be the foundation for hit song after hit song. Use the pads in combination with Notes and Chords modes to unlock a completely new world of pad performance using the 16 velocity-sensitive RGB backlit pads.

One place for your sounds, samples, and songs

MPC One+ grows with you as you evolve on your music production journey. Update features, sounds, and samples wirelessly thanks to built-in Wi-Fi. When new MPC plugin instruments are available, you'll enjoy instant notifications as well as downloads and software authorizations right from your MPC One+. Browse and sync your curated Splice loops and samples and give your productions a breath of fresh inspiration whenever you need it. Keep all your sounds and instruments right within reach to instantly capture the most inspired moments anytime.

The next step of your MPC journey

MPC One+ is here for the producers and beatmakers ready to take the next step in the journey. Upgrade to MPC One+ from MPC Beats and load your old projects seamlessly on MPC One+. Your MPK mini or other class-compliant controller connects for powerful keyboard control of popular MPC plugin instruments like Hype, Mellotron, or Odyssey. For a limited time, receive a voucher for a free MPC Plugin instrument download from the MPC Store with the purchase and registration of a new MPC One+. MPC One+ has arrived and the musical possibilities ahead of you are endless with the power of its supercharged standalone workflow.

Technical Specifications

Pads
(16) velocity- and pressure-sensitive pads, RGB-backlit
(8) banks accessible via 4 Pad Bank buttons

Knobs
(4) 360- touch-sensitive Q-Link knobs for parameter adjustment
(1) data encoder for value adjustment and selection via push

Buttons
(31) dedicated-function buttons

Display
7.0" / 177 mm (diagonal)
5.9" x 3.7" / 151 x 94 mm (width x height)
Full-colour LED-backlit display with touch interface

Memory
Processor: Quad-core ARMr processor
RAM: 2 GB
Storage: 16 GB (over 7.8 GB available for user storage)

Power via power adapter (12 V, 3.0 A, center-positive, included)

Connections
(2) 1/4" (6.35 mm) TRS inputs (1 stereo pair)
(2) 1/4" (6.35 mm) TRS outputs (1 stereo pair)
(1) 1/8" (3.5 mm) stereo headphone output
(1) 5-pin MIDI inputs
(1) 5-pin MIDI output
(4) 4 TRS CV/Gate Jacks, 8 Outputs Total
(1) USB Type-A port
(1) USB Type-B port
(1) SD Card slot
(1) Power Adapter input

Dimensions (width x depth x height)
10.7" x 10.7" x 2.1"
272 x 272 x 53 mm

Weight
4.7 lbs / 2.1 kg

Notes: In 2025, MOOER has announced that it will be set to release its latest multi-effects pedal, the GS1000 Intelligent Amp Profiling Processor, an augmented intelligent amp profiling processor. Built on MOOER's advanced third-generation digital platform, the GS1000 introduces groundbreaking MNRS 2.0 technology, allowing guitarists around the world to emulate their favorite gear with immense precision -specifically, for distortion pedals, preamps, amplifier heads, and cabinets.

With this innovation, guitarists can fully capture the essence of their favorite guitar gear without owning the physical hardware, enabling them to carry their favorite tones wherever they go. Users are even able to use third-party IRs for cabinets of their choice, further enhancing the flexibility of this feature.

It's unforgettable how much MOOER's multi-effects pedals have impressed audiences so far, primarily thanks to their robust tone libraries. However, even still, the GS1000 continues to build upon this with storage for up to 120 sampling profiles, along with continued integration with the MOOER Cloud app. Essentially, this cloud integration facilitates infinite upload and download possibilities, giving users access to a global community of shared tones, widely expanding the number of accessible tones. More still, the GS1000's previously mentioned third-party IR cabinet simulations support up to 2048 sample points, guaranteeing studio-grade tonal accuracy across the board.

Even more impressive for the price is how the GS1000 inherits the dual-chain effects architecture that made previous MOOER gear so versatile, making it suitable for highly complex usage scenarios. With over 350 factory effects models and a Sub-Patch preset grouping mode, the GS1000 makes it far simpler for users to make seamless transitions between tones, all while maintaining effect tails to guarantee seamless transitions. Additionally, the reintroduction of the innovative AI-driven EQ Master builds upon MOOER devices' previous capabilities, using intelligent adjustments in real-time to match the musical style of players to tones, while still allowing manual tweaks for precise control.

Impressively, the GS1000 also comes packed with a Groove Station module, consisting of a combination of drum machine and looper features - including 56 high-quality drum kits! It offers a 480-second phrase looper with infinite overdubs, automated detection, and synchronization capabilities, resulting in an intuitive platform for solo jamming, composition, and live loop-based performance. Overall, the Groove Station acts as an all-in-one suite for creating full arrangements, without having to depend on additional backing tracks or bandmates.

Visually and functionally, the GS1000 really stands out thanks to its sleek visual design and enhanced user experience. For example, it features a convenient 5-inch high-resolution touch screen, which is also paired with ambient lighting to add a visually stunning element to the pedal. As a result, the GS1000 is not only designed for convenient touch-based control but also as a standout centerpiece in any guitar rig.

In addition to this touchscreen control system, the GS1000 also provides expanded connectivity options, improving upon the already impressive flexibility of past pedals. Most notably, it supports connectivity with the MOOER F4 wireless footswitch, as well as the ability to control presets via external MIDI devices.

As is expected from MOOER these days, the GS1000 also excels when it comes to routing opportunities, going above and beyond the typical stereo 14" inputs and outputs that would be expected from other brands. Yes, it still includes such staples, but it also includes an XLR microphone input, alongside balanced TRS outputs for long-distance signal clarity. The configurable serial/parallel stereo effects loop enables seamless integration of external effects, and the addition of Bluetooth audio input and MIDI compatibility broadens its wide range of use cases for live and practice-based applications.

Furthermore, the pedal also serves as a professional audio solution thanks to its low-latency 2-in/2-out ASIO USB sound card. Supporting up to 192kHz sampling rates, the GS1000 makes recording and live streaming effortless, as it can easily be used with software DAWs, MOOER's editing software, as well as the USB-based MIDI control.

The GS1000 will be available in two versions - the standard white edition, which is powered by mains power, and the GS1000 Li version, which introduces a 7.4V 4750mAh lithium battery, chargeable through its power port. With this upgrade, users can enjoy up to six hours of continuous power-free playtime, making it ideal for practicing, busking, and generally performing on the go.

Overall, for fans of MOOER's previous amp simulation offerings, the GS1000 represents a natural evolution, building on everything that made its predecessors great while introducing cutting-edge features and expanded capabilities. Most importantly, MOOER has promised to continuously update its MOOER 4.0 tonal algorithms on the MOOER Cloud in line with the release, keeping things fresh for the company's dedicated user base.

Notes: Based on technology from the award-winning LVX and MercuryX pedals, the Enzo X is a superbly powerful six-voice modular synth, with polyphonic pitch detection and no special pickup needed on your guitar.

Supplier's Notes:
Combining 5 synth modes, Enzo X incorporates each of these into a modular system UI/architecture from both the award-winning LVX and MercuryX pedals.

In addition to being a 6-voice poly synth, Enzo X includes 3 reverbs which are adapted from Mercury X (Prism algorithm), 5 Drives (including Bitcrush), a full stereo 2.5 second Delay and 5 modulation types.

To make this complex system immediately intuitive to navigate, Meris again leveraged the simple and easy to use UI first developed for LVX.

Notes: About as good as closed-back studio headphones get. The Lensys Pros feature 40mm aluminium-magnesium 'M' dome drivers for flat frequency response, exceptional sound isolation and ergonomic memory foam earpads for comfort during long sessions.

Supplier's Notes:
Closed-Back Headphones of Excellence

Experience limitless possibilities with Lensys Professional. Whether you're in the studio or on the move, these headphones provide the comfort and durability you need. Their closed design, meticulous ergonomics, and robust materials make them the ideal choice for any environment. With Focal drivers delivering extremely accurate sound, you can trust these headphones for professional use. Plus, the included case and two cables add further convenience and flexibility to your experience.

Comfort & Insulation

Comfort is essential for headphones used during extended work sessions. The Lensys Professional headphones are designed to be lightweight and feature memory foam ear cushions for a comfortable fit and excellent sound insulation. Additionally, the aerated fabric headband provides a consistent curvature, making it perfect for extended wear.

Accuracy. Anywhere.

The Lensys Professional headphones are designed to offer a neutral tonal balance and high accuracy, making them an excellent choice for mixing. Their versatility and reliability make them a valuable tool in any setting, instilling confidence when working with audio. Additionally, they provide an immersive experience for binaural work.

Focal Expertise

The 40mm aluminium-magnesium 'M' dome drivers provide linear frequency response, low distortion, and improved sound dispersion, resulting in highly accurate sound. Their slightly angled position in the earcups enhances the stereo image, while their acoustic load has been optimized for operation similar to that of a bass-reflex loudspeaker.

Notes: Developed in conjunction with Dutch software dons 112dB, the Echolocator brings precise, ultra-controllable delay to the hardware realm. Full stereo design with filter and shimmer modes, freeze function and foot switch input.

Supplier's Notes:
The Echolocator is a hands-on precision tool that lets you take manual and very musical control over small nuances. Like a bat navigating its environment in the dark, you can feel your way through your live performances and shape the delay response and character on the fly. Featuring 12 parameters for detailed sound design, save/recall functions for all parameters, MIDI control over all parameters and a sleek aluminium case to match our lineup of compact desktop units, the Echolocator will let your setup take flight in any live show, studio or sonic experiment.

Notes: ***B-STOCK: Box opened, product in perfect working order***


Third-generation version of the go-to Traktor controller for most serious DJs. Motorised jog wheels, colour displays and all the goodies you'd expect from a pro option.

Supplier's notes:
TRAKTOR KONTROL S4 lets you connect with your tracks in entirely new ways: Not only do its motorized jog wheels spin and react to nudging, scratching, pitch-fading, and backspins, they transmit cue points, loop markers, and more direct to your fingertips. And with RGB LED rings and high-res colour displays keeping all the info you need front and centre in the booth, everything you need is right where you need it - so you're free to focus on your mix.

Haptic drive - the jog wheel, reinvented:

Haptic Drive gives you a new kind of feedback on touch-sensitive, motorized jog wheels. Change the torque and start/stop times to suit any DJ style - whether you're a laid-back beatmatcher or backspin aficionado. Get closer to your music in three modes - Turntable Mode, Jog Mode, and Beatgrid Adjust Mode.

Three modes - mix with more:

Spinning jog wheels in Turntable Mode let you nudge and scratch like you would with vinyl. Or use classic Jog Mode for spin-to-nudge response. Because you feel loops and cue points as you scroll past them, you can line up tracks in a second and let your fingers do the mixing. Beatgrid Adjust Mode lets you adjust the track's Beatgrid on the fly, so you're always in sync.

RGB light rings - your sound, surrounded:

RGB light rings around each jog wheel deliver quick, responsive tempo and nudging visualization on each deck. DJs using four decks can stay on-track with jog wheel color-coding, and track-end warnings make sure you're never caught out.

New mixer FX - your one-touch secret weapon:

Easy to use and instant - Mixer FX give you control over club-grade filters, delays, gates, reverbs, and more. They're great for big transitions, or to accentuate and control the nuances and ambience of your set - depending on the dancefloor. Use them either on their own, or in combination with the usual TRAKTOR Deck FX for fun ways to shift your sound.

Colour displays - all hands on deck:

Create quick and evolving mixes with everything you need in one place. Each high-resolution display shows track, key, tempo, looping, Hotcue, and waveform information. Control Stems and samples directly with dedicated controls, and access powerful software tools at your fingertips.

Hard to break - carbon protect faders:

Upside-down carbon strips in our revised fader design mean better protection from liquids, dust, and other substances, because they no longer fall onto the conductive carbon surface. It's a simple trick that makes a big difference to their durability - especially in a world of DJ-booth drinks and packed-out dancefloors.

All you need - expanded connectivity:

The TRAKTOR KONTROL S4 is equipped with an integrated, club-grade 24-bit / 96-kHz audio interface, with external input options on every channel. Connect turntables for crate-diggers, drum machines and synths for hybrid wizards, or anything else you can think of to push the boundaries of your mix. When connected to TRAKTOR PRO 3, the software adds headroom to the signal, before TRAKTOR KONTROL S4 gives it an analogue boost - meaning better sound at club levels.

Traktor Pro 3 - crafted to perform:

Audio engine improvements and a redesigned user interface make TRAKTOR PRO 3 the best-sounding and most powerful version yet. Dig into extensive re-editing and mixing possibilities with loops, Hotcues, Flux Mode, samples, beat-syncing, and the industry's largest FX suite - for easy experimentation and soundscape creation.

Notes: The ultimate way to experience audio

Full bass immersion

SUBPAC is revolutionizing the way audio is created and experienced. Building off our success in the studio and on stage, the SUBPAC X1 represents the next step on our journey to deliver the highest-fidelity immersive audio solutions ever made. Trusted by top artists, producers and DJ's, including Timbaland, Finneas (Billie Eilish), Richie Hawtin, Fat Boy Slim, and Dub Fire, and used in thousands of studios worldwide. The SUBPAC X1 is the next frontier in audio that fully engages you in the physical dimension of sound, quietly and accurately transferring deep immersive bass frequencies directly to the body.

The SUBPAC X1 is simple to use, just connect with your Music, Video Games, VR Experiences, and Movies, and feel things like you've never experienced before - SUBPAC IS THE FUTURE OF AUDIO.

One Subpac. One system.

SUBPAC X1 is Designed for Dual Use

For your chair

Anywhere you sit and engage with audio

For you to wear

Big Bass, Anywhere

Connect to the deepest feeling

Unparalleled Bass Response.

Customise & control

Mobile and PC app control over filters, EQs, time alignment, tactile and headphone levels, and other advanced settings.

Power & precision

Redesigned audio path and software optimizations for improved fidelity, increased power and more headroom.

Comfort & flexibility

Interchangeable strapping solutions for both seated & wearable uses, providing a more comfortable and ergonomic fit.

Modular

Removable wired analogue I/O and remote for the X1, and the optional C1 for professional-grade interface options.

Bluetooth wireless freedom

Connect wirelessly via Bluetooth Bluetooth 5.0 AD2P, aptX HD & LE Audio.

Pro grade

Highest quality component selection to meet the most rigorous demands in the studio, on stage, and everywhere you connect to audio.

A unified experience

The SUBPAC X1 System Combines Hardware & Software

Inputs:

3.5mm Stereo TRS Analog Line Input
USB Audio Class 2.0 over USB Type-C
SUBPAC Ultra Wideband Wireless Audio
Bluetooth A2DP

Outputs:

3.5mm Stereo TRS Headphone Output
+130dB SNR, +122dBA DNR
-112dB THD+N, 2.0Vrms into *100kO
-110dB THD+N, 1.0Vrms into 32O
*100kO = 100,000O

Power:

Integrated rechargeable Li-Ion battery
Up to 8hrs battery life
USB Type C Power Delivery
Included USB Type C 45W charger
Tactile Frequency Range:

Adjustable between 1-250hz
Mobile Control App:

iOS and Android compatible

Notes: An interesting creative approach to programming and performing with MIDI instruments, the NGEN allows you to generate 16 tracks based on algorithmic and generative principles. Create sequences, then tweak and manipulate in real time.

Supplier's Notes:
NGEN is a unique 16-track MIDI sequencer designed in Sao Paulo / Brazil that lets you combine multiple algorithmic / generative generators and MIDI FXs to sequence multiple hardware or software MIDI instruments.

It offers a completely new way of creating and performing music by abstracting the composition process. Instead of writing sequences from scratch, NGEN lets you quickly generate a new sequence for your drums, basslines, melodies, and chord progressions with a push of a button.

NGEN includes classic Spektro Audio generators (ACDGEN and Polyform), completely new algorithmic generators (Drumgen, Samba, Arper, MARP, Pop, Turing, Shuffler), and practical generators (Input Sequencer, MIDI Player, Thru).

Each generator features an unique algorithm that combines different composition techniques with randomness so each generated sequence is unique.

After generating a sequence, you can tweak it in real time using the parameters available for each of the generators. Take things even further by applying MIDI FXs such as Chord or Glitch to your sequences.

All tracks in NGEN follow the same key and scale so it's easier to get multiple sequences that work well with each other.

Quickly save and restore your creations using patterns and projects stored in the microSD card.

NGEN's design is primarily focused on live performance so it features a 1.3" OLED screen, a minimalistic and easy to read interface, mechanical switches (Gateron Green), shortcuts for accessing different features, per track Program Change selector and auto-variation, extensive MIDI CC implementation, and a Performance mode for controlling up to 4 parameters at the same time.

NGEN also includes a variety of tools to let you explore this world of algorithmic sequencing such as assignable CV outputs, a built-in MIDI monitor, different clock generators, and much more.

Generators

ARPER- Algorithmic arpeggiator with real time controls
ACDGEN- Design to generate basslines and melodies using 8 different algorithms.
DRUMGEN- Generate drum patterns based on 3D probability templates based on different genres.
INPUT SEQ- Record incoming MIDI notes into a step sequencer then adjust transposition, density, and direction in real time.
MARP- Unique and experimental polyrhythmic arpeggiator.
MIDI PLAYER- Playback .mid files stored in the microSD card (1 track, up to 128 events).
POP- Generate chord progressions and control how they're played.
SAMBA- Percussive generator based on a 4-part euclidean sequencer.
SHUFFLER- Sequence and rearrange sliced loops (in a software or hardware sampler).
THRU- Modify sequences coming from other tracks or an external MIDI generator.
TURING- Generative generator based on a lockable 16-bit shift register (inspired by Music Thing's Turing Machine).

Hardware

USB-C
MIDI via USB or 3.5mm (Type A)
1.3" OLED Display
Internal Storage
microSD Storage
Mechanical Switches (Gateron Green)
4 CV Outputs (0-3V)
I2C via 3.5mm (for future development)
Carbon Steel case (1.5mm)
High Quality 3M Polycarbonate Label

Specs

Product Weight: 650g
Product Size: 155 x 105 x 50 mm
Product Box Size: 18 x 13.5 x 9 cm
Shipping Box Size: 22 x 16 x 12 cm
Shipping Weight: 750g