Back catalogue: Rock (All)

Review: GNOD, the ever-evolving psychedelic noise-rock collective, returns with Inner Fucking Peace, a transformative collaboration with Portuguese vocalist MC Sissi. Known for constantly reinventing their sound, GNOD delivers an album that pushes new boundaries. Comprised of eight tracks for voice and electronics, this release merges experimental textures with Sissi's stream-of-consciousness Portuguese lyrics. The album showcases a broad sonic palette, from the minimalist tuned percussion of 'Stop' to the ominous electronics and crashing industrial drums on 'Get Out', reminiscent of GNOD's touring partners Harrga. Tracks like 'Tea & Eggs' delve into reggaeton-infused minimal synth, while 'Flute Theme' centers around chopped and screwed woodwind arrangements. MC Sissi's contributions, often improvised, bring an emotional depth to the album. Her irate vocals, mournful crooning and playful autotune add a new dimension to GNOD's industrial beats and spaced-out synths. With tracks ranging from hypnotic hand drum workouts to the gloom-laden 'Cannela Crematoria', Inner Fucking Peace marks another bold, unpredictable chapter in GNOD's extensive discography, leaving fans eager for what's next.

Review: Goat's latest eponymous album continues their enigmatic journey through the realms of mysticism and musical exploration. The Ouroboros, symbolising eternal cycles of death and rebirth, perfectly encapsulates the band's ever-evolving sound. Building on their previous worksilike the introspective Medicine and the haunting soundtrack to The Gallows Poleithis release dives deep into rhythmically charged, ritualistic grooves with a blend of infectious funk and transcendent psychedelia. Tracks like 'One More Death' and 'Goatbrain' set the tone with their hedonistic funk and aggressive guitar fuzz, resonating with long-time fans. Meanwhile, 'Fools Journey' offers a meditative experience with its free jazz influences and shamanic textures, reminiscent of their side project Djinn. 'Frisco Beaver' revisits the party vibes of 2012's World Music, while 'Zombie' and 'Ouroboros' merge hip hop elements with celebratory chants and energetic breakbeats. As Brad Dourif's character from Wiseblood wisely notes, the journey is about finding escape and renewal. With this album, Goat delivers an exhilarating experience, reinforcing their status as pioneers in the psychedelic and ritualistic music landscape. This pressing on vinyl offers a fitting tribute to their dynamic legacy.

Review: Goat returns with their latest self-titled album, the third in as many years, to ecstatic fans of the band. This ever-enigmatic collective continues to push boundaries, delivering a record that blends rhythmically intense rituals with an unmistakable energy that both invigorates dancefloors and stimulates the mind. The album kicks off with 'One More Death' and 'Goatbrain,' two tracks that capture Goat's hedonistic spirit through sharp funk grooves and guitars drenched in fuzz and wah. These tracks set the tone for an album that never shies away from exploration. The closing track, 'Ouroborus,' inspired by the ancient symbol of cyclical rebirth, showcases the band's love for hip hop, combining infectious chants with relentless breakbeats reminiscent of Lalo Schifrin's work. This finale brings the journey full circle, echoing the idea of endless renewal. Goat's new album continues to affirm their dedication to transcendence and transformation, offering listeners a potent escape into a world where the only constant is change.