Review: To their credit and our benefit as fans, Oasis are smartly leaning into the spiking demand for the atmospheric and nostalgic formnat that is the 7" single and celebrate the 30th anniversary of 'Some Might Say' in doing so. It's a seminal single - their first UK number one and a track you can envision being a great set opener at their upcoming reunion shows. This version is remastered so it'll leap out of your speakers like never before. A guaranteed scorcher for any knees-up you're planning with your mates.
Review: New Zealand dance-pop trio Obscure Desire are among the finest to come out of the first wave of the Auckland club scene in the 80s, which centered around the venue named A Certain Bar. Auckland's answer to the Hacienda. They used the inspiration from that scene to craft this EP of effervescent pop, new wave and funk. The group were vehemently DIY and disbanded shortly after the release so the original pressing sells for hundreds because of its scarcity. This reissue comes after a surge in popularity over the past decade making this hotly-anticipated short but exceptional collection properly accessible for the first time.
Review: Ozean's eponymous EP, originally recorded in 1993 but now receiving its first vinyl release, is a testament to the band's splendid blend of shimmering, ethereal shoegaze. From the moment 'Scenic' envelops listeners with its swirling distortion and awesome melodies, it's clear that Ozean's music is something special. The dreamy soundscapes of 'Fall' and 'Porcelain' further immerse the listener, transporting them to a world of otherworldly beauty and introspection. Inspired by influences like Slowdive, Cocteau Twins and Lush, Ozean's music captures the essence of the British shoegaze scene while adding their own unique twist. Lisa Baer's otherworldly vocals, influenced by Astrud Gilberto and The Jesus And Mary Chain, perfectly complement the band's atmospheric sound. Despite their brief existence and only two live shows, Ozean's impact is felt profoundly in this remastered EP. Recorded on a Fostex Model 80 1/4" 8-Track reel-to-reel tape recorder, the original cassette recordings have been meticulously remastered for this vinyl release, thanks to Tim Green of Louder Studios. Each track is a timeless snapshot of late adolescent wonder and experimentation, preserving Ozean's legacy for generations to come.
Review: O Terno's evolution from 60s-inspired rock to their latest album shows a bold departure from mainstream expectations. While their earlier work hinted at potential commercial success akin to Los Hermanos, the band chose a path less traveled, embracing subversive melodies and instrumentation. Their latest offering is a perfect example to this artistic evolution. seamlessly blends intimate arrangements with a full-band approach, resulting in a captivating sonic experience. Tracks like 'O Bilhete' exude a raw, close-up intimacy, while 'E no Final' delivers cinematic grandeur. Lyrically, the album navigates diverse themes, from sociopolitical commentary to introspective musings. A standout collaboration with Devendra Banhart and Shintaro Sakamoto on 'Volta E Meia' adds depth, exploring themes of romance and self-discovery. Overall, is a beautifully crafted record that defies genre conventions, cementing O Terno's status as innovative trailblazers in the Brazilian music scene.
Review: The world was stunned by Sinead O'Connor's untimely death, but in such periods it's only right to cast our minds back over her huge body of work and be reminded of her talent. It's no surprise to see her seminal early albums getting reissued and 1993's Universal Mother is right up there with her most cherished works. In typical O'Connor style the album opens up with a quote from prominent feminist Germaine Greer, but the album was in fact a relatively grounded, direct affair with plenty of accessible grooves from the rolling 'Fire On Babylon' to the spiritually charged 'Thank You For Hearing Me', reportedly written about her relationship with Peter Gabriel.
Review: In the many-sided legacy Sinead O'Connor left in her wake, there were many surprises and anomalies which benefit from a fresh appraisal since her tragic passing. Her 1992 album Am I Not Your Girl? had a mixed reception on its release, as she paused on her contemporary dance-tinged pop production to indulge in big band and torch song covers. Similarly to Bjork tackling 'It's Oh So Quiet', it was a divisive move in a career full of them, but in the fullness of time these sincere pieces are but another vehicle for O'Connor's incredible voice, proving she was as versatile as she was forthright. A one of a kind talent, never to be repeated.
Review: Chicago duo The O'My's return with Trust The Stars, their latest album on HiyaSelf Recordings, the label launched by Nightmares On Wax. Blending soul, hip-hop, alt-r&b and jazz, Nick Hennessey and Maceo Vidal-Haymes craft a richly textured sound shaped by collaborations with artists like Jamila Woods, Konny Kon, and Pink Siifu. This album reflects themes of love, loss and self-discovery, showcasing the duo's evolved sound and their unique position within Chicago's vibrant music scene.
Review: A limited edition (300 only) coloured vinyl collection of tracks from early Oasis days rendered in acoustic, unplugged style, culled from a variety of sources - the Simon Mayo Show, Gary Crowle and Mark Lamarr's GLR shows, the Orpheum Theatre, Boston, a Creation Records Birthday Party at London's Royal Albert Hall and the BBC Radio1 Live Lounge. From 'Wonderwall' to 'Live Forever', the songs are the most cherished and celebrated among the Mancunians' canon. They're no less strong as a result of these stripped down arrangements, though, and this compilation sheds a new light on an already much loved period in indie rock history.
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