Back catalogue: Rock (All)

Review: After recording sessions for their legendary fifth LP Combat Rock would come to a close at the end of 1981, punk heroes The Clash embarked on a six-week jaunt across Japan, New Zealand, Australia, Thailand (where they shot the iconic cover for their forthcoming record) and Hong Kong. Hitting the city of Kowloon on 25th February only a few months out from record release, this was an era when Hong Kong was still a colony of the British Empire (the last existing dependency of any significance at this time) and enjoyed less government interference in personal freedom, yet there had never been an act as bold as The Clash over to visit. With a setlist that reads today more like a greatest hits including the signature opener 'London Calling' along with bangers galore from 'The Guns Of Brixton' to 'I Fought The Law', '(White Man) In Hammersmith Palais' and 'Jimmy Jazz', with the band even treating the crowd to an early earful of Combat Rock lead single 'Know Your Rights' more than two months before official release (a time when no one had smart phones to film and throw up on YouTube or include on Setlist.fm as "New Song"), this performance and tour would also be one of the final to feature drummer Topper Headon, who would be fired due to his heroin addiction just a few months down the line, marking the end of the original line-up.

Review: Like owning a little piece of history with a bonus memoir, The Clash's Combat Rock was - is - the band's best selling album of all time and highest charting in both the US and UK. This was also the last time Joe Strummer, Mick Jones, Paul Simonon and Topper Headon would record together before the lineup changed, and the track list contains at least two of the outfit's most recognised songs - namely 'Should I Stay Or Should I Go' and 'Rock the Casbah'.

The original version of the LP was less expansive than this special edition released to mark 40 years since the long-player went on sale. The addition of The People's Hall offers fans a chance to relish in no less than 12 extra tracks, including collaborations with the legendary Ranking Roger - 'Rock the Casbah' and 'Red Angel Dragnet' - the iconic late-frontman of The Beat more than ideally suited to the crew's sound.

Review: 1982's seminal fifth and final album from the classic lineup of Joe Strummer, Mick Jones, Paul Simonon and Topper Headon needs little introduction, but will now receive some additional sonic context in the guise of 'The People's Hall.'

Compiled by the living members of The Clash, this expanded edition features 12 previously unreleased rarities and outtakes including a version of 'Know Your Rights' recorded at The People's Hall on The Rolling Stones' Mobile Studio.

Offering greater insight into the recording, demoing and ideas process behind arguably the last definitive Clash album as well as one of the all time punk-rock greats, these additions are essential for any true Clash cultist.

Review: Album number five from legendary British post-punk and New Wavers The Clash was first unveiled on 14th May 1982. 40 years on it finds itself the centre of attention once more, re-released both in this original version and an extended edition with bonus record The People's Hall. Sticking to this outing, fans will likely already know that the record as it was first intended remains the band's most successful of all time, outselling all that came before or after and charting higher than any other in the US and UK alike.

Respectively hitting number seven and number two in the charts of the day, and spending 23 weeks in the top 40 albums in Britain and a mammoth 61 weeks in the LP league tables Stateside, today it's a double-platinum testament to just how potent the combination of Joe Strummer, Mick Jones, Paul Simonon and Topper Headon was. The last record to feature that iteration of the outfit, tracks like 'Rock the Casbah' and 'Should I Stay Or Should I Go' remain utterly timeless.

Review: Given The Clash's wholehearted embrace of dub and reggae in their sound, it was significant when they came to Jamaica for the World Music Festival in 1982. Now you can relive that momentous gig thanks to a high quality sound board recording which captures the energy of the performance and the band when they were riding high off the back of Combat Rock. The hits are non-stop, from 'London Calling' to 'The Guns Of Brixton', 'Bankrobber' to 'Should I Stay Or Should I Go?'. The kind of band who truly made their songs come to life on stage, no one did it like The Clash - stick this on and you'll have no choice but to agree.

Review: The Clash are post-punk icons whose music still draws in new generations of anarchists some 40-odd years after the band peaked. Back in 1978, they were still at their very best and it was then that they recorded the BBC Sessions that now make up this new vinyl release. Alongside all the tunes from those recordings are a series of selections from their 1982 East Coast tour in the United States of America. All the classics are here such as 'London's Burning', 'I Fought The Law', 'Should I Stay Or Should I Go' and many more along with some less-known gems.

Review: Following the end of recording sessions for what would become their iconic fifth full-length Combat Rock in December 1981, punk legends The Clash would embark on a six-week tour of Japan, Australia, New Zealand, Thailand (where they would shoot the cover for the upcoming album) and Hong Kong. Captured in Kowloon on the 25th February three months before record release, and during a time where the city enjoyed less stringent government oversight, there had still never been an act as rambunctious and declarative as The Clash to hold court. Delivering a set that now reads like a greatest hits from the obligatory opener of 'London Calling' to bangers such as 'Tommy Gun', 'The Guns Of Brixton', 'I Fought The Law' and 'Jimmy Jazz', while even unveiling Combat Rock lead single 'Know Your Rights' two months before studio release, the performance and subsequent tour is also noteworthy for being one of the last with the original line-up, as drummer Topper Headon would be fired due to his heroin addiction only a couple of months later.

Review: In December 1980, The Clash released the sprawling 36-song Sandinista! album, which marked their transition from rabble rousing guitar slingers to the genre-splitting musical experimentalists that inhabited the second part of their career. This high quality recording catches them in mid change, still including the pogo-friendly likes of 'London Calling' - the opening tune here - but also an echo chamber-drenched version of reggae-inspired original 'Bankrobber' and their hip-hop anthem 'The Magnificent Seven'.