Back catalogue: Rock (All)

Review: ***B-STOCK: Record slightly warped***


John Lee Hooker's Burning Hell is a searing and intense album that captures the raw power and emotion of the blues. Originally released in 1964, the album has been reissued on vinyl and remains n important milestone to Hooker's artistry. The album opens with the title track, a slow-burning blues that sets the tone for the rest of the album. Hooker's vocals are raw and passionate, and his guitar playing is both hypnotic and driving. The album also features several classic blues standards, including 'Baby Please Don't Go' and 'Key to the Highway.' The album is a timeless classic that continues to inspire and amaze listeners today.

Review: Originally recorded in 1966 during his remarkable comeback - he'd been playing since the 20s but was rediscovered by various musicologists and found a new audience at Newport and Philadelphia's folk festivals in 1963 - this album demonstrates why he became a beloved mainstay of the folk revival. Unlike traditional bluesmen, Hurt's style is rooted in melody and intricate fingerpicking, making him a profound influence on the folk musicians of the 60s. His dexterous guitar work, often feeling as if multiple players are involved, pairs seamlessly with his soothing, almost meditative voice. Tracks like 'Pay Day', 'Louis Collins', 'Spike Driver's Blues', and 'Make Me a Pallet on Your Floor' showcase his ability to transform folk and blues traditions into something uniquely personal. He even delivers a rare but successful slide guitar performance on 'Talking Casey'. A particularly stunning moment comes in 'Beulah Land', where his intricate cross-rhythms add new emotional depth to a traditional song. Every track exudes a gentle, comforting presence, as if Hurt himself is sitting beside the listener, easing their troubles. His voice, often described as a balm for the soul, remains as rich and warm as ever, untouched by time. A beautiful, healing and profoundly moving experience that continues to impress more than half a century later.