Today Only: Industrial/Noise sale vinyl

Review: Who, or perhaps what, was Tomo Akikawabaya? In truth, nobody really seems to sure on the answer, other than the fact this mysterious Japanese artists decided to release a serious of incredible synth-driven singles during the 1980s, before vanishing back into the dry ice of whatever smoke machine they escaped from. A musical genie, here only to bestow a limited number of gems on us, and then disappear forever. Swerving interviews and photos doesn't help the search, but The Castle II at least allows us to explore his work in depth, across several tracks. These range from the twisted cabaret weirds of 'Objet D'Amour', to the driving electro-punk of 'Le Voleur', grand and decidedly 1980s-sounding synth rock on 'The April', and New Romantic-esque pop on The Castle (II). Essential stuff.

Review: Purge is the much anticipated new album from rock behemoths Godflesh. The band is led by frontman Justin Broadwick - formerly half of Techno Animal with The Bug's Kevin Martin - who has expressed his discomfort at being quizzed about his music on social media. He battles with autism and PTSD and uses music as therapy and a release from the stress and isolationism that comes with those conditions. This record finds the band look back to their 1992 album Pure which is what first marked them out as special and it's raw, dense, unrelenting heavy rock with snarled vocals that offer comfort for the despairing.

Review: Shanghai-based, Malaysian-born artist Tzusing offers us a future-facing and experimental techno record that also serves as a meditation on "China's complicated history of patriarchal heteronormativity, and how these archaic double standards continue to dominate the culture in pervasive, often invisible ways." It is packed with dancefloor highlights after a deep-thinking cultural monologue to start with. Hard and funky drums, twisted sonics, manic uptempo bangers and wheezing voices and downtempo rhythms all combine into something utterly unique.