Back catalogue: Rock

Review: Lotti Golden's debut is a fearless dive into the chaotic, electric world of late-60s New York, where countercultural misfits and street prophets populate her genre-warping narratives. Opener 'Motor-Cycle Michael' sets the pace with its freewheeling energy, while 'Gonna Fay's' drifts into bluesy psychedelia. The sprawling 'A Lot Like Lucifer (Celia Said Long Time Loser)' shifts between swaggering rock and theatrical storytelling, mirroring the unpredictability of its characters. 'Who Are Your Friends' leans into funk-driven introspection, while 'Get Together (With Yourself)' and 'You Can Find Him' push her vision further, blending soul and gospel-inflected harmonies. Golden's distinctive approach, combining raw honesty with a complex musical palette, firmly establishes her as an artist who reshapes the boundaries of pop and rock. Born and raised in Brooklyn, Golden was drawn to music from an early age, nurtured by her parents' passion for art and culture. At just 16, she caught the attention of Bob Crewe's Saturday Music, signing as a staff writer. But Golden's vision reached beyond writing for othersishe was determined to tell her own story. With vivid lyrics that captured her experiences in New York City, her debut album chronicles youthful defiance, introspection and transformation.

Review: If you're over the age of 30 it's probably quite alarming to think David Gray's monumental smash hit single 'Babylon' is now almost a quarter century old. A track that appeared everywhere, from TV ads to films to the radio for the next 25 years or so, it's the sort of song that artists can find it incredibly hard to come back from. Career defining, but also limiting, its enormous success melding with the very identity of the person who made it. Dear Life, Gray's 13th studio album and his first since 2021's Skellig, proves how unfair that familiar pattern can be. Deft songwriting and first class musicianship abound, although the record is unlikely to win any new disciples - this is very much Gray doing Gray the right way, a soft rock-pop-jazz-tronica workout that's easy to get along with, and get a little lost in - it's going to be just what the therapist ordered for those already converted.

Review: Guns N' Roses' 2004 compilation taps into the heart of their storied career, delivering a powerful mix of their most iconic tracks. The energy that defined their 80s and early 90s output is still evident, whether it's the anthemic riffs of 'Sweet Child O' Mine' or the soaring balladry of 'November Rain.' This vinyl reissue brings those songs to life with a warmth that digital formats just can't replicate. It's not just about nostalgiaithis collection showcases the rawness and precision that made the band legends, capturing their wild spirit and musical mastery in a way that feels as vital today as it did when these tracks first hit.